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Title: Bombarde
Original Title: Bombarde
Volume and Page: Vol. 2 (1752), pp. 315–316
Author: Unknown
Translator: Charles Ferguson [Colby College, Emeritus]
Original Version (ARTFL): Link
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URL: http://hdl.handle.net/2027/spo.did2222.0003.988
Citation (MLA): "Bombarde." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Charles Ferguson. Ann Arbor: Michigan Publishing, University of Michigan Library, 2020. Web. [fill in today's date in the form 18 Apr. 2009 and remove square brackets]. <http://hdl.handle.net/2027/spo.did2222.0003.988>. Trans. of "Bombarde," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, vol. 2. Paris, 1752.
Citation (Chicago): "Bombarde." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Charles Ferguson. Ann Arbor: Michigan Publishing, University of Michigan Library, 2020. http://hdl.handle.net/2027/spo.did2222.0003.988 (accessed [fill in today's date in the form April 18, 2009 and remove square brackets]). Originally published as "Bombarde," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, 2:315–316 (Paris, 1752).

Bombarde. An organ stop of the category called reed stops ( See Trompette), differing from the trumpet only in that it speaks an octave below, since it is larger in scale. See the table of scales of organ stops [Plate XI]. There are organs where the basses of this stop are of wood, while the pipes have the shape shown in [Plate IX] fig. 50. [1] The treble and tenor pipes are made like those of the trumpet; they are of pure tin, as are the basses unless they are of wood.

Usually the bombarde is placed on a separate windchest, because since this stop consumes a great deal of wind, it would rob wind from the others. See Organ, which explains the construction and the proportions of the parts of this stop.

1. The original cites “fig. 5” (translator’s note).