| Title |
Author(s) |
Type |
|
Editor’s Welcome
|
Sandra Matthews |
— |
|
The Elu[va]sive Portrait: Mimicry, Masquerade and Camouflage. Conceptual and Theoretical Notes, an Introduction
|
Ayelet Zohar |
Article |
|
Traveler-as-Lama Photography and the Fantasy of Transformation in Tibet
|
Namiko Kunimoto |
Article |
|
Subversive Portraits of National Heroism in Contemporary Korean Photography
|
Youngsook Choi |
Article |
|
The Elu[va]sive Japanese Portrait: Repetition, Difference and Multiplicity
|
Ayelet Zohar |
Article |
|
The Photographer’s New Clothes: An Interview with Cang Xin regarding “Identity Exchange” (2002-2007)
|
Yomi Braester |
Article |
|
Doubles, Triples and Halves: Kip Fulbeck’s “Hapa Project”
|
Kip Fulbeck |
Curatorial Project |
|
Piety and Power: The Theatrical Images of Empress Dowager Cixi
|
David Hogge |
Curatorial Project |
|
Memory of the Dead and Responsibility of the Living: Noh Suntag’s “Forgetting Machines” (2006-2007)
|
Jeehey Kim |
Curatorial Project |
|
Eluding Presence: Portraiture in South Asian Photography
|
Murtaza Vali |
Curatorial Project |
|
“Ai Weiwei: New York 1983 – 1993”. Beijing: Three Shadows Press; New York: Chambers Fine Art, 2010. Exhibition: Asia Society, New York, June 29 – August 14, 2011.
|
Gail Pellett |
Book Review |
|
John Falconer, ed., “The Waterhouse Albums: Central Indian Provinces” (Ahmedabad: Mapin Publishing in association with the Alkazi Collection of Photography; Ocean Township, N.J.: Grantha; Easthampton, MA.: Distributed in North America by Antique Collectors’ Club, 2009) 262 p. ISBN 9788189995300 (Mapin)
|
Deepali Dewan |
Book Review |
|
Jeffrey W. Cody and Frances Terpak eds., “Brush and Shutter: Early Photography in China” [exhibition catalogue] (Los Angeles: Getty Research Institute, 2011) 188 p. ISBN 978-1-60606-054-4.
|
H. Tiffany Lee |
Book Review |
|
Recent Publications of Note
|
Raymond Lum |
Recent Publications of Note |
|
Summaries of Scholarly Symposia 2.1
|
— |
Symposia |
