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Fig. 8: Liu Bannong 劉半農 (1891-1934), The Dance 舞, 1926. Gelatin silver print. From Zhongguo Sheying shi (Beijing: Zhongguo sheying chubanshe,1987; Repr. Taipei: Sheying jia chubanshe, 1990), 192; Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

Caption

Fig. 8: Liu Bannong 劉半農 (1891-1934), The Dance 舞, 1926. Gelatin silver print. From Zhongguo Sheying shi (Beijing: Zhongguo sheying chubanshe,1987; Repr. Taipei: Sheying jia chubanshe, 1990), 192

Issue Title

Local Culture/Global Photography

Date

2013-04

Volume

3

Filename

7977573.0003.204-00000008

Article Title

Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

ID

7977573.0003.204-00000008

Number

2

Author

Richard K. Kent

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Fig. 9: Liu Bannong 劉半農, Slanting Rays of Sun 夕照, ca. 1928. Gelatin silver print. From Beijing Guangshe nianjian, No. 1 (1928). Courtesy of the Shanghai Municipal Library; Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

Date

2013-04

Filename

7977573.0003.204-00000009

Volume

3

ID

7977573.0003.204-00000009

Article Title

Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

Author

Richard K. Kent

Number

2

Issue Title

Local Culture/Global Photography

Caption

Fig. 9: Liu Bannong 劉半農, Slanting Rays of Sun 夕照, ca. 1928. Gelatin silver print. From Beijing Guangshe nianjian, No. 1 (1928). Courtesy of the Shanghai Municipal Library

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Fig. 10: Liu Bannong 劉半農, Stillness 靜, ca. 1928. Gelatin silver print. From Beijing Guangshe nianjian, No. 2 (1929); Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

Issue Title

Local Culture/Global Photography

Caption

Fig. 10: Liu Bannong 劉半農, Stillness 靜, ca. 1928. Gelatin silver print. From Beijing Guangshe nianjian, No. 2 (1929)

ID

7977573.0003.204-00000010

Article Title

Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

Author

Richard K. Kent

Number

2

Date

2013-04

Filename

7977573.0003.204-00000010

Volume

3

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Fig. 11: Liu Bannong 劉半農, All Heading into the Light 齊 向光明中去, ca. 1928. Gelatin silver print. From Guangshe nianjian, No. 2 (1929); Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

Issue Title

Local Culture/Global Photography

Caption

Fig. 11: Liu Bannong 劉半農, All Heading into the Light 齊 向光明中去, ca. 1928. Gelatin silver print. From Guangshe nianjian, No. 2 (1929)

Author

Richard K. Kent

Number

2

ID

7977573.0003.204-00000011

Article Title

Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

Filename

7977573.0003.204-00000011

Volume

3

Date

2013-04

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Fig. 12: Hu Boxiang 胡伯翔 (1896-1989), Untitled [Boats on the River], ca. 1930s. Gelatin silver print. Private Collection; Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

Date

2013-04

Filename

7977573.0003.204-00000012

Volume

3

Article Title

Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

ID

7977573.0003.204-00000012

Author

Richard K. Kent

Number

2

Issue Title

Local Culture/Global Photography

Caption

Fig. 12: Hu Boxiang 胡伯翔 (1896-1989), Untitled [Boats on the River], ca. 1930s. Gelatin silver print. Private Collection

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Fig. 13: Qiu Ying 仇英 (1494-1552), from Six Scenes in Song &Yuan Styles 臨宋元六景, no. 1 (detail). Album of six leaves, ink & colors on silk. National Palace Museum, Taipei; Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

Caption

Fig. 13: Qiu Ying 仇英 (1494-1552), from Six Scenes in Song &Yuan Styles 臨宋元六景, no. 1 (detail). Album of six leaves, ink & colors on silk. National Palace Museum, Taipei

Issue Title

Local Culture/Global Photography

Date

2013-04

Volume

3

Filename

7977573.0003.204-00000013

Article Title

Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

ID

7977573.0003.204-00000013

Number

2

Author

Richard K. Kent

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Fig. 14: Sun Zhongkuan 孫仲寛 (active 1920s), Winter Stream 寒溪. Gelatin silver print. From Guangshe Nianjian (Annual of the Beijing Light Society), no. 1 (1928). Courtesy of the Shanghai Muncipal Library; Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

Caption

Fig. 14: Sun Zhongkuan 孫仲寛 (active 1920s), Winter Stream 寒溪. Gelatin silver print. From Guangshe Nianjian (Annual of the Beijing Light Society), no. 1 (1928). Courtesy of the Shanghai Muncipal Library

Issue Title

Local Culture/Global Photography

Date

2013-04

Volume

3

Filename

7977573.0003.204-00000014

ID

7977573.0003.204-00000014

Article Title

Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

Number

2

Author

Richard K. Kent

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Fig. 15: Gustav E.B. Trinks (1871-1967), Colored Shadows (Farbige Schatten), 1902. Photogravure. Courtesy of Museum für Kunst und Gewerbe, Hamburg; Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

Issue Title

Local Culture/Global Photography

Caption

Fig. 15: Gustav E.B. Trinks (1871-1967), Colored Shadows (Farbige Schatten), 1902. Photogravure. Courtesy of Museum für Kunst und Gewerbe, Hamburg

Author

Richard K. Kent

Number

2

ID

7977573.0003.204-00000015

Article Title

Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

Filename

7977573.0003.204-00000015

Volume

3

Date

2013-04

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Fig 16a: Lang Jingshan 郎静山 (1892-1995), Returning Woodcutter on a Mountain Path 山徑歸樵, 1933. Gelatin silver print. Source: Sheying dashi Lang Jingshan [Lang Jingshan: Master Photographer] (Beijing: Zhongguo Sheying chuban she, 2003), plate 21. Courtesy of Taipei Lang Ching-shan i-shu wen-hua fa-chan hsueh-hui. Fig 16b: Lang Jingshan 郎静山, Architectural Study 建築 [The “Grand” Cinema, Shanghai], ca. 1935. Toned gelatin silver print. From Chenfeng (Dawn Wind), no. 10 (May, 1935); Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

Volume

3

Filename

7977573.0003.204-00000016

Date

2013-04

Number

2

Author

Richard K. Kent

ID

7977573.0003.204-00000016

Article Title

Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

Caption

Fig 16a: Lang Jingshan 郎静山 (1892-1995), Returning Woodcutter on a Mountain Path 山徑歸樵, 1933. Gelatin silver print. Source: Sheying dashi Lang Jingshan [Lang Jingshan: Master Photographer] (Beijing: Zhongguo Sheying chuban she, 2003), plate 21. Courtesy of Taipei Lang Ching-shan i-shu wen-hua fa-chan hsueh-hui. Fig 16b: Lang Jingshan 郎静山, Architectural Study 建築 [The “Grand” Cinema, Shanghai], ca. 1935. Toned gelatin silver print. From Chenfeng (Dawn Wind), no. 10 (May, 1935)

Issue Title

Local Culture/Global Photography

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Fig. 17: Lang Jingshan 郎静山, Spring Trees and Majestic Peaks 春樹奇峰, ca. 1934. Gelatin silver print from combined negatives. Source: Sheying dashi Lang Jingshan [Lang Jingshan: Master Photographer] (Beijing: Zhongguo Sheying chuban she, 2003), plate 31. Courtesy of Taipei Lang Ching-shan i-shu wen-hua fa-chan hsueh-hui; Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

Issue Title

Local Culture/Global Photography

Caption

Fig. 17: Lang Jingshan 郎静山, Spring Trees and Majestic Peaks 春樹奇峰, ca. 1934. Gelatin silver print from combined negatives. Source: Sheying dashi Lang Jingshan [Lang Jingshan: Master Photographer] (Beijing: Zhongguo Sheying chuban she, 2003), plate 31. Courtesy of Taipei Lang Ching-shan i-shu wen-hua fa-chan hsueh-hui

Filename

7977573.0003.204-00000017

Volume

3

Date

2013-04

Author

Richard K. Kent

Number

2

Article Title

Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

ID

7977573.0003.204-00000017

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Fig. 18: Hu Boxiang 胡伯翔, Returning at Dusk 石城晚歸, ca. 1930. From Zhonghua sheying zazhi, No. 3 (August 1932), 98. Gelatin silver or gum-bichromate print; Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

Date

2013-04

Volume

3

Filename

7977573.0003.204-00000018

Article Title

Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

ID

7977573.0003.204-00000018

Number

2

Author

Richard K. Kent

Caption

Fig. 18: Hu Boxiang 胡伯翔, Returning at Dusk 石城晚歸, ca. 1930. From Zhonghua sheying zazhi, No. 3 (August 1932), 98. Gelatin silver or gum-bichromate print

Issue Title

Local Culture/Global Photography

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Fig. 19: Hu Boxiang 胡伯翔, Threshing Wheat 打麥, ca. 1936. Gelatin silver print. From Zhonghua sheying zazhi (The Chinese Journal of Photography), no. 11 (June, 1936); Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

Date

2013-04

Volume

3

Filename

7977573.0003.204-00000019

ID

7977573.0003.204-00000019

Article Title

Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

Number

2

Author

Richard K. Kent

Caption

Fig. 19: Hu Boxiang 胡伯翔, Threshing Wheat 打麥, ca. 1936. Gelatin silver print. From Zhonghua sheying zazhi (The Chinese Journal of Photography), no. 11 (June, 1936)

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Local Culture/Global Photography

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Fig. 20a: Shui Fuping 水浮萍 (active 1930s), Planks 四十六板板, ca. 1934. Gelatin silver print. From Heibai yingji, No. 1 (1934). Fig. 20b: Ye Qianyu 葉淺予 (1907-1995), New Residence 新居, ca. 1935. Gelatin silver print. From Heibai yingji, No. 2 (1935); Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

Volume

3

Filename

7977573.0003.204-00000020

Date

2013-04

Number

2

Author

Richard K. Kent

ID

7977573.0003.204-00000020

Article Title

Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

Caption

Fig. 20a: Shui Fuping 水浮萍 (active 1930s), Planks 四十六板板, ca. 1934. Gelatin silver print. From Heibai yingji, No. 1 (1934). Fig. 20b: Ye Qianyu 葉淺予 (1907-1995), New Residence 新居, ca. 1935. Gelatin silver print. From Heibai yingji, No. 2 (1935)

Issue Title

Local Culture/Global Photography

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Fig. 21a: Luo Gusun 羅榖蓀 (active 1930s), Bridge 橋梁, ca. 1935. Gelatin silver print. From Heibai yingji, No. 2 (1935). Fig. 21b: Shang Fu 尚甫 (active 1930s), Melody of Lines 調線, ca. 1934. Gelatin silver print. From Chenfeng, no. 8 (September 1934); Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

Issue Title

Local Culture/Global Photography

Caption

Fig. 21a: Luo Gusun 羅榖蓀 (active 1930s), Bridge 橋梁, ca. 1935. Gelatin silver print. From Heibai yingji, No. 2 (1935). Fig. 21b: Shang Fu 尚甫 (active 1930s), Melody of Lines 調線, ca. 1934. Gelatin silver print. From Chenfeng, no. 8 (September 1934)

Filename

7977573.0003.204-00000021

Volume

3

Date

2013-04

Author

Richard K. Kent

Number

2

ID

7977573.0003.204-00000021

Article Title

Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

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Fig. 22: Donald Mennie (1899?-1941), Ere the mist had altogether yielded to the sun, ca. 1920s. Photogravure. From Glimpses of China: A Series of Vandyck Photogravures illustrating Chinese life and surroundings. Private Collection; Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

Number

2

Author

Richard K. Kent

Article Title

Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

ID

7977573.0003.204-00000022

Volume

3

Filename

7977573.0003.204-00000022

Date

2013-04

Caption

Fig. 22: Donald Mennie (1899?-1941), Ere the mist had altogether yielded to the sun, ca. 1920s. Photogravure. From Glimpses of China: A Series of Vandyck Photogravures illustrating Chinese life and surroundings. Private Collection

Issue Title

Local Culture/Global Photography

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Fig. 23: Peng Wangshi 彭望軾 (active 1920’s), Stirring the Water, Breaking the Cold Stillness 激水破寒寂. Gelatin silver print? From Tianpeng (The China Focus), vol. III, no. 1 (July 1, 1928); Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

Volume

3

Filename

7977573.0003.204-00000023

Date

2013-04

Number

2

Author

Richard K. Kent

Article Title

Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

ID

7977573.0003.204-00000023

Caption

Fig. 23: Peng Wangshi 彭望軾 (active 1920’s), Stirring the Water, Breaking the Cold Stillness 激水破寒寂. Gelatin silver print? From Tianpeng (The China Focus), vol. III, no. 1 (July 1, 1928)

Issue Title

Local Culture/Global Photography

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Fig. 24a: Donald Mennie, Some dim pavilion where my lady dreams. Photogravure. From Glimpses of China: A Series of Vandyck Photogravures illustrating Chinese life and surroundings. Private Collection. Fig. 24b: Donald Mennie, Towards the dim blue hills. Photogravure. From Glimpses of China: A Series of Vandyck Photogravures illustrating Chinese life and surroundings. Private Collection; Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

Issue Title

Local Culture/Global Photography

Caption

Fig. 24a: Donald Mennie, Some dim pavilion where my lady dreams. Photogravure. From Glimpses of China: A Series of Vandyck Photogravures illustrating Chinese life and surroundings. Private Collection. Fig. 24b: Donald Mennie, Towards the dim blue hills. Photogravure. From Glimpses of China: A Series of Vandyck Photogravures illustrating Chinese life and surroundings. Private Collection

Date

2013-04

Filename

7977573.0003.204-00000024

Volume

3

ID

7977573.0003.204-00000024

Article Title

Early Twentieth-Century Art Photography in China: Adopting, Domesticating, and Embracing the Foreign

Author

Richard K. Kent

Number

2

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Unknown artist, Portrait of a Young Prince, 19th century, watercolor on paper, National Gallery of Modern Art, New Delhi, India, Acc. No. 14759, Courtesy National Gallery of Modern Art, New Delhi; Notes on a Painting of a Painted Photograph

Date

2013-04

Filename

7977573.0003.205-00000001

Volume

3

Article Title

Notes on a Painting of a Painted Photograph

ID

7977573.0003.205-00000001

Author

Ajay Sinha

Number

2

Issue Title

Local Culture/Global Photography

Caption

Unknown artist, Portrait of a Young Prince, 19th century, watercolor on paper, National Gallery of Modern Art, New Delhi, India, Acc. No. 14759, Courtesy National Gallery of Modern Art, New Delhi

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Maps of Mountains and Seas 01; Engaging with Tradition: A Conversation with Michael Cherney

Author

Stephanie H. Tung

Number

2

ID

7977573.0003.206-00000001

Article Title

Engaging with Tradition: A Conversation with Michael Cherney

Filename

7977573.0003.206-00000001

Volume

3

Date

2013-04

Issue Title

Local Culture/Global Photography

Caption

Maps of Mountains and Seas 01

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Detail from Maps of Mountains and Seas 04; Engaging with Tradition: A Conversation with Michael Cherney

Issue Title

Local Culture/Global Photography

Caption

Detail from Maps of Mountains and Seas 04

Date

2013-04

Filename

7977573.0003.206-00000002

Volume

3

Article Title

Engaging with Tradition: A Conversation with Michael Cherney

ID

7977573.0003.206-00000002

Author

Stephanie H. Tung

Number

2

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Maps of Mountains and Seas 07; Engaging with Tradition: A Conversation with Michael Cherney

Caption

Maps of Mountains and Seas 07

Issue Title

Local Culture/Global Photography

Number

2

Author

Stephanie H. Tung

ID

7977573.0003.206-00000003

Article Title

Engaging with Tradition: A Conversation with Michael Cherney

Volume

3

Filename

7977573.0003.206-00000003

Date

2013-04

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Maps of Mountains and Seas 10; Engaging with Tradition: A Conversation with Michael Cherney

Date

2013-04

Volume

3

Filename

7977573.0003.206-00000004

Article Title

Engaging with Tradition: A Conversation with Michael Cherney

ID

7977573.0003.206-00000004

Number

2

Author

Stephanie H. Tung

Caption

Maps of Mountains and Seas 10

Issue Title

Local Culture/Global Photography

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Maps of Mountains and Seas 14; Engaging with Tradition: A Conversation with Michael Cherney

Number

2

Author

Stephanie H. Tung

Article Title

Engaging with Tradition: A Conversation with Michael Cherney

ID

7977573.0003.206-00000005

Volume

3

Filename

7977573.0003.206-00000005

Date

2013-04

Caption

Maps of Mountains and Seas 14

Issue Title

Local Culture/Global Photography

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Detail from Maps of Mountains and Seas 15; Engaging with Tradition: A Conversation with Michael Cherney

Caption

Detail from Maps of Mountains and Seas 15

Issue Title

Local Culture/Global Photography

Date

2013-04

Volume

3

Filename

7977573.0003.206-00000006

ID

7977573.0003.206-00000006

Article Title

Engaging with Tradition: A Conversation with Michael Cherney

Number

2

Author

Stephanie H. Tung

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Eight Views of the Xiao and Xiang; Engaging with Tradition: A Conversation with Michael Cherney

Issue Title

Local Culture/Global Photography

Caption

Eight Views of the Xiao and Xiang

Filename

7977573.0003.206-00000007

Volume

3

Date

2013-04

Author

Stephanie H. Tung

Number

2

ID

7977573.0003.206-00000007

Article Title

Engaging with Tradition: A Conversation with Michael Cherney

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Ten Thousand Li of the Yangtze River — Tuo Tuo River; Engaging with Tradition: A Conversation with Michael Cherney

Number

2

Author

Stephanie H. Tung

Article Title

Engaging with Tradition: A Conversation with Michael Cherney

ID

7977573.0003.206-00000008

Volume

3

Filename

7977573.0003.206-00000008

Date

2013-04

Caption

Ten Thousand Li of the Yangtze River — Tuo Tuo River

Issue Title

Local Culture/Global Photography

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Ten Thousand Li of the Yangtze River — Tiger Leaping Gorge; Engaging with Tradition: A Conversation with Michael Cherney

Issue Title

Local Culture/Global Photography

Caption

Ten Thousand Li of the Yangtze River — Tiger Leaping Gorge

Date

2013-04

Filename

7977573.0003.206-00000009

Volume

3

Article Title

Engaging with Tradition: A Conversation with Michael Cherney

ID

7977573.0003.206-00000009

Author

Stephanie H. Tung

Number

2

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Ten Thousand Li of the Yangtze River — The Great Buddha; Engaging with Tradition: A Conversation with Michael Cherney

Date

2013-04

Volume

3

Filename

7977573.0003.206-00000010

Article Title

Engaging with Tradition: A Conversation with Michael Cherney

ID

7977573.0003.206-00000010

Number

2

Author

Stephanie H. Tung

Caption

Ten Thousand Li of the Yangtze River — The Great Buddha

Issue Title

Local Culture/Global Photography

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Ten Thousand Li of the Yangtze River — Chong Qing Fu; Engaging with Tradition: A Conversation with Michael Cherney

Date

2013-04

Filename

7977573.0003.206-00000011

Volume

3

ID

7977573.0003.206-00000011

Article Title

Engaging with Tradition: A Conversation with Michael Cherney

Author

Stephanie H. Tung

Number

2

Issue Title

Local Culture/Global Photography

Caption

Ten Thousand Li of the Yangtze River — Chong Qing Fu

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Ten Thousand Li of the Yangtze River — Xia Zhou; Engaging with Tradition: A Conversation with Michael Cherney

Author

Stephanie H. Tung

Number

2

ID

7977573.0003.206-00000012

Article Title

Engaging with Tradition: A Conversation with Michael Cherney

Filename

7977573.0003.206-00000012

Volume

3

Date

2013-04

Issue Title

Local Culture/Global Photography

Caption

Ten Thousand Li of the Yangtze River — Xia Zhou

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Ten Thousand Li of the Yangtze River —– Hai Men; Engaging with Tradition: A Conversation with Michael Cherney

Caption

Ten Thousand Li of the Yangtze River —– Hai Men

Issue Title

Local Culture/Global Photography

Volume

3

Filename

7977573.0003.206-00000013

Date

2013-04

Number

2

Author

Stephanie H. Tung

ID

7977573.0003.206-00000013

Article Title

Engaging with Tradition: A Conversation with Michael Cherney

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Fig. 1: Luang Wisut Yothamat (Mom Amatyakun), H.M. King Mongkut (Rama IV). Daguerreotype treated with gold leaf, sent to Queen Victoria in 1857, 10 x 7.5 cm, 1856. Royal Collection Trust, London (Royal Collection Inventory Number: RCIN 2932513); The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order

Issue Title

Local Culture/Global Photography

Caption

Fig. 1: Luang Wisut Yothamat (Mom Amatyakun), H.M. King Mongkut (Rama IV). Daguerreotype treated with gold leaf, sent to Queen Victoria in 1857, 10 x 7.5 cm, 1856. Royal Collection Trust, London (Royal Collection Inventory Number: RCIN 2932513)

Author

Clare Veal

Number

2

Article Title

The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order

ID

7977573.0003.207-00000001

Filename

7977573.0003.207-00000001

Volume

3

Date

2013-04

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Fig. 2: Photograph by the author, Photograph of King Bhumibon (Rama IV) Treated with Gold Leaf, Wat Mahathat, Ayutthaya, 2012; The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order

Volume

3

Filename

7977573.0003.207-00000002

Date

2013-04

Number

2

Author

Clare Veal

ID

7977573.0003.207-00000002

Article Title

The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order

Caption

Fig. 2: Photograph by the author, Photograph of King Bhumibon (Rama IV) Treated with Gold Leaf, Wat Mahathat, Ayutthaya, 2012

Issue Title

Local Culture/Global Photography

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Fig. 3: Monsignor Jean-Baptiste Pallegoix, King Mongkut (Rama IV) and Queen Debsirin. Daguerreotype sent to President Franklin Pierce in 1856. Smithsonian Institution, National Anthropological Archives Division; The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order

Issue Title

Local Culture/Global Photography

Caption

Fig. 3: Monsignor Jean-Baptiste Pallegoix, King Mongkut (Rama IV) and Queen Debsirin. Daguerreotype sent to President Franklin Pierce in 1856. Smithsonian Institution, National Anthropological Archives Division

Author

Clare Veal

Number

2

ID

7977573.0003.207-00000003

Article Title

The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order

Filename

7977573.0003.207-00000003

Volume

3

Date

2013-04

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Fig. 4: John Thomson, King Mongkut (Rama IV) Attired in the Uniform of a French Field Marshal, modern albumen print from wet-collodion negative, 1866, 2.5 x 2 cm. National Library of Scotland/Welcome Institute for the History of Medicine; The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order

Issue Title

Local Culture/Global Photography

Caption

Fig. 4: John Thomson, King Mongkut (Rama IV) Attired in the Uniform of a French Field Marshal, modern albumen print from wet-collodion negative, 1866, 2.5 x 2 cm. National Library of Scotland/Welcome Institute for the History of Medicine

Author

Clare Veal

Number

2

Article Title

The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order

ID

7977573.0003.207-00000004

Filename

7977573.0003.207-00000004

Volume

3

Date

2013-04

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Fig. 5: Robert Lenz, King Chulalongkorn (Rama V), c. 1904 or earlier. Siam Society Library, Bangkok; The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order

Issue Title

Local Culture/Global Photography

Caption

Fig. 5: Robert Lenz, King Chulalongkorn (Rama V), c. 1904 or earlier. Siam Society Library, Bangkok

Author

Clare Veal

Number

2

Article Title

The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order

ID

7977573.0003.207-00000005

Filename

7977573.0003.207-00000005

Volume

3

Date

2013-04

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Fig. 6: Photographer unknown, King Chulalongkorn in Studio at Montebone, Florence, 1907; The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order

Article Title

The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order

ID

7977573.0003.207-00000006

Author

Clare Veal

Number

2

Date

2013-04

Filename

7977573.0003.207-00000006

Volume

3

Issue Title

Local Culture/Global Photography

Caption

Fig. 6: Photographer unknown, King Chulalongkorn in Studio at Montebone, Florence, 1907

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Fig. 7: Photograph by the author, Public Billboard “Long Live the King” with Image of King Bhumibon (Rama IX), Ratchadamnoen Road, March 2010; The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order

Filename

7977573.0003.207-00000007

Volume

3

Date

2013-04

Author

Clare Veal

Number

2

ID

7977573.0003.207-00000007

Article Title

The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order

Issue Title

Local Culture/Global Photography

Caption

Fig. 7: Photograph by the author, Public Billboard “Long Live the King” with Image of King Bhumibon (Rama IX), Ratchadamnoen Road, March 2010

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Fig. 8: Photograph by the author, Photographic Display in the Window of Chaya Jittakorn Photographic Studio, Bangkok, 2012; The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order

Issue Title

Local Culture/Global Photography

Caption

Fig. 8: Photograph by the author, Photographic Display in the Window of Chaya Jittakorn Photographic Studio, Bangkok, 2012

Date

2013-04

Filename

7977573.0003.207-00000008

Volume

3

Article Title

The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order

ID

7977573.0003.207-00000008

Author

Clare Veal

Number

2

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Fig. 9: Photograph by the author, Display of Photograph of a High-Ranking Official in a Thai Home, Ayutthaya, 2012; The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order

Caption

Fig. 9: Photograph by the author, Display of Photograph of a High-Ranking Official in a Thai Home, Ayutthaya, 2012

Issue Title

Local Culture/Global Photography

ID

7977573.0003.207-00000009

Article Title

The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order

Number

2

Author

Clare Veal

Date

2013-04

Volume

3

Filename

7977573.0003.207-00000009

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Fig. 10: Photograph by the author, Photographic Display in Window of the Chaya Jittakorn Photographic Studio, Bangkok, 2012; The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order

Filename

7977573.0003.207-00000010

Volume

3

Date

2013-04

Author

Clare Veal

Number

2

Article Title

The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order

ID

7977573.0003.207-00000010

Issue Title

Local Culture/Global Photography

Caption

Fig. 10: Photograph by the author, Photographic Display in Window of the Chaya Jittakorn Photographic Studio, Bangkok, 2012

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Fig. 11: Chaya Jittakorn studio, Photograph of a Thai Civil Servant in Uniform, with Royal Betel-nut Set and Royal Robe for Service to the King, c. 198; The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order

Number

2

Author

Clare Veal

ID

7977573.0003.207-00000011

Article Title

The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order

Volume

3

Filename

7977573.0003.207-00000011

Date

2013-04

Caption

Fig. 11: Chaya Jittakorn studio, Photograph of a Thai Civil Servant in Uniform, with Royal Betel-nut Set and Royal Robe for Service to the King, c. 198

Issue Title

Local Culture/Global Photography

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Fig. 12: Chaya Jittakorn studio, Bangkok, Retouched Photograph of Lieutenant General Fifth Class of the Order of the White Elephant, c. 1991; The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order

Date

2013-04

Volume

3

Filename

7977573.0003.207-00000012

Article Title

The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order

ID

7977573.0003.207-00000012

Number

2

Author

Clare Veal

Caption

Fig. 12: Chaya Jittakorn studio, Bangkok, Retouched Photograph of Lieutenant General Fifth Class of the Order of the White Elephant, c. 1991

Issue Title

Local Culture/Global Photography

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Fig. 13: Photograph by the author, Display of Old Photographic Apparatus, Chaya Jittakorn Photographic Studio, Bangkok, 2012; The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order

Volume

3

Filename

7977573.0003.207-00000013

Date

2013-04

Number

2

Author

Clare Veal

ID

7977573.0003.207-00000013

Article Title

The Charismatic Index: Photographic Representations of Power and Status in the Thai Social Order

Caption

Fig. 13: Photograph by the author, Display of Old Photographic Apparatus, Chaya Jittakorn Photographic Studio, Bangkok, 2012

Issue Title

Local Culture/Global Photography

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Deepali Dewan, Embellished Reality: Indian Painted Photographs: Towards a Transcultural History of Photography (Toronto: Royal Ontario Museum Press, 2012) 119 p. ISBN 978-0-88854-481-0

Issue Title

Local Culture/Global Photography

Date

2013-04

Volume

3

Filename

7977573.0003.208-00000001

ID

7977573.0003.208-00000001

Article Title

Deepali Dewan, Embellished Reality: Indian Painted Photographs: Towards a Transcultural History of Photography (Toronto: Royal Ontario Museum Press, 2012) 119 p. ISBN 978-0-88854-481-0

Number

2

Author

Jennifer Chowdhry

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Reinventing Tokyo: Japan’s Largest City in the Artistic Imagination. Ed. by Samuel C. Morse, with a foreword by Elizabeth E. Barker and contributions by John W. Dower, Trent E. Maxey, Samuel C. Morse, Timothy J. Van Campernolle and Yamashita Yūji (Amherst, MA: Mead Art Museum, Amherst College; Hanover, N.H.: distributed by University Press of New England, c2012 ISBN 9780914337355

Issue Title

Local Culture/Global Photography

Article Title

Reinventing Tokyo: Japan’s Largest City in the Artistic Imagination. Ed. by Samuel C. Morse, with a foreword by Elizabeth E. Barker and contributions by John W. Dower, Trent E. Maxey, Samuel C. Morse, Timothy J. Van Campernolle and Yamashita Yūji (Amherst, MA: Mead Art Museum, Amherst College; Hanover, N.H.: distributed by University Press of New England, c2012 ISBN 9780914337355

ID

7977573.0003.209-00000001

Author

William Johnston

Number

2

Date

2013-04

Filename

7977573.0003.209-00000001

Volume

3

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Traces of Life: Seen Through Korean Eyes, 1945-1992 (New York: The Korea Society, 2012) 136 pp. Chang Jae Lee, ed., with contributions by David R. McCann and Sun Il. ISBN 9788974092894. In English and Korean.

ID

7977573.0003.210-00000001

Article Title

Traces of Life: Seen Through Korean Eyes, 1945-1992 (New York: The Korea Society, 2012) 136 pp. Chang Jae Lee, ed., with contributions by David R. McCann and Sun Il. ISBN 9788974092894. In English and Korean.

Number

2

Author

Jina E. Kim

Date

2013-04

Volume

3

Filename

7977573.0003.210-00000001

Issue Title

Local Culture/Global Photography

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Fig. 1: Koo Wangsam, A Flock of Children, 1945, Collection of Dong Gang Museum of Photography, ©Koo Wangsam, Courtesy of Dong Gang Museum of Photography and The Korea Society, New York; Traces of Life: Seen Through Korean Eyes, 1945-1992 (New York: The Korea Society, 2012) 136 pp. Chang Jae Lee, ed., with contributions by David R. McCann and Sun Il. ISBN 9788974092894. In English and Korean.

Caption

Fig. 1: Koo Wangsam, A Flock of Children, 1945, Collection of Dong Gang Museum of Photography, ©Koo Wangsam, Courtesy of Dong Gang Museum of Photography and The Korea Society, New York

Issue Title

Local Culture/Global Photography

ID

7977573.0003.210-00000002

Article Title

Traces of Life: Seen Through Korean Eyes, 1945-1992 (New York: The Korea Society, 2012) 136 pp. Chang Jae Lee, ed., with contributions by David R. McCann and Sun Il. ISBN 9788974092894. In English and Korean.

Number

2

Author

Jina E. Kim

Date

2013-04

Volume

3

Filename

7977573.0003.210-00000002

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Fig. 2: Kim Kichan, Gongdŭk-dong 1992, Collection of Dong Gang Museum of Photography, ©Kim Kichan, Courtesy of Dong Gang Museum of Photography and The Korea Society, New York; Traces of Life: Seen Through Korean Eyes, 1945-1992 (New York: The Korea Society, 2012) 136 pp. Chang Jae Lee, ed., with contributions by David R. McCann and Sun Il. ISBN 9788974092894. In English and Korean.

Date

2013-04

Volume

3

Filename

7977573.0003.210-00000003

ID

7977573.0003.210-00000003

Article Title

Traces of Life: Seen Through Korean Eyes, 1945-1992 (New York: The Korea Society, 2012) 136 pp. Chang Jae Lee, ed., with contributions by David R. McCann and Sun Il. ISBN 9788974092894. In English and Korean.

Number

2

Author

Jina E. Kim

Caption

Fig. 2: Kim Kichan, Gongdŭk-dong 1992, Collection of Dong Gang Museum of Photography, ©Kim Kichan, Courtesy of Dong Gang Museum of Photography and The Korea Society, New York

Issue Title

Local Culture/Global Photography

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Fig. 3: Lim Eungsik, Looking for Work, 1953, Collection of Dong Gang Museum of Photography, ©Lim Eungsik, Courtesy of Dong Gang Museum of Photography and The Korea Society, New York; Traces of Life: Seen Through Korean Eyes, 1945-1992 (New York: The Korea Society, 2012) 136 pp. Chang Jae Lee, ed., with contributions by David R. McCann and Sun Il. ISBN 9788974092894. In English and Korean.

Caption

Fig. 3: Lim Eungsik, Looking for Work, 1953, Collection of Dong Gang Museum of Photography, ©Lim Eungsik, Courtesy of Dong Gang Museum of Photography and The Korea Society, New York

Issue Title

Local Culture/Global Photography

Date

2013-04

Volume

3

Filename

7977573.0003.210-00000004

ID

7977573.0003.210-00000004

Article Title

Traces of Life: Seen Through Korean Eyes, 1945-1992 (New York: The Korea Society, 2012) 136 pp. Chang Jae Lee, ed., with contributions by David R. McCann and Sun Il. ISBN 9788974092894. In English and Korean.

Number

2

Author

Jina E. Kim

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