| Title |
Author(s) |
Volume/Issue |
Date |
|
'The People are Missing'
|
Saison, Maryvonne |
vol. 6
|
2008 |
|
Response to Jon Boone's Critique
|
Saito, Yuriko |
vol. 3
|
2005 |
|
Machines in the Ocean: The Aesthetics of Wind Farms
|
Saito, Yuriko |
vol. 2
|
2004 |
|
Everyday Aesthetics and Artification
|
Saito, Yuriko |
vol. spec
no. 4 |
2012 |
|
Another One Bites the Dust!
|
Salazar, Gabriela |
vol. 8
|
2010 |
|
Red, Gold, Black, and Green: Black Nationalist Aesthetics
|
Sartwell, Crispin |
vol. spec
no. 2 |
2009 |
|
Perspectives East and West
|
Sasaki, Ken-ichi |
vol. 11
|
2013 |
|
Politics of Beauty
|
Sasaki, Ken-ichi |
vol. 9
|
2011 |
|
A Silent Rhetoric: The Mechanism of Propaganda as Persuasion
|
Sasaki, Ken-ichi |
vol. 6
|
2008 |
|
Anchorage to the World
|
Sasaki, Ken-ichi |
vol. 3
|
2005 |
|
Projective Artistic Design Making and Thinking: the Artification of Design Research
|
Scrivener, Stephen A.R.; Zheng, Su |
vol. spec
no. 4 |
2012 |
|
Landscapes of Human Experience
|
Seel, Martin |
vol. 13
|
2015 |
|
Public Aquariums and Marine Aesthetics
|
Semczyszyn, Nola |
vol. 11
|
2013 |
|
The Aesthetics of the Road, Road Art, and Road Traffic
|
Sepänmaa, Yrjö |
vol. spec
no. 1 |
2005 |
|
How To Speak of Nature? The Exemplary Position of Mount Koli in Environmental Research
|
Sepänmaa, Yrjö |
vol. 2
|
2004 |
|
Flows, Vortices, and Counterflows: Artification and Aesthetization in Chiasmatic Motion on a Mobius Ring
|
Sepänmaa, Yrjö |
vol. spec
no. 4 |
2012 |
|
Foucault, Enlightenment and the Aesthetics of the Self
|
Seppä, Anita |
vol. 2
|
2004 |
|
When is Artification?
|
Shapiro, Roberta; Heinich, Nathalie |
vol. spec
no. 4 |
2012 |
|
'Man Has Always Danced': Forays into the Origins of an Art Largely Forgotten by Philosophers
|
Sheets-Johnstone, Maxine |
vol. 3
|
2005 |
|
The Hijab and the Sari: The Strange and Sexy between Colonialism and Global Capitalism
|
Sheth, Falguni A. |
vol. spec
no. 2 |
2009 |
|
Architecture vs. Art: The Aesthetics of Art Museum Design
|
Shiner, Larry |
vol. 5
|
2007 |
|
Artification, Fine Art, and the Myth of "the Artist"
|
Shiner, Larry |
vol. spec
no. 4 |
2012 |
|
Are Video Games Art?
|
Smuts, Aaron |
vol. 3
|
2005 |
|
Multiple Inheritance and Film Identity: A Reply to Dilworth
|
Smuts, Aaron |
vol. 1
|
2003 |
|
Talk To the Animals: A Short Comment on Wolfgang Welsch's "Animal Aesthetics"
|
Snaevarr, Stefan |
vol. 2
|
2004 |
|
The Heresy of Paraphrase Revisited
|
Snaevarr, Stefan |
vol. 2
|
2004 |
|
Poetics and Maieutircs: Literature and Tacit Knowledge of Emotions
|
Snaevarr, Stephán |
vol. 5
|
2007 |
|
The Divine Geometry of Chocolate: Artist's Essay
|
Soto-Díaz, Mariángeles |
vol. spec
no. 2 |
2009 |
|
Pornography and Disgust
|
Stern, Laurent |
vol. 11
|
2013 |
|
— Response to Critics
|
Stern, Laurent |
vol. 8
|
2010 |
|
Introduction [Special Volume 3]
|
Sukla, Ananta |
vol. spec
no. 3 |
2011 |
|
Mixed-Race Looks
|
Sundstrom, Ronald |
vol. spec
no. 2 |
2009 |
|
Immersive Contemplation in Video Art Environments
|
Sutton, Tiffany |
vol. 3
|
2005 |
|
Beautiful Noise
|
Swanson, Will |
vol. 4
|
2006 |
|
Gesture, Pulsion, Grain: Barthes' Musical Semiology
|
Szekely, Michael David |
vol. 4
|
2006 |
