Tagalog literature; a historico-critical study.

l '..... GRAMMAR, DICTIONARIES, POETIC ART 71 lla, Francisco Bencuchillo, Pedro Herrera, and Hevia de Campomanes. Tagalog poetry has two kinds of syllable-endings: the accented and the unaccented. The accented is what is difficult, while the unaccented is what is the easy part of our poetic art. The meters often used are the five, seven, eight, ten, twelve, and fourteen syllables. Of these th eight and the twelve are the most commonly used, especially in long poems. Blank verse is not known in Tagalog poetry. ~r ~~~:~~.Uh~3*=r., I r;.'.. r ~'.I::I~;f%~~ftiE~~~

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Title
Tagalog literature; a historico-critical study.
Author
Alip, Eufronio Melo, 1904-
Canvas
Page 71
Publication
Manila,: U. S. T. Press, 1930 [i. e.,
1931]
Subject terms
Tagalog literature -- History and criticism

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"Tagalog literature; a historico-critical study." In the digital collection The United States and its Territories, 1870 - 1925: The Age of Imperialism. https://name.umdl.umich.edu/aeg8734.0001.001. University of Michigan Library Digital Collections. Accessed June 15, 2025.
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