tapic | 1301-1350 | Search Results | Trans-Asia Photography Review Images | University of Michigan Library Digital Collections

Fig. 1. Wasma Mansour, from the series Single Saudi Women, ongoing project, © Wasma Mansour; Cross-Cultural Gender Identity: An Interview with Wasma Mansour

Author: Marco Bohr
Date: 2016-10
Article Title: Cross-Cultural Gender Identity: An Interview with Wasma Mansour
Caption: Fig. 1. Wasma Mansour, from the series Single Saudi Women, ongoing project, © Wasma Mansour
Number: 1
Volume: 7
ID: 7977573.0007.108-00000001
Issue Title: Self and Nation
Filename: 7977573.0007.108-00000001

Fig. 2. Wasma Mansour, from the series Single Saudi Women, ongoing project, © Wasma Mansour; Cross-Cultural Gender Identity: An Interview with Wasma Mansour

Author: Marco Bohr
Date: 2016-10
Article Title: Cross-Cultural Gender Identity: An Interview with Wasma Mansour
Caption: Fig. 2. Wasma Mansour, from the series Single Saudi Women, ongoing project, © Wasma Mansour
Number: 1
Volume: 7
ID: 7977573.0007.108-00000002
Issue Title: Self and Nation
Filename: 7977573.0007.108-00000002

Fig. 3. Wasma Mansour, from the series Single Saudi Women, ongoing project © Wasma Mansour; Cross-Cultural Gender Identity: An Interview with Wasma Mansour

Date: 2016-10
Author: Marco Bohr
Article Title: Cross-Cultural Gender Identity: An Interview with Wasma Mansour
Caption: Fig. 3. Wasma Mansour, from the series Single Saudi Women, ongoing project © Wasma Mansour
Number: 1
Issue Title: Self and Nation
Volume: 7
ID: 7977573.0007.108-00000003
Filename: 7977573.0007.108-00000003

Fig. 4. Wasma Mansour, from the series Single Saudi Women, ongoing project © Wasma Mansour; Cross-Cultural Gender Identity: An Interview with Wasma Mansour

Author: Marco Bohr
Date: 2016-10
Article Title: Cross-Cultural Gender Identity: An Interview with Wasma Mansour
Caption: Fig. 4. Wasma Mansour, from the series Single Saudi Women, ongoing project © Wasma Mansour
Number: 1
Volume: 7
ID: 7977573.0007.108-00000004
Issue Title: Self and Nation
Filename: 7977573.0007.108-00000004

Fig. 5. Wasma Mansour, from the series Single Saudi Women, ongoing project © Wasma Mansour; Cross-Cultural Gender Identity: An Interview with Wasma Mansour

Filename: 7977573.0007.108-00000005
Issue Title: Self and Nation
Volume: 7
ID: 7977573.0007.108-00000005
Number: 1
Caption: Fig. 5. Wasma Mansour, from the series Single Saudi Women, ongoing project © Wasma Mansour
Article Title: Cross-Cultural Gender Identity: An Interview with Wasma Mansour
Date: 2016-10
Author: Marco Bohr

Fig. 6. Wasma Mansour, from the series Single Saudi Women, ongoing project © Wasma Mansour; Cross-Cultural Gender Identity: An Interview with Wasma Mansour

Caption: Fig. 6. Wasma Mansour, from the series Single Saudi Women, ongoing project © Wasma Mansour
Date: 2016-10
Author: Marco Bohr
Article Title: Cross-Cultural Gender Identity: An Interview with Wasma Mansour
Filename: 7977573.0007.108-00000006
Number: 1
Issue Title: Self and Nation
Volume: 7
ID: 7977573.0007.108-00000006

Fig. 7. Wasma Mansour, Al-Raq’yah (Translation: The Sophisticated One), from the series a package, of a package, of a package, 2014 © Wasma Mansour; Cross-Cultural Gender Identity: An Interview with Wasma Mansour

Filename: 7977573.0007.108-00000007
Issue Title: Self and Nation
ID: 7977573.0007.108-00000007
Volume: 7
Number: 1
Caption: Fig. 7. Wasma Mansour, Al-Raq’yah (Translation: The Sophisticated One), from the series a package, of a package, of a package, 2014 © Wasma Mansour
Article Title: Cross-Cultural Gender Identity: An Interview with Wasma Mansour
Date: 2016-10
Author: Marco Bohr

Fig. 8. Wasma Mansour, Al-Danah (Translation: The Pearl), from the series a package, of a package, of a package, 2014 © Wasma Mansour; Cross-Cultural Gender Identity: An Interview with Wasma Mansour

Filename: 7977573.0007.108-00000008
Number: 1
Issue Title: Self and Nation
ID: 7977573.0007.108-00000008
Volume: 7
Caption: Fig. 8. Wasma Mansour, Al-Danah (Translation: The Pearl), from the series a package, of a package, of a package, 2014 © Wasma Mansour
Date: 2016-10
Author: Marco Bohr
Article Title: Cross-Cultural Gender Identity: An Interview with Wasma Mansour

Fig. 9. Wasma Mansour, Tulip, from the series a package, of a package, of a package, 2014 © Wasma Mansour; Cross-Cultural Gender Identity: An Interview with Wasma Mansour

Caption: Fig. 9. Wasma Mansour, Tulip, from the series a package, of a package, of a package, 2014 © Wasma Mansour
Date: 2016-10
Author: Marco Bohr
Article Title: Cross-Cultural Gender Identity: An Interview with Wasma Mansour
Filename: 7977573.0007.108-00000009
Number: 1
Issue Title: Self and Nation
ID: 7977573.0007.108-00000009
Volume: 7

Zhang Dali, Dialogue: Xidan Xiulang Hutong, 1999, © Zhang Dali; From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali

Filename: 7977573.0007.109-00000001
Number: 1
Volume: 7
ID: 7977573.0007.109-00000001
Issue Title: Self and Nation
Caption: Zhang Dali, Dialogue: Xidan Xiulang Hutong, 1999, © Zhang Dali
Author: Katherine Grube
Date: 2016-10
Article Title: From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali

Zhang Dali, Figure Sketch, 1981, pencil on paper, 52 x 39 cm, © Zhang Dali; From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali

Filename: 7977573.0007.109-00000002
Number: 1
Issue Title: Self and Nation
Volume: 7
ID: 7977573.0007.109-00000002
Caption: Zhang Dali, Figure Sketch, 1981, pencil on paper, 52 x 39 cm, © Zhang Dali
Date: 2016-10
Author: Katherine Grube
Article Title: From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali

Zhang Dali, Figure Sketch, 1983, pencil on paper, 79 x 54.5 cm, © Zhang Dali; From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali

Volume: 7
ID: 7977573.0007.109-00000003
Issue Title: Self and Nation
Number: 1
Filename: 7977573.0007.109-00000003
Article Title: From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali
Author: Katherine Grube
Date: 2016-10
Caption: Zhang Dali, Figure Sketch, 1983, pencil on paper, 79 x 54.5 cm, © Zhang Dali

Zhang Dali, Red, Black, and White series, 1987, oil on rice paper, 187 x 180 cm, © Zhang Dali; From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali

Author: Katherine Grube
Date: 2016-10
Article Title: From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali
Caption: Zhang Dali, Red, Black, and White series, 1987, oil on rice paper, 187 x 180 cm, © Zhang Dali
Number: 1
ID: 7977573.0007.109-00000004
Volume: 7
Issue Title: Self and Nation
Filename: 7977573.0007.109-00000004

A Soldier’s Story, playbill and set design (Zhang Dali’s poker card set at back), 1988, Beijing © Zhang Dali; From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali

Volume: 7
ID: 7977573.0007.109-00000005
Issue Title: Self and Nation
Number: 1
Filename: 7977573.0007.109-00000005
Article Title: From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali
Author: Katherine Grube
Date: 2016-10
Caption: A Soldier’s Story, playbill and set design (Zhang Dali’s poker card set at back), 1988, Beijing © Zhang Dali

A Soldier’s Story, playbill and set design (Zhang Dali’s poker card set at back), 1988, Beijing © Zhang Dali; From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali

Article Title: From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali
Author: Katherine Grube
Date: 2016-10
Caption: A Soldier’s Story, playbill and set design (Zhang Dali’s poker card set at back), 1988, Beijing © Zhang Dali
ID: 7977573.0007.109-00000006
Volume: 7
Issue Title: Self and Nation
Number: 1
Filename: 7977573.0007.109-00000006

Zhang Dali, Red, Black, and White series, 1986, oil on rice paper, 74 x 54 cm, © Zhang Dali; From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali

Issue Title: Self and Nation
Volume: 7
ID: 7977573.0007.109-00000007
Number: 1
Filename: 7977573.0007.109-00000007
Article Title: From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali
Date: 2016-10
Author: Katherine Grube
Caption: Zhang Dali, Red, Black, and White series, 1986, oil on rice paper, 74 x 54 cm, © Zhang Dali

Zhang Dali, Dialogue: East Second Ring Road, Dingmen Bridge, 1995, © Zhang Dali; From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali

Date: 2016-10
Author: Katherine Grube
Article Title: From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali
Caption: Zhang Dali, Dialogue: East Second Ring Road, Dingmen Bridge, 1995, © Zhang Dali
Number: 1
Issue Title: Self and Nation
Volume: 7
ID: 7977573.0007.109-00000008
Filename: 7977573.0007.109-00000008

Zhang Dali, Study of Daumier’s Sketches, 1977, carbon on paper, 19 x 27 cm, © Zhang Dali; From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali

Caption: Zhang Dali, Study of Daumier’s Sketches, 1977, carbon on paper, 19 x 27 cm, © Zhang Dali
Article Title: From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali
Author: Katherine Grube
Date: 2016-10
Filename: 7977573.0007.109-00000009
Volume: 7
ID: 7977573.0007.109-00000009
Issue Title: Self and Nation
Number: 1

Fig 1; Recent Photobooks from Japan and China

Caption: Fig 1
Author: Russet Lederman and Jiayi Liu
Date: 2016-10
Article Title: Recent Photobooks from Japan and China
Filename: 7977573.0007.110-00000001
Number: 1
ID: 7977573.0007.110-00000001
Volume: 7
Issue Title: Self and Nation

Fig 2; Recent Photobooks from Japan and China

Author: Russet Lederman and Jiayi Liu
Date: 2016-10
Article Title: Recent Photobooks from Japan and China
Caption: Fig 2
Number: 1
ID: 7977573.0007.110-00000002
Volume: 7
Issue Title: Self and Nation
Filename: 7977573.0007.110-00000002

Fig 3; Recent Photobooks from Japan and China

Filename: 7977573.0007.110-00000003
Number: 1
ID: 7977573.0007.110-00000003
Volume: 7
Issue Title: Self and Nation
Caption: Fig 3
Author: Russet Lederman and Jiayi Liu
Date: 2016-10
Article Title: Recent Photobooks from Japan and China

Fig 4; Recent Photobooks from Japan and China

Number: 1
Issue Title: Self and Nation
Volume: 7
ID: 7977573.0007.110-00000004
Filename: 7977573.0007.110-00000004
Date: 2016-10
Author: Russet Lederman and Jiayi Liu
Article Title: Recent Photobooks from Japan and China
Caption: Fig 4

Fig 5; Recent Photobooks from Japan and China

Filename: 7977573.0007.110-00000005
Volume: 7
ID: 7977573.0007.110-00000005
Issue Title: Self and Nation
Number: 1
Caption: Fig 5
Article Title: Recent Photobooks from Japan and China
Author: Russet Lederman and Jiayi Liu
Date: 2016-10

Fig 1; Recent Photobooks from Japan and China

Caption: Fig 1
Article Title: Recent Photobooks from Japan and China
Date: 2016-10
Author: Russet Lederman and Jiayi Liu
Filename: 7977573.0007.110-00000006
Issue Title: Self and Nation
Volume: 7
ID: 7977573.0007.110-00000006
Number: 1

Fig 2; Recent Photobooks from Japan and China

Author: Russet Lederman and Jiayi Liu
Date: 2016-10
Article Title: Recent Photobooks from Japan and China
Caption: Fig 2
Number: 1
Volume: 7
ID: 7977573.0007.110-00000007
Issue Title: Self and Nation
Filename: 7977573.0007.110-00000007

Fig 3; Recent Photobooks from Japan and China

Filename: 7977573.0007.110-00000008
ID: 7977573.0007.110-00000008
Volume: 7
Issue Title: Self and Nation
Number: 1
Caption: Fig 3
Article Title: Recent Photobooks from Japan and China
Author: Russet Lederman and Jiayi Liu
Date: 2016-10

Fig 4; Recent Photobooks from Japan and China

Article Title: Recent Photobooks from Japan and China
Date: 2016-10
Author: Russet Lederman and Jiayi Liu
Caption: Fig 4
Issue Title: Self and Nation
Volume: 7
ID: 7977573.0007.110-00000009
Number: 1
Filename: 7977573.0007.110-00000009

Fig 5; Recent Photobooks from Japan and China

Article Title: Recent Photobooks from Japan and China
Author: Russet Lederman and Jiayi Liu
Date: 2016-10
Caption: Fig 5
ID: 7977573.0007.110-00000010
Volume: 7
Issue Title: Self and Nation
Number: 1
Filename: 7977573.0007.110-00000010

Fig 6; Recent Photobooks from Japan and China

Number: 1
Issue Title: Self and Nation
Volume: 7
ID: 7977573.0007.110-00000011
Filename: 7977573.0007.110-00000011
Date: 2016-10
Author: Russet Lederman and Jiayi Liu
Article Title: Recent Photobooks from Japan and China
Caption: Fig 6

Review of Lee Fook Chee’s Hong Kong: Photographs from the 1950’s, by Patricia Chu and Edward Stokes

Article Title: Review of Lee Fook Chee’s Hong Kong: Photographs from the 1950’s, by Patricia Chu and Edward Stokes
Date: 2016-10
Author: Wing Ki Lee
Filename: 7977573.0007.111-00000001
Issue Title: Self and Nation
ID: 7977573.0007.111-00000001
Volume: 7
Number: 1

Fig. 1. “Portrait of Ogawa Kazumasa,” in “Ogawa Kazumasa ō: keirekidan. Shashin-shi” (The Venerable Ogawa Kazumasa: A Personal History. History of Photography) Asahi Camera. Tokyo: Asahi Shinbunsha, October, 1927: 435; Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century

Issue Title: Technologies
Volume: 7
ID: 7977573.0007.201-00000001
Number: 2
Filename: 7977573.0007.201-00000001
Article Title: Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century
Date: 2017-05
Author: Kelly M. McCormick
Caption: Fig. 1. “Portrait of Ogawa Kazumasa,” in “Ogawa Kazumasa ō: keirekidan. Shashin-shi” (The Venerable Ogawa Kazumasa: A Personal History. History of Photography) Asahi Camera. Tokyo: Asahi Shinbunsha, October, 1927: 435

Fig. 2. Photographic Album of the Japan-China War [Nisshin Sensō-zu日清戰爭寫眞圖], Tokyo: Hakubundō, 1894—1895. 31 x 45 cm., Getty Special Collections, Internet Archive; Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century

Caption: Fig. 2. Photographic Album of the Japan-China War [Nisshin Sensō-zu日清戰爭寫眞圖], Tokyo: Hakubundō, 1894—1895. 31 x 45 cm., Getty Special Collections, Internet Archive
Author: Kelly M. McCormick
Date: 2017-05
Article Title: Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century
Filename: 7977573.0007.201-00000002
Number: 2
Volume: 7
ID: 7977573.0007.201-00000002
Issue Title: Technologies

Fig. 3. The Russo-Japanese War: Taken by the Photography Department of the Imperial Headquarters. No. 8. (Nichiro seneki shashinjō 日露戦役写真帖陸地測量部藏版第八巻) Tokyo: K. Ogawa, 1904. 27 x 38 cm. Getty Special Collections, Internet Archive; Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century

Caption: Fig. 3. The Russo-Japanese War: Taken by the Photography Department of the Imperial Headquarters. No. 8. (Nichiro seneki shashinjō 日露戦役写真帖陸地測量部藏版第八巻) Tokyo: K. Ogawa, 1904. 27 x 38 cm. Getty Special Collections, Internet Archive
Date: 2017-05
Author: Kelly M. McCormick
Article Title: Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century
Filename: 7977573.0007.201-00000003
Number: 2
Issue Title: Technologies
Volume: 7
ID: 7977573.0007.201-00000003

Fig. 4. “A Photograph of the Venerable Ogawa, who having shed his sailor’s clothes became a student of photography in America,” in “Ogawa Kazumasa ō: keirekidan. Shashin-shi” (The Honorable Ogawa Kazumasa: A Personal History of Photography) Asahi Camera. Tokyo: Asahi Shinbunsha, November 1927: 529; Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century

Issue Title: Technologies
ID: 7977573.0007.201-00000004
Volume: 7
Number: 2
Filename: 7977573.0007.201-00000004
Article Title: Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century
Date: 2017-05
Author: Kelly M. McCormick
Caption: Fig. 4. “A Photograph of the Venerable Ogawa, who having shed his sailor’s clothes became a student of photography in America,” in “Ogawa Kazumasa ō: keirekidan. Shashin-shi” (The Honorable Ogawa Kazumasa: A Personal History of Photography) Asahi Camera. Tokyo: Asahi Shinbunsha, November 1927: 529

Fig. 5. “Report by the Permission of the Ministry: In Front of the Great Wall Field Headquarters Warehouse” and “In Front of the Military Warehouse” (Tsūshin shōninka). Tokyo Asahi Shinbun Supplement July 24, 1894; Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century

Number: 2
Issue Title: Technologies
Volume: 7
ID: 7977573.0007.201-00000005
Filename: 7977573.0007.201-00000005
Date: 2017-05
Author: Kelly M. McCormick
Article Title: Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century
Caption: Fig. 5. “Report by the Permission of the Ministry: In Front of the Great Wall Field Headquarters Warehouse” and “In Front of the Military Warehouse” (Tsūshin shōninka). Tokyo Asahi Shinbun Supplement July 24, 1894

Fig. 5a. Detail of credit given to Ogawa’s press for providing halftone printing services to the Tokyo Asahi Shinbun, from bottom left of the insert. “The Ogawa Kazumasa Photographic Copperplate Engraving Studio” (Ogawa Kazumasa sei shashin chōkoku dōban), Tokyo Asahi Shinbun Supplement July 24, 1894; Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century

Filename: 7977573.0007.201-00000006
Number: 2
Issue Title: Technologies
ID: 7977573.0007.201-00000006
Volume: 7
Caption: Fig. 5a. Detail of credit given to Ogawa’s press for providing halftone printing services to the Tokyo Asahi Shinbun, from bottom left of the insert. “The Ogawa Kazumasa Photographic Copperplate Engraving Studio” (Ogawa Kazumasa sei shashin chōkoku dōban), Tokyo Asahi Shinbun Supplement July 24, 1894
Date: 2017-05
Author: Kelly M. McCormick
Article Title: Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century

Fig. 6. Advertisement for the Chronicle of the Sino-Japanese War (Nisshin Sensō Jikki): “Portraits of Japanese, Chinese, and Korean Politicians Against Portraits of Naval Officers and Warships. Insert Color Photographic Engravings of China and Korea. The Ogawa Kazumasa Photographic Studio.” Tokyo Asahi Shinbun, August 31, 1894; Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century

Date: 2017-05
Author: Kelly M. McCormick
Article Title: Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century
Caption: Fig. 6. Advertisement for the Chronicle of the Sino-Japanese War (Nisshin Sensō Jikki): “Portraits of Japanese, Chinese, and Korean Politicians Against Portraits of Naval Officers and Warships. Insert Color Photographic Engravings of China and Korea. The Ogawa Kazumasa Photographic Studio.” Tokyo Asahi Shinbun, August 31, 1894
Number: 2
Issue Title: Technologies
ID: 7977573.0007.201-00000007
Volume: 7
Filename: 7977573.0007.201-00000007

Fig. 7. “The Fall of Port Arthur: Explosion and Burning of the Powder-Magazine on the Sungshoo Forts, Port Arthur”, A Photographic-Album of the Japan-China War [Nisshin Sensō-zu日清戰爭寫眞圖], Tokyo: Hakubundō, 1894–95. Getty Special Collections, Internet Archive; Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century

Issue Title: Technologies
Volume: 7
ID: 7977573.0007.201-00000008
Number: 2
Filename: 7977573.0007.201-00000008
Article Title: Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century
Date: 2017-05
Author: Kelly M. McCormick
Caption: Fig. 7. “The Fall of Port Arthur: Explosion and Burning of the Powder-Magazine on the Sungshoo Forts, Port Arthur”, A Photographic-Album of the Japan-China War [Nisshin Sensō-zu日清戰爭寫眞圖], Tokyo: Hakubundō, 1894–95. Getty Special Collections, Internet Archive

Fig. 8. “The Fall of Port Arthur: Rally of the Chinese Troops who had been routed by the Frist Infantry Regiment Near Fongheatun, W. of Fort Arthur. The character on the fourth and fifth flags from the right is (Li). Taken on the 21st November, 1894”, A Photographic-Album of the Japan-China War [Nisshin Sensō-zu日清戰爭寫眞圖], Tokyo: Hakubundō, 1894-1895. Getty Special Collections, Internet Archive; Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century

Filename: 7977573.0007.201-00000009
Issue Title: Technologies
ID: 7977573.0007.201-00000009
Volume: 7
Number: 2
Caption: Fig. 8. “The Fall of Port Arthur: Rally of the Chinese Troops who had been routed by the Frist Infantry Regiment Near Fongheatun, W. of Fort Arthur. The character on the fourth and fifth flags from the right is (Li). Taken on the 21st November, 1894”, A Photographic-Album of the Japan-China War [Nisshin Sensō-zu日清戰爭寫眞圖], Tokyo: Hakubundō, 1894-1895. Getty Special Collections, Internet Archive
Article Title: Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century
Date: 2017-05
Author: Kelly M. McCormick

Fig. 9. “The Fall of Port Arthur: The First Infantry Regiment Fighting Near Fongheatun, W. of Port Arthur. Taken on the 21st November, 1894”, A Photographic-Album of the Japan-China War [Nisshin Sensō-zu日清戰爭寫眞圖], Tokyo: Hakubundō, 1894—1895. Getty Special Collections, Internet Archive; Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century

Caption: Fig. 9. “The Fall of Port Arthur: The First Infantry Regiment Fighting Near Fongheatun, W. of Port Arthur. Taken on the 21st November, 1894”, A Photographic-Album of the Japan-China War [Nisshin Sensō-zu日清戰爭寫眞圖], Tokyo: Hakubundō, 1894—1895. Getty Special Collections, Internet Archive
Article Title: Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century
Author: Kelly M. McCormick
Date: 2017-05
Filename: 7977573.0007.201-00000010
Volume: 7
ID: 7977573.0007.201-00000010
Issue Title: Technologies
Number: 2

Fig. 10. “Supplement. The Fall of Port Arthur. The Japanese Infantry Storming the Etse Hill Forts. 21st November, 1894”, A Photographic-Album of the Japan-China War [Nisshin Sensō-zu日清戰爭寫眞圖], Tokyo: Hakubundō, 1894-1895. Getty Special Collections, Internet Archive; Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century

Filename: 7977573.0007.201-00000011
Volume: 7
ID: 7977573.0007.201-00000011
Issue Title: Technologies
Number: 2
Caption: Fig. 10. “Supplement. The Fall of Port Arthur. The Japanese Infantry Storming the Etse Hill Forts. 21st November, 1894”, A Photographic-Album of the Japan-China War [Nisshin Sensō-zu日清戰爭寫眞圖], Tokyo: Hakubundō, 1894-1895. Getty Special Collections, Internet Archive
Article Title: Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century
Author: Kelly M. McCormick
Date: 2017-05

Fig. 11. “Supplement. The Fall of Port Arthur. The Infantry of General Hasegawa combined Brigade Storming the Urlung Hill Forts. 21st November, 1984.” A Photographic-Album of the Japan-China War [Nisshin Sensō-zu日清戰爭寫眞圖], Tokyo: Hakubundō, 1894-1895. Getty Special Collections, Internet Archive; Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century

Issue Title: Technologies
Volume: 7
ID: 7977573.0007.201-00000012
Number: 2
Filename: 7977573.0007.201-00000012
Article Title: Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century
Date: 2017-05
Author: Kelly M. McCormick
Caption: Fig. 11. “Supplement. The Fall of Port Arthur. The Infantry of General Hasegawa combined Brigade Storming the Urlung Hill Forts. 21st November, 1984.” A Photographic-Album of the Japan-China War [Nisshin Sensō-zu日清戰爭寫眞圖], Tokyo: Hakubundō, 1894-1895. Getty Special Collections, Internet Archive

Fig. 12. “A View of the Battle in the Direction of the First Division From A Hill South-East of Fenghuang Hill, 19th September, 1904, 4:20 p.m.,” Photograph 29, from The Russo-Japanese War: Taken by the Photographic Department of the Imperial Headquarters. 『日露戦争写真帖』No. 8. K. Ogawa, 1904. Getty Special Collections, photo by the author; Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century

Caption: Fig. 12. “A View of the Battle in the Direction of the First Division From A Hill South-East of Fenghuang Hill, 19th September, 1904, 4:20 p.m.,” Photograph 29, from The Russo-Japanese War: Taken by the Photographic Department of the Imperial Headquarters. 『日露戦争写真帖』No. 8. K. Ogawa, 1904. Getty Special Collections, photo by the author
Article Title: Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century
Author: Kelly M. McCormick
Date: 2017-05
Filename: 7977573.0007.201-00000013
ID: 7977573.0007.201-00000013
Volume: 7
Issue Title: Technologies
Number: 2

Fig. 13. “A View of the Battle in the Direction of the First Division From A Hill South-East of Fenghuang Hill, 19th September, 1904, 4:20 p.m.,” Photograph 29, The Russo-Japanese War: Taken by the Photographic Department of the Imperial Headquarters. 『日露戦争写真帖』No. 8. K. Ogawa, 1904. Getty Special Collections, Internet Archive; Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century

Caption: Fig. 13. “A View of the Battle in the Direction of the First Division From A Hill South-East of Fenghuang Hill, 19th September, 1904, 4:20 p.m.,” Photograph 29, The Russo-Japanese War: Taken by the Photographic Department of the Imperial Headquarters. 『日露戦争写真帖』No. 8. K. Ogawa, 1904. Getty Special Collections, Internet Archive
Author: Kelly M. McCormick
Date: 2017-05
Article Title: Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century
Filename: 7977573.0007.201-00000014
Number: 2
Volume: 7
ID: 7977573.0007.201-00000014
Issue Title: Technologies

Fig. 14. “Explosion of a Russian Shell in the East Fort of P’anlung Hill, Time: 16th September, 1904, 10:50 p.m.” Photograph 49, The Russo-Japanese War: Taken by the Photographic Department of the Imperial Headquarters. 『日露戦争写真帖』No. 8. K. Ogawa, 1904. Getty Special Collections, Photo by the author; Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century

Number: 2
ID: 7977573.0007.201-00000015
Volume: 7
Issue Title: Technologies
Filename: 7977573.0007.201-00000015
Author: Kelly M. McCormick
Date: 2017-05
Article Title: Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century
Caption: Fig. 14. “Explosion of a Russian Shell in the East Fort of P’anlung Hill, Time: 16th September, 1904, 10:50 p.m.” Photograph 49, The Russo-Japanese War: Taken by the Photographic Department of the Imperial Headquarters. 『日露戦争写真帖』No. 8. K. Ogawa, 1904. Getty Special Collections, Photo by the author

Fig. 15. “Explosion of a Russian Shell in the East Fort of P’anlung Hill, Time: 16th September, 1904, 10:50 p.m.” Photograph 49, The Russo-Japanese War: Taken by the Photographic Department of the Imperial Headquarters. 『日露戦争写真帖』No. 8. K. Ogawa, 1904. Getty Special Collections, Internet Archive; Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century

Caption: Fig. 15. “Explosion of a Russian Shell in the East Fort of P’anlung Hill, Time: 16th September, 1904, 10:50 p.m.” Photograph 49, The Russo-Japanese War: Taken by the Photographic Department of the Imperial Headquarters. 『日露戦争写真帖』No. 8. K. Ogawa, 1904. Getty Special Collections, Internet Archive
Date: 2017-05
Author: Kelly M. McCormick
Article Title: Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century
Filename: 7977573.0007.201-00000016
Number: 2
Issue Title: Technologies
ID: 7977573.0007.201-00000016
Volume: 7

Fig. 16. “The Great Exhibition of Colored Photographs of the Russo-Japanese Battle” (Nichiro sen’eki saishiki dai shashin tenrankai), 1907. Hakodate Central City Library; Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century

ID: 7977573.0007.201-00000017
Volume: 7
Issue Title: Technologies
Number: 2
Filename: 7977573.0007.201-00000017
Article Title: Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century
Author: Kelly M. McCormick
Date: 2017-05
Caption: Fig. 16. “The Great Exhibition of Colored Photographs of the Russo-Japanese Battle” (Nichiro sen’eki saishiki dai shashin tenrankai), 1907. Hakodate Central City Library

Fig. 1. Li Jin (pen name of Jiang Qing), “Lianzhang” [The Captain], 1966–68, Kodak Dye Transfer print in 1968, 51 cm x 41.5 cm. Private collection; Photography and the Appropriation of Kodak Dye Transfer in Socialist China

Author: Dengyan Zhou and Zhimin Shi
Date: 2017-05
Article Title: Photography and the Appropriation of Kodak Dye Transfer in Socialist China
Caption: Fig. 1. Li Jin (pen name of Jiang Qing), “Lianzhang” [The Captain], 1966–68, Kodak Dye Transfer print in 1968, 51 cm x 41.5 cm. Private collection
Number: 2
ID: 7977573.0007.202-00000001
Volume: 7
Issue Title: Technologies
Filename: 7977573.0007.202-00000001

Fig. 2. Lü Xiangyou, “Chairman Mao Inspecting the Red Guards,” 1966, top-right image on the front page of Heilongjiang ribao (August 19, 1966), https://www.pinterest.com/pin/85005511688745934/ (accessed March 8, 2017); Photography and the Appropriation of Kodak Dye Transfer in Socialist China

Caption: Fig. 2. Lü Xiangyou, “Chairman Mao Inspecting the Red Guards,” 1966, top-right image on the front page of Heilongjiang ribao (August 19, 1966), https://www.pinterest.com/pin/85005511688745934/ (accessed March 8, 2017)
Date: 2017-05
Author: Dengyan Zhou and Zhimin Shi
Article Title: Photography and the Appropriation of Kodak Dye Transfer in Socialist China
Filename: 7977573.0007.202-00000002
Number: 2
Issue Title: Technologies
Volume: 7
ID: 7977573.0007.202-00000002

Fig. 3. Steps of the Kodak Dye Transfer process © Shi Zhimin; Photography and the Appropriation of Kodak Dye Transfer in Socialist China

Author: Dengyan Zhou and Zhimin Shi
Date: 2017-05
Article Title: Photography and the Appropriation of Kodak Dye Transfer in Socialist China
Number: 2
Volume: 7
ID: 7977573.0007.202-00000003
Issue Title: Technologies
Filename: 7977573.0007.202-00000003

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Fig. 1. Wasma Mansour, from the series Single Saudi Women, ongoing project, © Wasma Mansour; Cross-Cultural Gender Identity: An Interview with Wasma Mansour

Fig. 2. Wasma Mansour, from the series Single Saudi Women, ongoing project, © Wasma Mansour; Cross-Cultural Gender Identity: An Interview with Wasma Mansour

Fig. 3. Wasma Mansour, from the series Single Saudi Women, ongoing project © Wasma Mansour; Cross-Cultural Gender Identity: An Interview with Wasma Mansour

Fig. 4. Wasma Mansour, from the series Single Saudi Women, ongoing project © Wasma Mansour; Cross-Cultural Gender Identity: An Interview with Wasma Mansour

Fig. 5. Wasma Mansour, from the series Single Saudi Women, ongoing project © Wasma Mansour; Cross-Cultural Gender Identity: An Interview with Wasma Mansour

Fig. 6. Wasma Mansour, from the series Single Saudi Women, ongoing project © Wasma Mansour; Cross-Cultural Gender Identity: An Interview with Wasma Mansour

Fig. 7. Wasma Mansour, Al-Raq’yah (Translation: The Sophisticated One), from the series a package, of a package, of a package, 2014 © Wasma Mansour; Cross-Cultural Gender Identity: An Interview with Wasma Mansour

Fig. 8. Wasma Mansour, Al-Danah (Translation: The Pearl), from the series a package, of a package, of a package, 2014 © Wasma Mansour; Cross-Cultural Gender Identity: An Interview with Wasma Mansour

Fig. 9. Wasma Mansour, Tulip, from the series a package, of a package, of a package, 2014 © Wasma Mansour; Cross-Cultural Gender Identity: An Interview with Wasma Mansour

Zhang Dali, Dialogue: Xidan Xiulang Hutong, 1999, © Zhang Dali; From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali

Zhang Dali, Figure Sketch, 1981, pencil on paper, 52 x 39 cm, © Zhang Dali; From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali

Zhang Dali, Figure Sketch, 1983, pencil on paper, 79 x 54.5 cm, © Zhang Dali; From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali

Zhang Dali, Red, Black, and White series, 1987, oil on rice paper, 187 x 180 cm, © Zhang Dali; From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali

A Soldier’s Story, playbill and set design (Zhang Dali’s poker card set at back), 1988, Beijing © Zhang Dali; From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali

A Soldier’s Story, playbill and set design (Zhang Dali’s poker card set at back), 1988, Beijing © Zhang Dali; From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali

Zhang Dali, Red, Black, and White series, 1986, oil on rice paper, 74 x 54 cm, © Zhang Dali; From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali

Zhang Dali, Dialogue: East Second Ring Road, Dingmen Bridge, 1995, © Zhang Dali; From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali

Zhang Dali, Study of Daumier’s Sketches, 1977, carbon on paper, 19 x 27 cm, © Zhang Dali; From Pencil Drawings to Graffiti Tags: An Interview with Zhang Dali

Fig 1; Recent Photobooks from Japan and China

Fig 2; Recent Photobooks from Japan and China

Fig 3; Recent Photobooks from Japan and China

Fig 4; Recent Photobooks from Japan and China

Fig 5; Recent Photobooks from Japan and China

Fig 1; Recent Photobooks from Japan and China

Fig 2; Recent Photobooks from Japan and China

Fig 3; Recent Photobooks from Japan and China

Fig 4; Recent Photobooks from Japan and China

Fig 5; Recent Photobooks from Japan and China

Fig 6; Recent Photobooks from Japan and China

Review of Lee Fook Chee’s Hong Kong: Photographs from the 1950’s, by Patricia Chu and Edward Stokes

Fig. 2. Photographic Album of the Japan-China War [Nisshin Sensō-zu日清戰爭寫眞圖], Tokyo: Hakubundō, 1894—1895. 31 x 45 cm., Getty Special Collections, Internet Archive; Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century

Fig. 16. “The Great Exhibition of Colored Photographs of the Russo-Japanese Battle” (Nichiro sen’eki saishiki dai shashin tenrankai), 1907. Hakodate Central City Library; Ogawa Kazumasa and the Halftone Photograph: Japanese War Albums at the Turn of the Twentieth Century

Fig. 1. Li Jin (pen name of Jiang Qing), “Lianzhang” [The Captain], 1966–68, Kodak Dye Transfer print in 1968, 51 cm x 41.5 cm. Private collection; Photography and the Appropriation of Kodak Dye Transfer in Socialist China

Fig. 2. Lü Xiangyou, “Chairman Mao Inspecting the Red Guards,” 1966, top-right image on the front page of Heilongjiang ribao (August 19, 1966), https://www.pinterest.com/pin/85005511688745934/ (accessed March 8, 2017); Photography and the Appropriation of Kodak Dye Transfer in Socialist China

Fig. 3. Steps of the Kodak Dye Transfer process © Shi Zhimin; Photography and the Appropriation of Kodak Dye Transfer in Socialist China

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