tapic | 1501-1550 | Search Results | Trans-Asia Photography Review Images | University of Michigan Library Digital Collections

Cover for Liminalities of Gender and Sexuality in Nineteenth Century Iranian Photography: Desirous Bodies, by Staci Gem Scheiwiller; Staci Gem Scheiwiller, Liminalities of Gender and Sexuality in Nineteenth Century Iranian Photography: Desirous Bodies

Author: Mariam Rahmani
Number: 1
Volume: 8
ID: 7977573.0008.108-00000001
Caption: Cover for Liminalities of Gender and Sexuality in Nineteenth Century Iranian Photography: Desirous Bodies, by Staci Gem Scheiwiller
Date: 2017-10
Filename: 7977573.0008.108-00000001
Article Title: Staci Gem Scheiwiller, Liminalities of Gender and Sexuality in Nineteenth Century Iranian Photography: Desirous Bodies
Issue Title: Art and Vernacular Photographies in Asia

Cover for The Arab Imago: A Social History of Portrait Photography, 1860-1910 by Stephen Sheehi; Stephen Sheehi, The Arab Imago: A Social History of Portrait Photography, 1860–1910

Author: Nancy Micklewright
Number: 1
Date: 2017-10
Volume: 8
ID: 7977573.0008.109-00000001
Caption: Cover for The Arab Imago: A Social History of Portrait Photography, 1860-1910 by Stephen Sheehi
Article Title: Stephen Sheehi, The Arab Imago: A Social History of Portrait Photography, 1860–1910
Filename: 7977573.0008.109-00000001
Issue Title: Art and Vernacular Photographies in Asia

Cover for Portraiture and Early Studio Photography in China and Japan, edited by Luke Gartlan and Robera Wue; Luke Gartlan and Roberta Wue (eds.), Portraiture and Early Studio Photography in China and Japan

Date: 2017-10
Volume: 8
ID: 7977573.0008.110-00000001
Caption: Cover for Portraiture and Early Studio Photography in China and Japan, edited by Luke Gartlan and Robera Wue
Author: Stephen Sheehi
Number: 1
Issue Title: Art and Vernacular Photographies in Asia
Article Title: Luke Gartlan and Roberta Wue (eds.), Portraiture and Early Studio Photography in China and Japan
Filename: 7977573.0008.110-00000001

Cover for Tong Bingxue's "仝冰雪, History of Photo Studios in China, 1859–1956"; Review of History of Photo Studios in China, 1859–1956 中国照相馆史, by Tong Bingxue

Filename: 7977573.0008.202-00000001
Article Title: Review of History of Photo Studios in China, 1859–1956 中国照相馆史, by Tong Bingxue
Issue Title: Voyages
Number: 2
Author: Yao Wu
Caption: Cover for Tong Bingxue's "仝冰雪, History of Photo Studios in China, 1859–1956"
ID: 7977573.0008.202-00000001
Volume: 8
Date: 2018-05

Cover for Tong Bingxue's "中国照相馆史 [Zhongguo zhaoxiangguan shi]: 1859–1956"; Review of History of Photo Studios in China, 1859–1956 中国照相馆史, by Tong Bingxue

Issue Title: Voyages
Filename: 7977573.0008.202-00000002
Article Title: Review of History of Photo Studios in China, 1859–1956 中国照相馆史, by Tong Bingxue
Caption: Cover for Tong Bingxue's "中国照相馆史 [Zhongguo zhaoxiangguan shi]: 1859–1956"
ID: 7977573.0008.202-00000002
Volume: 8
Date: 2018-05
Number: 2
Author: Yao Wu

Cover for Zhuang Wubin's "Photography in Southeast Asia: A Survey"; Review of Photography in Southeast Asia: A Survey, by Zhuang Wubin

Article Title: Review of Photography in Southeast Asia: A Survey, by Zhuang Wubin
Filename: 7977573.0008.203-00000001
Issue Title: Voyages
Author: Carlos Quijon, Jr.
Number: 2
Date: 2018-05
Volume: 8
Caption: Cover for Zhuang Wubin's "Photography in Southeast Asia: A Survey"
ID: 7977573.0008.203-00000001

Fig. 1. Jin Shisheng, On the Way to Germany (Jin Shisheng and Li Guohao in Venice), 1938, self-portrait, gelatin silver print, courtesy of the estate of Jin Shisheng; The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng

Issue Title: Voyages
Filename: 7977573.0008.204-00000001
Article Title: The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng
Caption: Fig. 1. Jin Shisheng, On the Way to Germany (Jin Shisheng and Li Guohao in Venice), 1938, self-portrait, gelatin silver print, courtesy of the estate of Jin Shisheng
ID: 7977573.0008.204-00000001
Volume: 8
Date: 2018-05
Number: 2
Author: Qiuzi Guo

Fig. 2. Jin Shisheng, Drawing in his study in Darmstadt, 1939, self-portrait, gelatin silver print, courtesy of the estate of Jin Shisheng; The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng

Filename: 7977573.0008.204-00000002
Article Title: The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng
Issue Title: Voyages
Number: 2
Author: Qiuzi Guo
ID: 7977573.0008.204-00000002
Caption: Fig. 2. Jin Shisheng, Drawing in his study in Darmstadt, 1939, self-portrait, gelatin silver print, courtesy of the estate of Jin Shisheng
Volume: 8
Date: 2018-05

Fig. 3. Jin Shisheng, Slender West Lake, 1932, gelatin silver print, courtesy of the Estate of Jin Shisheng; The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng

Issue Title: Voyages
Filename: 7977573.0008.204-00000003
Article Title: The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng
Caption: Fig. 3. Jin Shisheng, Slender West Lake, 1932, gelatin silver print, courtesy of the Estate of Jin Shisheng
ID: 7977573.0008.204-00000003
Volume: 8
Date: 2018-05
Number: 2
Author: Qiuzi Guo

Fig. 4. Jin Shisheng, Diary October 21, 1938, gelatin silver print, courtesy of the estate of Jin Shisheng; The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng

Article Title: The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng
Filename: 7977573.0008.204-00000004
Issue Title: Voyages
Number: 2
Author: Qiuzi Guo
Date: 2018-05
Caption: Fig. 4. Jin Shisheng, Diary October 21, 1938, gelatin silver print, courtesy of the estate of Jin Shisheng
ID: 7977573.0008.204-00000004
Volume: 8

Fig. 5. Jin Shisheng, Self-portrait in his dormitory at Tongji University, Shanghai, 1936, gelatin silver print, courtesy of the estate of Jin Shisheng; The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng

Issue Title: Voyages
Filename: 7977573.0008.204-00000005
Article Title: The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng
Volume: 8
ID: 7977573.0008.204-00000005
Caption: Fig. 5. Jin Shisheng, Self-portrait in his dormitory at Tongji University, Shanghai, 1936, gelatin silver print, courtesy of the estate of Jin Shisheng
Date: 2018-05
Author: Qiuzi Guo
Number: 2

Fig. 6. Jin Shisheng, Broadway Mansions under Construction, Shanghai, 1934, gelatin silver print, courtesy of the estate of Jin Shisheng; The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng

Filename: 7977573.0008.204-00000006
Article Title: The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng
Issue Title: Voyages
Number: 2
Author: Qiuzi Guo
ID: 7977573.0008.204-00000006
Caption: Fig. 6. Jin Shisheng, Broadway Mansions under Construction, Shanghai, 1934, gelatin silver print, courtesy of the estate of Jin Shisheng
Volume: 8
Date: 2018-05

Fig. 7. Jin Shisheng, Wedding Tower, taken in the artists’ colony of Darmstadt, ca.1940, gelatin silver print, courtesy of the estate of Jin Shisheng; The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng

Article Title: The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng
Filename: 7977573.0008.204-00000007
Issue Title: Voyages
Author: Qiuzi Guo
Number: 2
Date: 2018-05
Volume: 8
Caption: Fig. 7. Jin Shisheng, Wedding Tower, taken in the artists’ colony of Darmstadt, ca.1940, gelatin silver print, courtesy of the estate of Jin Shisheng
ID: 7977573.0008.204-00000007

Fig. 8. Jin Shisheng, Travelers on the mountain in autumn, Darmstadt, ca.1940, gelatin silver print, courtesy of the estate of Jin Shisheng; The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng

Author: Qiuzi Guo
Number: 2
Volume: 8
ID: 7977573.0008.204-00000008
Caption: Fig. 8. Jin Shisheng, Travelers on the mountain in autumn, Darmstadt, ca.1940, gelatin silver print, courtesy of the estate of Jin Shisheng
Date: 2018-05
Filename: 7977573.0008.204-00000008
Article Title: The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng
Issue Title: Voyages

Fig. 9. Jin Shisheng, Whisper, ca.1940, gelatin silver print, courtesy of the estate of Jin Shisheng; The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng

Article Title: The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng
Filename: 7977573.0008.204-00000009
Issue Title: Voyages
Author: Qiuzi Guo
Number: 2
Date: 2018-05
Volume: 8
Caption: Fig. 9. Jin Shisheng, Whisper, ca.1940, gelatin silver print, courtesy of the estate of Jin Shisheng
ID: 7977573.0008.204-00000009

Fig. 10. News photograph from The Darmstädter Echo, 5 July, 1980, showing the view from the museum over today’s Friedensplatz (Peace Square) to the burned-out Weißer Turm, photo by Jin Shisheng, July 5, 1944. © Darmstädter Echo; The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng

Number: 2
Author: Qiuzi Guo
ID: 7977573.0008.204-00000010
Caption: Fig. 10. News photograph from The Darmstädter Echo, 5 July, 1980, showing the view from the museum over today’s Friedensplatz (Peace Square) to the burned-out Weißer Turm, photo by Jin Shisheng, July 5, 1944. © Darmstädter Echo
Volume: 8
Date: 2018-05
Filename: 7977573.0008.204-00000010
Article Title: The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng
Issue Title: Voyages

Fig. 11. Jin Shisheng, Church, 1944, gelatin silver print, courtesy of the estate of Jin Shisheng; The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng

Date: 2018-05
Volume: 8
ID: 7977573.0008.204-00000011
Caption: Fig. 11. Jin Shisheng, Church, 1944, gelatin silver print, courtesy of the estate of Jin Shisheng
Author: Qiuzi Guo
Number: 2
Issue Title: Voyages
Article Title: The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng
Filename: 7977573.0008.204-00000011

Fig. 12. Jin Shisheng, Sculpture of the Passion of Christ, 1944, gelatin silver print, courtesy of the estate of Jin Shisheng; The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng

Issue Title: Voyages
Article Title: The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng
Filename: 7977573.0008.204-00000012
Date: 2018-05
ID: 7977573.0008.204-00000012
Caption: Fig. 12. Jin Shisheng, Sculpture of the Passion of Christ, 1944, gelatin silver print, courtesy of the estate of Jin Shisheng
Volume: 8
Number: 2
Author: Qiuzi Guo

Fig. 13. Jin Shisheng, Ruins in the aftermath of bombing, Darmstadt, 1944, gelatin silver print, courtesy of the estate of Jin Shisheng; The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng

Issue Title: Voyages
Filename: 7977573.0008.204-00000013
Article Title: The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng
Volume: 8
Caption: Fig. 13. Jin Shisheng, Ruins in the aftermath of bombing, Darmstadt, 1944, gelatin silver print, courtesy of the estate of Jin Shisheng
ID: 7977573.0008.204-00000013
Date: 2018-05
Author: Qiuzi Guo
Number: 2

Fig. 14. Jin Shisheng, Ruins in the aftermath of an airstrike during Shanghai war, 1932, gelatin silver print, courtesy of the estate of Jin Shisheng; The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng

Author: Qiuzi Guo
Number: 2
Date: 2018-05
Volume: 8
ID: 7977573.0008.204-00000014
Caption: Fig. 14. Jin Shisheng, Ruins in the aftermath of an airstrike during Shanghai war, 1932, gelatin silver print, courtesy of the estate of Jin Shisheng
Article Title: The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng
Filename: 7977573.0008.204-00000014
Issue Title: Voyages

Fig. 15. Jin Shisheng, Self-portrait with landlady, Darmstadt, 1939, gelatin silver print, courtesy of the estate of Jin Shisheng; The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng

Article Title: The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng
Filename: 7977573.0008.204-00000015
Issue Title: Voyages
Author: Qiuzi Guo
Number: 2
Date: 2018-05
Volume: 8
ID: 7977573.0008.204-00000015
Caption: Fig. 15. Jin Shisheng, Self-portrait with landlady, Darmstadt, 1939, gelatin silver print, courtesy of the estate of Jin Shisheng

Fig. 16. Jin Shisheng, The family of the landlord in Rohrbach, ca.1943, gelatin silver print, courtesy of the estate of Jin Shisheng; The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng

Volume: 8
ID: 7977573.0008.204-00000016
Caption: Fig. 16. Jin Shisheng, The family of the landlord in Rohrbach, ca.1943, gelatin silver print, courtesy of the estate of Jin Shisheng
Date: 2018-05
Author: Qiuzi Guo
Number: 2
Issue Title: Voyages
Filename: 7977573.0008.204-00000016
Article Title: The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng

Fig. 17. Jin Shisheng, Self-portrait with German opera singer, Darmstadt, ca.1940, gelatin silver print, courtesy of the estate of Jin Shisheng; The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng

Author: Qiuzi Guo
Number: 2
Date: 2018-05
Volume: 8
ID: 7977573.0008.204-00000017
Caption: Fig. 17. Jin Shisheng, Self-portrait with German opera singer, Darmstadt, ca.1940, gelatin silver print, courtesy of the estate of Jin Shisheng
Article Title: The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng
Filename: 7977573.0008.204-00000017
Issue Title: Voyages

Fig. 18. Jin Shisheng, Self-portrait in Rodenstock lens, Shanghai, 1932, composite photograph, courtesy of the estate of Jin Shisheng; The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng

Issue Title: Voyages
Article Title: The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng
Filename: 7977573.0008.204-00000018
Date: 2018-05
ID: 7977573.0008.204-00000018
Caption: Fig. 18. Jin Shisheng, Self-portrait in Rodenstock lens, Shanghai, 1932, composite photograph, courtesy of the estate of Jin Shisheng
Volume: 8
Number: 2
Author: Qiuzi Guo

Fig. 19. Jin Shisheng, Self-portrait with Leica, Darmstadt, ca. 1940, gelatin silver print, courtesy of the estate of Jin Shisheng; The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng

Date: 2018-05
ID: 7977573.0008.204-00000019
Caption: Fig. 19. Jin Shisheng, Self-portrait with Leica, Darmstadt, ca. 1940, gelatin silver print, courtesy of the estate of Jin Shisheng
Volume: 8
Number: 2
Author: Qiuzi Guo
Issue Title: Voyages
Article Title: The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng
Filename: 7977573.0008.204-00000019

Fig. 20. Jin Shisheng, Self-portrait, ca.1940, composite photograph, gelatin silver print, courtesy of the estate of Jin Shisheng; The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng

Issue Title: Voyages
Article Title: The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng
Filename: 7977573.0008.204-00000020
Date: 2018-05
Volume: 8
ID: 7977573.0008.204-00000020
Caption: Fig. 20. Jin Shisheng, Self-portrait, ca.1940, composite photograph, gelatin silver print, courtesy of the estate of Jin Shisheng
Author: Qiuzi Guo
Number: 2

Fig. 21. Jin Shisheng, Self-portrait, Darmstadt, 1942, gelatin silver print, courtesy of the estate of Jin Shisheng; The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng

Filename: 7977573.0008.204-00000021
Article Title: The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng
Issue Title: Voyages
Author: Qiuzi Guo
Number: 2
Volume: 8
ID: 7977573.0008.204-00000021
Caption: Fig. 21. Jin Shisheng, Self-portrait, Darmstadt, 1942, gelatin silver print, courtesy of the estate of Jin Shisheng
Date: 2018-05

Fig. 22. Jin Shisheng, Zai Shan Dian Shang (“At the Summit of the Mountain” - poem accompanying self-portrait), 1942, gelatin silver print, courtesy of the estate of Jin Shisheng; The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng

Caption: Fig. 22. Jin Shisheng, Zai Shan Dian Shang (“At the Summit of the Mountain” - poem accompanying self-portrait), 1942, gelatin silver print, courtesy of the estate of Jin Shisheng
ID: 7977573.0008.204-00000022
Volume: 8
Date: 2018-05
Number: 2
Author: Qiuzi Guo
Issue Title: Voyages
Filename: 7977573.0008.204-00000022
Article Title: The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng

Fig. 23. Jin Shisheng, Return (self-portrait on the deck of the returning ferry), 1946, gelatin silver print, courtesy of the estate of Jin Shisheng; The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng

Number: 2
Author: Qiuzi Guo
Caption: Fig. 23. Jin Shisheng, Return (self-portrait on the deck of the returning ferry), 1946, gelatin silver print, courtesy of the estate of Jin Shisheng
ID: 7977573.0008.204-00000023
Volume: 8
Date: 2018-05
Filename: 7977573.0008.204-00000023
Article Title: The Odyssey of an Amateur Chinese Photographer: Nostalgia, War, and Exile in the Work of Jin Shisheng
Issue Title: Voyages

Fig. 1. Lu Guang with loggers, August 2016, Democratic Republic of Congo; Blood Wood

Number: 2
Author: Jean Loh
Date: 2018-05
ID: 7977573.0008.205-00000001
Caption: Fig. 1. Lu Guang with loggers, August 2016, Democratic Republic of Congo
Volume: 8
Article Title: Blood Wood
Filename: 7977573.0008.205-00000001
Issue Title: Voyages

Fig. 2. Lu Guang, Congo Basin rainforest - the second lung of the planet, August 2016, Democratic Republic of Congo, © Lu Guang; Blood Wood

Article Title: Blood Wood
Filename: 7977573.0008.205-00000002
Issue Title: Voyages
Number: 2
Author: Jean Loh
Date: 2018-05
ID: 7977573.0008.205-00000002
Caption: Fig. 2. Lu Guang, Congo Basin rainforest - the second lung of the planet, August 2016, Democratic Republic of Congo, © Lu Guang
Volume: 8

Fig. 3. Lu Guang, African woodland disappearing at great speed, August 2016, Democratic Republic of Congo, © Lu Guang; Blood Wood

Number: 2
Author: Jean Loh
Date: 2018-05
Caption: Fig. 3. Lu Guang, African woodland disappearing at great speed, August 2016, Democratic Republic of Congo, © Lu Guang
ID: 7977573.0008.205-00000003
Volume: 8
Article Title: Blood Wood
Filename: 7977573.0008.205-00000003
Issue Title: Voyages

Fig. 4. Lu Guang, Luxury furniture in bloodwood, August 2016, Democratic Republic of Congo, © Lu Guang; Blood Wood

Issue Title: Voyages
Article Title: Blood Wood
Filename: 7977573.0008.205-00000004
Date: 2018-05
Volume: 8
ID: 7977573.0008.205-00000004
Caption: Fig. 4. Lu Guang, Luxury furniture in bloodwood, August 2016, Democratic Republic of Congo, © Lu Guang
Author: Jean Loh
Number: 2

Fig. 5. Lu Guang, Bloodwood bleeding after fresh cut, August 2016, Democratic Republic of Congo, © Lu Guang; Blood Wood

Number: 2
Author: Jean Loh
Caption: Fig. 5. Lu Guang, Bloodwood bleeding after fresh cut, August 2016, Democratic Republic of Congo, © Lu Guang
ID: 7977573.0008.205-00000005
Volume: 8
Date: 2018-05
Filename: 7977573.0008.205-00000005
Article Title: Blood Wood
Issue Title: Voyages

Fig. 6. Lu Guang, Chinese boss prepares logs for container at seaport, August 2016, Democratic Republic of Congo, © Lu Guang; Blood Wood

Filename: 7977573.0008.205-00000006
Article Title: Blood Wood
Issue Title: Voyages
Number: 2
Author: Jean Loh
ID: 7977573.0008.205-00000006
Caption: Fig. 6. Lu Guang, Chinese boss prepares logs for container at seaport, August 2016, Democratic Republic of Congo, © Lu Guang
Volume: 8
Date: 2018-05

Fig. 7. Lu Guang, Team of 21 loggers in Katanga province, August 2016, Democratic Republic of Congo, © Lu Guang; Blood Wood

Article Title: Blood Wood
Filename: 7977573.0008.205-00000007
Issue Title: Voyages
Author: Jean Loh
Number: 2
Date: 2018-05
Volume: 8
ID: 7977573.0008.205-00000007
Caption: Fig. 7. Lu Guang, Team of 21 loggers in Katanga province, August 2016, Democratic Republic of Congo, © Lu Guang

Fig. 8. Lu Guang, Only primitive axes are legally used to cut trees, August 2016, Democratic Republic of Congo, © Lu Guang; Blood Wood

Article Title: Blood Wood
Filename: 7977573.0008.205-00000008
Issue Title: Voyages
Author: Jean Loh
Number: 2
Date: 2018-05
Volume: 8
ID: 7977573.0008.205-00000008
Caption: Fig. 8. Lu Guang, Only primitive axes are legally used to cut trees, August 2016, Democratic Republic of Congo, © Lu Guang

Fig. 9. Lu Guang, Twenty men to fill one truck-load in half a day, August 2016, Democratic Republic of Congo, © Lu Guang; Blood Wood

Article Title: Blood Wood
Filename: 7977573.0008.205-00000009
Issue Title: Voyages
Author: Jean Loh
Number: 2
Date: 2018-05
Volume: 8
ID: 7977573.0008.205-00000009
Caption: Fig. 9. Lu Guang, Twenty men to fill one truck-load in half a day, August 2016, Democratic Republic of Congo, © Lu Guang

Fig. 10. Lu Guang, Mbayo’s fingers were crushed while logging, but he receives no money for medical treatment, August 2016, Democratic Republic of Congo, © Lu Guang; Blood Wood

Date: 2018-05
Caption: Fig. 10. Lu Guang, Mbayo’s fingers were crushed while logging, but he receives no money for medical treatment, August 2016, Democratic Republic of Congo, © Lu Guang
ID: 7977573.0008.205-00000010
Volume: 8
Number: 2
Author: Jean Loh
Issue Title: Voyages
Article Title: Blood Wood
Filename: 7977573.0008.205-00000010

Fig. 11. Lu Guang, For larger pieces they work like ants, August 2016, Democratic Republic of Congo, © Lu Guang; Blood Wood

Volume: 8
ID: 7977573.0008.205-00000011
Caption: Fig. 11. Lu Guang, For larger pieces they work like ants, August 2016, Democratic Republic of Congo, © Lu Guang
Date: 2018-05
Author: Jean Loh
Number: 2
Issue Title: Voyages
Filename: 7977573.0008.205-00000011
Article Title: Blood Wood

Fig. 12. Lu Guang, Twenty-year-old Miwab resting on piles of bloodwood, August 2016, Democratic Republic of Congo, © Lu Guang; Blood Wood

Issue Title: Voyages
Filename: 7977573.0008.205-00000012
Article Title: Blood Wood
Caption: Fig. 12. Lu Guang, Twenty-year-old Miwab resting on piles of bloodwood, August 2016, Democratic Republic of Congo, © Lu Guang
ID: 7977573.0008.205-00000012
Volume: 8
Date: 2018-05
Number: 2
Author: Jean Loh

Fig. 13. Lu Guang, Bloodwood arrives at Zhangjiagang in China, August 2016, Democratic Republic of Congo, © Lu Guang; Blood Wood

Article Title: Blood Wood
Filename: 7977573.0008.205-00000013
Issue Title: Voyages
Number: 2
Author: Jean Loh
Date: 2018-05
Caption: Fig. 13. Lu Guang, Bloodwood arrives at Zhangjiagang in China, August 2016, Democratic Republic of Congo, © Lu Guang
ID: 7977573.0008.205-00000013
Volume: 8

Fig. 14. Lu Guang, Traders from Anhui and Fujian checking the quality, August 2016, Democratic Republic of Congo, © Lu Guang; Blood Wood

Issue Title: Voyages
Article Title: Blood Wood
Filename: 7977573.0008.205-00000014
Date: 2018-05
Volume: 8
Caption: Fig. 14. Lu Guang, Traders from Anhui and Fujian checking the quality, August 2016, Democratic Republic of Congo, © Lu Guang
ID: 7977573.0008.205-00000014
Author: Jean Loh
Number: 2

Fig. 15. Lu Guang, Bloodwood carving in a furniture factory, August 2016, Democratic Republic of Congo, © Lu Guang; Blood Wood

Issue Title: Voyages
Article Title: Blood Wood
Filename: 7977573.0008.205-00000015
Date: 2018-05
ID: 7977573.0008.205-00000015
Caption: Fig. 15. Lu Guang, Bloodwood carving in a furniture factory, August 2016, Democratic Republic of Congo, © Lu Guang
Volume: 8
Number: 2
Author: Jean Loh

Fig. 1. Cover of Dongnan lansheng (1935), with title calligraphy in the hand of Jiang Jieshi and a design drawing of the Qiantang River Bridge (under construction 1934–37). Courtesy Shanghai Library; Landscape Photography, Infrastructure, and Armed Conflict in a Chinese Travel Anthology from 1935: The Case of Dongnan lansheng

Issue Title: Voyages
Filename: 7977573.0008.206-00000001
Article Title: Landscape Photography, Infrastructure, and Armed Conflict in a Chinese Travel Anthology from 1935: The Case of Dongnan lansheng
Caption: Fig. 1. Cover of Dongnan lansheng (1935), with title calligraphy in the hand of Jiang Jieshi and a design drawing of the Qiantang River Bridge (under construction 1934–37). Courtesy Shanghai Library
ID: 7977573.0008.206-00000001
Volume: 8
Date: 2018-05
Number: 2
Author: Juliane Noth

Fig. 2. “Map of the Southeastern Infrastructure Tour Routes,” Dongnan lansheng (1935), “General Introduction,” page 1. Courtesy Shanghai Library; Landscape Photography, Infrastructure, and Armed Conflict in a Chinese Travel Anthology from 1935: The Case of Dongnan lansheng

Issue Title: Voyages
Article Title: Landscape Photography, Infrastructure, and Armed Conflict in a Chinese Travel Anthology from 1935: The Case of Dongnan lansheng
Filename: 7977573.0008.206-00000002
Date: 2018-05
ID: 7977573.0008.206-00000002
Caption: Fig. 2. “Map of the Southeastern Infrastructure Tour Routes,” Dongnan lansheng (1935), “General Introduction,” page 1. Courtesy Shanghai Library
Volume: 8
Number: 2
Author: Juliane Noth

Fig. 3. Dongnan lansheng (1935), “Along the Hangzhou–Yushan Section of the Zhejiang–Jiangxi Railroad, the Hangzhou–Guangfeng Highway, and the Fuchun River,” page 7, with a photograph by Zeng Shirong, “On the Way to North Mountain,” and poems by Tang Erhe, “On the Road to North Mountain,” and Shen Yiliu, “On the Way to North Mountain.” Courtesy Shanghai Library; Landscape Photography, Infrastructure, and Armed Conflict in a Chinese Travel Anthology from 1935: The Case of Dongnan lansheng

Issue Title: Voyages
Article Title: Landscape Photography, Infrastructure, and Armed Conflict in a Chinese Travel Anthology from 1935: The Case of Dongnan lansheng
Filename: 7977573.0008.206-00000003
Date: 2018-05
Volume: 8
ID: 7977573.0008.206-00000003
Caption: Fig. 3. Dongnan lansheng (1935), “Along the Hangzhou–Yushan Section of the Zhejiang–Jiangxi Railroad, the Hangzhou–Guangfeng Highway, and the Fuchun River,” page 7, with a photograph by Zeng Shirong, “On the Way to North Mountain,” and poems by Tang Erhe, “On the Road to North Mountain,” and Shen Yiliu, “On the Way to North Mountain.” Courtesy Shanghai Library
Author: Juliane Noth
Number: 2

Fig. 4. Dongnan lansheng (1935), “Along the Hangzhou–Yushan Section of the Zhejiang–Jiangxi Railroad . . .,” page 8, with photographs by Shi Zhenhuai, “Creek in North Mountain, Jinhua,” and Dong Xiaoyi, “In front of the Bridge of North Mountain Stream, Jinhua,” and a poem by Deng Fenweng, “Setting out for North Mountain by Dawn.” Courtesy Shanghai Library; Landscape Photography, Infrastructure, and Armed Conflict in a Chinese Travel Anthology from 1935: The Case of Dongnan lansheng

Article Title: Landscape Photography, Infrastructure, and Armed Conflict in a Chinese Travel Anthology from 1935: The Case of Dongnan lansheng
Filename: 7977573.0008.206-00000004
Issue Title: Voyages
Number: 2
Author: Juliane Noth
Date: 2018-05
Caption: Fig. 4. Dongnan lansheng (1935), “Along the Hangzhou–Yushan Section of the Zhejiang–Jiangxi Railroad . . .,” page 8, with photographs by Shi Zhenhuai, “Creek in North Mountain, Jinhua,” and Dong Xiaoyi, “In front of the Bridge of North Mountain Stream, Jinhua,” and a poem by Deng Fenweng, “Setting out for North Mountain by Dawn.” Courtesy Shanghai Library
ID: 7977573.0008.206-00000004
Volume: 8

Fig. 5. Dongnan lansheng (1935), “Along the Hangzhou–Yushan Section of the Zhejiang–Jiangxi Railroad . . .,” page 9, with photographs by Shi Zhenhuai, “Buddha Longevity Pavilion at North Mountain, Jinhua,” and Zeng Shirong, “Near Buddha Longevity Pavilion on the Road to North Mountain.” Courtesy Shanghai Library; Landscape Photography, Infrastructure, and Armed Conflict in a Chinese Travel Anthology from 1935: The Case of Dongnan lansheng

Issue Title: Voyages
Filename: 7977573.0008.206-00000005
Article Title: Landscape Photography, Infrastructure, and Armed Conflict in a Chinese Travel Anthology from 1935: The Case of Dongnan lansheng
ID: 7977573.0008.206-00000005
Caption: Fig. 5. Dongnan lansheng (1935), “Along the Hangzhou–Yushan Section of the Zhejiang–Jiangxi Railroad . . .,” page 9, with photographs by Shi Zhenhuai, “Buddha Longevity Pavilion at North Mountain, Jinhua,” and Zeng Shirong, “Near Buddha Longevity Pavilion on the Road to North Mountain.” Courtesy Shanghai Library
Volume: 8
Date: 2018-05
Number: 2
Author: Juliane Noth

Fig. 6. Dongnan lansheng (1935), “Along the Hangzhou–Yushan Section of the Zhejiang–Jiangxi Railroad . . .,” page 10, with a photograph by Ren Mei’e, “Zhizhe Temple at North Mountain, Jinhua,” and the opening section of a travelogue by Xu Qierong, “Visiting the Three Caves at North Mountain.” Courtesy Shanghai Library; Landscape Photography, Infrastructure, and Armed Conflict in a Chinese Travel Anthology from 1935: The Case of Dongnan lansheng

Issue Title: Voyages
Filename: 7977573.0008.206-00000006
Article Title: Landscape Photography, Infrastructure, and Armed Conflict in a Chinese Travel Anthology from 1935: The Case of Dongnan lansheng
Volume: 8
ID: 7977573.0008.206-00000006
Caption: Fig. 6. Dongnan lansheng (1935), “Along the Hangzhou–Yushan Section of the Zhejiang–Jiangxi Railroad . . .,” page 10, with a photograph by Ren Mei’e, “Zhizhe Temple at North Mountain, Jinhua,” and the opening section of a travelogue by Xu Qierong, “Visiting the Three Caves at North Mountain.” Courtesy Shanghai Library
Date: 2018-05
Author: Juliane Noth
Number: 2

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