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2. As Jacinda Read shows, this sort of psychotronic reaction protects “laddish political incorrectness” and “legitimizes its anti-­feminist and feminine tendencies through the reproduction, rather than analysis, of oppositional subcultural ideologies” (67). In short, saying that we need to ignore what’s offensive in these films—­because we all know they are offensive—­and just focus on what’s good about them is a way of actually legitimating their offenses.

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