Browse Results

Results

Results for views by vantage point or orientation
Check for portfolio Record Title Artist Physical Description Artist Life Dates Century Object Creation Date Accession Number Medium and Support Secondary Keywords
Full Record: x-1960-sl-2.143/1960_2.143.JPG

One Hundred Famous Views of Edo: #107 Fukagawa, Susaki and the Jumantsubo Plain

Andô Hiroshige

This vertical print frames a view of a landscape with an up close view of a bird in the upper right corner that takes up about thirty percent of the image.

The viewer is positioned alongside the bird, circling the sky above the twin peaks of a mountain. A crate floats in the water below while smaller birds flocking around it. Snow covers the ground.

The signature and title markings are in the upper right corner, and in the middle along the left side above the landscape.

1797-1858

19th century

circa 1856-1857

1960/2.143

color woodblock print on paper

image form

level

upward

animals and creatures

asian

associated concepts

buildings and the land

containers

containers by form

descriptors

earth sciences concepts

east asian

inorganic material

japanese

japanese printmaking styles

japanese styles

landforms

landforms and landform components

landforms by shape or position

landscapes (environments)

materials

materials by composition

natural landscapes

noncompetitive play equipment

objects we use

people and culture

physical sciences concepts

precipitation

recreational artifacts

recreational artifacts for noncompetitive activities

scientific concepts

settlements and landscapes

styles and periods

styles and periods by region

views

views by vantage point or orientation

visual works

visual works by form

weather and related phenomena

weather-related phenomena

Full Record: x-1951-sl-2.5/1951_2.6.JPG

No title known

Artist Unknown

17th-18th century

17th century - 18th century

1951/2.5

engraving on paper

image form

figures

man

modern and contemporary art

objects we use

people and occupations

portraits

time

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-1949-sl-1.44/1949_1.44.JPG

Happy

William Auerbach-Levy

b. Russia, 1889-1964

20th century

1919

1949/1.44

etching on paper

image form

clothing

modern and contemporary art

objects

objects we use

people and occupations

portraits

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-2008-sl-2.373/2008_2_373.JPG

Honor Thy Father and Mother

Paul Baldung

Paper overlay on lower right. Print cut to frame of image. Paper size: lh 10 1/2cm & rh 10 2/5cm x tw 13 3/5cm & bw 13 1/2cm.

(1484 - 1545)

2008/2.373

wood cut on beige laid paper

image form

transfer method

associated concepts

groups of people

kinship groups

objects we use

people

people (agents)

people and culture

prints

prints by process

prints by process or technique

relief prints

religions and religious concepts

social groups

views

views by vantage point or orientation

visual works

visual works by form

visual works by medium or technique

Full Record: x-2008-sl-2.220/2008_2_220.JPG

Study for the Collectors

Will Barnet

Study for a portrait of the Vogels, with Herbert in the foreground and Dorothy visible behind him to the left. Line drawing in pencil with erasure marks. The portrait is sketched out in a square drawn on the sheet, and signed in the lower right corner. Notes to himself include: “Dot & Herb position?” (lower left corner), “proportion & lining up of the chins, eyes” (upper right corner).

1911-2012

20th century

1977

2008/2.220

pencil on paper

image form

components and systems

drawings

drawings by function

drawings by subject type

group portraits

object groupings

object groupings and systems

object groupings by general context

objects we use

people

people (agents)

people and culture

people by family relationship

people by gender

sets (groups)

spouses

views

views by vantage point or orientation

visual works

visual works by form

visual works by medium or technique

visual works by subject type

Full Record: x-1971-sl-2.114/1971_2.114.JPG

Japanese Head

Leonard Baskin

1922-2000

20th century

1950

1971/2.114

woodcut on brown Japan paper

image form

asia

biological components

components

components and systems

components by specific context

locality

man

modern and contemporary art

objects we use

people and occupations

the human body

upper body

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-2000-sl-2.229/2000_2.229.JPG-2

Dr. S------

Max Beckmann

1884-1950

20th century

1917

2000/2.229

drypoint on wove paper

image form

figures

illustrations

objects we use

people and occupations

sketches

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-1951-sl-2.26/1951_2.26.JPG

Venetian Nocturne; Verso: Two Kneeling Figures and a Profile Face

Eugene Berman

1899-1972

20th century

circa 1930

1951/2.26

ink wash, ink and pen on white paper

image form

architecture

europe

italy

locality

men

men on horseback

modern and contemporary art

objects we use

people and occupations

portraits

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-1970-sl-2.72/1970_2.72.JPG

Portrait of a Man (Self-Portrait?) (recto); Sketch of head of a young woman with

Jean Boissieu

(Lyon, France, 1736 - 1810, Lyon, France)

18th-19th century

1736-1810

1970/2.72

charcoal and gray wash on paper

image form

building divisions

components

components and systems

components by specific context

figures (representations)

objects we use

reading and writing spaces

rooms and spaces

rooms and spaces by function

views

views by vantage point or orientation

visual works

visual works by form

visual works by subject type

Full Record: x-1986-sl-1.170/1986_1.170OBV.JPG

Sixtus V (obverse); Ponte Felice (reverse)

Nicolo Bonis

(active 1580 - 1592)

16th century

1589

1986/1.170

bronze

image form

coins

objects we use

people and occupations

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-2012-sl-2.50/2012_2_50.JPG

Overview, Delphi

Marilyn Bridges

An aerial view of Delphi, including an area of settlement and a modern road amidst the rocky mounatainous landscape,

American, born 1957

2004

2012/2.50

gelatin silver print on paper

image form

upward

buildings and the land

landforms

landforms and landform components

landforms by shape or position

landscapes (environments)

natural landscapes

objects we use

open spaces

open spaces and site elements

open spaces by function

photographic prints

photographic prints by process

photographs

photographs by form

positives

settlements and landscapes

transportation spaces

views

views by vantage point or orientation

visual works

visual works by form

visual works by medium or technique

Full Record: x-2012-sl-2.52/2012_2_52.JPG

Iasos, Turkey

Marilyn Bridges

An aerial-view image of Iasos, Turkey and the ancient ruins there.

American, born 1957

2004

2012/2.52

gelatin silver print on paper

image form

buildings and the land

geographic and political locations

middle east (general region)

objects we use

single built works

single built works by condition

single built works by specific type

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-2012-sl-2.53/2012_2_53.JPG

Alinda, Turkey

Marilyn Bridges

Aerial image of Alinda, Turkey, where a modern town is situated next to ancient ruins on a hilly landscape.

American, born 1957

2004

2012/2.53

gelatin silver print on paper

image form

scale

buildings and the land

geographic and political locations

middle east (general region)

objects we use

photographic prints

photographic prints by process

photographs

photographs by form

positives

settlements

settlements and landscapes

settlements by form

single built works

single built works by condition

single built works by specific type

views

views by vantage point or orientation

visual works

visual works by form

visual works by medium or technique

Full Record: x-2012-sl-2.54/2012_2_54.JPG

Iasos, Turkey

Marilyn Bridges

An aerial view of the ruins in Iasos, Turkey.

American, born 1957

2004

2012/2.54

gelatin silver print on paper

image form

buildings and the land

geographic and political locations

middle east (general region)

objects we use

single built works

single built works by condition

single built works by specific type

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-2012-sl-2.55/2012_2_55.JPG

Teichos Dymaion, Greece

Marilyn Bridges

An aerial view of the remains of a hilltop settlement in Teichos Dymaion, Greece.

American, born 1957

2004

2012/2.55

gelatin silver print on paper

image form

upward

buildings and the land

europe (continent)

geographic and political locations

landforms

landforms and landform components

landforms by shape or position

landscapes (environments)

natural landscapes

objects we use

settlements and landscapes

single built works

single built works by condition

single built works by specific type

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-2012-sl-2.56/2012_2_56.JPG

Acropolis from the East, Athens

Marilyn Bridges

An aerial view image of the Athenan Acropolis taken from the east.

American, born 1957

2004

2012/2.56

gelatin silver print on paper

image form

europe (continent)

geographic and political locations

objects we use

perifèreia protevoúsis (region)

photographic prints

photographic prints by process

photographs

photographs by form

positives

views

views by vantage point or orientation

visual works

visual works by form

visual works by medium or technique

Full Record: x-2012-sl-2.57/2012_2_57.JPG

Blue Mosque, Turkey

Marilyn Bridges

An angled aerial image of the Blue Mosque in Turkey.

b. 1957

2004

2012/2.57

gelatin silver print on paper

image form

buildings and the land

geographic and political locations

middle east (general region)

objects we use

religious buildings

religious structures

single built works

single built works by function

single built works by specific type

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-2012-sl-2.58/2012_2_58.JPG

Topkapi Palace, Istanbul, Turkey

Marilyn Bridges

An angled aerial image of Topkapi Palace in Istanbul, Turkey.

American, born 1957

2004

2012/2.58

gelatin silver print on paper

image form

buildings and the land

dwellings

europe (continent)

geographic and political locations

houses

houses by occupants

middle east (general region)

objects we use

official residences

residential structures

single built works

single built works by function

single built works by specific type

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-2012-sl-2.61/2012_2_61.JPG

Iasos, Turkey

Marilyn Bridges

An aerial view image of the ruins at Iasos, Turkey.

American, born 1957

2004

2012/2.61

gelatin silver print on paper

image form

buildings and the land

geographic and political locations

middle east (general region)

objects we use

photographic prints

photographic prints by process

photographs

photographs by form

positives

single built works

single built works by condition

single built works by specific type

views

views by vantage point or orientation

visual works

visual works by form

visual works by medium or technique

Full Record: x-2012-sl-2.64/2012_2_64.JPG

Carhua, Peru

Marilyn Bridges

An aerial view of he Peruvian coastline near Carhua.

American, born 1957

1989

2012/2.64

gelatin silver print on paper

image form

relation to water

buildings and the land

geographic and political locations

landforms

landforms and landform components

landforms by position

landforms by shape or position

landscapes (environments)

natural landscapes

objects we use

photographic prints

photographic prints by process

photographs

photographs by form

positives

settlements and landscapes

shores (landforms)

south america (continent)

views

views by vantage point or orientation

visual works

visual works by form

visual works by medium or technique

Full Record: x-2012-sl-2.65/2012_2_65.JPG

Olympia, Greece

Marilyn Bridges

An aerial view of the ruins at Olympia in Greece.

American, born 1957

2004

2012/2.65

gelatin silver print on paper

image form

buildings and the land

europe (continent)

geographic and political locations

objects we use

photographic prints

photographic prints by process

photographs

photographs by form

positives

single built works

single built works by condition

single built works by specific type

views

views by vantage point or orientation

visual works

visual works by form

visual works by medium or technique

Full Record: x-2012-sl-2.66/2012_2_66.JPG

Sagsawaman and Cuzco, Peru

Marilyn Bridges

An aerial view of the Sagsawaman ruins outside of the city of Cuzco in Peru.

American, born 1957

1989

2012/2.66

gelatin silver print on paper

image form

buildings and the land

geographic and political locations

objects we use

photographic prints

photographic prints by process

photographs

photographs by form

positives

single built works

single built works by condition

single built works by specific type

south america (continent)

views

views by vantage point or orientation

visual works

visual works by form

visual works by medium or technique

Full Record: x-1997-sl-1.113/1997_1.113.JPG

Black Spot

James Brown

born 1952

20th century

1982

1997/1.113

oil and enamel on canvas

image form

biological components

components

components and systems

components by specific context

genres

hands

human body

modern and contemporary art

objects we use

the human body

the natural world

upper body

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-2013-sl-2.107/2013_2.107.JPG

Valladolid

Juan Buhler

A little girl jumping rope. Two women in the background are leaning up against a building.

2005; printed 2006

2013/2.107

c-print on Kodak Professional Endura Paper

image form

objects we use

people

people (agents)

people and culture

people by family relationship

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-1930.6/1930.6.JPG

Portrait of Sébastien Bourdon (1616-1671)

Laurent Cars

A young man with long hair looks over his shoulder at the viewer through an illusionistically described stone octagonal aperture. A heavy satin cloth cascades from his right shoulder towards the viewer and through the opening. On the near side of this rusicated aperture are the palette, brushes, drawing folio and a book, indentifying the sitter as an artist, the identification further secured by the canvas on an easle seen behind the figure.

1699-1771

18th century

1733

1930.6

engraving on heavy off-white laid paper

image form

objects we use

views

views by vantage point or orientation

visual works

visual works by form

visual works by subject type

Full Record: x-2013-sl-2.111/2013_2.111.JPG

Madrid

Henri Cartier-Bresson

Boys playing, main in suit, white building in background with randomly placed square windows.

(active Chanteloup, France, 1908 - 2004, France)

1933; printed 1980

2013/2.111

gelatin silver print on paper

image form

europe (continent)

geographic and political locations

objects we use

people

people (agents)

people and culture

people by family relationship

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-1937.5/1937.5.JPG

Head of a Man

Giovanni Benedetto Castiglione

1609-1664

17th century

17th century

1937.5

etching on paper

image form

biological components

components

components and systems

components by specific context

figures

man

objects

objects we use

people and occupations

the human body

upper body

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-1984-sl-1.284/1984_1.284OBV.JPG

Pope Clement IX (obverse), and the Ponte Sant' Angelo (reverse)

Nicolas-François Chéron

The front (obverse) of the medal presents a profile portrait of a bearded man wearing a cassock, cap, and stole. The reverse depicts a bridge spanning a river. A winged figure flies above the bridge blowing a trumpet, while a nude male figure reclines below the bridge in the foreground and a wolf nurses at his feet. Inscriptions run around both the border edge of both sides of the medal.

died 1746

17th-18th century

1669

1984/1.284

cast bronze

image form

biological components

buildings and the land

christian clergy

clergy

components

components and systems

components by specific context

copper alloy

copper and copper alloy

descriptors

forming

inorganic material

materials

materials by composition

medals

metal

metal and metal products

metal by composition or origin

nonferrous metal

objects we use

people

people (agents)

people and culture

people by occupation

people in religion

people in religion and related occupations

people in the humanities

prelates

processes and techniques

processes and techniques by specific type

single built works

single built works by function

single built works by specific type

the human body

transportation structures

transportation structures by form

upper body

views

views by vantage point or orientation

visual works

visual works by form

visual works by subject type

Full Record: x-1980-sl-2.114/1980_2.114.JPG

Snuff bottle with a profile "portrait" of a red-haired European

Artist Unknown, China

Glass and silver stopper.

20th century

circa 1st half of 20th century

1980/2.114

porcelain with blue underglaze and overglaze enamel painting

image form

biological components

components

components and systems

components by specific context

containers

containers by function or context

containers for personal use

containers for smoking and tobacco use

objects we use

the human body

upper body

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-2009-sl-1.525/2009_1_525.JPG

Head of a Man Wearing a Turban

George Chinnery

This sketch depicts a man in profile, facing toward his right. He wears a turban and an elaborate collar.

(1774 - 1852)

19th century

1802-1825

2009/1.525

pen, ink and pencil on wove paper

image form

accessories worn on the head

asia (continent)

costume

costume accessories

costume accessories worn

descriptors

drawing and drawing techniques

geographic and political locations

headgear

image-making processes and techniques

objects we use

processes and techniques

processes and techniques by specific type

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-1983-sl-1.249/1983_1.249.JPG

Untitled

Jean Cocteau

1889 - 1963

20th century

1957

1983/1.249

color lithograph on paper

image form

clothing

faces

modern and contemporary art

objects

objects we use

people and occupations

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-1965-sl-2.66/1965_2.66.JPG

Baron Paul Pérignon

Thomas Couture

Bust-length, three-quarter view of a man with thick black beard facing slightly left, dressed in black with scarlet ribbon of the Legion of Honor on his lapel against a neutral background.

1815 - 1879

19th century

circa 1850

1965/2.66

oil on canvas

image form

figures

objects we use

oblique views

people

people (agents)

people and culture

people and occupations

people by gender

views

views by vantage point or orientation

visual works

visual works by form

visual works by subject type

Full Record: x-2012-sl-1.237/2012_1.237.JPG

Untitled (Aerial View of Beach)

Steve Crouch

An aerial view of where water meets land. The image is full of texture representing the different landforms. The water creates a "C" curve on the right hand side of the image, while the sand creates a reverse "C" curve on the left side.

(1915 - 1983)

2012/1.237

gelatin silver print on paper

image form

buildings and the land

descriptors

inorganic material

landforms and landform components

landscapes (environments)

materials

materials by composition

natural landscapes

objects we use

settlements and landscapes

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-1983-sl-1.129/1983_1.129.JPG

Profile Head of a Woman

George Cruikshank

1782-1878

18th-19th century

1782-1878

1983/1.129

pen, ink and watercolor on paper

image form

biological components

components

components and systems

components by specific context

european

european styles and periods

modern british styles and movements

modern british styles by reign

modern european regional styles and movements

modern european styles and movements

objects we use

people and culture

people and occupations

styles and periods

styles and periods by region

the human body

upper body

views

views by vantage point or orientation

visual works

visual works by form

women

Full Record: x-1983-sl-1.135/1983_1.135.JPG

Profile Bust of a Man

George Cruikshank

1782-1878

19th century

1782-1878

1983/1.135

pen, ink and watercolor

image form

european

european styles and periods

figures

modern british styles and movements

modern british styles by reign

modern european regional styles and movements

modern european styles and movements

objects we use

people and culture

people and occupations

styles and periods

styles and periods by region

text-based art

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-1997-sl-1.65/1997_1.65.JPG

Portrait of a Woman in Profile

Eugène Delacroix

1798-1863

19th century

1798-1863

1997/1.65

graphite on thin, very smooth yellowish beige wove paper

image form

objects we use

people and occupations

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-1993-sl-2.1/1993_2.1.JPG

St. Jerome in His Study

Albrecht Dürer

This engraving depicts a comfortable domestic interior. An old bearded man sits poring over a book at table in the back of the room. A lion and dog rest on the floor in the foreground. Various other objects appear around the room, including a skull, books, slippers, a crucifix, and a pair of scissors.

Nüremberg, 1471-1528

16th century

1514

1993/2.1

engraving on laid paper

image form

transfer method

animal material

animal material by form or function

animals and creatures

bavaria (state)

descriptors

europe (continent)

geographic and political locations

germany (nation)

information artifacts

information artifacts by physical form

information forms

intaglio prints

mammals

materials

materials by origin

mittelfranken (national district)

objects we use

prints

prints by process

prints by process or technique

skeleton and skeleton components

skeleton components

views

views by vantage point or orientation

visual works

visual works by form

visual works by medium or technique

Full Record: x-1987-sl-1.175.10/1987_1.175.10.JPG

Bearded Man with Tree, Venice, U.S.A., from "Recent Developments"

Elliott Erwitt

Born 1928

20th century

1966

1987/1.175.10

gelatin silver print on paper

image form

man

modern and contemporary art

objects we use

people and occupations

plants

the natural world

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-1988-sl-2.7/1988_2.7.JPG

Agnes

Edward Ferguson

Born 1914

20th century

1940

1988/2.7

lithograph on paper

image form

biological components

components

components and systems

components by specific context

modern and contemporary art

objects we use

people and occupations

the human body

upper body

views

views by vantage point or orientation

visual works

visual works by form

women

Full Record: x-2013-sl-2.132/2013_2.132.JPG

Naples #620

Jed Fielding

Two girls, both up close, one facing the camera, one looking to the side.

1995

2013/2.132

toned gelatin silver print on paper

image form

objects we use

people

people (agents)

people and culture

people by family relationship

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-1930.10/1930.10.JPG

Muleteer

Mariano Fortuny I

1836-1874

19th century

1836-1874

1930.10

etching on paper

image form

clothing

objects

objects we use

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-2013-sl-2.139/2013_2.139.JPG

Angela, Candy Raver, CA

Jona Frank

A girl with a pacifier in her mouth, terry cloth blue pants with pink hearts on the bottoms.

1999

2013/2.139

c-print on paper

image form

drags, litters and pedestrian land vehicles

land vehicles

land vehicles by form

objects we use

people

people (agents)

people and culture

people by age group

skates

transportation vehicles

vehicles

views

views by vantage point or orientation

visual works

visual works by form

youth

Full Record: x-2013-sl-2.140/2013_2.140.JPG

Harlem

Leonard Freed

Boy with arm raised, bent at elbow, sweat on face.

1963; printed circa 1990

2013/2.140

toned gelatin silver print on paper

image form

modern american styles and periods

modern north american styles and movements

objects we use

people

people (agents)

people and culture

people by family relationship

styles and periods

styles and periods by region

the americas

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-1948-sl-1.29/1948_1.29.JPG

Head of a Bearded Man with a Wreath

Anonymous French

()

17th century

17th century

1948/1.29

chalk on white paper

image form

biological components

components

components and systems

components by specific context

figures

man

objects we use

people and occupations

the human body

upper body

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-1940.172/1940.172.JPG

Head of W. P. Lombard

Sears Gallagher

1869-1955

20th century

1926

1940.172

etching on paper

image form

biological components

components

components and systems

components by specific context

figures

modern and contemporary art

objects we use

people and occupations

the human body

upper body

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-1940.173/1940.173.JPG

Head of W. P. Lombard

Sears Gallagher

1869-1955

20th century

1926

1940.173

etching on paper

image form

biological components

components

components and systems

components by specific context

figures

modern and contemporary art

objects we use

people and occupations

the human body

upper body

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-1940.177/1940.177.JPG

(Portrait of a Man)

Sears Gallagher

1869-1955

20th century

1869-1955

1940.177

etching on paper

image form

figures

modern and contemporary art

objects we use

people and occupations

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-1940.185/1940.185.JPG

Uncle George

Sears Gallagher

1869-1955

20th century

1869-1955

1940.185

etching on paper

image form

clothing

figures

man

modern and contemporary art

objects

objects we use

people and occupations

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-2013-sl-2.134/2013_2.134.JPG

Untitled

Robert F. George

Two teenage boys and a teenage girl, both boys have on baseball caps, the girl has pigtails. They are all wearing a ton of bracelets.

2000

2013/2.134

gelatin silver print on paper

image form

objects we use

people

people (agents)

people and culture

people by family relationship

views

views by vantage point or orientation

visual works

visual works by form

Full Record: x-2013-sl-2.135/2013_2.135.JPG

Untitled

Robert F. George

A girl kneeling with a "I Just Got Juiced at O.J.'s" shirt on, another girl wearing combat boots.

2000

2013/2.135

gelatin silver print on paper

image form

objects we use

people

people (agents)

people and culture

people by family relationship

views

views by vantage point or orientation

visual works

visual works by form