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Showing results for "social science concepts" in Secondary Keywords.
- Title
- Elephant Mask (mbap mteng)
- Artist
- Artist Unknown, African, Bamileke Peoples, Cameroon
- Physical Description
- Face mask embroidered extensively wtih glass beads. Two long panels hang down the front and back of the wearer. Humanoid face at top has two round eye holes allowing the wearer to see, a strip of fabric for nose and open, upturned mouth. Ears are protruding disks attached on either side of the face . Top of the head is covered with small, corklike knobs covered with black cloth. The beadwork is predominantly green, with intricate, scallop-shaped patterns along edge of panels, and vertical, star-like patterns filling center of the panels. Interior of panels is lined with damask.
- Century
- 20th century
- Object Creation Date
- 1950-1999
- Accession Number
- 1997/1.319
- Medium and Support
- cloth, glass beads, fiber
- Secondary Keywords
- animals and creatures
- aristocracy
- associated concepts
- beads and sets of beads
- costume
- costume by function
- descriptors
- events
- groups of people
- mammals
- masks (costume)
- nobility
- object genres
- object genres by form
- objects we use
- people
- people (agents)
- people and culture
- political concepts
- social classes
- social classes by specific type
- social groups
- social science concepts
- social status
- sociological concepts
- upper class
- Title
- Chief's hat
- Artist
- Artist Unknown, African, Bamileke Peoples, Cameroon
- Physical Description
- Miter-shaped hat with double layer of fabric made from whorls of light-colored cotton applique on dark green velveteen ground. Sides of hat terminate in red tassels. Front edge of hat is trimmed with red fabric.
- Century
- 20th century
- Object Creation Date
- 1925-1975
- Accession Number
- 1997/1.171
- Medium and Support
- cotton appliqué with tassels
- Secondary Keywords
- accessories worn on the head
- associated concepts
- costume
- costume accessories
- costume accessories worn
- descriptors
- headgear
- needleworking
- needleworking and needleworking techniques
- objects we use
- people and culture
- political concepts
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- social science concepts
- social status
- sociological concepts
- textile processes and techniques
- textile working processes and techniques
- Title
- Prestige Axe
- Artist
- Artist Unknown, African, Benin, Toma
- Century
- 20th century
- Object Creation Date
- 20th century
- Accession Number
- 1998/1.85
- Medium and Support
- metal blade with wood handle
- Secondary Keywords
- associated concepts
- ceremonial weapons
- cutting equipment
- cutting tools
- descriptors
- edged weapons
- equipment
- equipment by process
- object genres
- object genres by material
- objects we use
- people and culture
- social science concepts
- social status
- sociological concepts
- tools and equipment
- weapons
- weapons and ammunition
- Title
- Prestige Axe
- Artist
- Artist Unknown, African, Congo (Zaire), Lunda Circle Lwena?
- Century
- 20th century
- Object Creation Date
- 20th century
- Accession Number
- 1998/1.51
- Medium and Support
- iron or steel blade with wood handle
- Secondary Keywords
- associated concepts
- cutting equipment
- cutting tools
- descriptors
- equipment
- equipment by process
- inorganic material
- iron and iron alloy
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- object genres
- object genres by material
- objects we use
- people and culture
- social science concepts
- social status
- sociological concepts
- tools and equipment
- Title
- Chair
- Artist
- Artist Unknown, African, Chokwe Peoples Angola
- Physical Description
- Two squatting figures decorate the finials; one is elderly, bearded, and scarified, while the other is fresh-faced and young. At the lower left rung, two men carry a slit drum; between the caryatid figures supporting the chair’s front legs appear three men; the central splat has incised diagonal patterns called fuliko. At the center, what is possibly a pointy-nosed European’s face replaces the more habitual chikungu masker.
- Century
- 20th century
- Object Creation Date
- 1900-1925
- Accession Number
- 1992/1.136
- Medium and Support
- wood (dyed with vegetal infusion or stained with castor oil), animal hide
- Secondary Keywords
- associated concepts
- chairs
- chairs by function
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- objects we use
- people and culture
- political concepts
- sculpture
- sculpture by material
- sculpture by technique
- seating furniture
- single seating furniture
- social science concepts
- visual works
- visual works by medium or technique
- Title
- Chief’s Caryatid Stool (citwamo ka kaponya)
- Artist
- Artist Unknown, African, Chokwe Peoples Angola
- Physical Description
- This hour-glass shaped stool is supported by two caryatid figures who sit in a pose of lamentation—crouched with head in hands. Scarified patterned abstracted tears spill from their lower eyelids. Brass studs adorn the perimeter of the stool’s seat, base, and figures. Both figures wear strings of black, red and white beads around their necks.
- Century
- Late 19th century
- Object Creation Date
- 2nd half of 19th century
- Accession Number
- 2005/1.204
- Medium and Support
- wood, glass beads, and brass tacks
- Secondary Keywords
- associated concepts
- descriptors
- metalwork
- object genres
- object genres by material
- objects we use
- people and culture
- political concepts
- sculpture
- sculpture by material
- sculpture by technique
- social science concepts
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- The Lamentation
- Artist
- Hans Baldung Grien
- Physical Description
- Three grief-striken figures lament over the body of a dead man lying on the ground before them. One of these figures, a robed woman who clasps her hands in agony, leans forward to peer into the face of the dead man, who is rendered with dramatic foreshortening. To the left of this woman sits a long-haired man wiping his eyes while another woman with wild unkempt hair seated next to him raises her arms in abject sorrow. Three nails and a pair of vessels sit in the immediate foreground next to the artist's initials "HGB."
- Artist Life Dates
- 1484/85-1545
- Century
- 16th century
- Object Creation Date
- 1515-1517
- Accession Number
- 1960/1.168
- Medium and Support
- woodcut on paper
- Secondary Keywords
- transfer method
- associated concepts
- emotion
- equipment
- equipment by process
- events
- executions
- objects we use
- people and culture
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions
- religions and religious concepts
- social science concepts
- supporting equipment
- tools and equipment
- visual works
- visual works by medium or technique
- Title
- From a Day of Grief, Kerch, Crimea, January 1942
- Artist
- Dmitri Baltermants
- Physical Description
- A woman grieving while standing over dead bodies of young men in Kerch, Crimea.
- Artist Life Dates
- Russian, 1912-1990
- Object Creation Date
- 2003
- Accession Number
- 2012/2.68
- Medium and Support
- gelatin silver print on paper
- Secondary Keywords
- associated concepts
- emotion
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- people by state or condition
- photographic prints
- photographic prints by process
- photographs
- photographs by form
- positives
- psychological concepts
- social science concepts
- visual works
- visual works by medium or technique
- Title
- Monument to the Lycée Chases
- Artist
- Christian Boltanski
- Physical Description
- Three black and white photographs of young people's faces are vertically arranged. Above each and below the center image are smaller versions of similar portrait photographs. Four of these smaller photos are also arranged in the line of the large photographs, one on each end, and two separating the larger pictues. All the photos are surrounded by an arrangement of light bulbs, which are connected by a network of electrical cables that snake along the walls and over the photos.
- Artist Life Dates
- Born 1944
- Century
- 20th century
- Object Creation Date
- 1989
- Accession Number
- 2006/1.154
- Medium and Support
- gelatin silver prints, biscuit tins, electric cables, and sixty-eight lightbulbs
- Secondary Keywords
- associated concepts
- austria (nation)
- biological concepts
- components
- components and systems
- components by specific context
- constructions (sculpture)
- europe (continent)
- events
- furnishings components
- geographic and political locations
- lighting device components
- objects we use
- people
- people (agents)
- people and culture
- people by age group
- personal life events
- photographic prints
- photographic prints by process
- photographs
- photographs by form
- positives
- psychological concepts
- scientific concepts
- sculpture
- sculpture by technique
- social science concepts
- vienna state (state)
- visual works
- visual works by medium or technique
- Title
- Prestige Pipe
- Artist
- Artist Unknown, African, Cameroon Grassfields Cameroon
- Physical Description
- Pipe made in three parts: wood-carved stem, inner metal pipe for drawing smoke, and metal, possibly bronze bowl. Wood-carved, openwork stem is comprised of interlocking lizards; spiral whorls cover the cast metal bowl. bands of cowrie shells encircle the bottom and “neck” of the bowl, while its lip is topped with the classic Grassfields motif of a prestige cap.
- Century
- Mid-20th century
- Object Creation Date
- 1925-1975
- Accession Number
- 1985/1.150
- Medium and Support
- wood, metal, possibly copper and bronze
- Secondary Keywords
- smoking and tobacco use
- associated concepts
- descriptors
- equipment
- equipment by context
- equipment for personal use
- inorganic material
- materials
- materials by composition
- materials by origin
- metal and metal products
- objects we use
- people and culture
- physical activities
- physical activities by general context
- plant material
- social science concepts
- social status
- sociological concepts
- tools and equipment
- wood and wood products
- Title
- Sancai ware standing figure of a Central Asian groom
- Artist
- Artist Unknown, China
- Century
- 7th-11th century
- Object Creation Date
- 618-907
- Accession Number
- 1972/2.67
- Medium and Support
- earthenware with sancai (three-color) glaze
- Secondary Keywords
- associated concepts
- people
- people (agents)
- people and culture
- people by gender
- physical activities
- physical activities by general context
- social science concepts
- social structure
- sociological concepts
- Title
- Flywhisk (mpiya, nsea, nfunka or nyese)
- Artist
- Artist Unknown, African, Dondo Peoples Congo Republic
- Physical Description
- Wood-carved flywhisk is shape of a woman. Her torso doubles as the whisk handle and is scarified with leaden inlay, which has been worn smooth due to extended use. A red cotton wrap marks the transition zone between the female’s torso and the buffalo hair whisk below. The whisk visually acts as a grass skirt completing the above figure’s body and dress.
- Century
- late 18th - early 19th century
- Object Creation Date
- circa 1800
- Accession Number
- 2005/1.176
- Medium and Support
- wood, lead, cotton fiber, buffalo hair
- Secondary Keywords
- associated concepts
- disciplines
- equipment
- equipment by context
- equipment for personal use
- objects we use
- occult sciences
- people and culture
- political concepts
- social science concepts
- social status
- sociological concepts
- tools and equipment
- visual works
- visual works by subject type
- Title
- La Justice Protégé les Arts
- Artist
- Gilles Demarteau
- Physical Description
- This crayon-manner engraving printed in sanguine depicts a grouping of figures arranged in a celestial space and positioned against clouds. A large female figure draped in cloth dominates the upper portion of the composition. She holds a set of scales in her left hand. Two female figures, one clothed, one nude, gather below at this figure’s sandaled feet in the center left of the composition. The clothed figure holds a palette and paintbrushes while the nude figure holds a mallet and a sculpted portrait of a man’s face. At the bottom right three male figures, one of whom wrestles a snake, appear to be attacking the female figure holding the palette. A clothed figure donning a helmet protects the figure holding the scales in the upper right.
- Artist Life Dates
- 1729-1776
- Object Creation Date
- circa 1763-1767
- Accession Number
- 2012/2.182
- Medium and Support
- crayon-manner engraving, printed in sanguine on heavy laid paper
- Secondary Keywords
- artistic concepts
- artistic devices
- associated concepts
- concepts in the arts
- descriptors
- image-making processes and techniques
- judges
- measuring devices
- measuring devices for forces
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- people
- people (agents)
- people and culture
- people by occupation
- people in law
- people in social science-related occupations
- people in the social sciences and related occupations
- processes and techniques
- processes and techniques by specific type
- symbolism
- visual works
- visual works by medium or technique
- weighing devices
- weighing devices by form
- Title
- Palm wine cup
- Artist
- Artist Unknown, African, Kuba Peoples Democratic Republic of the Congo
- Physical Description
- Cylindrical, wood carved cup with geometric motifs and linear, interlocking surface designs that cover the entire surface of the object.
- Century
- 20th century
- Object Creation Date
- circa 1940
- Accession Number
- 1983/1.372
- Medium and Support
- wood
- Secondary Keywords
- associated concepts
- containers
- containers by function or context
- containers for serving and consuming food
- culinary containers
- descriptors
- design elements
- drinking vessels
- motifs
- objects we use
- people and culture
- social science concepts
- social status
- sociological concepts
- vessels for serving and consuming food
- Title
- Design Cloth
- Artist
- Artist Unknown, African, Kuba Peoples Democratic Republic of the Congo
- Physical Description
- Square panel of raffia, cut-pile cloth; top is even, plush surface; intersecting linear pattern creates geometic diamond motifs in contrasting dark and light browns. Back is woven raffia cloth.
- Century
- 20th century
- Object Creation Date
- circa 1970
- Accession Number
- 1986/2.105
- Medium and Support
- raffia, cloth, dye
- Secondary Keywords
- associated concepts
- descriptors
- design elements
- fiber
- fiber and fiber products
- materials
- materials by form
- materials by physical form
- motifs
- object genres
- object genres by material
- people and culture
- social science concepts
- social status
- sociological concepts
- Title
- Mat
- Artist
- Artist Unknown, African, Kuba Peoples Democratic Republic of the Congo
- Physical Description
- Flat raffia mat with woven geometric, diamond-lke pattern of interlocking lines in green, natural and purple.
- Century
- 20th century
- Object Creation Date
- circa 1970
- Accession Number
- 1985/1.165
- Medium and Support
- Raffia fiber
- Secondary Keywords
- associated concepts
- coverings and hangings
- coverings and hangings by location or context
- coverings and hangings by specific type
- coverings and hangings for surface elements
- descriptors
- design elements
- floor coverings
- furnishings
- furnishings by form or function
- motifs
- object genres
- object genres by material
- objects we use
- people and culture
- social science concepts
- social status
- sociological concepts
- Title
- Palm Wine Drinking Horn
- Artist
- Artist Unknown, African, Kuba Peoples Democratic Republic of the Congo
- Physical Description
- Buffalo horn with concentric circles, geometric shapes and beadlike bands carved in relief follow the natural contours of the horn to its pointed tip. Has a local repair—a metal suture sewn at the mouth to stabilize a crack. Has cord pierced through tip.
- Century
- late 18th - early 19th century
- Object Creation Date
- 1800-1850
- Accession Number
- 2005/1.209
- Medium and Support
- buffalo horn
- Secondary Keywords
- associated concepts
- containers
- containers by function or context
- containers for serving and consuming food
- culinary containers
- descriptors
- design elements
- drinking vessels
- motifs
- objects we use
- people and culture
- social science concepts
- social status
- sociological concepts
- vessels for serving and consuming food
- Title
- Bwami Society Maskette
- Artist
- Artist Unknown, African, Lega Peoples Democratic Republic of the Congo
- Physical Description
- Concave, ovoid maskette with kaolin covering surface of surface of face. Minimal rendering of facial features: raised, tapered wood strip for nose; narrow, oviod, horizontal eyes; open, ovoid mouth with some striation around interior edge.
- Century
- 20th century
- Object Creation Date
- 1900-1975
- Accession Number
- 1985/1.151
- Medium and Support
- wood, kaolin
- Secondary Keywords
- associated concepts
- ceremonies
- cultural ceremonies
- events
- objects we use
- people and culture
- rites of passage
- sculpture
- sculpture by form
- sculpture by material
- social science concepts
- social status
- sociological concepts
- visual works
- visual works by medium or technique
- Title
- Mask (Kifwebe)
- Artist
- Artist Unknown, African, Luba or Songye Peoples Democratic Republic of the Congo
- Physical Description
- Wood carved face with geometric, pseudo-human facial features, grooved, bilaterial striations of surface, protruding, square pursed mouth and horizontal slit eyes with protruding eyebrows. Faint traces of white kaolin in grooves; a flat wooden crest extends from the nose along the curve of the forehead, terminating in feathered headdress; thick raffia fiber beard attached around face. mask shows much wear with nicks and scraptes on wood surface; feathered headdress and fiber beard are brittle.
- Century
- 20th century
- Object Creation Date
- circa 1940
- Accession Number
- 2005/1.219
- Medium and Support
- wood, raffia, feathers, kaolin
- Secondary Keywords
- associated concepts
- costume
- costume by function
- descriptors
- events
- masks (costume)
- object genres
- object genres by material
- objects we use
- people and culture
- sculpture
- sculpture by material
- social science concepts
- sociological concepts
- visual works
- visual works by medium or technique
- Title
- Mask (Kasangu)
- Artist
- Artist Unknown, African, Sala Mpasu Peoples Democratic Republic of the Congo
- Physical Description
- Face mask made of wood, covered in white kaolin; face has round, bulging forehead, deep set narrow eyes, small round ears, fiber beard, open rectangular mouth and pointed teeth; basketry weave that held mask on the dancer’s head is visible at back and sides; raffia attachment on top of head frayed and missing.
- Century
- 20th century
- Object Creation Date
- 1920-1960
- Accession Number
- 1971/2.44
- Medium and Support
- wood, raffia, kaolin and fiber
- Secondary Keywords
- associated concepts
- costume
- costume by function
- descriptors
- events
- masks (costume)
- object genres
- object genres by material
- objects we use
- people and culture
- sculpture
- sculpture by material
- social science concepts
- social status
- sociological concepts
- visual works
- visual works by medium or technique
- Title
- Mask (idangani)
- Artist
- Artist Unknown, African, Sala Mpasu Peoples Democratic Republic of the Congo
- Physical Description
- Mask is made entirely of blackish-brown dyed and molded raffia fiber; face has bulging forehead, deeo set narrow eyes, bulbous nose, and raffia “beard.” Top of head has cone-like crest of small fiber knots.
- Century
- 20th century
- Object Creation Date
- circa 1900-1983
- Accession Number
- 1983/2.184
- Medium and Support
- dyed fiber, raffia
- Secondary Keywords
- associated concepts
- costume
- costume by function
- descriptors
- events
- masks (costume)
- object genres
- object genres by material
- objects we use
- people and culture
- social science concepts
- social status
- sociological concepts
- Title
- Staff
- Artist
- Artist Unknown, African, Yaka Peoples, Democratic Republic of the Congo
- Physical Description
- A stylized human head with an elaborate coiffure, sitting atop a larger animal head with scarification marks below the eyes, tops a well-carved staff with angular handle and a zig-zag carved pattern below the handle. The eyes of both figures are set in shallow cavities and appear squinted or closed.
- Object Creation Date
- mid 20th century
- Accession Number
- 2001/2.19
- Medium and Support
- wood
- Secondary Keywords
- associated concepts
- biological components
- ceremonial weapons
- components
- components and systems
- components by specific context
- equipment
- equipment by context
- equipment for personal use
- head
- objects
- objects we use
- people and culture
- political concepts
- social science concepts
- the human body
- tools and equipment
- upper body
- walking sticks
- weapons
- weapons and ammunition
- Title
- Untitled (March 5th) #2
- Artist
- Felix Gonzalez-Torres
- Physical Description
- Two forty-watt light bulbs in simple porcelain light sockets hang together by their extension cords from a nail on the wall.
- Artist Life Dates
- 1957-1996
- Century
- 20th century
- Object Creation Date
- 1991
- Accession Number
- 1999/2.17
- Medium and Support
- 40-watt light bulbs, extension cords, porcelain light sockets
- Secondary Keywords
- associated concepts
- biological concepts
- components
- components and systems
- components by specific context
- events
- found object sculpture
- found objects
- furnishings components
- genres
- health and related concepts
- health-related concepts
- illness
- international post-1945 styles and movements
- lighting device components
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- personal life events
- physical sciences concepts
- physics concepts
- post-1945 fine arts styles and movements
- psychological concepts
- scientific concepts
- sculpture
- sculpture by form
- sculpture by material
- social science concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Study for 'Image in Xhorkom'
- Artist
- Arshile Gorky
- Physical Description
- Black and white drawing of organic forms vaguely resembling human figures flowing into one another in a room-like space. On the right hand side of the grouping stands the most recognizably humanoid figure.
- Artist Life Dates
- 1904 - 1948
- Century
- 20th century
- Object Creation Date
- circa 1936
- Accession Number
- 1964/2.41
- Medium and Support
- graphite and tempera on off-white laid paper
- Secondary Keywords
- visual arts
- abstraction
- artistic concepts
- asia
- asia (continent)
- associated concepts
- biological concepts
- biomorphic
- concepts in the arts
- drawings
- drawings by function
- european
- european styles and periods
- forms of expression
- geographic and political locations
- groups of people
- kinship groups
- life
- life stages
- locality
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- objects we use
- people
- people (agents)
- people and culture
- psychological concepts
- scientific concepts
- social groups
- social science concepts
- study
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Art Attack
- Artist
- Keith Haring
- Physical Description
- Oak panel with screen print; signed K.Haring 88 along lower right edge.
- Artist Life Dates
- 1958 - 1990
- Century
- 20th century
- Object Creation Date
- 1988
- Accession Number
- 1991/1.137
- Medium and Support
- screenprint on oak panel
- Secondary Keywords
- americas
- associated concepts
- biological concepts
- genres
- health and related concepts
- health-related concepts
- illness
- international post-1945 styles and movements
- locality
- modern and contemporary art
- north & central america
- objects we use
- people and culture
- post-1945 fine arts styles and movements
- psychological concepts
- scientific concepts
- social science concepts
- styles and periods
- styles and periods by region
- united states
- visual works
- visual works by location or context
- Title
- Marilyn Monroe
- Artist
- Keith Haring
- Physical Description
- Bust-length portrait of Marilyn Monroe positioned in front of a red background; Haring used a poster of the actress onto which he applied sumi ink in a series of outlines, marks and drips over the face, neck, chest and shoulders.
- Artist Life Dates
- 1958 - 1990
- Century
- 20th century
- Object Creation Date
- circa 1981
- Accession Number
- 1997/1.123
- Medium and Support
- Sumi ink on poster
- Secondary Keywords
- associated concepts
- concepts in the arts
- historical, theoretical and critical concepts
- international post-1945 styles and movements
- modern and contemporary art
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- post-1945 fine arts styles and movements
- social science concepts
- social status
- sociological concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by subject type
- Title
- Portrait of Arnold Schönberg
- Artist
- Felix Albrecht Harta
- Physical Description
- Minimal line drawing presents a 3/4 profile of man, with right ear, a tuft of hair, mouth, nose, full right eye, partial left eye, eyebrows, eye lashes, and minimal chin.
- Artist Life Dates
- (1884 - 1967)
- Century
- 20th century
- Accession Number
- 2007/2.112
- Medium and Support
- graphite on beige wove paper
- Secondary Keywords
- image form
- associated concepts
- austria (nation)
- europe (continent)
- geographic and political locations
- objects we use
- people and culture
- social science concepts
- social status
- sociological concepts
- vienna state (state)
- views
- views by vantage point or orientation
- visual works
- visual works by form
- visual works by subject type
- Title
- Key and Cue No. 1182 (Remembrance has a rear and front)
- Artist
- Roni Horn
- Physical Description
- Aluminum shaft with block letters cast in black plastic.
- Artist Life Dates
- b. 1955
- Century
- 20th century
- Object Creation Date
- 1994
- Accession Number
- 2009/1.470
- Medium and Support
- cast plastic and aluminum
- Secondary Keywords
- visual arts
- artistic concepts
- associated concepts
- components
- components and systems
- components by specific context
- concepts in the arts
- forms of expression
- genres in the arts
- information form components
- layout features
- literary, oral and motion picture genres
- people and culture
- psychological concepts
- social science concepts
- Title
- Three Gold Rings, from Ringed Series
- Artist
- Todd Hoyer
- Physical Description
- A bulbous vessel with narrow mouth and base. The wood is burned and cracked and circled by three gold bands, two of which overlap.
- burnt wood vessel with gold
- Artist Life Dates
- b. 1952
- Century
- late 20th century
- Object Creation Date
- 1991
- Accession Number
- 2002/2.145
- Medium and Support
- eucalyptus, imitation gold leaf
- Secondary Keywords
- associated concepts
- biological concepts
- containers
- containers by form
- descriptors
- events
- groups of people
- kinship groups
- materials
- materials by origin
- objects we use
- people
- people (agents)
- people and culture
- personal life events
- physicochemical processes
- plant material
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- psychological concepts
- scientific concepts
- social groups
- social science concepts
- surface marking processes and techniques
- wood and wood products
- Title
- Shiva and his family
- Artist
- India, Punjab Hills, Kangra School
- Physical Description
- In this idyllic scene, the goddess Parvati offers her husband Shiva a drink, as they enjoy a quiet moment together. Their children, the elephant-headed Ganesha and Skanda, play inside a tent made from the hide of an elephant demon that Shiva had slain. Both parents are clothed in animal skins, the garb of mountain-dwelling ascetics, while Shiva is further adorned with a long necklace of skulls and a snake.
- Century
- 18th century
- Object Creation Date
- circa 1790-1800
- Accession Number
- 1942.4
- Medium and Support
- ink, opaque watercolor, and gold on paper
- Secondary Keywords
- animals
- animals and creatures
- associated concepts
- branches
- groups of people
- hindu
- kinship groups
- mammals
- named gods and goddesses
- people
- people (agents)
- people and culture
- people by age group
- people by family relationship
- people by state or condition
- religion
- religions
- social groups
- social science concepts
- social structure
- sociological concepts
- subject matter
- tents
- the natural world
- Title
- Shaver container (rectangular box with cover and divider), from a bridal trousseau
- Artist
- Artist Unknown, Japan
- Century
- 17th-19th century
- Object Creation Date
- 1615-1867
- Accession Number
- 1955/1.160A-C
- Medium and Support
- wood with black, red, and gold lacquer
- Secondary Keywords
- associated concepts
- coating (material)
- coating by composition or origin
- containers
- descriptors
- materials
- materials by function
- objects we use
- people and culture
- social science concepts
- social structure
- sociological concepts
- Title
- Container for vegetable tannin for ohaguro [square box with cover; the larger of two], from a bridal trousseau
- Artist
- Artist Unknown, Japan
- Century
- 17th-19th century
- Object Creation Date
- 1615-1867
- Accession Number
- 1955/1.161A&B
- Medium and Support
- wood with black, red, and gold lacquer
- Secondary Keywords
- associated concepts
- coating (material)
- coating by composition or origin
- containers
- descriptors
- materials
- materials by function
- objects we use
- people and culture
- social science concepts
- social structure
- sociological concepts
- Title
- Container for vegetable tannin for ohaguro [square box with cover], from a bridal trousseau
- Artist
- Artist Unknown, Japan
- Century
- 17th-19th century
- Object Creation Date
- 1615-1867
- Accession Number
- 1955/1.162A&B
- Medium and Support
- wood with black, red, and gold lacquer
- Secondary Keywords
- associated concepts
- coating (material)
- coating by composition or origin
- containers
- descriptors
- materials
- materials by function
- objects we use
- people and culture
- social science concepts
- social structure
- sociological concepts
- Title
- Stacked cylindrical container for oil (the larger of two), from a bridal trousseau
- Artist
- Artist Unknown, Japan
- Century
- 17th-19th century
- Object Creation Date
- 1615-1867
- Accession Number
- 1955/1.163A-C
- Medium and Support
- wood with black, red, and gold lacquer
- Secondary Keywords
- associated concepts
- coating (material)
- coating by composition or origin
- containers
- descriptors
- materials
- materials by function
- objects we use
- people and culture
- social science concepts
- social structure
- sociological concepts
- Title
- Stacked cylindrical container for oil (the smaller of two), from a bridal trousseau
- Artist
- Artist Unknown, Japan
- Century
- 17th-19th century
- Object Creation Date
- 1615-1867
- Accession Number
- 1955/1.164A-C
- Medium and Support
- wood with black, red, and gold lacquer
- Secondary Keywords
- associated concepts
- coating (material)
- coating by composition or origin
- containers
- descriptors
- materials
- materials by function
- objects we use
- people and culture
- social science concepts
- social structure
- sociological concepts
- Title
- Incense Container, (cylindrical box with cover), from a Bridal Trousseau
- Artist
- Artist Unknown, Japan
- Century
- 17th-19th century
- Object Creation Date
- 1615-1867
- Accession Number
- 1955/1.166A&B
- Medium and Support
- wood with black, red, and gold lacquer
- Secondary Keywords
- associated concepts
- coating (material)
- coating by composition or origin
- containers
- descriptors
- materials
- materials by function
- objects we use
- people and culture
- social science concepts
- social structure
- sociological concepts
- Title
- Diptych on Vietnam (one of two)
- Artist
- Michael Joseph
- Physical Description
- Copies of men's high school portraits from yearbook pages collaged onto board. There are words written across in red, blue, orange and purple crayon "The Class of 65...."
- Object Creation Date
- 2nd half of the 20th century
- Accession Number
- 2013/2.308A
- Medium and Support
- collage on panel
- Secondary Keywords
- associated concepts
- buildings and the land
- memorials
- objects we use
- people and culture
- political concepts
- single built works
- single built works by function
- single built works by specific type
- social science concepts
- visual works
- visual works by subject type
- Title
- The Downtrodden (Zertretene)
- Artist
- Käthe Kollwitz
- Artist Life Dates
- 1867 - 1945
- Century
- 20th century
- Object Creation Date
- 1900
- Accession Number
- 1954/2.9
- Medium and Support
- aquatint and etching on paper
- Secondary Keywords
- associated concepts
- emotion
- figures
- how we live
- modern and contemporary art
- movement
- people and culture
- people and occupations
- psychological concepts
- rites of passage
- social science concepts
- Title
- Couple Making Love
- Artist
- Eli Levin
- Physical Description
- A black etching on white paper of two people on a bed making love. There are shoes underneath the bed on the left hand side of the scene and strewn about clothing on the right side.
- Artist Life Dates
- b. 1938
- Accession Number
- 2012/1.231
- Medium and Support
- etching on paper
- Secondary Keywords
- associated concepts
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- objects we use
- people and culture
- sleeping and reclining furniture
- social science concepts
- social structure
- sociological concepts
- Title
- Happiness
- Artist
- Jacques Lipchitz
- Artist Life Dates
- 1891-1973
- Century
- 20th century
- Object Creation Date
- 1947
- Accession Number
- 1948/1.98
- Medium and Support
- bronze
- Secondary Keywords
- associated concepts
- european
- european styles and periods
- figures
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- people and culture
- people and occupations
- psychological concepts
- social science concepts
- studies (visual works)
- styles and periods
- styles and periods by region
- visual works
- visual works by function
- Title
- Untitled (Virginia)
- Artist
- Sally Mann
- Physical Description
- Contemporary black and white photograph made to look old. The image is contained within the circular field created by the aperture. A foggy landscape with silhouetted trees receding from the left into the hazy distance and sky.
- Artist Life Dates
- Born 1951
- Century
- 20th century
- Object Creation Date
- 1993; printed 2002
- Accession Number
- 2003/1.365
- Medium and Support
- gelatin silver print, toned with tea on paper
- Secondary Keywords
- associated concepts
- buildings and the land
- cultural landscapes
- cultural landscapes by function
- disciplines
- electromagnetic radiation
- energy
- energy and related concepts
- geographic and political locations
- history and related disciplines
- landscapes
- landscapes (environments)
- light (energy)
- north and central america (continent)
- objects we use
- people and culture
- photographic prints
- photographic prints by process
- photographs
- photographs by form
- physical sciences concepts
- physics concepts
- positives
- psychological concepts
- scientific concepts
- settlements and landscapes
- social science concepts
- social sciences
- the natural world
- united states (nation)
- visual works
- visual works by medium or technique
- Title
- Untitled [Manassas #25]
- Artist
- Sally Mann
- Physical Description
- Antique- and aged-looking photograph of a dreamy, perhaps nocturnal landscape. In the foreground a massive tree rises up into the hazy night, and trees recede into the distance. White pock marks give the whole scene, sky and land, an ethereal starry look.
- Artist Life Dates
- Born 1951
- Century
- 20th century
- Object Creation Date
- 2000
- Accession Number
- 2004/2.129
- Medium and Support
- gelatin silver print on paper
- Secondary Keywords
- associated concepts
- buildings and the land
- built complexes and districts
- complexes
- complexes by function
- disciplines
- electromagnetic radiation
- energy
- energy and related concepts
- geographic and political locations
- history and related disciplines
- landscapes (environments)
- light (energy)
- north and central america (continent)
- objects we use
- people and culture
- photographic prints
- photographic prints by process
- photographs
- photographs by form
- physical sciences concepts
- physics concepts
- plants
- positives
- psychological concepts
- scientific concepts
- settlements and landscapes
- sites
- social science concepts
- social sciences
- united states (nation)
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- Title
- That Which Must Not Come; Threat Over Mexico
- Artist
- Leopoldo Méndez
- Artist Life Dates
- born 1903
- Century
- 20th century
- Object Creation Date
- 1945
- Accession Number
- 1949/1.181
- Medium and Support
- woodcut on paper
- Secondary Keywords
- americas
- animals
- associated concepts
- birds
- descriptors
- locality
- modern and contemporary art
- north & central america
- object genres
- object genres by form
- people and culture
- political concepts
- political ideologies and attitudes
- social science concepts
- the natural world
- Title
- The Mendicant
- Artist
- Jean-François Millet
- Artist Life Dates
- 1814-1875
- Century
- 19th century
- Object Creation Date
- circa 1857-1858
- Accession Number
- 1955/1.107
- Medium and Support
- black chalk on off-white paper
- Secondary Keywords
- architecture
- associated concepts
- building divisions
- components
- components and systems
- components by specific context
- descriptors
- family
- food
- genres
- how we live
- materials
- materials by function
- objects
- people and culture
- people and occupations
- relationships
- religious figures
- rooms and spaces
- rooms and spaces by function
- social science concepts
- sociological concepts
- work and instructional spaces
- Title
- Beaded Coronet (oríkògbòfó or ojewe)
- Artist
- Artist Unknown, African, Yoruba Peoples Nigeria
- Physical Description
- Round beaded crown with six radiating bands (predominantly green with white, metallic and blue accents) that stem from the central axis upon which the big blue-headed bird sits. Smaller birds perch at the base of the bands. Bottom rim predominantly red with white, metallic and blue accents. Spaces in between vertical bands are filled with yellow feathers or possibly synthetic material.
- Century
- Mid-20th century
- Object Creation Date
- 1925-1975
- Accession Number
- 1997/1.345
- Medium and Support
- cloth, glass beads, metallic beads, feathers
- Secondary Keywords
- accessories worn on the head
- animals and creatures
- aristocracy
- associated concepts
- beads and sets of beads
- costume
- costume accessories
- costume accessories worn
- crown (headdress)
- descriptors
- groups of people
- headgear
- nobility
- object genres
- object genres by form
- objects we use
- people
- people (agents)
- people and culture
- political concepts
- social classes
- social classes by specific type
- social groups
- social science concepts
- upper class
- Title
- Oba’s Beaded Crown (adénlá)
- Artist
- Artist Unknown, African, Yoruba Peoples Nigeria
- Physical Description
- Beaded, veil fringed, canonical crown; seven long beaded tassles dangle from the bottom rim of the crown; entire surface area is embroidered with multi-colored seed beads; three tiers of colorful faces surround the perimeter; a series of three dimensional birds perch on top of the crown; the largest bird sits on tip and is removable.
- Century
- Mid-20th century
- Object Creation Date
- 1925-1975
- Accession Number
- 1997/1.306
- Medium and Support
- glass beads, cotton fabric, raffia palm
- Secondary Keywords
- accessories worn on the head
- animals and creatures
- aristocracy
- associated concepts
- beads and sets of beads
- biological components
- components
- components and systems
- components by specific context
- costume
- costume accessories
- costume accessories worn
- crown (headdress)
- descriptors
- groups of people
- headgear
- heads
- nobility
- object genres
- object genres by form
- objects we use
- people
- people (agents)
- people and culture
- political concepts
- social classes
- social classes by specific type
- social groups
- social science concepts
- the human body
- upper body
- upper class
- Title
- Ogboni staff
- Artist
- Artist Unknown, African, Yoruba Peoples Nigeria
- Physical Description
- Brass female figure, kneeling with buttocks on the heels, atop an iron staff. The protruding eyes, nose, and mouth convey a serene, dignified and somewhat withdrawn look. The figure has a beard around the face; she wears ornamentation in small holes atop the ears, cone-shaped headgear, and an elaborate necklace; there is a small spiral motif on the forehead, and two larger spiral motifs on the sides of the body. The hands are held in closed fists in front of the body, the left hand on top of the right.
- Object Creation Date
- 1900-1970
- Accession Number
- 2001/2.39
- Medium and Support
- brass, iron
- Secondary Keywords
- associated concepts
- ceremonial weapons
- descriptors
- inorganic material
- iron and iron alloy
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- objects we use
- people and culture
- political concepts
- sculpture
- sculpture by subject type
- social science concepts
- statues
- visual works
- visual works by medium or technique
- weapons
- weapons and ammunition
- Title
- A Monument in Rouen
- Artist
- Hughie O'Donoghue
- Physical Description
- A collection of abstract landscape and figure with a photographic image. The figure, Christlike in its pose, runs up roughly the middle of the painting, looking also like a road or a path across the bleak landscape. In the upper left is a photographic image of some military trucks and a scaffold tower. Along the left half of the landscape, names of towns are written in the paint.
- Artist Life Dates
- born 1953
- Century
- 20th century
- Object Creation Date
- 1999-2000
- Accession Number
- 2001/2.80
- Medium and Support
- oil and inkjet on gampi tissue on linen
- Secondary Keywords
- armed conflicts
- associated concepts
- buildings and the land
- descriptors
- europe (continent)
- events
- france (nation)
- geographic and political locations
- haute-normandie (region)
- image-making processes and techniques
- landscapes (environments)
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- paintings
- paintings by material or technique
- people and culture
- processes and techniques
- processes and techniques by specific type
- psychological concepts
- seine-maritime, dèpartement de la (department)
- settlements and landscapes
- social science concepts
- transportation vehicles
- vehicles
- visual works
- visual works by medium or technique
- visual works by subject type
- wars
- world wars
- Title
- The Lord's Prayer, sheet 7 - As We Forgive Them that Sin Against Us (Das Vaterunser - Wie wir vergeben unsern Schuldigern)
- Artist
- Max Pechstein
- Physical Description
- A male figure in profile seen at viewer's right rests his head on the shoulder of a woman. The figures grasp hands in the center of the composition; the female figure's proper left hand rests upon the neck of the male figure; both figures are dressed in dark clothes and illuiminated from behind by a bright white light; text runs along the uppermost edge of the composition, at the viewer's right mid-center, and along the bottom proper.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.429
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by general context
- object groupings by specific context
- objects we use
- people and culture
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- sets (groups)
- social science concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 9 - But Deliver Us from Evil (Das Vaterunser - Sondern erlöse uns von dem Übel)
- Artist
- Max Pechstein
- Physical Description
- At viewer's left, two reclining figures lie side-by-side in a bed, covered by a sheet up to their chins. At the foot of the bed at the viewer's right, a man sits with his eyes closed and his hands on his head. To the viewer's left, in the foreground , a woman sits, crying, wiping her eyes with the back of her left hand.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.431
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- events
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by state or condition
- personal life events
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- social science concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings