| Title: | Drawing |
| Original Title: | Dessein |
| Volume and Page: | Plates vol. 3 (1765) |
| Author: | Unknown |
| Translator: | Ann-Marie Thornton [Bilkent University, Ankara, Turkey] |
| Original Version (ARTFL): | Link |
| Source: | Russell, Terence M. and Ann-Marie Ashworth. Architecture in the Encyclopédie of Diderot and D'Alembert : the letterpress articles and selected engravings. Scolar Press, 1993. Used with permission. |
| Rights/Permissions: |
This text is protected by copyright and may be linked to without seeking permission. Please see http://quod.lib.umich.edu/d/did/terms.html for information on reproduction. |
| URL: | http://hdl.handle.net/2027/spo.did2222.0001.436 |
| Citation (MLA): | "Drawing." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Ann-Marie Thornton. Ann Arbor: Michigan Publishing, University of Michigan Library, 2010. Web. [fill in today's date in the form 18 Apr. 2009 and remove square brackets]. <http://hdl.handle.net/2027/spo.did2222.0001.436>. Trans. of "Dessein," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, vol. 3 (plates). Paris, 1765. |
| Citation (Chicago): | "Drawing." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Ann-Marie Thornton. Ann Arbor: Michigan Publishing, University of Michigan Library, 2010. http://hdl.handle.net/2027/spo.did2222.0001.436 (accessed [fill in today's date in the form April 18, 2009 and remove square brackets]). Originally published as "Dessein," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, vol. 3 (plates) (Paris, 1765). |
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Table of Contents
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Plate I: View of a drawing school - its plan and section.
Plate II: Drawing, Instruments: pencil, quill, compass, brush, etc.
Plate III: Drawing, Description and usage of the pantograph, commonly called [the] Monkey - considerably changed and perfected by Canivet, engineer to the King.
Plate IV: Drawing, Dark Rooms [early forms of camera obscura].
Plate V: Drawing, Dark Rooms [early forms of camera obscura].
Plate VI: Drawing, The mannequin: a figure constructed so as to have the principal exterior movements of the human body.
Plate VII: Drawing, Details of the mannequin's body [composed of articulated joints].
Plate VIII: Drawing, Ovals of heads.
Plate IX: Drawing, [Anatomical studies]: eye, front view; nose, front view.
Plate X: Drawing, [Anatomical studies]: mouth, front view; profile of the mouth; ears, front view.
Plate XI: Drawing, Head profile: in the manner of Raphael.
Plate XII: Drawing, Hands open and closed: after the drawings of M. Ch. Vanloo and M. Natoire.
Plate XIII: Drawing, [Anatomical studies]: legs and feet.
Plate XIV: Drawing, General proportions of a man's body.
Plate XV: Drawing, Academic studies: after designs of M. Cochin and Jean Honoré Fragonard.
Plate XVI: Drawing, Academic studies: after designs of M. Cochin and Jean Honoré Fragonard.
Plate XVII: Drawing, Academic studies: after designs of M. Cochin and Jean Honoré Fragonard.
Plate XVIII: Drawing, Academic studies: after designs of M. Cochin and Jean Honoré Fragonard.
Plate XIX: Drawing, Grouped figures by J. Jouvenet.
Plate XX: Drawing, Woman's figure seen from the front: from the design of M. Cochin.
Plate XXI: Drawing, Woman's figure seen from behind.
Plate XXII: Drawing, Children: group of children seen from the side, front and back - after François Boucher.
Plate XXIII: Drawing, Heads characterizing age.
Plate XXIV: Drawing, Passions.
Plate XXV: Drawing, Passions.
Plate XXVI: Drawing, Passions.
Plate XXVII: Drawing, Drapery arranged on a model.
Plate XXVIII: Drawing, Grouped figures:
Plate XXIX: Drawing, Grouped figures:
Plate XXX: Drawing, Idea or sketch after pen drawing by Parmesan.
Plate XXXI: Drawing, Study or sketch of the height of a figure from nature by Carrache.
Plate XXXII: Drawing, Landscape after a pen drawing by Titien.
Plate XXXIII: Drawing, Proportions measured on the Farnese Hercules.
Plate XXXIV: Drawing, Proportions of the statue of Antinous.
Plate XXXV: Drawing, Proportions of the Pythian Apollo.
Plate XXXVI: Drawing, Proportions of the statue of Laocoon.
Plate XXXVII: Drawing, Proportions of a Gladiator.
Plate XXXVIII: Drawing, Proportions of the Venus de Medici.
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