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Title Author(s) Volume/Issue Date Type
“Ma” and Photography: Four Emerging Female Artists from Japan Mika Kobayashi vol. 2 no. 2 Spring 2012 Curatorial Project
Maintaining the Photographic Legacy of Ceylon Benita Stambler vol. 4 no. 1 Fall 2013 Curatorial Project
Maki Fukuoka, The Premise of Fidelity: Science, Visuality and the Representation of the Real in Nineteenth Century Japan (Stanford University Press, 2012) 272 pp. ISBN 9780804777902 Ayelet Zohar vol. 3 no. 2 Spring 2013 Book Review
Manipulation as Art: Photographs by Xu Zhuo, 1979–1981 Shuxia Chen vol. 6 no. 1 Fall 2015 Article
Mark Rice, Dean Worcester’s Fantasy Islands: Photography, Film and the Colonial Philippines Gael Newton vol. 7 no. 2 Spring 2017 Review
Memory of the Dead and Responsibility of the Living: Noh Suntag’s “Forgetting Machines” (2006-2007) Jeehey Kim vol. 2 no. 1 Fall 2011 Curatorial Project
Miryam Sas, Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return (Cambridge: Harvard University Asia Center, 2011) Harvard East Asian Monograph, 329. 300 p. ISBN 978-0674053403. Yuko Fujii vol. 3 no. 1 Fall 2012 Book Review
Mohammad and Me: Three Views of Life within Indonesian Muslim Society Alexander Supartono vol. 1 no. 1 Fall 2010 Curatorial Project
More than a Collection: Photography in the Asia Art Archive Procheta Mukherjee Olson vol. 7 no. 2 Spring 2017 Profile
My Father’s Lenses: The Album of a Calcutta Photographer Debjani Sengupta vol. 7 no. 1 Fall 2016 Curatorial Project
My Modern Age: The Constructed Photographs of Eiko Yamazawa Mihoko Yamagata vol. 2 no. 2 Spring 2012 Curatorial Project
My Unseen Sister Shahidul Alam vol. 7 no. 2 Spring 2017 Curatorial Project