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Title: Invention
Original Title: Invention
Volume and Page: Vol. 8 (1765), pp. 848–849
Author: Louis, chevalier de Jaucourt (biography)
Translator: Nelly S. Hoyt; Thomas Cassirer
Subject terms:
Arts
Science
Original Version (ARTFL): Link
Source: Nelly S. Hoyt and Thomas Cassirer, trans., The Encyclopedia: Selections: Diderot, d'Alembert and a Society of Men of Letters (Indianapolis: Bobbs-Merrill, 1965).
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URL: http://hdl.handle.net/2027/spo.did2222.0000.155
Citation (MLA): Jaucourt, Louis, chevalier de. "Invention." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Nelly S. Hoyt and Thomas Cassirer. Ann Arbor: Michigan Publishing, University of Michigan Library, 2003. Web. [fill in today's date in the form 18 Apr. 2009 and remove square brackets]. <http://hdl.handle.net/2027/spo.did2222.0000.155>. Trans. of "Invention," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, vol. 8. Paris, 1765.
Citation (Chicago): Jaucourt, Louis, chevalier de. "Invention." The Encyclopedia of Diderot & d'Alembert Collaborative Translation Project. Translated by Nelly S. Hoyt and Thomas Cassirer. Ann Arbor: Michigan Publishing, University of Michigan Library, 2003. http://hdl.handle.net/2027/spo.did2222.0000.155 (accessed [fill in today's date in the form April 18, 2009 and remove square brackets]). Originally published as "Invention," Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, 8:848–849 (Paris, 1765).

This article by Jaucourt deals with a subject of great importance to the Encyclopédie. Interest in inventions and inventors is an ever-recurring theme. D'Alembert in The Preliminary Discourse [1] and Diderot in his article Encyclopèdie both stress the vital role of the mechanical arts and the crucial contributions of inventors to the progress and happiness of mankind. Among the three key inventions that expanded the limits of the world are the compass, the printing press, and gunpowder. Each of these inventions is treated in a long article; a complete list of articles on inventions in the Encyclopèdie would be infinitely varied, including among many other items, "Glass Blowing," "Metallurgy," and "Incubator" (Verre; Metallurgie; Poulets, Four à). [Translator note]


Invention. A General term which can be applied to everything that is found, invented, or discovered, and which is of use or interest in the arts, sciences, and crafts. To some extent this term is synonymous with "discovery," though less striking; I should like to be permitted here to use them interchangeably, without repeating the interesting things the reader should already have read under the word Discovery. [2]

We owe inventions to time, pure chance, to lucky and unforeseen speculations, mechanical instincts, as well as to the patience and resourcefulness of those who work.

The useful inventions of the thirteenth and fourteenth centuries did not at all result from the researches of those who are known as wits in polite society, nor did they come from speculative philosophers. They were the fruit of that mechanical instinct with which nature has endowed some men, independently from philosophy. The invention of spectacles, known as besicles , [3] to assist the weakened sight of old men dates from the end of the thirteenth century. It is said that we owe it to Alexander Spina. In that same century the Venetians already possessed the secret of making crystal mirrors. Faience earthenware which was used in Europe instead of porcelain was discovered in Faenza; windmills date from approximately the same period. The making of paper from pounded and boiled cloth was invented in the early fourteenth century. Cortusius speaks of a certain Pax who established the first paper-making factory in Padua a century before the invention of printing. This is how early discoveries happily produce their first fruit, and often thanks to men who remain unknown.

I say the first fruit, for it has to be observed that the most interesting and useful things that we possess today in the arts were not found in the state in which we see them now. Everything was discovered in rough form or in parts and has been gradually brought to greater perfection. At least this seems to be the case for those inventions of which we have spoken, and it can be proven for the invention of glass, the compass, printing, clocks, mills, telescopes, and many others.

I shall not mention the discoveries in the sciences that could have been prepared by the labors of preceding centuries; this would be a subject for too extensive a research. Nor shall I speak of discoveries that are supposedly modern, yet are merely old theories, put forward once again, and more clearly. In any case, such discussions would prove very little. In order to remain within the framework of the arts, I shall be satisfied to observe that a shorter or longer time lapse was needed to perfect the inventions which originally, in uncivilized centuries, were the products of chance or mechanical genius.

Guttenburg [ sic ] only invented movable characters, carved in relief on wood and on metal. It was Schöfer who improved this invention and found the secret of casting these characters. How much this art has been perfected since Schöfer is well known.

The invention of the compass in the twelfth century is of the same order as the invention of printing, whether its use was first discovered by the mariner Goya, a native of Malfi, or by the English, or the French, or the Portuguese. In the beginning men knew only how to place the magnetized needle on a piece of cork floating on water; later this needle was suspended on a pivot inside a box that in its turn was suspended. Finally it was fixed onto a mariner's card or a piece of talc upon which had been traced a circle divided into thirty-two equal parts to mark the thirty-two wind directions, together with another concentric circle divided into 360 degrees, which measured the angles and separations of the compass.

The invention of windmills (perhaps originating in Asia) only became successful when geometry perfected the machine, which is based entirely upon the theory of compound movement.

How many centuries have elapsed between the moment when Cresieius made the first watch run by a movement, probably around 613 in Rome, and the most recent pendulum clock made in England by Graham or in France by Julien Le Roi. Did not Huygens or Leibniz and many others contribute to their perfection?

I could say almost as much about the development of the small telescope, from Metius to the Benedictine Dom Noël. Can there be any doubt about the difference between the rough cut of the diamond discovered by chance three centuries ago by Louis de Berquen, and the beautiful brilliant or rose cut our gem cutters are able to execute today? Usage and practice have taught them all kinds of ways of cutting stones, and their eyes and their hands are the guides. It is the forty-seventh proposition of the first book of Euclid which has made possible the achievement of such beautiful proportions when cutting these precious stones into lozenges, triangles, facets, and bevels, which give them their brilliance and glittering effect. Thus those men who were fortunate enough to be born at the right time, had a perfect knowledge of mechanics and have taken advantage of the sketchy simplicity of early inventions; and slowly, thanks to their shrewdness, they brought them to the degree of perfection where we see them today.

Inventions are the children of time, but, if I may say so, industriousness can speed the delivery. How many centuries did men walk on silk without knowing how to make use of it, how to adorn themselves with it. No doubt nature has in her storehouse treasures which are as precious and which she keeps for the moment when we least expect them; let us always be prepared to take advantage of them.

Often an invention illuminates a preceding one and throws a few flickers of light on one that is to follow. I am not saying that any invention is always productive in itself. Great rivers do not always rise in the waters of other great rivers. But inventions which seem to be without any general relationship still cross-fertilize each other; they reappear in a thousand ways that shorten and assist men's labors, and there is nothing more gratifying than the invention or perfection of arts that aim at the happiness of mankind. Such inventions have the advantage over political enterprises in that they bring about the public good without harming anyone. The most spectacular conquests are bathed only in sweat, tears, and blood. He who discovers some secret useful to life, such as, for example, the dissolution of stones in the bladder, would not have to fear the remorse that is inseparable from glory where crime and unhappiness are mingled. The invention of the compass and the printing press opened wider horizons and beautified and enlightened the world. If we scan history we will see that inventors were the first to be deified; the world adored them as visible gods.

After this we need not be astonished that inventors are sensitive to the honor of being discoverers. It is the last thing of which a man would want to divest himself. After Thales discovered the relationship between the sun's diameter and the circle this star describes around the earth, he communicated this discovery to someone who offered him anything he would desire for it. Thales asked only to be allowed to keep the honor of the discovery. This wise man of Greece, poor and old, was left untouched by the thought of money or profit or any kind of advantage, but he feared the injustice that might deprive him of his deserved glory.

Moreover, all those who, thanks to their astuteness, their labors, their talents, and their diligence, will be able to combine research and observation, profound theory and experimentation, will continually enrich existing inventions and discoveries and will have the glory of paving the way for new ones.

If I may repeat here the words which the editors of this work wrote in the Introduction to Volume III:


The Encyclopédie will write the history of our century's wealth in this subject; it will do so for our own century, which is ignorant of this history, and for the centuries to come, which thus will be able to go further. Discoveries in the arts will no longer run the danger of being forgotten; facts will become known to the philosophers, and reflection will be able to simplify and enlighten blind practice.

For the success of this enterprise, however, it is necessary that an enlightened government be willing to grant it a powerful and constant protection against injustice, persecution, and the calumny of enemies.

Notes

1. [See The Preliminary Discourse to the Encyclopedia of Diderot , trans. R. N. Schwab, "The Library of Liberal Arts," No. 88 (Indianapolis and New York: The Bobbs-Merrill Company, Inc., 1963).]

2. [The article "Discovery" is by d'Alembert. In it he differentiates between discovery, which deals with what is new, useful, difficult, and inventions, which he considers to be less important discoveries.]

3. [An obsolete word used to describe a special kind of round "noseglasses" without shanks.]