| Title |
Author(s) |
|
Editorial [Volume 1]
|
Berleant, Arnold |
|
Notices [Volume 1]
|
— |
|
Recent Publications [Volume 1]
|
— |
|
Between Battlefield and Play: Art and Aesthetics in Visual Culture
|
van de Vall, Reneé |
|
Poiesis and Art-Making: A Way of Letting-Be
|
Whitehead, Derek H. |
|
Melancholy as an Aesthetic Emotion
|
Brady, Emily; Haapala, Arto |
|
An Exchange on Disinterestedness
|
Berleant, Arnold; Hepburn, Ronald |
|
Ariadne at the Movies
|
Dilworth, John |
|
Multiple Inheritance and Film Identity: A Reply to Dilworth
|
Smuts, Aaron |
|
Ariadne Revisited
|
Dilworth, John |
|
Two Monsters in Search of a Concept
|
Yanal, Robert |
|
Reflecting the Pacific
|
Welsch, Wolfgang |
|
Editorial [Volume 2]
|
Berleant, Arnold |
|
Notices [Volume 2]
|
— |
|
Recent Publications [Volume 2]
|
— |
|
Foucault, Enlightenment and the Aesthetics of the Self
|
Seppä, Anita |
|
Colorization Revisited
|
Van Camp, Julie C. |
|
Machines in the Ocean: The Aesthetics of Wind Farms
|
Saito, Yuriko |
|
How To Speak of Nature? The Exemplary Position of Mount Koli in Environmental Research
|
Sepänmaa, Yrjö |
|
The Heresy of Paraphrase Revisited
|
Snaevarr, Stefan |
|
Narrative Understanding and Understanding Narrative
|
Worth, Sarah E. |
|
Ethical Autonomism: The Work of Art as a Moral Agent
|
van Gerwen, Rob |
|
SYMPOSIUM: THE BODY (continued in Vol. 3)
|
Berleant, Arnold |
|
Reclaiming the Body: Francis Bacon's Fugitive Bodies and Confucian Aesthetics on Bodily Expression
|
Man, Eva K. W. |
|
Kinetic Synaesthesia: Experiencing Dance in Multimedia Scenographies
|
Boucher, Marc |
|
FORUM: SCIENCE IN AESTHETICS?
|
Berleant, Arnold |
|
Animal Aesthetics
|
Welsch, Wolfgang |
|
Talk To the Animals: A Short Comment on Wolfgang Welsch's "Animal Aesthetics"
|
Snaevarr, Stefan |
|
Editorial [Volume 3]
|
Berleant, Arnold |
|
Notices [Volume 3]
|
— |
|
Recent Publications [Volume 3]
|
— |
|
Living Art, Defining Value: Artworks and Mere Real Things
|
Grigoriev, Serge |
|
Are Supertasters Good Candidates for Being Humean Ideal Critics?
|
Raven, Francis |
|
Are Video Games Art?
|
Smuts, Aaron |
|
Agriculture, Aesthetic Appreciation and the Worlds of Nature
|
von Bonsdorff, Pauline |
|
Aesthetic Functionalism
|
Ove Hansson, Sven |
|
Avant-Garde or Pré-Jugé?
|
Murphy, Sinead |
|
Does Sad Music Make One Sad? An Ethnographic Perspective
|
Manuel, Peter |
|
The Aesthetic Dissonance of Industrial Wind Machines
|
Boone, Jon |
|
Response to Jon Boone's Critique
|
Saito, Yuriko |
|
Carrying the Jade Tablet: A Consideration of Confucian Artistry
|
Mullis, Eric C. |
|
Immersive Contemplation in Video Art Environments
|
Sutton, Tiffany |
|
Production Theories and Artistic Value
|
Fenner, David E. W. |
|
Natural and Empty Desires: An Epicurian View of Music Experience
|
Putman, Daniel |
|
The Evolution and Revolutions of the Networked Art Aesthetic
|
Kusina, Jeanne Marie |
|
SYMPOSIUM: THE BODY (concluded from Vol. 2)
|
Berleant, Arnold |
|
Art and Embodiment: Biological and Phenomenological Contributions to Understanding Beauty and the Aesthetic
|
Dengerink Chaplin, Adrienne |
|
The Eye and the Hand: Professional Sensitivity and the Idea of an Aesthetics of Work on the Land
|
Winkler, Justin |
|
Anchorage to the World
|
Sasaki, Ken-ichi |
|
'Man Has Always Danced': Forays into the Origins of an Art Largely Forgotten by Philosophers
|
Sheets-Johnstone, Maxine |
|
Editorial [Volume 4]
|
Berleant, Arnold |
|
Notices [Volume 4]
|
— |
|
Recent Publications [Volume 4]
|
— |
|
Beautiful Noise
|
Swanson, Will |
|
Gesture, Pulsion, Grain: Barthes' Musical Semiology
|
Szekely, Michael David |
|
Fact and Fiction: Writing the Difference Between Suicide and Death
|
Carvalho, John |
|
A Phenomenological Aesthetic of Cinematic 'Worlds'
|
Yates, Christopher S. |
|
Reflections on an Aesthetics of Touch, Smell and Taste
|
Diaconu, Mädälina |
|
Paradoxes and Puzzles: Appreciating Gardens and Urban Nature
|
Ross, Stephanie |
|
Interrupting Danto's Farewell Party Arrangements: Comments for Grigoriev
|
Puolakka, Kalle |
|
A Reply to Puolakka
|
Grigoriev, Serge |
|
From Aesthetics to Politics: Ranciere, Kant and Deleuze
|
Wolfe, Katharine |
|
Commitment and Communication: The Aesthetics of Receptivity and Historicity
|
Mei, Todd S. |
|
A Plea for a Cognitive Iconology within Visual Culture
|
Verstegen, Ian |
|
Wittgenstein and Haydn on Understanding Music
|
Kaduri, Yael |
|
The Color of the Sublime is White
|
Downard, Jeffrey |
|
Musical Experience as Aesthetic: What Cost the Label?
|
Bowman, Wayne |
|
The Varieties of Aesthetic Disinterestedness
|
Kreitman, Norman |
|
Realism and the Riddle of Style
|
Abell, Catharine |
|
SYMPOSIUM ON PICTORIAL REALISM
|
Berleant, Arnold |
|
Depiction and the Sense of Reality
|
Armstrong, John |
|
The Perceptual Constraints on Pictorial Realism
|
McMahon, Jennifer A. |
|
The Special and General Theory of Realism: Reply to Abell, Armstrong, and McMahon
|
McIver Lopes, Dominic |
|
Editorial [Volume 5]
|
Berleant, Arnold |
|
Notices [Volume 5]
|
— |
|
Recent Publications [Volume 5]
|
— |
|
Aesthetics and the Environment: Repatriating Humanity
|
Gkogkas, Nikolaos |
|
Words and Worlds: Irony Makes Literary Creations
|
Goff, Alastair |
|
Paleolithic Flints: Is an Aesthetics of Stone Tools Possible?
|
Berleant, Riva |
|
Geoaesthetics: New Orleans, Landscape, and Eros
|
Frodeman, Robert |
|
Art, Perception and Indeterminacy
|
Pepperell, Robert |
|
Architecture vs. Art: The Aesthetics of Art Museum Design
|
Shiner, Larry |
|
Cockroaches, or Worlds as Images
|
Blanc, Nathalie |
|
Acquired Taste
|
Melchionne, Kevin |
|
Poetics and Maieutircs: Literature and Tacit Knowledge of Emotions
|
Snaevarr, Stephán |
|
Film and the Public Memory: The Phenomena of Nonfiction Film Fragments
|
Moyer, James F. |
|
Artist's Labor
|
Whitehead, Derek |
|
Implied World Views in Pictures: Reflections from a Cognitive Psychological an Anthropological Point of View
|
Ranta, Michael |
|
Editorial [Volume 6]
|
Berleant, Arnold |
|
Notices [Volume 6]
|
— |
|
Recent Publications [Volume 6]
|
— |
|
A Third System of the Arts? An Exploration of Some Ideas from Larry Shiner's The Invention of Art: A Cultural History
|
David, Clowney |
|
The Friends of Jones' Paintings: A Case of Explanation in the Republic of Art
|
McFee, Graham |
|
The Aesthetics of Trademarks
|
Karlen, Peter H. |
|
The Dervishes Dance -- The Sacred Ritual of Love
|
Erzen, Jale |
|
Art Imitating Art
|
Brook, Eric |
|
Can We Get Inside the Aesthetic Sensibility of the Archaic Past?
|
Will, Frederic |
|
A Silent Rhetoric: The Mechanism of Propaganda as Persuasion
|
Sasaki, Ken-ichi |
|
The Aesthetics of Junkyards and Roadside Clutter
|
Leddy, Thomas |
|
'The People are Missing'
|
Saison, Maryvonne |
|
Aesthetic Appreciation, Ethics, and 9/11
|
Aretoulakis, Emmanouil |
|
Toward a Poeticognosis: Re-reading Plato's 'The Republic' via Wallace Stevens' 'An Ordinary Evening in New Haven'
|
Disney, Dan |
|
Questioning 'The Work of Art in the Age of Mechanical Reproduction': A Stroll Around the Louvre after Reading Benjamin
|
Davis, Jonathan |
|
Definition of Videogames
|
Tavinor, Grant |
|
Definition of Videogames
|
Tavinor, Grant |
|
SYMPOSIUM: Danto's 'The Transfiguration of the Commonplace' Twenty-Five Years Later
|
Wartenberg, Thomas E. |
|
The Riddle of a Riddle
|
Gaskell, Ivan |
|
Not Just Mere Things
|
Wartenberg, Thomas E. |
|
Danto and Art Criticism
|
Freeland, Cynthia |
|
Editorial [Volume 7]
|
Berleant, Arnold |
|
Notices [Volume 7]
|
— |
|
Recent Publications [Volume 7]
|
— |
|
Art, Terrorism and the Negative Sublime
|
Berleant, Arnold |
|
Davidson on Rorty's Postmetaphysical Critique of Intentionalism
|
Puolakka, Kalle |
|
Integrative and Disintegrative Art
|
Naukkarinen, Ossi |
|
On Hanging Laundry: The Place of Beauty in Managing Everyday Life
|
Rautio, Pauliina |
|
Performance Hero
|
Derksen, Craig; Hick, Darren Hudson |
|
Thinking, the Unconscious and Film
|
Carvalho, John |
|
Musical Formalism and Political Performances
|
Neufeld, Jonathan A. |
|
Unlimited Additions to Limited Editions
|
Uidhir, Christy Mag |
|
Intentions and Interpretations: Philosophical Fiction as Conversation
|
Mikkonen, Jukka |
|
The Sensory Intention -- Art, Motif, and Motivation: A Comparative Approach
|
Millet, Yves |
|
Editorial [Volume 8]
|
Berleant, Arnold |
|
Notices [Volume 8]
|
— |
|
Recent Publications [Volume 8]
|
— |
|
The Third Tear in Everyday Aesthetics
|
Mandoki, Katya |
|
Water and Stone: Contemporary Chinese Art and the Spirit Resonance of the World
|
Wiseman, Mary Bittner |
|
Report: The XVIIIth International Congress of Aesthetics-'Diversities in Aesthetics' (Peking University, Beijing, China, 9-13 August 2010)
|
Ranta, Michael |
|
Why Beauty Still Cannot Be Measured
|
Naukkarinen, Ossi |
|
Another One Bites the Dust!
|
Salazar, Gabriela |
|
A SYMPOSIUM on LAURENT STERN'S INTERPRETIVE REASONING
|
Gibson, John |
|
— Interpretation, Sincerity and 'Theory'
|
Gibson, John |
|
— Interpretations: Deep, Reasonable, and Free
|
Guyer, Paul |
|
— Laurent Stern's Interpretive Reasoning
|
Wiseman, Mary |
|
— Response to Critics
|
Stern, Laurent |
|
Allowing the Accidental; the Interplay Between Intentionality and Realism in Photographic Art
|
Mitcheson, Katrina |
|
Home Life: Cultivating a Domestic Aesthetic
|
Lee, Jessica J. |
|
Nightwatch
|
Winkler, Justin |
|
The Curatorial Muse
|
Kowalski, Michael J. |
|
The Value of Fictional Worlds (or Why 'The Lord of the Rings' is Worth Reading)
|
Harold, James |
|
Sailing the Seas of Cheese
|
Anderson, Erik |
|
Musical Presence: Towards a New Philosophy of Music
|
Ford, Charles |
|
A Functional Model of the Aesthetic Response
|
Conrad, Daniel |
|
The Aesthetics of Magnetic Resonance Imaging (MRI): from the Scientific Laboratory to an Artwork
|
Casini, Silvia |
|
Editorial [Volume 9]
|
Berleant, Arnold |
|
Notices [Volume 9]
|
— |
|
Recent Publications [Volume 9]
|
— |
|
A New Problem for Aesthetics
|
Melchionne, Kevin |
|
Politics of Beauty
|
Sasaki, Ken-ichi |
|
Stories in Pictures (and Non-Pictorial Objects): A Narratological and Cognitive Psychological Approach
|
Ranta, Michael |
|
Philosophical Hermeneutics and the Ethical Function of Architecture
|
Kidder, Paul |
|
Affirming Difference: Everyday Aesthetic Experience after Phenomenology
|
Roberdeau, Wood |
|
Video Games as Mass Art
|
Tavinor, Grant |
|
Disgust and Ugliness: a Kantian Perspective
|
Kuplen, Mojca |
|
Virtual Dance and Motion-Capture
|
Boucher, Marc |
|
Taking Art Personally: Austin, Performatives and Art
|
Goldblatt, David |
|
Aura, Self, and Aesthetic Experience
|
Battani, Marshall |
|
City Walks and Tactile Experience
|
Diaconu, Mădălina |
|
Editorial [Volume 10]
|
Berleant, Arnold |
|
Notices [Volume 10]
|
— |
|
Recent Publications [Volume 10]
|
— |
|
On 'Shock:' The Artistic Imagination of Benjamin and Brecht
|
Polgovsky Ezcurra, Mara |
|
Judgment, Justice, and Art Criticism
|
Nowak, Jolanta |
|
A Cognitive Theory of the Aesthetic Experience
|
Consoli, Gianluca |
|
From Environmental Aesthetics to Narratives of Change
|
Blanc, Nathalie |
|
Defending Everyday Aesthetics and the Concept of 'Pretty'
|
Leddy, Thomas |
|
HOT Emotions: Dissolving the Paradox of Fiction
|
Tullman, Katherine |
|
Fragments in Libeskind and Wittgenstein
|
Ventzislavov, Rossen |
|
Beauty or Bane: Advancing an Aesthetic Appreciation of Wind Turbine Farms
|
Gray, Tyson-Lord J. |
|
Flesh as Communication -- Body Art and Body Theory
|
Heinrich, Falk |
|
The Problem of Cinematic Imagination
|
McGregor, Rafe |
|
Editorial [Volume 11]
|
Berleant, Arnold |
|
Notices [Volume 11]
|
— |
|
Recent Publications [Volume 11]
|
— |
|
A SYMPOSIUM on Aesthetic Engagement: Introductory Note
|
— |
|
— What is Aesthetic Engagement?
|
Berleant, Arnold |
|
— Grasping the Wind? Aesthetic Participation, between Cognition and Immersion
|
Diaconu, Mădălina |
|
— Aesthetic Engagement in the City
|
Blanc, Nathalie |
|
— Aesthetic Engagement: Art into Politics
|
Erzen, Jale |
|
— Aesthetic Engagement, Ecosophy C, and Ecological Appreciation
|
Xiangzhan, Cheng |
|
The World Achieved: Film and the Enacted Mind
|
Carvalho, John M. |
|
Influence of Global Aesthetics on Chinese Aesthetics: The Adaptation of Moxie and the Case of Dafen Cun
|
Kit Wah Man, Eva |
|
The Violence of Post-Racial Memory and the Political Sense of Mourning
|
Frankowski, Alfred |
|
Report on the XIXth International Congress of Aesthetics
|
Ranta, Michael; Erzen, Jale |
|
What is 'Everyday' in Everyday Aesthetics?
|
Naukkarinen, Ossi |
|
Experiencing Photographs Qua Photographs: What's So Special about Them?
|
Benovsky, Jiri |
|
Perspectives East and West
|
Sasaki, Ken-ichi |
|
Atopia & Aesthetics. A Modal Perspective
|
Millet, Yves |
|
Pornography and Disgust
|
Stern, Laurent |
|
In Praise of Ambiguity: Musical Subtlety and Merleau-Ponty
|
Roholt, Tiger C. |
|
Public Aquariums and Marine Aesthetics
|
Semczyszyn, Nola |
|
The Propaganda Power of Protest Songs: the Case of Madison's Solidarity Sing-Along
|
Tuttle Ross, Sheryl |
|
Hegel's Symbolic Stage: An Old Perspective on Contemporary Art
|
Di Summa-Knoop, Laura T. |
|
The Aesthetics of City Strolling
|
Paetzold, Heinz |
|
Crafty Entanglements: Knitting and Hard Distinctions in Aesthetics and Political Theory
|
Daley, Kate M. |
|
The Aesthetics of Resistance
|
Patella, Giuseppe |
|
The Definition of Everyday Aesthetics
|
Melchionne, Kevin |
|
Editorial [Volume 12]
|
Berleant, Arnold |
|
Notices [Volume 12]
|
— |
|
Recent Publications [Volume 12]
|
— |
|
An Interview with Gernot Böhme
|
Wang, Zhuofei |
|
Contemporary Aesthetics: Perspectives on Time, Space, and Content
|
Naukkarinen, Ossi |
|
Numbing the Heart: Racist Jokes and the Aesthetic Affect
|
Rodriguez, Tanya |
|
Reflections on Music and Propaganda
|
Velasco Pufleau, Luis |
|
Musical Ontology: Critical, not Metaphysical
|
Neufeld, Jonathan A. |
|
Brain and Aesthetic Attitude: How to Integrate "Old" and "New" Aesthetics
|
Consoli, Gianluca |
|
Mechanical Reproduction in an Age of High Art
|
Barker, Chris |
|
Historical Formalism in Music: Toward a Philosophical Theory of Musical Form
|
Baldini, Andrea |
|
The Cluster Account of Art: A Historical Dilemma
|
Fokt, Simon |
|
(dis)Functions: Marxist Theories of Architecture and the Avant-garde
|
Chapman, Michael |
|
The Oceanic Feeling in Painterly Creativity
|
Antti Saarinen, Jussi |
|
Pushing the Limits: Risk and Accomplishment in Musical Performance
|
Clowney, David; Rawlins, Robert |
|
Schiller Revisited: "Beauty is Freedom in Appearance" - Aesthetics as a Challenge to the Modern Way of Thinking
|
Welsch, Wolfgang |
|
The Point of Everyday Aesthetics
|
Melchionne, Kevin |
|
Dewey and Everyday Aesthetics - A New Look
|
Puolakka, Kalle |
|
Smell and Anosmia in the Aesthetic Appreciation of Gardens
|
Tafalla, Marta |
|
Politics and Aesthetics: Partitions and Partitioning in Contemporary Art
|
Owen Clark, Jonathan; Lima Duque, João |
|
Harnessing the Imagination: the Asymmetry of Belief and Make-Believe
|
Galgut, Elisa |
|
Nancy and Neruda: Poetry Thinking Love
|
Hall, Joshua M. |
|
Fitness for Function and Dance Aesthetics
|
Mullis, Eric C. |
|
Editorial [Volume 13]
|
Berleant, Arnold |
|
Notices [Volume 13]
|
— |
|
Recent Publications [Volume 13]
|
— |
|
Landscapes of Human Experience
|
Seel, Martin |
|
The Aesthetic Pulse of the Everyday: Defending Dewey
|
Puolakka, Kalle |
|
Listening to Musical Performers
|
Edidin, Aron |
|
The Cacaio Project: Education for Environmental, Aesthetic, and Moral Development
|
Calvente, Atila T. |
|
Experience of Awe: An Expansive Approach to Everyday Aesthetics
|
Leddy, Thomas |
|
What is Temporal Art? A Persistent Question Revisited
|
Powell, John |
|
Annunciations - Figuring the Feminine in Renaissance Art
|
Carvalho, John M. |
|
Epistemic Function and Ontology of Analog and Digital Images
|
Alcaraz, Aleksandra Łukaszewicz |
|
Yellowism and Ontology: A Skeptical Analysis
|
Cray, Wesley D. |
|
One Song, Many Works: A Pluralist Ontology of Rock
|
Burkett, Dan |
|
Performing Politics
|
Paddock, Troy R. E. |
|
Norms of Cultivation
|
Melchionne, Kevin |
|
Longing for Clouds - Does Beautiful Weather have to be Fine?
|
Diaconu, Mădălina |
|
Editorial [Special Volume 1]
|
Berleant, Arnold |
|
Foreword [Special Volume 1]
|
Naukkarinen, Ossi; Haapala, Arto |
|
Aesthetics and Mobility - A Short Introduction to a Moving Field
|
Naukkarinen, Ossi |
|
From Mobile Ontologies to Mobile Aesthetics
|
de Mul, Jos |
|
Identity on the Road
|
Haapala, Arto |
|
Learning from Venice
|
Ryynänen, Max |
|
Moving Pictures - Advertising, Traffic and Cityscape
|
Kolhonen, Pasi |
|
The Aesthetics of the Road, Road Art, and Road Traffic
|
Sepänmaa, Yrjö |
|
Mobility: The Fourth Dimension in the Fine Arts and Architecture
|
Vogel, Gerd-Helge |
|
Movement and Participation: Journeys within Everyday Environments
|
Hällsten, Johanna |
|
Edited with an Introduction by Monique Roelofs [Special Volume 2]
|
— |
|
Introduction [Special Volume 2]
|
Roelofs, Monique |
|
Mixed-Race Looks
|
Sundstrom, Ronald |
|
Othering the Other: The Spectacle of Katrina for our Racial Entertainment Pleasure
|
Ortega, Mariana |
|
Sensation as Civilization: Reading / Riding the Taxicab
|
Roelofs, Monique |
|
Encountering the Other: Aesthetics, Race and Relationality
|
Perina, Mickaella |
|
Toward a Development of a Cosmopolitan Aesthetic
|
Bhushan, Nalini |
|
The Hijab and the Sari: The Strange and Sexy between Colonialism and Global Capitalism
|
Sheth, Falguni A. |
|
In but not of, of but not in: On Taste, Hipness, and White Embodiment
|
James, Robin |
|
The Divine Geometry of Chocolate: Artist's Essay
|
Soto-Díaz, Mariángeles |
|
The Last King of Scotland or the Last N----r on Earth? The Ethics of Race on Film
|
Taylor, Paul C. |
|
Red, Gold, Black, and Green: Black Nationalist Aesthetics
|
Sartwell, Crispin |
|
The Empire Sings Back: Aesthetics, Politics, and Postcolonial Whimsy
|
Goswami, Namita |
|
Contributors [Special Volume 2]
|
— |
|
Editorial Note [Special Volume 3]
|
— |
|
Introduction [Special Volume 3]
|
Sukla, Ananta |
|
Everyday, Elsewhere: Allegory in Philippine Art
|
Flores, Patrick D. |
|
The Grid and the Nomadic Line in the Art of Phaptawan Suwannakudt
|
May Datuin, Flaudette V. |
|
The Role of Westerners in the Conservation of Legong Dance
|
Davis, Stephen |
|
Icon and Image in Modern Thai Art: A Preliminary Exploration
|
Clark, John |
|
Playing With Shadows
|
Poshyananda, Apinan |
|
Introduction [Special Volume 4]
|
Naukkarinen, Ossi; Saito, Yuriko |
|
Variations in Artification
|
Naukkarinen, Ossi |
|
Flows, Vortices, and Counterflows: Artification and Aesthetization in Chiasmatic Motion on a Mobius Ring
|
Sepänmaa, Yrjö |
|
Artification, Fine Art, and the Myth of "the Artist"
|
Shiner, Larry |
|
Everyday Aesthetics and Artification
|
Saito, Yuriko |
|
Aesthetization, Artification, and Aquariums
|
Leddy, Thomas |
|
Pending on Art
|
von Bonsdorff, Pauline |
|
Artification and the Aesthetic Regime of Art
|
Erjavec, Aleš |
|
When is Artification?
|
Shapiro, Roberta; Heinich, Nathalie |
|
"... and I'd look at my hands and think of Lady Macbeth ..."
|
Levanto, Yrjänä |
|
Projective Artistic Design Making and Thinking: the Artification of Design Research
|
Scrivener, Stephen A.R.; Zheng, Su |
|
Artification in Natural History Museums
|
Mäki-Petäjä, Kaisa |
|
Artification for Well-Being: Institutional Living as a Special Case
|
Vihma, Susann |
|
Artification and the Drawing of Distinctions: an Analysis of Categories and Their Uses
|
Korolainen, Kari |
|
Artification of Sport: The Case of Distance Running
|
Tainio, Matti |
