Teaching Media Past Issues

Volume 8, No. 2 (Fall 2023)

Teaching Disney

Edited by Peter C. Kunze

The Magic Kingdom’s First Century: Teaching Disney at 100

Peter C. Kunze

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On Teaching With and About Disney Animation

Christopher Holliday

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Teaching (Disney) Theme Parks

Sabrina Mittermeier

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Disney Fairy Tale in the Classroom: Navigating Webs of Content and Context

Michelle Anya Anjirbag

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Disney and Adaptation

Susan Ohmer

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Textural Poaching the Disney+ Streaming Library

Jennifer Gillan

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It’s off to work we go: Teaching Disney and Media Labor

Colleen Montgomery

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Teaching Disney Studies: Global and Latinx Lessons

Angharad N. Valdivia

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Volume 8, No. 1 (Winter 2023)

Universal Design for Learning in the Media Studies Classroom

Edited by Bridget Kies

Introduction: Universal Design for Learning in the Media Studies Classroom

Bridget Kies

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Beyond Pandemic Pedagogy: Accelerating UDL Adoption and Enhancing Student Choice

Dana Och and Alison Patterson

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On the Importance of Community and Belonging

Carter Moulton

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Queering the Course Design

Bridget Kies

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Multicultural Design for Learning: A Holistic Approach to the Inclusive Media Classroom

Jennifer Alpert

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Creating Access Together: Media Praxis Beyond Universal Design for Learning

Elizabeth Ellcessor

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Volume 7, No. 6 (Fall 2022)

Critical Media Archives

Edited by Josh Shepperd

Introduction: Presencing through Preserving: Sound History at Historical Black Colleges and Universities (HBCUs)

Jocelyn Robinson and Josh Shepperd

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Chicana/o Public Radio Un/Archived

Dolores Inés Casillas and Monica de la Torre

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Teaching with and through Media History: PodcastRE and the Media History Digital Library

Eric Hoyt and Jeremy Morris

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The Indians for Indians Radio Show: A Unique Audio Source for U.S. History

Lina Ortega

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Integrating Queer Community Radio History into Your Media Studies Classroom

Eleanor Patterson, Brian DeShazor, and Kathleen Battles

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Authoring Stories of Freedom: Concept, Process and Product from the American Folklife Center’s Archive

Guha Shankar

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Three Caribbean Radio Archives: Haitian Radio Journalism, Transnational Cold War Soaps, and "University of the Air"

Laura Wagner, Christine Hernandez, Sharon E. Farb, and Alejandra Bronfman

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Volume 7, No. 5 (Summer 2022)

Antiracist Strategies for Inclusive Film and Media Education

Edited by Jennifer Proctor and Miranda Banks

Introduction

Jennifer Proctor and Miranda Banks

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Step One in Adopting Antiracist Pedagogies: Know the Stakes and Check Yourselves

Bambi Haggins

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Spectral Remainders and Sacred Spaces: Spirituality and the Antiracist Classroom

Hunter Hargraves

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Art Cinema Need Not Be Elitist: A Case for Antiracist Experimental Media Pedagogy

Gabby Sumney

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Elements of a Global Classroom

Dongwon Oh

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Strategic Vulnerability & Antiracist Pedagogies

Priscilla Peña Ovalle

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Applied Social Justice: Integrating Theory and Practice

Colleen Kelly Poplin

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Antiracist Pedagogy Requires Co-Conspirators

G. Chesler

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Volume 7, No. 4 (Summer 2022)

Documentary Pedagogy

Edited by Dimitrios Latsis and Bruno Lessard

Introduction

Dimitrios Latsis and Bruno Lessard

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Reflections on the Decision to Teach Darnella Frazier’s Cellphone Video of the Murder of George Floyd, and then Changing My Mind

Marsha Gordon

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Teaching Women’s Cinema, Troubling Documentary Representation

Sarah E. S. Sinwell

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Harvesting Archive: Alternatives to Location-centric Documentary Production Pedagogy

Nicole McCuaig

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Interview as Evidence: Finding the “Voice” in the Film Voices from the Sit In (2021)

Ted Fisher

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Video Venn: Documentaries, Essays and the Pedagogy In-Between

Richard Langley

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Approaches to Creative Actuality: Documentary Pedagogy in the Contemporary University Environment

Eylem Atakav and Richard J. Hand

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Teaching Documentary Film as Research-Creation: Challenges and Possibilities

Gerda Cammaer

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Teaching the “Op-Doc”: Integrating Cinema and Journalism in Documentary Production Courses

Derek Long

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Teaching Media Forensics

Patrick Brian Smith and Kenzie Burchell

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Volume 7, No. 3 (Spring 2022)

Innovative Assignments for Film and Media Studies Courses

Edited by Charlie Keil

Introduction

Charlie Keil

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Innovating an Innovative First-Year Film Analysis Assignment: Adapting to Changes in the Pedagogical Landscape

Michael Zryd

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The Sharpening of Knives: Video Essays and Reflecting on Argumentation

Christine Evans

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Digital Archives and Creative Assignments

Liz Clarke

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One Film, Five Posts: Scaffolded Learning in the Intermediate Media History Course

Paul Monticone

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Touching All the Bases: Assignments for Experiential Learning in Film History

Charles Tepperman

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Unsettled Listening: The Pedagogical Value of Soundwalking to the Study of Film Sound

Randolph Jordan and Katherine Spring

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Volume 7, No. 2 (Winter 2022)

Trans Media Pedagogy

Edited by Dan Vena and Nael Bhanji

Introduction

Dan Vena and Nael Bhanji

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Teaching Disloyalty: Trans Activism and Digital Storytelling in the U.S. Feminist Classroom

David Tenorio

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We’re Still Here!: Teaching Trans Media Across U.S. Empire

Danielle Seid

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HIV/AIDS, Trans Teaching, and Defunding Police: Trans Media Pedagogy Interventions

Marty Fink

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Showing Up by Stepping Out: On Teaching and Being Trans in the Classroom

Kai Jacobsen and Chase Joynt

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Volume 7, No. 1 (Winter 2022)

Teaching "the Global" in Media Studies

Edited by Juan Llamas-Rodriguez

Introduction

Juan Llamas-Rodriguez

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Smuggling, Infiltrating, Usurping: Why Globalizing the Film and Media Studies Curriculum is Essential to Decolonizing It

Usha Iyer

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Towards a Transnational Feminist Film Studies Classroom

Joy C. Schaefer

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Race, Media, Empire

Thomas Lamarre

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Disorientation and Discomfort as Global Media Pedagogy

Jennifer Blaylock

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Teaching the Global as Emergence

Bhaskar Sarkar

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Steps toward Teaching Global Media to High School Students

Hadi Gharabaghi

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Text and Context: Teaching Regional Film History through Film Criticism

Pao-chen Tang

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Teaching with Video: A Global Media Form and Forms of Global Encounters

Weixian Pan

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Teaching Global Music Video

Pamela Krayenbuhl

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The Netflix Global Dossier: Role-playing for Unlearning U.S.-centrism

Juan Llamas-Rodriguez

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Volume 6, No. 3 (Summer 2021)

Edited by George S. Larke-Walsh and Murray Leeder

Introduction

George S. Larke-Walsh and Murray Leeder

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When Zoom Replaces the Cinema: Reimagining Film Studies Online During COVID-19 Through Collaborative Teaching and Community Building

Luke Creely, Robert Letizi, Whitney Monaghan, Grace C. Russell, and Simon Troon

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How Blue-Green Was My Valley? Addressing Unexpected Issues Related to Teaching Media Online

Ted Fisher

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Creativity in the COVID-19 Crisis: Might the Current Student Adoption of Pre-Visualization Re-Center the Cruciality of Constructing the Mise-en-Scène?

Samantha Iwowo, Christa van Raalte, and James Fair

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Justice-Oriented Exploratory Co-Creation (JOEC): A Proposed Method for Teaching Online Media Production Courses

Hamidreza Nassiri

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Teaching Japanese Media Online in Japan: Challenges and Benefits

Lindsay Nelson

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Teaching Audiovisual Media in Chile: Problems and Challenges after COVID-19

Vladimir Rosas-Salazar and Luis Horta

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Using Flipgrid in the Online Film Studies Classroom

Andrea Wood

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Postscript to “Designing and Assessing Hybrid Cinema Studies Courses”: Redefining “Hybrid,” Modular Design, and Student Evaluations as Research

Kimberlee Gillis-Bridges

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Online Teaching with a COVID Flair—Some Thoughts

Kelly Kessler

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The Awakening and Beyond: Ongoing Collaborative Experiences for Online and Peer-Based Filmmaking

Antoni Roig and Talia Leibovitz

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