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MUSEUM OF ART
Following its establishment as an independent unit in 1946 under the Directorship of Professor Jean Paul Slusser, the Museum of Art embarked on an active program of exhibitions and acquisitions to supplement and focus for more specific instructional purposes the collections which had been accumulated by the University under various auspices since the middle of the nineteenth century. In the following decade, Professor Slusser and Helen B. Hall, who had been appointed as Curator of the Collections, initiated, with very modest annual appropriations, acquisitions of prints and drawings, painting and sculpture, with a primary emphasis on the arts of the twentieth century. These acquisitions provided a pattern for the future development of the collections. They were greatly enriched and their growth accelerated by the bequests of Margaret Watson Parker and Dr. Walter R. Parker which provided a foundation for the collections of Oriental Art and a nucleus of works representing European and American art of the latter half of the nineteenth century. The exhibitions during this period included two major exhibitions of Oriental Art and selections from important regional collections: Mr. and Mrs. Harry F. Winston of Birmingham and Mr. and Mrs. Laurence A. Fleischman of Detroit.
From the time of initial establishment, it became increasingly apparent that the quarters occupied by the Museum of Art in Alumni Memorial Hall were completely inadequate to encourage continuing growth of its collections and expansion of services to the University community. Since the use of the building was then shared with four other autonomous and unrelated units, the problem of administration and security, and of storage, work, and office space placed an intolerable burden on all its occupants. With the appointment in 1957 of Charles H. Sawyer, formerly Director of the Worcester Art Museum, and Director of the Division of the Arts at Yale University, as Director, the first steps to alleviate these physical handicaps were taken. Alterations in the first floor area provided additional exhibition space, and the galleries on the second floor were substantially altered and refurbished. Finally, a decade later, with the move of the Development Council and the Alumni Association to new quarters in the Michigan Union and of the Alumni Cataloging office and the Addressograph operations to other locations, the entire