A brief survey of Iloko literature from the beginnings to its present development, with a bibliography of works pertaining to the Iloko people and their language, by Leopoldo Y. Yabes.

1LOKO LITERATURE Ines Kannoyan, wife of Lam-ang, Iloko lengendary hero.3 Lyric:-It is significant that more patriotic literature, in poetry and in prose, was produced in Iloko during the two decades following the Philippine-American war than during the propaganda period, the Philippine Revolution, and the Philippine-American war, which cover about the same length of time. This can be explained partly by the fact that, as vas pointed out in the previous chapter, the abler Iloko writers during the propaganda period and during the Revolution used Spanish chiefly as their medium of literary expression and partly by the establishment during the American occupation of freedom of speech and of the press, which was non-existent during the propaganda period. Writers and poets of the century may be grouped into two schools: the old and the new. To the old belong those who were born and educated during the Spanish regime or during the Revolution but who have done most of their writing after the Revolution; and to the new belong those who have been educated in the present school system and were born at the turn of the century. The Old School:-This school includes Marcelino Crisologo, Claro Caluya, Mariano N. Gaerlan, Eleuterio Guirnalda, Buenaventura J. Bello, Santiago A. Fonacier, Jose Castro, Facundo Madriaga, Florencio Lagasca, Victorino Balbin, Matea de Peralta, EnriQueta de Peralta, Ursula Villanueva, Antonia Marcos Rubio, Mauro Verzosa, Ponciano Morales, and Mauro A. Pefiato mention some of the most notable. Isabelo de los Reyes, who is still living; Gregorio Aglipay. who writes occasional poetry; and Justo Claudio y Fojas and Mariano Dacanay, who both lived into this century-these do not belong properly to this school. Aglipay is not primarily a poet, and Dacanay, Claudio y Fojas, and de los Reyes did their best work during the Spanish regime. Marcelino Crisologo, mainly a novelist, is one of the few Iloko poets who have both substance and form. He has an excellent command of language and is not a slipshod thinker. Much of his poetry is permeated with religious and patriotic feeling. Claro Caluya was in the early part of the century accepted by the Ilokos as the "prince of Iloko poets".' His forte was the love poem, although he also wrote fairly good patriotic verse. He was in addition a writer of songs, and many of his compositions are still sung today. Mariano N. 3-This versified story, by Efraim Fa. Ordinario. was published in the Ilocos Times serially from November to December, 1935. The author invented many of the events described, thus detracting from the folkloric value of the work. 4-Pefia, M. A. and Fogata, A., op. cit., p. 35.

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Title
A brief survey of Iloko literature from the beginnings to its present development, with a bibliography of works pertaining to the Iloko people and their language, by Leopoldo Y. Yabes.
Author
Yabes, Leopoldo Y.
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Page 48
Publication
Manila,: The Author,
1936.
Subject terms
Iloko literature -- History and criticism
Iloko literature -- Bibliography
Philippines -- Bibliography

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"A brief survey of Iloko literature from the beginnings to its present development, with a bibliography of works pertaining to the Iloko people and their language, by Leopoldo Y. Yabes." In the digital collection The United States and its Territories, 1870 - 1925: The Age of Imperialism. https://name.umdl.umich.edu/adl4452.0001.001. University of Michigan Library Digital Collections. Accessed June 23, 2025.
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