The workes of Beniamin Ionson

Title

The workes of Beniamin Ionson

Author

Jonson, Ben, 1573?-1637.

Publication

London :: Printed by W: Stansby, and are to be sould by Rich: Meighen,

An⁰ D. 1616.

Rights/Permissions

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Link to this Item

https://name.umdl.umich.edu/A04632.0001.001 content_copy

Cite this Item

"The workes of Beniamin Ionson." In the digital collection Early English Books Online. https://name.umdl.umich.edu/A04632.0001.001. University of Michigan Library Digital Collections. Accessed May 10, 2025. content_copy

Contents

• engraved title page
• The Catalogue.
• encomia
  • Ad V. CL. BEN. IONSONIVM, Carmen protrepticon.
  • TO BEN. IONSON, on his workes.
  • Vpon SEIANVS.
  • To his worthy friend, the Author, H. HOLLAND.
  • Amicissimo, & meritissimo BEN: IONSON.
  • AD VTRAMQVE ACADEMIAM, DE BENIAMIN IONSONIO.
  • To my deare friend, M. BEN: IONSON. Vpon his Foxe.
  • VPON THE SILENT WOMAN.
  • To my friend M. BEN: IONSON. Vpon his Ca∣tiline.
• title page
• TO THE MOST LEARNED, AND MY HONOR'D FRIEND, Mr. Cambden.
• The Persons of the Play.
• EVERY MAN IN HIS HVMOVR. PROLOGVE.
• Act I.
  • Scene I.
  • Act. I. Scene II.
  • Act I.Scene II.
  • Act I. Scene IIII.
  • Act I. Scene V.
• Act II.
  • Scene I.
  • Act II. Scene II.
  • Act II.Scene III.
  • Act II. Scene IIII.
  • Act II. Scene V.
• Act III.
  • Scene I.
  • Act III. Scene II.
  • Act III. Scene III.
  • Act III Scene IIII.
  • Act III. Scene V.
  • Act III. Scene VI.
  • Act III. Scene VII.
• Act IIII.
  • Scene I.
  • Act IIII. Scene II.
  • Act IIII. Scene III.
  • Act IIII. Scene IIII.
  • Act IIII. Scene V.
  • Act IIII. Scene VI.
  • Act IIII. Scene VII.
  • Act IIII. Scene VIII.
  • Act III. Scene IX.
  • Act IIII. Scene X.
  • Act IIII. Scene XI.
• Act V.
  • Scene I.
  • Act V. Scene II.
  • Act V. Scene III.
  • Act V. Scene IIII.
  • Act V. Scene V.
• note
• title page
• TO THE NOBLEST NOVRCERIES OF HVMA∣NITY, AND LIBERTY, IN THE KINGDOME: The Innes of Court.
• The Names of the Actors.
• characters
• induction
  • part
• Act I.
  • Scene I.
  • Act I. Scene II.
  • Act I. Scene III.
• Act II.
  • Scene I.
  • Act. II. Scene II.
  • Act II. Scene III.
  • Act II. Scene IIII.
  • Act II. Scene V.
  • Act II. Scene VI.
• Act III.
  • Scene I.
  • Act III. Scene II.
  • Act III. Scene III.
  • Act III. Scene IIII.
  • Act III. Scene V.
  • Act III. Scene VI.
  • Act III. Scene VII.
  • Act III. Scene VIII.
  • Act III. Scene IX.
• Act IIII.
  • Scene I.
  • Act IIII. Scene II.
  • Act IIII. Scene III.
  • Act IIII. Scene IIII.
  • Act IIII. Scene V.
  • Act IIII. Scene VI.
  • Act IIII. Scene VII.
  • Act IIII. Scene VIII.
• Act V.
  • Scene I.
  • Act V. Scene II.
  • Act V. scene III.
  • Act V. Scene IIII.
  • Act V. Scene V.
  • Act V. Scene VI.
  • Act V. Scene VII.
  • Act V. Scene VIII.
  • Act V. Scene IX.
  • Act V. Scene X.
  • Act V. Scene XI.
• Which, in the presentation before Queene E. was thus varyed, BY MACILENTE.
• note
• title page
• TO THE SPECIALL FOVNTAINE OF MANNERS: The Court.
• The Persons of the Play.
• CYNTHIAS REVELS
  • After the second sounding.
  • The third sounding. PROLOGVE.
• Act I.
  • Scene I.
  • ACT I. Scene II.
  • Act I. Scene III.
  • Act I. Scene IIII.
  • Act I. Scene V.
• Act II.
  • Scene I.
  • Act II. Scene II.
  • Act II. Scene III.
  • Act II. Scene IIII.
  • Act II. Scene V.
• Act III.
  • Scene I.
  • Act III. Scene II.
  • Act III. Scene III.
  • Act III. Scene IIII.
  • Act III. Scene V.
• Act IIII.
  • Scene I.
  • Act IIII. Scene II.
  • Act IIII. Scene III.
  • Act IIII. Scene IIII.
  • Act IIII. Scene V.
• Act V.
  • Scene I.
  • Act V. Scene II.
  • Act V. Scene III.
  • Act V. Scene IIII.
  • Act V. Scene V.
  • Act V. Scene VI. The Hymne.
  • Act V. Scene VII. The first Masque.
  • Act V. Scene VIII.
  • Act V. Scene IX. The second Masque.
  • Act V. Scene X.
  • Act V. Scene XI.
• THE EPILOGVE.
• note
• title page
• TO THE VERTVOVS, AND MY WORTHY FRIEND, Mr. Richard Martin.
• The Persons of the Play.
• POETASTER.
  • After the second sounding.
  • The third sounding. PROLOGVE.
• Act I.
  • Scene I.
  • Act I. Scene II.
  • Act I. Scene III.
• Act II.
  • Scene I.
  • Act II. Scene II.
• Act III.
  • Scene I.
  • Act III. Scene II.
  • Act III. Scene III.
  • Act III. Scene IIII.
  • Act III. Scene V.
• Act IIII.
  • Scene I.
  • Act IIII. Scene II.
  • Act IIII. Scene III.
  • Act IIII. Scene IIII.
  • Act IIII. Scene V.
  • Act IIII. Scene VI.
  • Act IIII. Scene VII.
  • Act IIII. Scene VIII.
  • Act IIII. Scene IX.
• Act V.
  • Scene I.
  • Act V. Scene II.
  • Act V. Scene III.
• TO THE READER.
  • The Persons.
• note
• title page
• TO THE NO LESSE NOBLE, BY VERTVE, THEN BLOVD: Esme L. AVBIGNY.
• The Argument.
• The Persons of the Play.
• SEIANVS. Act. I.
• Act. II.
• Act III. THE SENATE.
• Act IIII.
• Act V.
• note
• title page
• TO THE MOST NOBLE AND MOST EQVALL SISTERS THE TWO FAMOVS VNIVERSITIES FOR THEIR LOVE AND ACCEPTANCE SHEW'N TO HIS POEME IN THE PRESENTATION BEN. IONSON THE GRATEFVLL ACKNOWLEDGER DEDICATES BOTH IT AND HIMSELFE.
• The Persons of the Play.
• VOLPONE, OR THE FOXE. THE ARGVMENT.
• PROLOGVE.
• Act I.
  • Scene I.
  • Act I. Scene II.
  • Act I. Scene III.
  • Act I. Scene IIII.
  • Act I. Scene V.
• Act II.
  • Scene I.
  • Act II. Scene II.
  • Act II. Scene III.
  • Act II. Scene IIII.
  • Act II. Scene V.
  • Act. II. Scene. VI.
  • Act II. Scene VII.
• Act III.
  • Scene I.
  • Act III. Scene II.
  • Act III. Scene III.
  • Act III. Scene IIII.
  • Act III. Scene V.
  • Act III. Scene VI.
  • Act. III. Scene. VII.
  • Act III. Scene VIII.
  • Act III. Scene IX.
• Act IIII.
  • Scene I.
  • Act IIII. Scene II.
  • Act IIII. Scene III.
  • Act IIII. Scene IIII.
  • Act IIII. Scene V.
  • Act IIII. Scene VI.
• Act V.
  • Scene I.
  • Act V. Scene II.
  • Act. V. Scene. III.
  • Act V. Scene IIII.
  • Act IIII. Scene V.
  • Act V. Scene VI.
  • Act V. Scene VII.
  • Act V. Scene VIII.
  • Act V. Scene IX.
  • Act V. Scene 10.
  • Act V. Scene XI.
  • Act V. Scene XII.
• note
• title page
• TO THE TRVLY NOBLE, BY ALL TITLES. Sir Francis Stuart:
• The Persons of the Play.
• EPISCOENE, OR The silent Woman. PROLOGVE.
• Another. Occasion'd by some persons impertinent exception.
• Act I.
  • Scene I.
  • Act I. Scene II.
  • Act I. Scene III.
  • Act I. Scene IIII.
• Act II.
  • Scene I.
  • Act II. Scene II.
  • Act II. Scene III.
  • Act II. Scene IIII.
  • Act II. Scene V.
  • Act II. Scene VI.
• Act III.
  • Scene I.
  • Act. III. Scene II.
  • Act III. Scene III.
  • Act III. Scene IIII.
  • Act III. Scene V.
  • Act III. Scene VI.
  • Act III. Scene VII.
• Act IIII.
  • Scene I.
  • Act IIII. Scene II.
  • Act IIII. Scene III.
  • Act IIII. Scene IIII.
  • Act IIII. Scene V.
  • Act IIII. Scene VI.
  • Act IIII. Scene VII.
• Act V.
  • Scene I.
  • Act V. Scene II.
  • Act V. Scene III.
  • Act V. Scene IIII.
• note
• title page
• TO THE LADY, MOST DESERVING HER NAME, AND BLOVD: Mary, LA. WROTH.
• The Persons of the Play.
• The Alchemist. THE ARGVMENT.
• PROLOGVE.
• Act I.
  • Scene I.
  • Act I. Scene II.
  • Act I. Scene III.
  • Act I. Scene IIII. FACE, DOL, SVBTLE.
• Act II.
  • Scene I.
  • Act II. Scene II.
  • Act II. Scene III.
  • Act II. Scene IIII.
  • Act II. Scene V.
  • Act II. Scene VI.
• Act III.
  • Scene I.
  • Act III. Scene II.
  • Act III. Scene III.
  • Act III. Scene IIII.
  • scene - 5
• Act IIII.
  • Scene I.
  • Act IIII. Scene II.
  • Act IIII. Scene III.
  • Act IIII. Scene IIII.
  • scene - 5
  • Act IIII. Scene VI.
  • scene - 7
• Act V.
  • Scene I.
  • scene - 2-3
  • Act V. Scene IIII.
  • scene - 4
  • Act V. Scene V.
• note
• title page
• TO THE GREAT EXAMPLE OF HO∣NOR, AND VERTVE, THE MOST NOBLE William, EARLE OF PEMBROKE, LORD CHAMBERLAINE, &c.
• The Persons of the Play.
• CATILINE. Act I.
• Act II.
• act - 3
• act - 4
• act - 5
• note
• title page
• TO THE GREAT EXAMPLE OF HONOR AND VERTVE, THE MOST NOBLE WILLIAM, EARLE OF PEMBROKE, L. CHAMBERLAYNE, &c.
• EPIGRAMMES.
• THE FORREST.
• title page
• At Fen-Church.
  • The speeches of Gratulation.
  • descriptions
  • speech
  • Ouer the Altar was written this Inscription:
  • description
  • speech
• title page
• A PANEGYRE.
• title page
• A SATYRE.
  • A PRIVATE ENTERTAINMENT of the KING and QVEENE, on May-day in the Morning, At Sir WILLIAM CORNVVALLEIS his house, at High-gate. 1604.
  • The entertainment of the tvvo Kings of Great BRITAINE and DENMARKE at THEOBALDS, Iuly 24. 1606.
    • EPIGRAMMES hung vp.
    • Others, at their departure.
  • An Entertainment of King IAMES and Queene ANNE, at THEOBALDS, When the House was deliuered vp, with the possession, to the QVEENE, by the Earle of SALISBVRIE, 22. of MAY, 1607.
• title page
• THE QVEENES MASQVES. The first, OF BLACKNESSE: Personated at the Court, at WHITE-HALL, on the Twelu'th night, 1605.
• masque - 2
• HYMENAEI, OR The solemnities of Masque and Barriers at a Marriage.
• THE DESCRIPTION OF THE MASQVE. With the Nuptiall songs. At the Lord Vicount HADINGTONS marriage at Court. On the Shroue-tuesday at night. 1608.
• THE MASQVE OF QVEENES, Celebrated From the house of FAME: By the QVEENE of great BRITAINE, with her Ladies. AT WHITE-HALL. Febr. 2. 1609.
• THE SPEECHES AT PRINCE HENRIES BARRIERS.
• masque
• masque
• masque
  • part
• masque
  • MERCVRIE VINDICATED FROM THE ALCHEMISTS AT COVRT BY Gentlemen the Kings Seruants.
  • THE GOLDEN AGE RESTOR'D. In a Maske at Court, 1615. by the Lords, and Gen∣tlemen, the Kings seruants. Lowd musique.