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Showing results for "document genres for literary works" in Secondary Keywords.
- Title
- Thirty-six Immortal Poets: Taira no Kanemori
- Artist
- Madenokôji Fujifusa
- Physical Description
- A male figure is sitting sideways, his face looking toward the front right. He wears a long black cap, a red under-kimono, a grayish-color jacket with geometric patterns, and right gray color pantaloons. He holds a fan, which is peeking from the right sleeve. The painting is accompanied by calligraphy on the right side of the figure. The painting is mounted on gold brocade with strips of purple and gold brocade on top and bottom of the painting.
- Artist Life Dates
- 1295-1380
- Century
- 15th century
- Object Creation Date
- 15th century
- Accession Number
- 1962/1.103
- Medium and Support
- Handscroll section mounted as a hanging scroll: ink and color on paper
- relevance
- rank 19.86192
- Secondary Keywords
- associated concepts
- concepts in the arts
- descriptors
- document genres
- document genres by form
- document genres for literary works
- genres in the arts
- image-making processes and techniques
- information forms
- literary, oral and motion picture genres
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- processes and techniques
- processes and techniques by specific type
- visual works
- visual works by subject type
- writing (processes)
- Title
- New Hope
- Artist
- Sister Mary Corita
- Physical Description
- Colorful forms and words arranged on a white background. Block letters display words in a mixed-up format, some upside down, some on their sides. On left side there is a section with smaller writing in yellowish ink.
- Artist Life Dates
- 1918-1986
- Century
- 20th century
- Object Creation Date
- 1966
- Accession Number
- 2010/1.205
- Medium and Support
- serigraph on paper
- relevance
- rank 19.70576
- Secondary Keywords
- transfer method
- associated concepts
- concepts in the arts
- descriptors
- document genres
- document genres by form
- document genres for literary works
- genres in the arts
- image-making processes and techniques
- information forms
- literary, oral and motion picture genres
- objects we use
- people and culture
- prints
- prints by process
- prints by process or technique
- processes and techniques
- processes and techniques by specific type
- visual works
- visual works by medium or technique
- writing (processes)
- Title
- Head of Paris [Testa di Paride]
- Artist
- Guido Reni
- Physical Description
- Bust portrait of Paris of Troy. He looks off to the upper left. He is shown with a helmet that is toped with a sphynx-like figure and long feathers.
- Artist Life Dates
- 1575-1642
- Century
- 18th century
- Accession Number
- 2013/2.569
- Medium and Support
- etching on laid paper
- relevance
- rank 19.64038
- Secondary Keywords
- armed forces
- document genres
- document genres by form
- document genres for literary works
- information forms
- objects we use
- organizations
- people
- people (agents)
- people and culture
- people by activity
- people by gender
- visual works
- visual works by subject type
- Title
- Jewish Men Praying, Jerusalem, Israel
- Artist
- Leonard Freed
- Physical Description
- A group of Hassidic men praying inside of a religious place. They are all standing, facing forward.
- Object Creation Date
- 1968
- Accession Number
- 2014/2.331
- Medium and Support
- vintage gelatin silver print on paper
- relevance
- rank 18.67342
- Secondary Keywords
- associated concepts
- document genres
- document genres by form
- document genres for literary works
- information forms
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- religions and religious concepts
- Title
- Fish
- Artist
- Qi Baishi (Ch'i Pai-shih)
- Physical Description
- The painting depicts three fishes below a calligraphic poem. The poem goes: "I once painted Three Fish and inscribed it: painting is what I did in the time remaining after work, poetry in the time remaining after sleep, and calligraphy in the time remaining after carving. This is what I call the three remaining." (in Chinese, "fish" and "remaining" are pronounced the same)
- Artist Life Dates
- 1864-1957
- Century
- 20th century
- Object Creation Date
- 1920-1949
- Accession Number
- 1949/1.194
- Medium and Support
- ink on paper
- relevance
- rank 18.49944
- Secondary Keywords
- animals and creatures
- descriptors
- document genres
- document genres by form
- document genres for literary works
- image-making processes and techniques
- information forms
- objects we use
- processes and techniques
- processes and techniques by specific type
- writing (processes)
- Title
- The mass meeting in Danville is so crowded that it overflows out into the yard. When word arrives that heavily armed police and an armored vehicle are waiting up the road, the crowd disperses, leaving the SNCC workers to exit last, from "Memories of the Southern Civil Rights Movement"
- Artist
- Danny Lyon
- Physical Description
- A group of people outside of a church praying because there is no more room inside. The streets are covered with parked cars.
- Artist Life Dates
- b. 1942
- Object Creation Date
- 1963; printed 2010
- Accession Number
- 2014/2.321
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 18.41926
- Secondary Keywords
- buildings and the land
- document genres
- document genres by form
- document genres for literary works
- information forms
- objects we use
- people
- people and culture
- religious buildings
- religious structures
- single built works
- single built works by function
- single built works by specific type
- Title
- One of the Most Enduring Vooraleerzich Most Enduring Poems Hier Het Gedicht of the First World War
- Artist
- Mary Reid Kelley
- Physical Description
- This is a white piece of paper with black lettering. The words are arranged in six lines down the page.
- Artist Life Dates
- (1979 - )
- Century
- 21st century
- Object Creation Date
- 2008
- Accession Number
- 2010/1.207
- Medium and Support
- pencil on paper
- relevance
- rank 18.38444
- Secondary Keywords
- descriptors
- document genres
- document genres by form
- document genres for literary works
- image-making processes and techniques
- information forms
- objects we use
- processes and techniques
- processes and techniques by specific type
- writing (processes)
- Title
- Bombed-out Church, World War II Liberation, Limousin, Haute-Vienne, Oradour-sur-Glane, France
- Artist
- Henri Cartier-Bresson
- Physical Description
- A bombed out church with debris all around.
- Artist Life Dates
- 1908-2004
- Object Creation Date
- 1944
- Accession Number
- 2014/2.323
- Medium and Support
- vintage gelatin silver print on paper
- relevance
- rank 18.33865
- Secondary Keywords
- associated concepts
- buildings and the land
- document genres
- document genres by form
- document genres for literary works
- information forms
- objects we use
- people and culture
- religions and religious concepts
- religious buildings
- religious structures
- single built works
- single built works by function
- single built works by specific type
- Title
- Calligraphy: Watching Ducks on a Spring Morning
- Artist
- Nukina Kaioku
- Physical Description
- In this monumental scroll, Nukina Kaioku has brushed a Chinese poem of his own composition, on the enduring theme of nature as refreshment for the spirit. Note his masterful variation of thick and thin strokes, wet and dry ink, stately and rapid movement.
- The verses may be tentatively rendered into English as follows:
- Mandarin ducks enjoy the fresh water; their graceful forms glow as they pass through channels in the reeds.
- Pushing beyond the thickets [to the open pond], they call to one another again and again in the dawn.
- A crimson mist breaks through gaps in the glade, its glow warming hidden nests.
- Waking up with nothing to do, [I came here] to playfully row among the spring waves.
- Artist Life Dates
- (Tokushima, Shikoku, 1778 - 1863, Kyoto)
- Century
- 19th century
- Object Creation Date
- 1840s - 1863
- Accession Number
- 1987/2.45
- Medium and Support
- hanging scroll, ink on paper
- relevance
- rank 18.25904
- Secondary Keywords
- animals and creatures
- associated concepts
- birds
- descriptors
- document genres
- document genres by form
- document genres for literary works
- genres
- image-making processes and techniques
- information forms
- objects we use
- people and culture
- philosophical concepts
- processes and techniques
- processes and techniques by specific type
- writing (processes)
- Title
- Poem in Running Script
- Artist
- Murase Taiitsu
- Physical Description
- This calligraphy is executed in ink on paper. There are a total of three red seals present in the piece, one in the upper right hand corner, and two towards the left center of the piece. The calligraphy is very strong and forceful, with broad, well defined strokes. The work is mounted on golden silk.
- Artist Life Dates
- (1804 - 1881)
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 1977/1.185
- Medium and Support
- hanging scroll, ink on paper
- relevance
- rank 17.90785
- Secondary Keywords
- descriptors
- document genres
- document genres by form
- document genres for literary works
- image-making processes and techniques
- information forms
- objects we use
- paintings
- paintings by form
- processes and techniques
- processes and techniques by specific type
- scroll paintings
- visual works
- visual works by medium or technique
- writing (processes)
- Title
- Jewish Funeral, Jerusalem, Israel
- Artist
- Leonard Freed
- Physical Description
- A group of Hassidic men standing over a body covered in a cloth. There are windows behind them.
- Object Creation Date
- 1972
- Accession Number
- 2014/2.332
- Medium and Support
- vintage gelatin silver print on paper
- relevance
- rank 17.82770
- Secondary Keywords
- associated concepts
- ceremonial containers
- containers
- containers by function or context
- document genres
- document genres by form
- document genres for literary works
- funerary containers
- information forms
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- religions and religious concepts
- Title
- Prayer Wheel (Mani Wheel)
- Artist
- Artist Unknown, Tibet
- Physical Description
- An example of a 'mani' or prayer wheel, a common ritual object used in Tibetan Buddhism: a device made a handle (here a wooden stick, with simple incised line designs) supporting a hollow cylindrical drum on a spindle. Here the drum is elaboratedly decorated with rows of inset turquoise stones, as well as a row of Sanskit letters in bone. A small weight of bone attached to one one side of the drum with a metal chain, allows the wheel to spin with a slight rotation of the wrist.
- Century
- 19th-20th century
- Object Creation Date
- mid 19th century - early 20th century
- Accession Number
- 1983/1.424
- Medium and Support
- metal, wood, bone, and turquoise
- relevance
- rank 17.78935
- Secondary Keywords
- asian
- associated concepts
- document genres
- document genres by form
- document genres for literary works
- events
- information forms
- objects we use
- people and culture
- religions
- religions and religious concepts
- south asian
- styles and periods
- styles and periods by region
- Title
- Prayer Wheel (Mani Wheel)
- Artist
- Artist Unknown, Tibet
- Physical Description
- A 'mani' or prayer wheel, a common ritual object used in Tibetan Buddhism: a device made a handle (here a simple wooden stick) supporting a hollow cylindrical drum on a spindle. A small metal weight, attached to one one side of the drum with a cord, allows the wheel to spin with a slight rotation of the wrist. The drum in his case is of hammered metal, with incised patterns of Buddhist auspicious symbols.
- Century
- 19th-early 20th century
- Object Creation Date
- mid 19th century - early 20th century
- Accession Number
- 1983/1.423
- Medium and Support
- copper? and wood
- relevance
- rank 17.78935
- Secondary Keywords
- asian
- associated concepts
- document genres
- document genres by form
- document genres for literary works
- events
- information forms
- objects we use
- people and culture
- religions
- religions and religious concepts
- south asian
- styles and periods
- styles and periods by region
- Title
- Watching Geese
- Artist
- Chang Ku-nien
- Physical Description
- This landscape makes use of the wide range of tones possible from black ink and water. A man stands in a mountain clearing, gazing at geese in the distance. Calligraphic text is written vertically in the upper left corner.
- Artist Life Dates
- 1906-1987
- Century
- 20th century
- Object Creation Date
- last quarter of 20th century
- Accession Number
- 2006/1.124
- Medium and Support
- hanging scroll, ink on paper
- relevance
- rank 17.73931
- Secondary Keywords
- buildings and the land
- coating (material)
- coating by form
- descriptors
- document genres
- document genres by form
- document genres for literary works
- information forms
- materials
- materials by function
- objects we use
- paintings
- paintings by form
- people
- people (agents)
- people and culture
- people by gender
- scroll paintings
- settlements and landscapes
- visual works
- visual works by medium or technique
- Title
- "The Sound of Rustling Leaves" (Chinese poem, calligraphy)
- Artist
- Rai San'yô
- Physical Description
- This is a hanging scroll. It is mounted on olive green fabric and includes a poem in Chinese calligraphic text about nature. Has three red seals: two in the lower left side, one in the upper right corner.
- Artist Life Dates
- 1780-1832
- Century
- 19th century
- Object Creation Date
- circa 1811-1832
- Accession Number
- 2002/1.164
- Medium and Support
- ink on paper
- relevance
- rank 17.71615
- Secondary Keywords
- associated concepts
- descriptors
- document genres
- document genres by form
- document genres for literary works
- image-making processes and techniques
- information forms
- objects we use
- paintings
- paintings by form
- people and culture
- philosophical concepts
- processes and techniques
- processes and techniques by specific type
- scroll paintings
- visual works
- visual works by medium or technique
- writing (processes)
- Title
- Warsaw
- Artist
- Ben Shahn
- Physical Description
- A black and white print that features a person holding his head in clenched fists. His clothing is creased by his dynamic position, back is haunched. Below the drawing is stylized Hebrew block print. Translated it reads "These martyrs I well remember, and my soul melts with secret sorrow. Evil men have devoured us and eagerly consumed us". The calligraphy is a prayer recited for the Musaf Service during Yom Kippur.
- Artist Life Dates
- 1898-1969
- Object Creation Date
- 1943; printed 1963
- Accession Number
- 2011/1.101
- Medium and Support
- serigraph on paper
- relevance
- rank 17.60915
- Secondary Keywords
- associated concepts
- descriptors
- document genres
- document genres by form
- document genres for literary works
- image-making processes and techniques
- information forms
- object genres
- object genres by location, context or origin
- objects we use
- people and culture
- processes and techniques
- processes and techniques by specific type
- religions
- religions and religious concepts
- writing (processes)
- Title
- Landscape: Illustrating a poem of the T'ang period by Chang Chi (Zhang Ji )
- Artist
- Dong Gao (Tung Kao)
- Physical Description
- Chang Chi's poem lies in the upper right corner, just above a distant castle or other elegant building. In the foreground, mountains and trees arch over a wandering blue river and stretches of wispy clouds.
- Artist Life Dates
- (1740 - 1818)
- Century
- 18th century
- Object Creation Date
- 1780
- Accession Number
- 1967/2.9
- Medium and Support
- hanging scroll, ink and color on silk
- relevance
- rank 17.24564
- Secondary Keywords
- buildings and the land
- coating (material)
- coating by form
- descriptors
- document genres
- document genres by form
- document genres for literary works
- image-making processes and techniques
- information forms
- materials
- materials by function
- objects we use
- paintings
- paintings by form
- processes and techniques
- processes and techniques by specific type
- scroll paintings
- settlements and landscapes
- the natural world
- visual works
- visual works by medium or technique
- writing (processes)
- Title
- Adoration of the Shepherds
- Artist
- Nicolaus van Aelst
- Physical Description
- This black and white print depicts a scene with groups of figures separated compositionally by a large wooden post that is placed in the foreground of the composition, just left of center. Four male figures on the left look toward the scene on the right where a woman kneels in prayer before a child accompanied by two angels and a haloed man feeding hay to a donkey.
- Artist Life Dates
- 1526-1613
- Object Creation Date
- circa 1604-1606
- Accession Number
- 2012/2.185
- Medium and Support
- engraving and etching on off-white medium laid paper
- relevance
- rank 16.77482
- Secondary Keywords
- allegory and literature
- bible
- document genres
- document genres by form
- document genres for literary works
- herdsmen
- information forms
- new testament
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people by state or condition
- people in agriculture
- people in agriculture or natural resource occupations
- people in science-related occupations
- scientists and people in science-related occupations
- Title
- Pair of Mandarin Ducks (Scroll)
- Artist
- Wang Mengbai
- Physical Description
- Chinese ink painting on scroll with poem, ducks and flowers.
- Artist Life Dates
- 1888-1934
- Object Creation Date
- circa 1920
- Accession Number
- 2011/2.188
- Medium and Support
- ink and color on paper on mounted on scroll
- relevance
- rank 16.67673
- Secondary Keywords
- animals and creatures
- asian
- birds
- buildings and the land
- document genres
- document genres by form
- document genres for literary works
- east asian
- herbaceous plants
- information forms
- landscapes (environments)
- natural landscapes
- objects we use
- paintings
- paintings by form
- people and culture
- plants
- settlements and landscapes
- styles and periods
- styles and periods by region
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- Title
- Christmas Poem
- Artist
- Anonymous American
- Object Creation Date
- n.d.
- Accession Number
- 1983/2.7
- Medium and Support
- soft graphite on paper
- relevance
- rank 16.66798
- Secondary Keywords
- layout features
- allegory and literature
- artists
- celebrations
- components
- components and systems
- components by specific context
- document genres
- document genres by form
- document genres for literary works
- events
- holidays
- how we live
- illustrations
- illustrations by form
- images and ornament
- information form components
- information forms
- layout features
- making art
- objects we use
- people and culture
- people and occupations
- poetry
- religious holidays
- text-based art
- visual works
- visual works by subject type
- Title
- Preacher on the Street, New York City, USA
- Artist
- Leonard Freed
- Physical Description
- A man preaching on a public street. There are people passing by him. He is holding a bible in one hand.
- Object Creation Date
- 1980
- Accession Number
- 2014/2.340
- Medium and Support
- vintage gelatin silver print on paper
- relevance
- rank 16.46212
- Secondary Keywords
- associated concepts
- buildings and the land
- document genres
- document genres by form
- document genres for literary works
- information forms
- objects we use
- open spaces
- open spaces and site elements
- open spaces by function
- people
- people (agents)
- people and culture
- people by gender
- religions and religious concepts
- roads
- roads by form
- transportation spaces
- Title
- Courtesans of the Chôjiya: Hinatsuru and Her Attendant
- Artist
- Kitagawa Utamaro
- Physical Description
- The kneeling figure in the foreground is grand courtesan Hinatsuru. Her kamuro (attendant) is arranging a vase of chrysanthemums beside her. The circular inset contains a poet and his poem addressed to the two of them:
- In its wake
- The autumn grasses wither.
- Indeed, the mountain wind
- Has now become a gale.
- Artist Life Dates
- (Edo, 1754 - 1806, Edo)
- Century
- 18th century
- Object Creation Date
- circa 1790
- Accession Number
- 1948/1.184
- Medium and Support
- Ôban (large size) nishiki-e (full-color woodblock print) on paper
- relevance
- rank 16.35993
- Secondary Keywords
- transfer method
- asian
- document genres
- document genres by form
- document genres for literary works
- east asian
- information forms
- japanese
- japanese printmaking styles
- japanese styles
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in service occupations
- prints
- prints by process
- prints by process or technique
- prostitutes
- relief prints
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Soneto Burlesco. A Licito... from the "Góngora: vight poëmes" by Luis de Góngora y Argote
- Artist
- Pablo Picasso
- Physical Description
- Text of poem on left and two portraits of men on either side of text.
- Artist Life Dates
- 1881-1973
- Century
- Mid-20th century
- Accession Number
- 2013/2.574
- Medium and Support
- aquatint on laid paper
- relevance
- rank 16.32369
- Secondary Keywords
- components
- components and systems
- components by specific context
- document genres
- document genres by form
- document genres for literary works
- information form components
- information forms
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- phonetic signs
- script and type forms
- script and type signs
- visual works
- visual works by subject type
- Title
- Study of the Hands and Torso of a Praying Figure; Study of a Male Nude and a Leg
- Artist
- Carlo Maratta
- Physical Description
- A sketch done in red chalk of a figure in prayer. The drawing is composed of just the model's torso, from shoulders to hip. The figure's arms are slightly outstreched with palms together in prayer.
- Artist Life Dates
- 1625 - 1713
- Object Creation Date
- 1650-1725
- Accession Number
- 2009/1.507
- Medium and Support
- conte crayon on paper
- relevance
- rank 15.57193
- Secondary Keywords
- biological components
- components
- components and systems
- components by specific context
- descriptors
- document genres
- document genres by form
- document genres for literary works
- image-making processes and techniques
- information forms
- intaglio printing processes
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- the human body
- Title
- Pair of Mandarin Ducks (Fan)
- Artist
- Wang Mengbai
- Physical Description
- Chinese ink painting on a fan with drawings on the front and a poem on the back.
- Artist Life Dates
- 1888-1934
- Object Creation Date
- circa 1920
- Accession Number
- 2011/2.189
- Medium and Support
- ink and color on on paper
- relevance
- rank 15.42612
- Secondary Keywords
- animals and creatures
- asian
- birds
- coating (material)
- coating by form
- costume
- costume accessories
- costume accessories carried
- descriptors
- document genres
- document genres by form
- document genres for literary works
- east asian
- image-making processes and techniques
- information forms
- materials
- materials by function
- objects we use
- people and culture
- processes and techniques
- processes and techniques by specific type
- styles and periods
- styles and periods by region
- writing (processes)
- Title
- Ode on a Wanli-era Imperial Brush
- Artist
- Shitao (Shih-t'ao)
- Physical Description
- Calligraphy of a poem written in running script and including three artist's seals and the artist's signature.
- Artist Life Dates
- 1642-1707
- Century
- 18th century
- Object Creation Date
- 1705
- Accession Number
- 1965/2.75
- Medium and Support
- ink on paper
- relevance
- rank 15.34052
- Secondary Keywords
- artists
- descriptors
- document genres
- document genres by form
- document genres for literary works
- image-making processes and techniques
- information forms
- objects we use
- painters (artists)
- painters by subject of work
- paintings
- paintings by form
- people
- people (agents)
- people and culture
- people by occupation
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the visual arts
- people in the visual arts and related occupations
- processes and techniques
- processes and techniques by specific type
- scroll paintings
- visual works
- visual works by medium or technique
- writing (processes)
- Title
- Sheet of Sketches and Caricatures
- recto: studies for a group of figures (religious or allegorical) and two studies of standing women, one with child
- verso: two sets of couples in caricature in contemporary dress
- Artist
- Anonymous French
- Physical Description
- First side: Various people, one holding her hands below her waist, one speaking to a little boy, a group clustered together.
- Second side: two fashionably dressed couples (man and woman) walking.
- Century
- 19th century
- Object Creation Date
- 1866
- Accession Number
- 2013/2.563.1-2
- Medium and Support
- graphite on paper (double-sided drawing)
- relevance
- rank 15.05313
- Secondary Keywords
- accessories worn on the head
- associated concepts
- components and systems
- costume
- costume accessories
- costume accessories worn
- culture and related concepts
- culture-related concepts
- document genres
- document genres by form
- document genres for literary works
- equipment
- equipment by context
- equipment for personal use
- hats
- headgear
- information forms
- object groupings
- object groupings and systems
- object groupings by general context
- objects we use
- parents
- people
- people (agents)
- people and culture
- people by age group
- people by family relationship
- sets (groups)
- tools and equipment
- visual works
- visual works by subject type
- walking sticks
- youth
- Title
- Surimono: The Lover in the Snow
- Artist
- Katsushika Hokusai
- Physical Description
- The print depicts a figure in black walking in the snow with an umbrella. The snow covers the road, the well and the trees. Inscriptions of two poems appear on the upper right-hand corner, and the artist's signature can be found on the bottom edge of the print.
- Artist Life Dates
- 1760-1849
- Century
- 19th century
- Object Creation Date
- circa 1817-1849
- Accession Number
- 1948/1.152
- Medium and Support
- color woodblock print on paper
- relevance
- rank 14.93202
- Secondary Keywords
- associated concepts
- buildings and the land
- costume
- costume accessories
- costume accessories carried
- descriptors
- document genres
- document genres by form
- document genres for literary works
- earth sciences concepts
- image-making processes and techniques
- information forms
- landscapes (environments)
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- plants
- precipitation
- processes and techniques
- processes and techniques by specific type
- scientific concepts
- seasons
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by subject type
- weather and related phenomena
- weather-related phenomena
- woody plants
- writing (processes)
- Title
- Sword (13th century) and scabbard (18th century) with design of samurai writing a poem under cherry tree
- Artist
- Kagemitsu
- Physical Description
- The sword is long and slightly curved; the metal smith's name is engraved on the metal handle.
- Artist Life Dates
- (active late 13th–early 14th century )
- Century
- Late 13th-Early 14th century
- Object Creation Date
- 1299-1301
- Accession Number
- 1973/2.85
- Medium and Support
- forged steel blade with wooden handle and scabbard
- relevance
- rank 14.85405
- Secondary Keywords
- buildings and the land
- cases (containers)
- components
- components and systems
- components by specific context
- containers
- containers by form
- deciduous trees
- document genres
- document genres by form
- document genres for literary works
- edged weapon components
- information forms
- landscapes (environments)
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in military occupations
- plants
- settlements and landscapes
- sheaths
- trees
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- weapon components
- woody plants
- Title
- The Lord's Prayer, sheet 1 (Das Vaterunser)
- Artist
- Max Pechstein
- Physical Description
- This title sheet from Pechstein's "The Lord's Prayer" portfolio has the title of the series in large letters and an attribution to Pechstein at the bottom. Beneath the word "Vater," a man leans over a table, his hands folded in prayer. Two other praying men in profile bracket the word "Unser" near the bottom. All three wear plain, long-sleeved blue shirts.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.423
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 14.56157
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- , sheet 3 - Hallowed Be Thy Name (Das Vaterunser - Geheiligt werde Dein Name)
- Artist
- Max Pechstein
- Physical Description
- Three dark female figures are suspended in purgatory, with clasped hands in front of a triangular shaft of light that projects down from the top.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.425
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 14.56060
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- information forms
- mental activities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- prints
- prints by process
- prints by process or technique
- rays
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 2 - Our Father Who Art in Heaven (Das Vaterunser - Vater Unser Der Du bist im Himmel)
- Artist
- Max Pechstein
- Physical Description
- A large central figure represents God towers seen in the radiating rays of light and clouds that surround him.. On the forehead of his blocky, totemic head is a third eye. His left arm crosses over his middle and holds fire. His right hand extends down to the lower right corner as reaching down. The words "Vater Unser" are at the very top; "Der Du Bist" across God's waistline; "im Himmel" along the bottom.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.424
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 14.52976
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- human body
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- prints
- prints by process
- prints by process or technique
- rays
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 9 - But Deliver Us from Evil (Das Vaterunser - Sondern erlöse uns von dem Übel)
- Artist
- Max Pechstein
- Physical Description
- At viewer's left, two reclining figures lie side-by-side in a bed, covered by a sheet up to their chins. At the foot of the bed at the viewer's right, a man sits with his eyes closed and his hands on his head. To the viewer's left, in the foreground , a woman sits, crying, wiping her eyes with the back of her left hand.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.431
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 14.18026
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- events
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by state or condition
- personal life events
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- social science concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 5 - Give Us this Day Our Daily Bread (Das Vaterunser - Unser täglich Brot gieb uns heute)
- Artist
- Max Pechstein
- Physical Description
- Four men in plain, dark clothing sit, with hands folded in prayer, around a rectangular table, in the center of which is a fish on an oval platter. The man at the far end has his eyes closed. The other three raise their faces to heaven.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.427
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 14.15171
- Secondary Keywords
- transfer method
- animals
- associated concepts
- components and systems
- descriptors
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- events
- information forms
- materials
- materials by function
- mental activities
- modern and contemporary art
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 8 - And Lead Us Not into Temptation (Das Vaterunser - Und führe uns nicht in Versuchung)
- Artist
- Max Pechstein
- Physical Description
- A nude man and woman at center struggle with one another; a snake and a seated figure are visible in the background. The two central figures with intertwined limbs suggesting a struggle are positioned above a sharp-toothed mammal resembling a fox.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.430
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 14.01869
- Secondary Keywords
- transfer method
- animals and creatures
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by general context
- object groupings by specific context
- objects we use
- people and culture
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- reptiles
- sets (groups)
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Sunrise at Benten Shrine, Suzaki Cape
- Artist
- Katsushika Hokusai
- Physical Description
- Two geisha (itinerant musicians) are shown strolling in the countryside, with the roof of Benten Shintô shrine in the distance. The backdrop is the rising sun—the give-away that this is a New Year’s print—seen over distant mountains and a calm bay. One woman stoops to empty the ashes from her pipe, while the other draws her kimono closely about her. A poem lies just above the rising sun in the top left register of the morning sky.
- Artist Life Dates
- 1760 - 1849
- Century
- 19th century
- Object Creation Date
- 1800-1820
- Accession Number
- 1954/1.471
- Medium and Support
- koban surimono (privately published) color woodblock print (nishiki e) on paper
- relevance
- rank 13.94767
- Secondary Keywords
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- components of bodies of water
- costume
- costume by form
- descriptors
- document genres
- document genres by form
- document genres for literary works
- earth sciences concepts
- image-making processes and techniques
- information forms
- landscapes (environments)
- main garments
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- people by occupation
- people in service occupations
- physical sciences concepts
- processes and techniques
- processes and techniques by specific type
- riverine bodies
- scientific concepts
- settlements and landscapes
- writing (processes)
- Title
- The Lord's Prayer, sheet 7 - As We Forgive Them that Sin Against Us (Das Vaterunser - Wie wir vergeben unsern Schuldigern)
- Artist
- Max Pechstein
- Physical Description
- A male figure in profile seen at viewer's right rests his head on the shoulder of a woman. The figures grasp hands in the center of the composition; the female figure's proper left hand rests upon the neck of the male figure; both figures are dressed in dark clothes and illuiminated from behind by a bright white light; text runs along the uppermost edge of the composition, at the viewer's right mid-center, and along the bottom proper.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.429
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 13.92643
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by general context
- object groupings by specific context
- objects we use
- people and culture
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- sets (groups)
- social science concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 12 - For Ever and Ever. Amen! (Das Vaterunser - von Ewigkeit zu Ewigkeit. Amen!)
- Artist
- Max Pechstein
- Physical Description
- One forearm extends from the upper left side and ends to the right of center in a hand with palm down. Another arm extends from the lower right and ends in the lower left in a hand with palm up. Between the hands is the word "Amen!" in large letters.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.434
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 13.86204
- Secondary Keywords
- transfer method
- arms
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- human body
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people and culture
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the human body
- the natural world
- upper body
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Hanging a Poem on a Cherry Tree
- Artist
- Ishikawa Toyonobu
- Physical Description
- A color woodblock print of a young woman hanging a paper with poem on a cherry tree. The woman is in a kimono with intricate design of cherry blossom, hemp leaves, birds and swirls, pine trees and diamond patterns. She also wears broad obi (sash) in checkerboard patterns, which is bow- tied on her back. There is also a white sash underneath the obi, which supports her long kimono. Her hair is tied on the back and adorn with tortoise-shell comb and pin. The cherry tree is in full bloom; there is a curtain with a family crest behind the woman and the tree; a certain kind of platform with swirling vine pattern is peaking below the curtain. The overall color scheme is in yellow, orange, black and white (the color of the paper). There are artist’s signature and two seals on the right bottom corner, and smaller seal on the left bottom corner.
- Artist Life Dates
- 1711-1785
- Century
- 18th century
- Object Creation Date
- circa 1746-1749
- Accession Number
- 1955/1.130
- Medium and Support
- Urushi-e (color woodblock print) on paper
- relevance
- rank 13.75196
- Secondary Keywords
- accessories worn at the waist or below
- buildings and the land
- costume
- costume accessories
- costume accessories worn
- costume by form
- coverings and hangings
- coverings and hangings by location or context
- coverings and hangings by specific type
- coverings and hangings for openings
- deciduous trees
- document genres
- document genres by form
- document genres for literary works
- furnishings
- furnishings by form or function
- information forms
- landscapes (environments)
- main garments
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- plants
- settlements and landscapes
- trees
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- The Lord's Prayer, sheet 10 - For Thine Is the Kingdom (Das Vaterunser - Denn Dein ist das Reich)
- Artist
- Max Pechstein
- Physical Description
- A man, a woman, and a child facing the viewer with their hands folded in prayer. The man and woman sit on a mattress and look to heaven. The child stands in front of them with his head bowed. Next to the child is a diminutive cow. In the background behind the family are images of fish and birds.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.432
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 13.74195
- Secondary Keywords
- transfer method
- animals
- animals and creatures
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- figures
- groups of people
- information forms
- kinship groups
- mammals
- mental activities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- social groups
- social science concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- scripted
- Artist
- Ann Hamilton
- Physical Description
- A long wooden box divided into two compartments, one small and one large. The small compartment contains an intricately worked gold thimble inscribed with a poem. The long compartment contains a silver thimble in which horse hairs have been threaded. The tuft of horse hair runs the length of the long compartment.
- Artist Life Dates
- born 1956
- Century
- 20th century
- Object Creation Date
- 1997
- Accession Number
- 1999/2.15
- Medium and Support
- gold thimble, silver thimble, horsehair, wood and glass
- relevance
- rank 13.70224
- Secondary Keywords
- animal material
- animals and creatures
- components
- components and systems
- components by specific context
- constructions (sculpture)
- containers
- containers by form
- descriptors
- document genres
- document genres by form
- document genres for literary works
- hair and hair components
- information form components
- information forms
- international post-1945 styles and movements
- keratinous material
- mammals
- materials
- materials by origin
- metalworking and metalworking processes and techniques
- objects we use
- people and culture
- post-1945 fine arts styles and movements
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- script and type forms
- sculpture
- sculpture by technique
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Lady meeting her lover from the Rasamanjari of Bhanudatta series
- Artist
- India, Rajasthan, Mewar School
- Physical Description
- Brightly colored painting with three primary registers. The uppermost and smallest register contains a poem. The lower two are larger and similar in size. The bottommost depicts stairs, architectural structures, snakes, and flowering plants. Above, the middle register frames a seated man under a canopy-like architectural form, who reaches out to grasp the wrist of a woman. Behind her is a flowering tree, and and the far right, and open door.
- Century
- 17th century
- Object Creation Date
- circa 1630
- Accession Number
- 1980/2.242
- Medium and Support
- Ink, opaque watercolor, and gold on paper
- relevance
- rank 13.61228
- Secondary Keywords
- architectural elements
- buildings and the land
- circulation elements
- components
- components and systems
- components by specific context
- deciduous trees
- descriptors
- document genres
- document genres by form
- document genres for literary works
- image-making processes and techniques
- information forms
- landscapes (environments)
- natural landscapes
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- people
- people (agents)
- people and culture
- people by activity
- plants
- processes and techniques
- processes and techniques by specific type
- settlements and landscapes
- stair components
- stairs and stair components
- steps and step components
- trees
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- woody plants
- writing (processes)
- Title
- The Lord's Prayer, sheet 6 - And Forgive Us Our Sins (Das Vaterunser - Und vergieb uns unsre Schuld)
- Artist
- Max Pechstein
- Physical Description
- A group of seven men kneel and pray around a radiant figure representing God. God is in the viewer's upper left, and the supplicants are arranged around him. Hands project into the scene from behind God, suggesting additional figures kneeling in prayer behind.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.428
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 13.57303
- Secondary Keywords
- transfer method
- arms
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- human body
- information forms
- mental activities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the human body
- the natural world
- upper body
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Hercules
- Artist
- Albrecht Dürer
- Physical Description
- A nude man seen from behind raises a staff to ward off the blow of a standing female figure, also with a staff. The woman's swing is directed to two seated figures at the lower left: a nude woman and a satyr. In the distance is an elaborate gated city and landscape.
- Artist Life Dates
- (Nüremberg, 1471 - 1528)
- Century
- Late 15th century
- Object Creation Date
- circa 1498
- Accession Number
- 1956/1.78
- Medium and Support
- engraving on paper
- relevance
- rank 13.53278
- Secondary Keywords
- settlement area
- transfer method
- buildings and the land
- country houses
- cultural landscapes
- cultural landscapes by location or context
- descriptors
- document genres
- document genres by form
- document genres for literary works
- dwellings
- houses
- houses by location
- houses by location or context
- image-making processes and techniques
- information forms
- intaglio prints
- landscapes (environments)
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by age group
- physical activities
- physical activities by general context
- plants
- printing
- printing and printing processes and techniques
- prints
- prints by process
- prints by process or technique
- processes and techniques
- processes and techniques by specific type
- residential structures
- rural houses
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- wilderness
- woody plants
- youth
- Title
- The Lord's Prayer, sheet 4 - Thy Kingdom Come, Thy Will Be Done on Earth, as It Is in Heaven (Das Vaterunser - Dein Reich komme, Dein Wille geschehe, Wie im Himmel, also auch auf Erden)
- Artist
- Max Pechstein
- Physical Description
- Three male figures dressed in dark clothing, with their backs to the viewer, stand on a shore facing the water as shafts of light break through dark clouds overhead. The figure at the viewer's left raises his hands in exultation. The man in the center stands with head tilted back; the figure at the viewer's righ looks down, as if at his hands. The words of the Lord's Prayer are presented in three lines of text, at the top, middle, and bottom of the composition.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.426
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 13.34999
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- daylight
- doctrinal concepts
- document genres
- document genres by form
- document genres for literary works
- earth sciences concepts
- electromagnetic radiation
- energy
- energy and related concepts
- european
- european styles and periods
- information forms
- light (energy)
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- physical sciences concepts
- physics concepts
- prints
- prints by process
- prints by process or technique
- rays
- relief prints
- religions and religious concepts
- religious concepts
- scientific concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- weather and related phenomena
- weather-related phenomena
- Title
- The Lord's Prayer, sheet 11 - The Power and the Glory (Das Vaterunser - Und die Kraft und die Herrlichkeit)
- Artist
- Max Pechstein
- Physical Description
- Positioned in the upper center, a large eye sits inside a black triangle from which five arms and hands radiate. Behind the triangle and extending to the viewer's right edge is a rainbow. Below the triangle is a stylized, mask-like face that radiates beams of light rom its eyes. On each side of this large face is a man's face in profile. In the far background, there are mountains and clouds.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.433
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 12.85966
- Secondary Keywords
- transfer method
- architecture
- arms
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- document genres
- document genres by form
- document genres for literary works
- earth sciences concepts
- electromagnetic radiation
- energy
- energy and related concepts
- european
- european styles and periods
- heads
- human body
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- monuments
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people and culture
- physical sciences concepts
- physics concepts
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- scientific concepts
- styles and periods
- styles and periods by region
- the human body
- the natural world
- upper body
- visual works
- visual works by medium or technique
- visual works groupings
- weather and related phenomena
- weather-related phenomena