Reflections on Aristotle's treatise of poesie containing the necessary, rational, and universal rules for epick, dramatick, and the other sorts of poetry : with reflections on the works of the ancient and modern poets, and their faults noted / by R. Rapin.
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Title
Reflections on Aristotle's treatise of poesie containing the necessary, rational, and universal rules for epick, dramatick, and the other sorts of poetry : with reflections on the works of the ancient and modern poets, and their faults noted / by R. Rapin.
Author
Rapin, René, 1621-1687.
Publication
London :: Printed by T.N. for H. Herringman ...,
1674.
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Subject terms
Aristotle. -- Poetics.
Poetry -- Early works to 1800.
Poetry -- History and criticism.
Aesthetics -- Early works to 1800.
Cite this Item
"Reflections on Aristotle's treatise of poesie containing the necessary, rational, and universal rules for epick, dramatick, and the other sorts of poetry : with reflections on the works of the ancient and modern poets, and their faults noted / by R. Rapin." In the digital collection Early English Books Online. https://name.umdl.umich.edu/A58068.0001.001. University of Michigan Library Digital Collections. Accessed May 1, 2024.
Pages
XX.
THe design of a Poem must consist of
two Parts, of Truth, and of Ficti∣on;
Truth is the foundation, Fiction
makes the accomplishment. And Ari∣stotle
calls the mixture of these two, the
constitution of things: or the Fable,
which is no other than the subject of a
Poem, as the Design or Fable of the
Andria in Terence, are the Loves of
Pamphilus and Glycerium. The Fable
of Hyppolitus in Euripides, is the passion
of▪ Phaedra for her Son-in-law; this
passion causes the misfortunes of Hyp∣politus,
descriptionPage 29
and the disorders of Theseus's
house. The Fable of Homer's Iliad
is the anger of Achilles, who by his pre∣sence,
or by his absence from the Greci∣an
Army, determines the good or ill
success of all his party; the anger of
this Prince, which proceeds of the dis∣content
he received from Agamemnon,
is the truth of the History, which is
adorn'd with all the Episodes and varie∣ty
of Adventures that enrich this Po∣em:
and the Poet fills not his Poem
with that variety of extraordinary E∣vents,
but to give delight; which he
could never perform, if he had nothing
to say but truth; and he would never
be regarded, if all were fabulous:
therefore History and Fiction must ne∣cessarily
enter the composition of the
Subject.
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