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Showing results for "religious visual works" in Secondary Keywords.
- Title
- Commemorative Shrine Lamp
- Artist
- Artist Unknown, African, Benin or Nigeria, Bariba Region
- Century
- 20th century
- Object Creation Date
- 20th century
- Accession Number
- 1997/1.348
- Medium and Support
- terracotta
- Secondary Keywords
- african
- african styles by region
- buildings and the land
- descriptors
- furnishings
- furnishings by form or function
- gur-speaking peoples styles
- lighting devices
- lighting devices by form
- object genres
- object genres by function
- objects we use
- people and culture
- religious structures
- sculpture
- sculpture by material
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- west african styles
- western sudanese styles
- Title
- Fetish Idol
- Artist
- Artist Unknown, African, Cameroon, Ekoi
- Century
- 20th century
- Object Creation Date
- 1900-1971
- Accession Number
- 1971/1.187
- Medium and Support
- carved wood, antelope skin and vegetable pigment
- Secondary Keywords
- descriptors
- object genres
- object genres by material
- objects we use
- religion
- religions
- religious visual works
- sculpture
- sculpture by function
- sculpture by subject type
- statues
- visual works
- visual works by function
- visual works by medium or technique
- Title
- Ancestral Shrine Figure (Female)
- Artist
- African, Nigeria, Ibo
- Century
- 20th century
- Object Creation Date
- circa 1940
- Accession Number
- 1981/2.142
- Medium and Support
- carved inoko wood and kaolin
- Secondary Keywords
- buildings and the land
- descriptors
- figures
- object genres
- object genres by material
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by family relationship
- religious structures
- sculpture
- sculpture by technique
- single built works
- single built works by function
- single built works by specific type
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Altar
- Artist
- Artist Unknown, African, Nigeria, Benin
- Century
- 20th century
- Object Creation Date
- 20th century
- Accession Number
- 1997/1.359
- Medium and Support
- carved wood
- Secondary Keywords
- altars and altar components
- animals and creatures
- architectural elements
- architectural elements by building type
- components
- components and systems
- components by specific context
- descriptors
- mammals
- object genres
- object genres by material
- objects we use
- religious building fixtures
- sculpture
- sculpture by technique
- sheep
- the natural world
- visual works
- visual works by medium or technique
- Title
- Commemorative Head of an Oba of the Benin kingdom
- Artist
- Artist Unknown, African, Nigeria, Benin
- Physical Description
- Cast brass head of a human. An opening at the top would have supported a carved elephant tusk. The heads wears elaborate "winged" headgear.
- Accession Number
- 2005/1.260
- Medium and Support
- bronze
- Secondary Keywords
- aristocracy
- biological components
- buildings and the land
- components
- components and systems
- components by specific context
- copper alloy
- copper and copper alloy
- descriptors
- figures
- figures (representations)
- groups of people
- inorganic material
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- nobility
- nonferrous metal
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- political figures
- religious structures
- single built works
- single built works by function
- single built works by specific type
- social classes
- social classes by specific type
- social groups
- the human body
- upper body
- upper class
- visual works
- visual works by subject type
- Title
- Power Figure (nkisi kozo)
- Artist
- Artist Unknown, African, Vili Peoples, Congo Republic
- Physical Description
- Small wooden animal, possibly a dog or warthog, stands with medicinal pack and mirror embedded into its back; face has long sneering mouth and snout, bearing teeth. short pointed ears; tail curls at end. Two “guns” or pointy projections would have come out above the dog’s front legs, but they have broken off.
- Century
- 19th century
- Object Creation Date
- 1825-1899
- Accession Number
- 2005/1.182
- Medium and Support
- wood, mirrors, resin, tukula powder, medicinal substances
- Secondary Keywords
- analytical functions
- animal
- associated concepts
- disciplines
- fetish figures
- functions
- functions (activities)
- functions by general context
- health sciences
- objects we use
- occult sciences
- people and culture
- religions and religious concepts
- religious concepts
- science
- science and related disciplines
- sculpture
- sculpture by function
- visual works
- visual works by medium or technique
- Title
- The Labors of Hercules: The River-god Achelous (one of the set of 13 prints)
- Artist
- Heinrich Aldegrever
- Artist Life Dates
- 1502- circa 1561
- Century
- 16th century
- Object Creation Date
- 1550
- Accession Number
- 1956/1.67
- Medium and Support
- engraving on paper
- Secondary Keywords
- allegory and literature
- animals
- animals and creatures
- associated concepts
- cityscapes
- events
- figures
- figures (representations)
- geography
- how we live
- iconography
- objects
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by state or condition
- personal life events
- physical activities
- physical activities by general context
- plants
- religions and religious concepts
- religious concepts
- reptiles
- rites of passage
- the natural world
- visual works
- visual works by subject type
- Title
- Cathedral and Leaning Tower - Pisa
- Artist
- Fratelli Alinari
- Artist Life Dates
- (active 1854 - 1920)
- Century
- 19th century
- Object Creation Date
- 1832-1865
- Accession Number
- 1982/1.228
- Medium and Support
- albumen print on paper
- Secondary Keywords
- architecture
- buildings and the land
- churches
- churches by location or context
- europe
- europe (continent)
- geographic and political locations
- italy (nation)
- locality
- objects we use
- photographic prints
- photographic prints by process
- photographs
- photographs by form
- pisa (province)
- positives
- religious buildings
- religious structures
- roads
- single built works
- single built works by function
- single built works by specific type
- tuscany (region)
- visual works
- visual works by medium or technique
- Title
- Cathedral, Florence
- Artist
- Fratelli Alinari
- Artist Life Dates
- (active 1854 - 1920)
- Century
- 19th century
- Object Creation Date
- circa 1860
- Accession Number
- 1984/1.311
- Medium and Support
- albumen print on paper
- Secondary Keywords
- architectural elements
- architecture
- buildings and the land
- churches
- churches by location or context
- components
- components and systems
- components by specific context
- cultural landscapes
- cultural landscapes by location or context
- domes and dome components
- enclosing structural elements
- europe
- europe (continent)
- firenze (province)
- geographic and political locations
- italy
- italy (nation)
- landscapes (environments)
- locality
- objects we use
- places of worship
- religious buildings
- religious structures
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- streets
- structural elements
- structural elements and structural element components
- tuscany (region)
- visual works
- visual works by subject type
- Title
- Christmas Poem
- Artist
- Anonymous American
- Object Creation Date
- n.d.
- Accession Number
- 1983/2.7
- Medium and Support
- soft graphite on paper
- Secondary Keywords
- layout features
- allegory and literature
- artists
- celebrations
- components
- components and systems
- components by specific context
- document genres
- document genres by form
- document genres for literary works
- events
- holidays
- how we live
- illustrations
- illustrations by form
- images and ornament
- information form components
- information forms
- layout features
- making art
- objects we use
- people and culture
- people and occupations
- poetry
- religious holidays
- text-based art
- visual works
- visual works by subject type
- Title
- Edo Meisho: Yushima Shrine in the Snow (Yushima tenmangu, Yukihare no zu)
- Artist
- Andô Hiroshige
- Physical Description
- A snow scene of people walking up the stairs leading to the snow-covered shrine and temple complex.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- circa 1853
- Accession Number
- 1948/1.144
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- transfer method
- architectural elements
- associated concepts
- buildings and the land
- circulation elements
- components
- components and systems
- components by specific context
- earth sciences concepts
- objects we use
- people and culture
- physical sciences concepts
- precipitation
- prints
- prints by process
- prints by process or technique
- relief prints
- religious buildings
- religious structures
- scientific concepts
- seasons
- single built works
- single built works by function
- single built works by specific type
- stair components
- stairs and stair components
- steps and step components
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- woodcuts
- Title
- Famous Views of the 60-odd Provinces: #9 The Tennô Festival at Tsushima in Owari Province
- Artist
- Andô Hiroshige
- Physical Description
- This piece depicts boats decorated with lanterns, the evening sky and festivities. The shore is lined with teahouses set up for the event. The title for the print is located in the upper right corner in a red box.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- 1853-1856
- Accession Number
- 1960/2.144
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- scale
- transfer method
- asian
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- east asian
- garden structures
- how we live
- japanese
- japanese printmaking styles
- japanese styles
- landscapes (environments)
- natural landscapes
- objects we use
- people and culture
- plants
- prints
- prints by process
- prints by process or technique
- relief prints
- religious buildings
- religious structures
- riverine bodies
- settlements
- settlements and landscapes
- settlements by form
- single built works
- single built works by function
- single built works by location or context
- single built works by specific type
- styles and periods
- styles and periods by region
- the natural world
- transportation vehicles
- vehicles
- visual works
- visual works by medium or technique
- watercraft
- watercraft by general type
- waterscapes
- Title
- Edo Meisho: View of the Kameido Temple in Snow, Tokyo
- Artist
- Andô Hiroshige
- Physical Description
- Night scene of bridges over the lake leading to the temple complex. The snow falls down from the sky and covers the bridges, roofs, and trees. There are several travelers walking with parasols.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- circa 1853
- Accession Number
- 1969/2.17
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- transfer method
- associated concepts
- buildings and the land
- descriptors
- earth sciences concepts
- inorganic material
- landscapes (environments)
- materials
- materials by composition
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- plants
- precipitation
- prints
- prints by process
- prints by process or technique
- relief prints
- religious buildings
- religious structures
- scientific concepts
- seasons
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- woodcuts
- woody plants
- Title
- The Fifty-Three Stations of the Tokaido (Kichizo Edition): #27 Kakegawa
- Artist
- Andô Hiroshige
- Physical Description
- Figures surrounded by large pines and a monumental gate that seems to be entrance of a shrine. There is a statue standing on the side of the gate. The red glow on the edge of the hills in the distance suggest the time as at dawn or at dusk. Writing in upper left and right corners, title in red box in upper right corner.
- Artist Life Dates
- 1797-1858
- Object Creation Date
- circa 1850
- Accession Number
- 2008/2.318
- Medium and Support
- woodblock print on paper
- Secondary Keywords
- architectural elements
- buildings and the land
- components
- components and systems
- components by specific context
- evergreens
- gates and gate components
- gateway components
- gateways and gateway components
- landscapes (environments)
- natural landscapes
- objects we use
- openings (architectural elements)
- openings and opening components
- openings by form
- people
- people (agents)
- people and culture
- people by activity
- plants
- religious structures
- sculpture
- sculpture by subject type
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- trees
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- Title
- Views of Edo: Tenmangu Shrine in Kameido
- Artist
- Andô Hiroshige
- Physical Description
- A woodblock print depicting men and women in traditional japanese clothing crossing three red bridges in the central foreground that lead to a red temple in the central background. An island with trees is in the center of the scene. There are white clouds covering the horizon and surrounding the temple.
- Artist Life Dates
- 1797-1858
- Object Creation Date
- circa 1851-1853
- Accession Number
- 2011/2.198
- Medium and Support
- woodblock print on paper
- Secondary Keywords
- transfer method
- asian
- associated concepts
- buildings and the land
- costume
- costume by form
- earth sciences concepts
- east asian
- landscapes (environments)
- main garments
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- plants
- prints
- prints by process
- prints by process or technique
- relief prints
- religious buildings
- religious structures
- scientific concepts
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- woody plants
- Title
- Sketch of the Baths of Caracalla (?)
- Artist
- Anonymous
- Physical Description
- A sketch of ancient ruins. At the center is a colonnaded apse that has partially collapsed. To the left, there are a series of columns. On the reverse, there is a sketch of a sculpture.
- Century
- 18th century?
- Accession Number
- 2013/2.559.1
- Medium and Support
- red crayon on laid paper
- Secondary Keywords
- buildings and the land
- objects we use
- religious buildings
- religious structures
- single built works
- single built works by condition
- single built works by function
- single built works by specific type
- visual works
- visual works by medium or technique
- Title
- Sketch of the Baths of Caracalla (?)
- Artist
- Anonymous
- Physical Description
- This sketch shows ancient ruins. The top half of the page is left empty with sky. At the righ is an apsed portico and from it, to the left of the page, runs a wall studded with windows. In the foreground is a set of stairs with shrubbery overgrowing.
- Century
- 18th century?
- Accession Number
- 2013/2.559.2
- Medium and Support
- red crayon on laid paper
- Secondary Keywords
- bath, dressing and sanitary spaces
- building divisions
- buildings and the land
- components
- components and systems
- components by specific context
- objects we use
- religious buildings
- religious structures
- rooms and spaces
- rooms and spaces by function
- single built works
- single built works by condition
- single built works by function
- single built works by specific type
- visual works
- visual works by medium or technique
- Title
- Sketch of the Baths of Caracalla (?)
- Artist
- Anonymous
- Physical Description
- Sketch of ancient ruins. A large archway flanked by columns on either side, leads to an apse. To the left, there are stairs among rubble.
- Century
- 18th century?
- Accession Number
- 2013/2.559.3
- Medium and Support
- red crayon on laid paper
- Secondary Keywords
- buildings and the land
- objects we use
- religious buildings
- religious structures
- single built works
- single built works by condition
- single built works by function
- single built works by specific type
- visual works
- visual works by medium or technique
- Title
- Annunciation
- Artist
- Artist Unknown, Antwerp School, Belgium
- Physical Description
- An angel, holding a scepter in his left hand and making a gesture of speech with his right, interrupts the Virgin at her reading. She kneels on the floor and rests her left hand on an open book placed atop a lectern. A vase with a flowering lily sits on the floor between the angel and the Virgin and a small white dove encircled by a halo hovers between them. The scene unfolds within an elaborate and richly decorated interior that includes a chair and canopied bed in the background.
- Century
- 16th century
- Object Creation Date
- circa 1520
- Accession Number
- 1992/1.135
- Medium and Support
- oil on panel
- Secondary Keywords
- animals and creatures
- antwerpen (province)
- associated concepts
- belgium (nation)
- birds
- descriptors
- europe (continent)
- flanders (region)
- geographic and political locations
- image-making processes and techniques
- legendary creatures
- objects we use
- painting (image-making)
- painting and painting techniques
- people and culture
- processes and techniques
- processes and techniques by specific type
- religions
- religions and religious concepts
- religious visual works
- visual works
- visual works by function
- Title
- Mercurius in the Vessel
- Artist
- Richard Anuszkiewicz
- Physical Description
- Concentric lines of bright red alternate with lines of blue and green to create an optical illusion of receeding squares. The juxtaposition of these colors also creates an appearance of intersecting orange lines and hues of purple.
- Artist Life Dates
- born 1930
- Century
- 20th century
- Object Creation Date
- 1963
- Accession Number
- 1988/1.137
- Medium and Support
- oil on canvas
- Secondary Keywords
- visual arts
- artistic concepts
- associated concepts
- concepts in the arts
- forms of expression
- genres
- international post-1945 styles and movements
- modern and contemporary art
- objects we use
- paintings
- paintings by material or technique
- people and culture
- post-1945 fine arts styles and movements
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- The Lamentation
- Artist
- Hans Baldung Grien
- Physical Description
- Three grief-striken figures lament over the body of a dead man lying on the ground before them. One of these figures, a robed woman who clasps her hands in agony, leans forward to peer into the face of the dead man, who is rendered with dramatic foreshortening. To the left of this woman sits a long-haired man wiping his eyes while another woman with wild unkempt hair seated next to him raises her arms in abject sorrow. Three nails and a pair of vessels sit in the immediate foreground next to the artist's initials "HGB."
- Artist Life Dates
- 1484/85-1545
- Century
- 16th century
- Object Creation Date
- 1515-1517
- Accession Number
- 1960/1.168
- Medium and Support
- woodcut on paper
- Secondary Keywords
- transfer method
- associated concepts
- emotion
- equipment
- equipment by process
- events
- executions
- objects we use
- people and culture
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions
- religions and religious concepts
- social science concepts
- supporting equipment
- tools and equipment
- visual works
- visual works by medium or technique
- Title
- Honor Thy Father and Mother
- Artist
- Paul Baldung
- Physical Description
- Paper overlay on lower right. Print cut to frame of image. Paper size: lh 10 1/2cm & rh 10 2/5cm x tw 13 3/5cm & bw 13 1/2cm.
- Artist Life Dates
- (1484 - 1545)
- Accession Number
- 2008/2.373
- Medium and Support
- wood cut on beige laid paper
- Secondary Keywords
- image form
- transfer method
- associated concepts
- groups of people
- kinship groups
- objects we use
- people
- people (agents)
- people and culture
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- social groups
- views
- views by vantage point or orientation
- visual works
- visual works by form
- visual works by medium or technique
- Title
- Apostle
- Artist
- Artist Unknown, Belgium
- Physical Description
- This marble statue depicts a standing male figure, who holds a closed book in his left hand and makes what appears to be a gesture indicating speech with his right. The curls of his flowing beard and long hair are echoed in the gentle curving folds and undulating edges of his long robe and mantle. He turns his head downward and to his left
- Century
- 14th century
- Object Creation Date
- circa 1350-1360
- Accession Number
- 1957/2.3
- Medium and Support
- marble with gilding
- Secondary Keywords
- associated concepts
- card, table and board game elements
- disciples
- functions
- functions (activities)
- functions by specific context
- game pieces
- information artifacts
- information artifacts by physical form
- information forms
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- recreational artifacts
- recreational artifacts for competitive activities
- religions
- religions and religious concepts
- religious functions
- sculpture
- sculpture by subject type
- visual works
- visual works by medium or technique
- Title
- Nun Mending
- Artist
- Ilse Bing
- Physical Description
- A nun stitching a hole in linens, with figures of saints looking down from the tabletop.
- Artist Life Dates
- American, born Germany, 1899/1900-1998
- Object Creation Date
- 1935
- Accession Number
- 2012/2.46
- Medium and Support
- vintage gelatin silver print on paper
- Secondary Keywords
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people by state or condition
- people in religion
- people in religion and related occupations
- people in the humanities
- religious (people)
- sculpture
- sculpture by subject type
- statues
- visual works
- visual works by medium or technique
- Title
- Empedocles
- Artist
- René Boyvin
- Physical Description
- A man wearing a tunic, cape and boots stands in a minimal landscape. His walking stick seems to be falling away from him at the right as the man points upwards toward the sun's rays, as well as extends his right hand towards fire at the lower left.
- Artist Life Dates
- 1525-1598
- Century
- 16th century
- Object Creation Date
- 1539-1540
- Accession Number
- 1990/1.189
- Medium and Support
- engraving on laid paper
- Secondary Keywords
- transfer method
- associated concepts
- atmospheric effects
- costume
- costume by form
- descriptors
- earth sciences concepts
- image-making processes and techniques
- intaglio prints
- objects we use
- outerwear
- overcoats
- people and culture
- people and occupations
- physical sciences concepts
- printing
- printing and printing processes and techniques
- prints
- prints by process
- prints by process or technique
- processes and techniques
- processes and techniques by specific type
- religious figures
- scientific concepts
- the natural world
- visual works
- visual works by medium or technique
- worshippers
- Title
- Crucifixion
- Artist
- Bartolommeo da Brescia
- Physical Description
- From the height of a cross, a crucified man, wearing a crown of thorns and a loincloth, looms over a dramatic landscape. Three heads with wings appear near the top of the cross, and a skull and crossed bones lay at its base. A vast prospect of distant mountains and a bustling port unfolds through the background.
- Artist Life Dates
- 1506 - 1576 or 1578
- Century
- 16th century
- Object Creation Date
- 1565-1576
- Accession Number
- 1970/1.177
- Medium and Support
- etching on paper
- Secondary Keywords
- animal material
- animal material by form or function
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by location
- buildings and the land
- coastline bodies of water
- descriptors
- design elements
- europe (continent)
- events
- executions
- figure- and animal-derived motifs
- geographic and political locations
- image-making processes and techniques
- intaglio printing processes
- italy (nation)
- landscapes (environments)
- lombardy (region)
- materials
- materials by origin
- motifs
- natural landscapes
- objects we use
- people and culture
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- religions
- religions and religious concepts
- settlements and landscapes
- skeleton and skeleton components
- skeleton components
- visual works
- visual works by subject type
- Title
- Blue Mosque, Turkey
- Artist
- Marilyn Bridges
- Physical Description
- An angled aerial image of the Blue Mosque in Turkey.
- Artist Life Dates
- b. 1957
- Object Creation Date
- 2004
- Accession Number
- 2012/2.57
- Medium and Support
- gelatin silver print on paper
- Secondary Keywords
- image form
- buildings and the land
- geographic and political locations
- middle east (general region)
- objects we use
- religious buildings
- religious structures
- single built works
- single built works by function
- single built works by specific type
- views
- views by vantage point or orientation
- visual works
- visual works by form
- Title
- Priene, Temple of Athena, Turkey
- Artist
- Marilyn Bridges
- Physical Description
- Distant view of the ruins of the Athena Temple in Priene, Turkey.
- Artist Life Dates
- American, born 1957
- Object Creation Date
- 2004
- Accession Number
- 2012/2.60
- Medium and Support
- gelatin silver print on paper
- Secondary Keywords
- buildings and the land
- geographic and political locations
- middle east (general region)
- objects we use
- photographic prints
- photographic prints by process
- photographs
- photographs by form
- positives
- religious buildings
- religious structures
- single built works
- single built works by condition
- single built works by function
- single built works by specific type
- visual works
- visual works by medium or technique
- Title
- Church of Mary, Ephesos, Turkey
- Artist
- Marilyn Bridges
- Physical Description
- An aerial image of the ancient ruins of the Church of Mary at Ephesos, Turkey.
- Artist Life Dates
- American, born 1957
- Object Creation Date
- 2004
- Accession Number
- 2012/2.63
- Medium and Support
- gelatin silver print on paper
- Secondary Keywords
- buildings and the land
- geographic and political locations
- middle east (general region)
- objects we use
- photographic prints
- photographic prints by process
- photographs
- photographs by form
- positives
- religious buildings
- religious structures
- single built works
- single built works by condition
- single built works by function
- single built works by specific type
- visual works
- visual works by medium or technique
- Title
- Buddha
- Artist
- Artist Unknown, Burma
- Century
- 19th century
- Object Creation Date
- circa 19th century
- Accession Number
- 1949/1.39
- Medium and Support
- marble
- Secondary Keywords
- associated concepts
- objects we use
- people and culture
- religions
- religions and religious concepts
- visual works
- visual works by subject type
- Title
- Royal Attendant for a Buddhist Shrine (one of a pair)
- Artist
- Artist Unknown, Burma
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 2005/1.448.1
- Medium and Support
- gilt and lacquered wood with glass and tin inlay
- Secondary Keywords
- associated concepts
- objects we use
- people and culture
- religions
- religions and religious concepts
- religious visual works
- visual works
- visual works by function
- Title
- Royal Attendant for a Buddhist Shrine (one of a pair)
- Artist
- Artist Unknown, Burma
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 2005/1.448.2
- Medium and Support
- gilt and lacquered wood with glass and tin inlay
- Secondary Keywords
- aristocracy
- associated concepts
- groups of people
- nobility
- objects we use
- people
- people (agents)
- people and culture
- religions
- religions and religious concepts
- religious visual works
- social classes
- social classes by specific type
- social groups
- upper class
- visual works
- visual works by function
- Title
- Mantel clock with a priestess and Cupid offering a sacriffice to Venus
- Artist
- Joseph Buzot
- Physical Description
- The dial of this elaborately decorated clock stands upon a two-tiered base. The lower tier consists of a hollow base made of ebony and adorned with a frieze of gilded bronze scrollwork and palmette motifs. The upper tier, made entirely of gilded bronze, features six fluted pilasters with a decorative panel centered on the front below the dial. This panel is composed of a pair of doves touching beaks before a crossed quiver of arrows and a flaming torch framed by leaves. A woman in long flowing robes stands to the right of the dial and empties a small cup onto a dove held by a winged putto who lies on a rocky projection. Behind the dove burns a fire on a small altar inscribed "Altar of Venus" [Autel à Venus].
- Century
- 18th century
- Object Creation Date
- circa 1780
- Accession Number
- 2001/2.82
- Medium and Support
- gilded bronze, ebony, porcelain, and glass
- Secondary Keywords
- additive and joining processes and techniques
- altars and altar components
- animals and creatures
- architectural elements
- architectural elements by building type
- birds
- ceremonies
- components
- components and systems
- components by specific context
- descriptors
- design elements
- enclosing structural elements
- european
- european styles and periods
- events
- figure- and animal-derived motifs
- measuring devices
- measuring devices for extent
- metallizing
- modern european regional styles and movements
- modern european styles and movements
- modern french styles and movements
- modern french styles by reign
- motifs
- objects we use
- people and culture
- processes and techniques
- processes and techniques by specific type
- religious building fixtures
- religious ceremonies
- sculpture
- sculpture by material
- structural elements
- structural elements and structural element components
- styles and periods
- styles and periods by region
- surface covering processes and techniques
- timepieces
- timepieces by form
- visual works
- visual works by medium or technique
- wall components
- wall components by form or function
- walls and wall components
- Title
- Farm Landscape
- Artist
- Jacques Callot
- Physical Description
- Some mold damage. Paper size: lh 20 7/10cm & rh 20 9/10cm x w 32 3/5cm. Image size: h 8 1/2cm x w 21 3/5cm.
- Accession Number
- 2008/2.381
- Medium and Support
- etching on beige laid paper
- Secondary Keywords
- transfer method
- agricultural complexes
- agricultural functions
- animals and creatures
- buildings and the land
- built complexes and districts
- complexes
- complexes by function
- descriptors
- functions
- functions (activities)
- functions by specific context
- image-making processes and techniques
- intaglio printing processes
- intaglio prints
- mammals
- objects we use
- open spaces
- open spaces and site elements
- open spaces by form
- people
- people (agents)
- people and culture
- people by gender
- people by occupation
- people in agriculture
- people in agriculture or natural resource occupations
- people in science-related occupations
- printing and printing processes and techniques
- printing processes
- prints
- prints by process
- prints by process or technique
- processes and techniques
- processes and techniques by specific type
- religious buildings
- religious structures
- scientists and people in science-related occupations
- single built works
- single built works by function
- single built works by specific type
- visual works
- visual works by medium or technique
- Title
- Buddha, seated in the ardha padmasana pose, in dhyana mudra
- Artist
- Artist Unknown, Cambodia (Khmer)
- Century
- Late 11th century
- Object Creation Date
- circa late 11th century
- Accession Number
- 1974/2.31
- Medium and Support
- bronze
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- figures (representations)
- form attributes
- objects we use
- people and culture
- religions
- religions and religious concepts
- size (extent)
- size by specific type
- visual works
- visual works by subject type
- Title
- Four seated Buddhas, in dhyana mudra
- Artist
- Artist Unknown, Cambodia (Khmer)
- Physical Description
- A molded and incised relief sculpture of four seated Buddhas, on a dais with floral rosette motifs.
- Century
- 12th century
- Object Creation Date
- 12th century
- Accession Number
- 2000/2.152
- Medium and Support
- bronze
- Secondary Keywords
- associated concepts
- descriptors
- design elements
- figures (representations)
- motifs
- objects we use
- people and culture
- plant-derived motifs
- religions
- religions and religious concepts
- visual works
- visual works by subject type
- Title
- Enthroned Madonna and Child with angels and Saints Louis of Toulouse, Zenobius, John the Evangelist, and John the Baptist
- Artist
- Jacopo del Casentino
- Physical Description
- The majestic figure of the Virgin with the infant Christ on her lap sits enthroned in the center of this painted panel. Her elaborate throne rests upon a dais and is enclosed on three sides by panels bristling with Gothic ornament. Two bishop saints holding croziers stand at the foot of the dais accompanied by two other saints who stand behind them, while fourteen angels crowd the background.
- Artist Life Dates
- 1279 - c.1349
- Century
- 14th century
- Object Creation Date
- circa 1325
- Accession Number
- 1960/2.123
- Medium and Support
- tempera and gold on panel
- Secondary Keywords
- animals and creatures
- associated concepts
- california (state)
- ceremonial chairs
- chairs
- chairs by function
- christian clergy
- clergy
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- geographic and political locations
- legendary creatures
- los angeles (county)
- north and central america (continent)
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in religion
- people in religion and related occupations
- people in the humanities
- prelates
- religions
- religions and religious concepts
- religious visual works
- seating furniture
- single seating furniture
- united states (nation)
- visual works
- visual works by function
- Title
- Christ Healing the Deaf-Mute
- Artist
- Philippe de Champaigne
- Physical Description
- This painting depicts a river passing through a wooded landscape as human figures, dwarfed by the towering trees, move along its banks. The majestic landscape dominates the painting, but a group of four men in the right foreground also competes for attention since the bright, saturated primary colors of their robes stand out sharply against the muted tonalities of their surroundings. One of the men, wearing a blue cloak, places his left finger in the mouth of a man kneeling before him and touches the side of his head with his right hand. A third man leans forward to touch the kneeling figure's shoulder while the fourth, in a magnificent red cloak, raises his hands in astonishment.
- Artist Life Dates
- 1602-1674
- Century
- 17th century
- Object Creation Date
- circa 1650-1660
- Accession Number
- 1960/2.93
- Medium and Support
- oil on canvas
- Secondary Keywords
- animals and creatures
- associated concepts
- birds
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- events
- landscapes (environments)
- natural landscapes
- objects we use
- paintings
- paintings by material or technique
- people and culture
- religions
- religions and religious concepts
- riverine bodies
- settlements and landscapes
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Bodhisattva, possibly Padmapani, seated in lalitasana and holding a lotus bud in the left hand: part of a Buddhist altar group
- Artist
- Artist Unknown, China
- Object Creation Date
- 618-907
- Accession Number
- 1961/2.71
- Medium and Support
- gilt bronze
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- buddhist doctrinal concepts
- descriptors
- doctrinal concepts
- form attributes
- objects we use
- people and culture
- religions
- religions and religious concepts
- religious concepts
- religious visual works
- size (extent)
- size by specific type
- visual works
- visual works by function
- Title
- Dvarapala: part of a Buddhist altar group
- Artist
- Artist Unknown, China
- Century
- 8th century
- Object Creation Date
- 8th century
- Accession Number
- 1961/2.73
- Medium and Support
- gilt bronze
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- form attributes
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- religions
- religions and religious concepts
- religious visual works
- size (extent)
- size by specific type
- visual works
- visual works by function
- visual works by medium or technique
- Title
- Buddhist altar ornament: lotus bud supported by two dvarapala
- Artist
- Artist Unknown, China
- Century
- 7th-8th century
- Object Creation Date
- 618-907
- Accession Number
- 1961/2.74
- Medium and Support
- gilt bronze with blue-green patina
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- design elements
- form attributes
- motifs
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- plant-derived motifs
- religions
- religions and religious concepts
- religious visual works
- size (extent)
- size by specific type
- visual works
- visual works by function
- Title
- Bodhisattva or royal donor figure: part of a Buddhist altar
- Artist
- Artist Unknown, China
- Object Creation Date
- 618-907
- Accession Number
- 1961/2.76
- Medium and Support
- gilt bronze
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- buddhist doctrinal concepts
- descriptors
- doctrinal concepts
- form attributes
- objects we use
- people and culture
- religions
- religions and religious concepts
- religious concepts
- religious visual works
- size (extent)
- size by specific type
- visual works
- visual works by function
- Title
- Buddhist Bronze
- Artist
- Artist Unknown, China
- Century
- mid 7th-early 8th centuries
- Object Creation Date
- circa 650-725
- Accession Number
- 1961/2.78
- Medium and Support
- gilt bronze
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- form attributes
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- religious visual works
- size (extent)
- size by specific type
- visual works
- visual works by function
- visual works by medium or technique
- visual works by subject type
- Title
- Dvarapala (guardian figure) from a Buddhist altar
- Artist
- Artist Unknown, China
- Century
- 7th century
- Object Creation Date
- 618-907
- Accession Number
- 1963/1.81
- Medium and Support
- bronze
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- form attributes
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- religions
- religions and religious concepts
- religious visual works
- size (extent)
- size by specific type
- visual works
- visual works by function
- visual works by medium or technique
- Title
- Buddha, seated, from Tongguan, with mandorla
- Artist
- Artist Unknown, China
- Century
- 4th century
- Object Creation Date
- 4th century
- Accession Number
- 1964/1.90
- Medium and Support
- bronze
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- design elements
- form attributes
- motifs
- natural element motifs
- objects we use
- people and culture
- religions
- religions and religious concepts
- size (extent)
- size by specific type
- visual works
- visual works by subject type
- Title
- A Votive plaque depicting the Buddha Amitâbha (Chinese, Amitofou) preaching in his Western Paradise
- Artist
- Artist Unknown, China
- Physical Description
- A small, thin, molded clay plaque with a bas-relief scene..
- Century
- 7th-9th century
- Object Creation Date
- 618-907
- Accession Number
- 1964/2.18
- Medium and Support
- terracotta, molded
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- design elements
- doctrinal concepts
- figures (representations)
- form attributes
- motifs
- objects we use
- people and culture
- plant-derived motifs
- religions
- religions and religious concepts
- religious concepts
- size (extent)
- size by specific type
- visual works
- visual works by subject type
- Title
- A votive plaque depicting an image of the Buddha, housed within a small temple
- Artist
- Artist Unknown, China
- Physical Description
- A small, thin, molded clay plaque with a bas-relief scene.
- Century
- 6th-7th century
- Object Creation Date
- late 6th century - early 7th century
- Accession Number
- 1964/2.21
- Medium and Support
- terracotta, molded
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- buildings and the land
- descriptors
- form attributes
- objects we use
- people and culture
- religions
- religions and religious concepts
- religious buildings
- religious structures
- single built works
- single built works by function
- single built works by specific type
- size (extent)
- size by specific type
- visual works
- visual works by subject type
- Title
- A Votive plaque depicting the Buddha seated in dhyana mudra, and flanked by two stupas
- Artist
- Artist Unknown, China
- Physical Description
- A small, thin, molded clay plaque with a bas-relief scene.
- Century
- 7th-9th century
- Object Creation Date
- 618-907
- Accession Number
- 1964/2.23
- Medium and Support
- terracotta, molded
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- buildings and the land
- descriptors
- design elements
- form attributes
- motifs
- object genres
- object genres by form
- object-making processes and techniques
- objects we use
- people and culture
- plant-derived motifs
- processes and techniques
- processes and techniques by specific type
- relief
- religions
- religions and religious concepts
- religious structures
- sculpture techniques
- single built works
- single built works by function
- single built works by specific type
- size (extent)
- size by specific type
- visual works
- visual works by subject type
- Title
- Dvarapala (Buddhist guardian deity)
- Artist
- Artist Unknown, China
- Century
- 7th century
- Object Creation Date
- mid 7th century
- Accession Number
- 1964/2.26
- Medium and Support
- gilt bronze
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- form attributes
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- religions
- religions and religious concepts
- religious visual works
- size (extent)
- size by specific type
- visual works
- visual works by function
- Title
- Buddha, seated in the pralambapadasana pose (with legs pendant), in abhaya mudra
- Artist
- Artist Unknown, China
- Century
- 7th-8th century
- Object Creation Date
- 7th century - 8th century
- Accession Number
- 1964/2.92
- Medium and Support
- bronze
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- figures (representations)
- form attributes
- objects we use
- people and culture
- religions
- religions and religious concepts
- religious visual works
- size (extent)
- size by specific type
- visual works
- visual works by function
- visual works by subject type