~ICMC 2015 - Sept. 25 - Oct. 1, 2015 - CEMI, University of North Texas Improving the Musical Expressiveness of Tesla Coils with Software Jason Long Victoria University of Wellington jason.long@ecs.victoria.ac.nz Josh Bailey josh@vandervecken.com James McVay Victoria University of Wellington jameshmcvay@me.com Dale A. Carnegie Victoria University of Wellington dale.carnegie@vuw.ac.nz ABSTRACT In the past, most performances that have used Tesla coils as musical instruments have been limited by low polyphony and very rudimentary control of musical parameters, culminating in minimally expressive results. This paper outlines recent advances that have been made in improving the musical outputs of Tesla coils by way of software simulation, interfacing and more nuanced control parameters. A description of the hardware interface and the firmware used is provided along with an explanation of the software interface and its simulation capabilities. The result is a new Tesla coil control system that offers an unprecedented level of musical control and expressiveness while also providing a user-friendly interface for real-time composition and performance. 1. INTRODUCTION A Tesla coil is a resonant transformer circuit that generates very high voltages which are made to arc through the air on command. The effect is like arcs of lightening emanating from a metal ball or toroid propagating through the air as in Figure 1, and it generates a powerful and ever-changing sparking sound as it does so. Musical applications of Tesla coils involve inputting power to the coil in short pulses at the frequency of the desired notes in order to create melodies and other musical content. As electrical arcs grow from the coil, ionizing and heating the air, they create periodic shifts in air pressure in a similar way to the transducer of a loud-speaker, causing a sharp and powerful wave of sound to be emitted to listeners in the area. In this way it is also considered to be a type of plasma speaker, differing primarily in that the duty cycle is much smaller - in the system described here, power is applied for only microseconds at a time. In order to compose musical sequences to be played back by a Tesla coil, controller hardware is necessary to convert musical control signals, usually in the form of a stream of Copyright: ~2015 Jason Long et al. This is an open-access article distributed under the terms of the Creative Commons Attribution License 3.0 Unported, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Ajay Kapur Victoria University of Wellington ajay@karmetik.com MIDI data, into pulses to control the coil. The management of the timing and lengths of these pulses, including the length of each pulse relative to its surrounding pulses, is critical to the stability and musical functionality of the system. This paper describes the design and implementation of a Tesla coil control system that makes use of the newly designed 'Chime Red' control hardware, which provides a unique level of flexibility and musical expression to Tesla coil performances. First a brief background of Tesla coils and their use as musical instruments will serve to put this research into context. A summary of the current state of Tesla coil controllers will then be presented. Subsequently, an outline of the hardware implementation of the Chime Red unit will be provided, followed by a description of the software interface and simulation system that has been created. The various new musical capabilities will be described, and plans for future work will be outlined. Figure 1. Pyramider - An 8 foot tall musical offline Tesla coil (OLTC) in operation. Pyramider is one of the coils that has been controlled with this system. 2. BACKGROUND OF TESLA COILS The Tesla coil was named after its inventor Nikola Tesla, who secured a patent for an early implementation as a 'system of electric lighting' in 1891 [1]. They were used in several of his experiments related to fluorescence, x-rays, radio, wireless power, biological effects, and the electromagnetic nature - 202 - 0
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