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Showing results for "object%20groupings%20by%20specific%20context" in Secondary Keywords.
Interior of a Guardroom; David Teniers the Younger
- Title
- Interior of a Guardroom
- Artist
- David Teniers the Younger
- Physical Description
- Groups of men gamble, smoke, and drink in a dark guardroom. In the left foreground a seated man wearing a red sash lights his white clay pipe, while his companion pauses his smoking to listen to a man standing next to him. The red of the smoker's sash is repeated in the flag and fabrics strewn about in the right foreground, which form part of a still-life of weapons, musical instruments, and glinting armor heaped together against the wall. Between these brightly lit foreground vignettes the scene recedes into the darkened interior where a group of five men gather about a table to gamble.
- Artist Life Dates
- 1610-1690
- Century
- 17th century
- Object Creation Date
- 1635-1645
- Accession Number
- 1965/1.185
- Medium and Support
- oil on panel
- relevance
- rank 21.53192
- Secondary Keywords
- armor groupings
- building divisions
- components
- components and systems
- components by specific context
- costume groupings
- membranophones
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people and culture
- physical activities
- physical activities by general context
- rooms and spaces
- rooms and spaces by location or context
- sound devices
- sound devices by acoustical characteristics
- visual works
- visual works by subject type
- weapons and ammunition
The Pandawas being banished after losing the dice game to Kauravas (The last scene of Sabha Parwa, Mahabharata) 'Wayang Ider Ider'; Indonesia, Bali
- Title
- The Pandawas being banished after losing the dice game to Kauravas (The last scene of Sabha Parwa, Mahabharata) 'Wayang Ider Ider'
- Artist
- Indonesia, Bali
- Century
- 20th century
- Object Creation Date
- circa 1930
- Accession Number
- 1976/2.19
- Medium and Support
- ink and opaque watercolor on hand-woven cotton
- relevance
- rank 20.44810
- Secondary Keywords
- associated concepts
- components and systems
- object groupings
- object groupings and systems
- object groupings by specific context
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- visual works groupings
The Fifty-Three Stations of the Tokaido (Hoeido Edition) #16 Kambara, Night Snow; Andô Hiroshige
- Title
- The Fifty-Three Stations of the Tokaido (Hoeido Edition) #16 Kambara, Night Snow
- Artist
- Andô Hiroshige
- Artist Life Dates
- 1797-1858
- Object Creation Date
- 1831-1834
- Accession Number
- 2008/2.194
- Medium and Support
- woodblock print on paper
- relevance
- rank 19.66503
- Secondary Keywords
- associated concepts
- components and systems
- earth sciences concepts
- object groupings
- object groupings and systems
- object groupings by specific context
- people and culture
- physical sciences concepts
- precipitation
- scientific concepts
- visual works groupings
- weather and related phenomena
- weather-related phenomena
Ecce Homo (Passion Series); Martin Schongauer
- Title
- Ecce Homo (Passion Series)
- Artist
- Martin Schongauer
- Physical Description
- A bearded man, wearing only a crown of thorns, a loincloth, and a long robe, stands stooped and sorrowful at the top of a short flight of steps. A man wearing a pointed cap and holding a scepter in his left hand emerges from the doorway behind him and points toward him with his right hand. A riotous crowd, full of grimacing and leering faces, stands on the steps and ground below. A column and a bundle of switches appear through the window behind the crowned figure. A small snarling dog appears in the foreground next to the steps where the artist's initials "M + S" are inscribed.
- Artist Life Dates
- c. 1430-1491
- Century
- 15th century
- Object Creation Date
- circa 1480
- Accession Number
- 1961/1.169
- Medium and Support
- engraving on paper
- relevance
- rank 18.77355
- Secondary Keywords
- animals and creatures
- architectural elements
- associated concepts
- circulation elements
- components
- components and systems
- components by specific context
- descriptors
- groups of people
- groups of people by activity
- image-making processes and techniques
- intaglio printing processes
- mammals
- narrative cycles
- object groupings
- object groupings and systems
- object groupings by specific context
- people
- people (agents)
- people and culture
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- religions
- religions and religious concepts
- stairs and stair components
- visual works groupings
Transport Braila, Rumania, from "Hungarian Memories"; André Kertész
- Title
- Transport Braila, Rumania, from "Hungarian Memories"
- Artist
- André Kertész
- Physical Description
- A man sits in the street with legs crossed and hands clasp, leaning against his wagon. The wagon is filled to the brim with various wooden objects. The man's gaze is transfixed on two dogs sitting beside wooden crates.
- Artist Life Dates
- 1894-1985
- Century
- 20th century
- Object Creation Date
- October 19, 1918; printed 1981
- Accession Number
- 1985/1.125.8
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 18.60251
- Secondary Keywords
- animals and creatures
- associated concepts
- cargo vehicles
- cargo vehicles by form
- components and systems
- containers
- containers by form
- environments (object groupings)
- freewheeled vehicles
- freewheeled vehicles by form or function
- land vehicles
- land vehicles by form
- mammals
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people and culture
- physical activities
- physical activities by general context
- religions
- religions and religious concepts
- transportation vehicles
- vehicles
Zapruder; John Waters
- Title
- Zapruder
- Artist
- John Waters
- Physical Description
- Twenty-four color photographs mounted in two-part artist's frame with a ninety-degree bend.
- Artist Life Dates
- born 1946
- Century
- 20th century
- Object Creation Date
- 1995
- Accession Number
- 2008/2.214
- Medium and Support
- chromogenic print on paper
- relevance
- rank 17.93747
- Secondary Keywords
- administrators
- artistic concepts
- associated concepts
- components and systems
- concepts in the arts
- concepts relating to the creative process
- creativity
- deaths
- events
- executives
- imagination
- murders
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in government and administration
- personal life events
- photographs
- photographs by subject type
- social issues
- social science concepts
- sociological concepts
- visual works
- visual works by medium or technique
- visual works groupings
Scene from the Ramayana (?); Indonesia, Bali
- Title
- Scene from the Ramayana (?)
- Artist
- Indonesia, Bali
- Century
- 20th century
- Object Creation Date
- 1st half of 20th century
- Accession Number
- 1991/2.31
- Medium and Support
- ink and opaque watercolor on hand-woven cotton
- relevance
- rank 17.58164
- Secondary Keywords
- animals and creatures
- associated concepts
- ceremonial chairs
- chairs
- chairs by function
- components and systems
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- mammals
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- people by occupation
- people in government and administration
- religions
- religions and religious concepts
- rulers (people)
- seating furniture
- single seating furniture
- visual works groupings
The Lord's Prayer, sheet 8 - And Lead Us Not into Temptation (Das Vaterunser - Und führe uns nicht in Versuchung); Max Pechstein
- Title
- The Lord's Prayer, sheet 8 - And Lead Us Not into Temptation (Das Vaterunser - Und führe uns nicht in Versuchung)
- Artist
- Max Pechstein
- Physical Description
- A nude man and woman at center struggle with one another; a snake and a seated figure are visible in the background. The two central figures with intertwined limbs suggesting a struggle are positioned above a sharp-toothed mammal resembling a fox.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.430
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 17.34660
- Secondary Keywords
- transfer method
- animals and creatures
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by general context
- object groupings by specific context
- objects we use
- people and culture
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- reptiles
- sets (groups)
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
The Lord's Prayer, sheet 7 - As We Forgive Them that Sin Against Us (Das Vaterunser - Wie wir vergeben unsern Schuldigern); Max Pechstein
- Title
- The Lord's Prayer, sheet 7 - As We Forgive Them that Sin Against Us (Das Vaterunser - Wie wir vergeben unsern Schuldigern)
- Artist
- Max Pechstein
- Physical Description
- A male figure in profile seen at viewer's right rests his head on the shoulder of a woman. The figures grasp hands in the center of the composition; the female figure's proper left hand rests upon the neck of the male figure; both figures are dressed in dark clothes and illuiminated from behind by a bright white light; text runs along the uppermost edge of the composition, at the viewer's right mid-center, and along the bottom proper.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.429
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 17.23244
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by general context
- object groupings by specific context
- objects we use
- people and culture
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- sets (groups)
- social science concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
The Flagellation (Large Passion Series); Albrecht Dürer
- Title
- The Flagellation (Large Passion Series)
- Artist
- Albrecht Dürer
- Physical Description
- At the center of this densely detailed print stands a male figure, nude except for a loincloth, with his hands tied behind him to a column. He is encircled by a crowd of figures, including three men who beat him with whips, switches, and fists. A fourth figure leers at him grotesquely, while another sits on the ground with his feet against the column and pulls the ropes holding their victim. Another figure, wearing elaborate armor, kneels in the foreground as he prepares his switches. Onlookers, some wearing elaborate turbans and robes inspired by Turkish clothing, stand behind the torturers. A crown of thorns sits in the lower right corner and a small dog appears in the center foreground next to the artist's initials.
- Artist Life Dates
- (Nüremberg, 1471 - 1528)
- Century
- Late 15th century
- Object Creation Date
- 1497
- Accession Number
- 1960/2.35
- Medium and Support
- woodcut on paper
- relevance
- rank 16.84092
- Secondary Keywords
- transfer method
- accessories worn on the head
- animal equipment
- associated concepts
- bavaria (state)
- components and systems
- costume
- costume accessories
- costume accessories worn
- equipment
- equipment by context
- europe (continent)
- geographic and political locations
- germany (nation)
- groups of people
- groups of people by activity
- headgear
- mittelfranken (national district)
- narrative cycles
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- prints
- prints by process
- prints by process or technique
- relief prints
- religions
- religions and religious concepts
- tools and equipment
- visual works
- visual works by medium or technique
- visual works groupings
Ecce Homo (Large Passion Series); Albrecht Dürer
- Title
- Ecce Homo (Large Passion Series)
- Artist
- Albrecht Dürer
- Physical Description
- A crowd of men, rendered as a dense mass of bodies and faces that bristles with pikes and spears, gather before a porch attached to an ornately decorated stone building. A bearded man, wearing rich dress and a turban leans over the balustrade of the porch toward the crowd with his arms outstretched and his hands open as he turns his head to look at the man standing beside him. This sorrowful figure wears only a crown of thorns and a long robe that is partly opened by the man standing behind him to reveal his lean body flecked with drops of sweat or blood.
- Artist Life Dates
- (Nüremberg, 1471 - 1528)
- Century
- Late 15th-Early 16th century
- Object Creation Date
- 1498-1500
- Accession Number
- 1953/1.48
- Medium and Support
- woodcut on paper
- relevance
- rank 16.55482
- Secondary Keywords
- transfer method
- accessories worn on the head
- associated concepts
- bavaria (state)
- components and systems
- costume
- costume accessories
- costume accessories worn
- europe (continent)
- geographic and political locations
- germany (nation)
- groups of people
- groups of people by activity
- headgear
- mittelfranken (national district)
- narrative cycles
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- prints
- prints by process
- prints by process or technique
- relief prints
- religions
- religions and religious concepts
- visual works
- visual works by medium or technique
- visual works groupings
The Lord's Prayer, sheet 12 - For Ever and Ever. Amen! (Das Vaterunser - von Ewigkeit zu Ewigkeit. Amen!); Max Pechstein
- Title
- The Lord's Prayer, sheet 12 - For Ever and Ever. Amen! (Das Vaterunser - von Ewigkeit zu Ewigkeit. Amen!)
- Artist
- Max Pechstein
- Physical Description
- One forearm extends from the upper left side and ends to the right of center in a hand with palm down. Another arm extends from the lower right and ends in the lower left in a hand with palm up. Between the hands is the word "Amen!" in large letters.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.434
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 16.10699
- Secondary Keywords
- transfer method
- arms
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- human body
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people and culture
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the human body
- the natural world
- upper body
- visual works
- visual works by medium or technique
- visual works groupings
The Lord's Prayer, sheet 6 - And Forgive Us Our Sins (Das Vaterunser - Und vergieb uns unsre Schuld); Max Pechstein
- Title
- The Lord's Prayer, sheet 6 - And Forgive Us Our Sins (Das Vaterunser - Und vergieb uns unsre Schuld)
- Artist
- Max Pechstein
- Physical Description
- A group of seven men kneel and pray around a radiant figure representing God. God is in the viewer's upper left, and the supplicants are arranged around him. Hands project into the scene from behind God, suggesting additional figures kneeling in prayer behind.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.428
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 15.77117
- Secondary Keywords
- transfer method
- arms
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- human body
- information forms
- mental activities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the human body
- the natural world
- upper body
- visual works
- visual works by medium or technique
- visual works groupings
The Lord's Prayer, sheet 5 - Give Us this Day Our Daily Bread (Das Vaterunser - Unser täglich Brot gieb uns heute); Max Pechstein
- Title
- The Lord's Prayer, sheet 5 - Give Us this Day Our Daily Bread (Das Vaterunser - Unser täglich Brot gieb uns heute)
- Artist
- Max Pechstein
- Physical Description
- Four men in plain, dark clothing sit, with hands folded in prayer, around a rectangular table, in the center of which is a fish on an oval platter. The man at the far end has his eyes closed. The other three raise their faces to heaven.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.427
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 15.68109
- Secondary Keywords
- transfer method
- animals
- associated concepts
- components and systems
- descriptors
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- events
- information forms
- materials
- materials by function
- mental activities
- modern and contemporary art
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
The Lord's Prayer, sheet 1 (Das Vaterunser); Max Pechstein
- Title
- The Lord's Prayer, sheet 1 (Das Vaterunser)
- Artist
- Max Pechstein
- Physical Description
- This title sheet from Pechstein's "The Lord's Prayer" portfolio has the title of the series in large letters and an attribution to Pechstein at the bottom. Beneath the word "Vater," a man leans over a table, his hands folded in prayer. Two other praying men in profile bracket the word "Unser" near the bottom. All three wear plain, long-sleeved blue shirts.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.423
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 15.24358
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
, sheet 3 - Hallowed Be Thy Name (Das Vaterunser - Geheiligt werde Dein Name); Max Pechstein
- Title
- , sheet 3 - Hallowed Be Thy Name (Das Vaterunser - Geheiligt werde Dein Name)
- Artist
- Max Pechstein
- Physical Description
- Three dark female figures are suspended in purgatory, with clasped hands in front of a triangular shaft of light that projects down from the top.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.425
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 15.24257
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- information forms
- mental activities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- prints
- prints by process
- prints by process or technique
- rays
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
The Lord's Prayer, sheet 2 - Our Father Who Art in Heaven (Das Vaterunser - Vater Unser Der Du bist im Himmel); Max Pechstein
- Title
- The Lord's Prayer, sheet 2 - Our Father Who Art in Heaven (Das Vaterunser - Vater Unser Der Du bist im Himmel)
- Artist
- Max Pechstein
- Physical Description
- A large central figure represents God towers seen in the radiating rays of light and clouds that surround him.. On the forehead of his blocky, totemic head is a third eye. His left arm crosses over his middle and holds fire. His right hand extends down to the lower right corner as reaching down. The words "Vater Unser" are at the very top; "Der Du Bist" across God's waistline; "im Himmel" along the bottom.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.424
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 15.21028
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- human body
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- prints
- prints by process
- prints by process or technique
- rays
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
The Lord's Prayer, sheet 11 - The Power and the Glory (Das Vaterunser - Und die Kraft und die Herrlichkeit); Max Pechstein
- Title
- The Lord's Prayer, sheet 11 - The Power and the Glory (Das Vaterunser - Und die Kraft und die Herrlichkeit)
- Artist
- Max Pechstein
- Physical Description
- Positioned in the upper center, a large eye sits inside a black triangle from which five arms and hands radiate. Behind the triangle and extending to the viewer's right edge is a rainbow. Below the triangle is a stylized, mask-like face that radiates beams of light rom its eyes. On each side of this large face is a man's face in profile. In the far background, there are mountains and clouds.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.433
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 14.94227
- Secondary Keywords
- transfer method
- architecture
- arms
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- document genres
- document genres by form
- document genres for literary works
- earth sciences concepts
- electromagnetic radiation
- energy
- energy and related concepts
- european
- european styles and periods
- heads
- human body
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- monuments
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people and culture
- physical sciences concepts
- physics concepts
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- scientific concepts
- styles and periods
- styles and periods by region
- the human body
- the natural world
- upper body
- visual works
- visual works by medium or technique
- visual works groupings
- weather and related phenomena
- weather-related phenomena
The Lord's Prayer, sheet 9 - But Deliver Us from Evil (Das Vaterunser - Sondern erlöse uns von dem Übel); Max Pechstein
- Title
- The Lord's Prayer, sheet 9 - But Deliver Us from Evil (Das Vaterunser - Sondern erlöse uns von dem Übel)
- Artist
- Max Pechstein
- Physical Description
- At viewer's left, two reclining figures lie side-by-side in a bed, covered by a sheet up to their chins. At the foot of the bed at the viewer's right, a man sits with his eyes closed and his hands on his head. To the viewer's left, in the foreground , a woman sits, crying, wiping her eyes with the back of her left hand.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.431
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 14.84441
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- events
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by state or condition
- personal life events
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- social science concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
The Lord's Prayer, sheet 10 - For Thine Is the Kingdom (Das Vaterunser - Denn Dein ist das Reich); Max Pechstein
- Title
- The Lord's Prayer, sheet 10 - For Thine Is the Kingdom (Das Vaterunser - Denn Dein ist das Reich)
- Artist
- Max Pechstein
- Physical Description
- A man, a woman, and a child facing the viewer with their hands folded in prayer. The man and woman sit on a mattress and look to heaven. The child stands in front of them with his head bowed. Next to the child is a diminutive cow. In the background behind the family are images of fish and birds.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.432
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 14.38557
- Secondary Keywords
- transfer method
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- european
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The Lord's Prayer, sheet 4 - Thy Kingdom Come, Thy Will Be Done on Earth, as It Is in Heaven (Das Vaterunser - Dein Reich komme, Dein Wille geschehe, Wie im Himmel, also auch auf Erden); Max Pechstein
- Title
- The Lord's Prayer, sheet 4 - Thy Kingdom Come, Thy Will Be Done on Earth, as It Is in Heaven (Das Vaterunser - Dein Reich komme, Dein Wille geschehe, Wie im Himmel, also auch auf Erden)
- Artist
- Max Pechstein
- Physical Description
- Three male figures dressed in dark clothing, with their backs to the viewer, stand on a shore facing the water as shafts of light break through dark clouds overhead. The figure at the viewer's left raises his hands in exultation. The man in the center stands with head tilted back; the figure at the viewer's righ looks down, as if at his hands. The words of the Lord's Prayer are presented in three lines of text, at the top, middle, and bottom of the composition.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.426
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 13.97525
- Secondary Keywords
- transfer method
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