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Showing results for "indian%20styles%20and%20periods" in Secondary Keywords.
- Title
- Lakshmi lustrated by elephants (Gaja Lakshmi (Goddess))
- Artist
- India, Rajasthan, Bundi School
- Physical Description
- The white elephants, which draw the eye into the image, face toward the center leading the viewer to Lakshmi who is the central figure in the frame. The image is bordered by a red colored frame. And below the figures, in the background is a dark banded representing a pond.
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 2001/2.133
- Medium and Support
- ink, opaque watercolor, and gold on paper
- relevance
- rank 26.33590
- Secondary Keywords
- animals and creatures
- asia (continent)
- asian
- descriptors
- design elements
- geographic and political locations
- indian
- indian painting styles
- indian styles and periods
- mammals
- motifs
- people
- people (agents)
- people and culture
- people by state or condition
- plant-derived motifs
- rajasthani
- rajput
- south asian
- styles and periods
- styles and periods by region
- Title
- Scene from the life of the Buddha: Buddha triumphs over the fire snake at the Fire Temple of Uruvilva Kasyapa (architectural fragment)
- Artist
- Artist Unknown,Gandhara (ancient Pakistan and Afghanistan)
- Physical Description
- A fragment of a stone slab, originally a facing on the drum of a small stupa, carved with a narrative scene. In this relief, he is converting devotees of the fire god Agni, the three ascetic Kasyapa brothers and their disciples. In this narrative, the Buddha asked to spend the night in the fire temple of Uruvilva Kasyapa. The temple’s fire god worshipers thought the fearsome fire serpent that dwelled within the temple would vanquish the Buddha. Instead, the fiery radiance of the meditating Buddha overwhelmed the serpent, who crawled into the Buddha’s alms bowl; the defeated snake appears in this sculpture below the Buddha. Meanwhile, the dazzling radiance the Buddha emits has been mistaken for flames and a fire brigade using ladders and pots of water has been formed to put out the fire, as can be seen here. Seated in the posture and gesture of meditation, the Buddha’s calm presence is in contrast to the action unfolding around him. The three Kasyapa brothers, with their beards and matted hair, are at the bottom directing it all – two are on the right and the other is seated at the far left.
- Century
- 3rd century
- Object Creation Date
- 200-232
- Accession Number
- 1972/2.41
- Medium and Support
- grey schist
- relevance
- rank 21.70375
- Secondary Keywords
- animals and creatures
- asian
- associated concepts
- buildings and the land
- descriptors
- design elements
- equipment
- equipment by process
- indian
- indian dynastic styles and periods
- indian styles and periods
- kushan
- motifs
- natural element motifs
- object genres
- object genres by form
- objects we use
- people and culture
- religions
- religions and religious concepts
- religious structures
- reptiles
- single built works
- single built works by function
- single built works by specific type
- south asian
- styles and periods
- styles and periods by region
- supporting equipment
- tools and equipment
- visual works
- visual works by subject type
- Title
- Akbar's Bounty
- Artist
- Michael Mode
- Physical Description
- A wide-mouthed bowl narrows steeply to a small base. A brown and white checker board pattern covers the interior and exterior and scales down as the diameter decreases toward the bottom.
- wood bowl with geometric patterning in concentric rings, decreasing in size top to bottom
- Artist Life Dates
- born 1946
- Century
- late 20th century
- Object Creation Date
- 2000
- Accession Number
- 2002/2.166
- Medium and Support
- holly and morado
- relevance
- rank 21.17164
- Secondary Keywords
- visual arts
- abstraction
- artistic concepts
- asian
- associated concepts
- concepts in the arts
- containers
- containers by form
- descriptors
- design elements
- forms of expression
- geometric patterns
- historical, theoretical and critical concepts
- indian
- indian styles and periods
- islamic indian styles and periods
- materials
- materials by origin
- mughal
- objects we use
- patterns (design elements)
- patterns by specific type
- people and culture
- plant material
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- south asian
- styles and periods
- styles and periods by region
- vessels
- wood and wood products
- woodworking and woodworking processes and techniques
- Title
- Buddha, seated in the padmasana pose, in dhyana mudra, attended by Indra
- Artist
- Artist Unknown, Gandhara (Ancient Pakistan and Afghanistan)
- Physical Description
- A fragment of a stucco relief sculpture.
- Century
- 2nd-4th century
- Object Creation Date
- 100-399
- Accession Number
- 1961/2.83
- Medium and Support
- stucco relief with traces of polychromy
- relevance
- rank 21.12609
- Secondary Keywords
- asian
- associated concepts
- buildings and the land
- descriptors
- figures (representations)
- indian
- indian dynastic styles and periods
- indian styles and periods
- kushan
- object-making processes and techniques
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- processes and techniques
- processes and techniques by specific type
- religions
- religions and religious concepts
- religious structures
- sculpture techniques
- single built works
- single built works by function
- single built works by specific type
- south asian
- styles and periods
- styles and periods by region
- visual works
- visual works by subject type