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Showing results for "creatures" in Secondary Keywords.
- Title
- Equestrian Statuette of Marcus Aurelius
- Artist
- Anonymous Italian
- Accession Number
- 1895.10
- Medium and Support
- bronze on marble base
- Secondary Keywords
- ancient italian periods
- ancient italian styles and periods
- animals
- animals and creatures
- early western world
- mammals
- mediterranean
- monarchs
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in government and administration
- rulers (people)
- sculpture by material
- sculpture by subject type
- statues
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- Title
- White Mountains in September, North Conway, New Hampshire
- Artist
- Sylvester Phelps Hodgdon
- Physical Description
- Landscape with trees in foreground, valley in middle ground dotted with minute figures of sheep and a farmer with a team of oxen pulling well-filled haywain. Mountains in distance with a snow-capped mountain in center background.
- Artist Life Dates
- 1830 - 1906
- Century
- 19th century
- Object Creation Date
- 1853
- Accession Number
- 1895.57
- Medium and Support
- oil on canvas
- Secondary Keywords
- downward
- upward
- americas
- animals and creatures
- associated concepts
- buildings and the land
- descriptors
- design elements
- earth sciences concepts
- freewheeled vehicles
- freewheeled vehicles by form or function
- geographic and political locations
- grass (plant material)
- land vehicles
- land vehicles by form
- landforms
- landforms and landform components
- landforms by shape or position
- locality
- mammals
- materials
- materials by origin
- natural landscapes
- north & central america
- north and central america (continent)
- objects we use
- ornament areas
- people
- people (agents)
- people and culture
- people and occupations
- people by occupation
- people in agriculture
- people in agriculture or natural resource occupations
- people in science-related occupations
- physical sciences concepts
- plant material
- plants
- scientific concepts
- scientists and people in science-related occupations
- service and utility vehicles
- settlements and landscapes
- the natural world
- transportation vehicles
- united states
- united states (nation)
- vehicles
- visual works
- visual works by subject type
- Title
- The Attack on an Emigrant Train
- Artist
- Charles Ferdinand Wimar
- Physical Description
- The painting depicts a group of American settlers attempting to defend themselves against attack by a band of Native Americans. A covered wagon pulled by two horses is at the center of the composition; at left, two Native Americans attack the wagon with war clubs and tomahawks; a figure on the lead horse points a pistol directly at the head of one of his attackers, while a figure at the rear of the wagon shoots another attacker. At right other warriors on horseback ride past the train shooting arrows and wielding tomahawks.
- Artist Life Dates
- 1828-1862
- Century
- 19th century
- Object Creation Date
- 1856
- Accession Number
- 1895.80
- Medium and Support
- oil on canvas
- Secondary Keywords
- american regions
- americas
- animals
- animals and creatures
- armed conflicts
- associated concepts
- atmospheric effects
- buildings and the land
- cargo vehicles
- cargo vehicles by form
- cutting equipment
- cutting tools
- earth sciences concepts
- edged weapons
- equipment
- equipment by process
- events
- fights
- firearms
- freewheeled vehicles
- freewheeled vehicles by form or function
- grassland
- how we live
- land vehicles
- land vehicles by form
- landscapes (environments)
- locality
- long guns
- mammals
- natural landscapes
- north & central america
- north american
- objects
- objects we use
- passenger vehicles
- people
- people (agents)
- people and culture
- people by activity
- physical activities
- physical activities by general context
- physical sciences concepts
- plant communities
- projectile launchers with nonexplosive propellant
- projectile weapons
- projectile weapons with explosive propellant
- projectile weapons with nonexplosive propellant
- projectiles with nonexplosive propellant
- scientific concepts
- settlements and landscapes
- small arms by form
- styles and periods
- styles and periods by region
- the americas
- the natural world
- tools and equipment
- transportation vehicles
- vegetation and vegetation components
- vegetation components
- vehicles
- war
- weaponry
- weapons
- weapons and ammunition
- Title
- The Retreat
- Artist
- Christian Adolf Schreyer
- Physical Description
- Depicts a group of Arab warriors on horseback in full gallop charging away from the viewer through the desert landscape.
- Artist Life Dates
- 1828 - 1899
- Century
- 19th century
- Object Creation Date
- 1855-1895
- Accession Number
- 1895.97
- Medium and Support
- oil on canvas
- Secondary Keywords
- africa (continent)
- animals
- animals and creatures
- armed conflicts
- early western world
- egypt (nation)
- events
- fights
- geographic and political locations
- how we live
- mammals
- motion
- near eastern
- objects
- people and culture
- styles and periods
- styles and periods by region
- the natural world
- war
- Title
- Courtyard in the Sultan's Palace
- Artist
- Jean Joseph Benjamin Constant
- Physical Description
- This painting shows a scene set in a courtyard with high white walls that is open to the sky. Beyond the wall there is flowering vegetation, tall trees and a tower with a balustrade with keyhole shaped openings. There are two clay pots resting on top of the wall and an oriental style carpet hanging over one side. Within this courtyard, there are three women who are looking at two small leopards that wear metal chains and stand in a keyhole shaped opening of the far right wall. The women, grouped together on the far left side, are wearing 19th century Moroccan dress, including richly embroidered, garments, headscarves and shoes. There is bright sunlight streaming into the room which creates shadows on the walls and floor.
- Artist Life Dates
- 1845-1902
- Century
- Late 19th-early 20th century
- Object Creation Date
- 1872-1902
- Accession Number
- 1895.99
- Medium and Support
- oil on panel
- Secondary Keywords
- animals
- animals and creatures
- architecture
- building divisions
- buildings
- castles and palaces
- components
- components and systems
- components by specific context
- figures
- locality
- mammals
- modern and contemporary art
- palaces
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- plants
- rooms and spaces
- rooms and spaces by form
- the natural world
- uncovered spaces
- Title
- Little Whitehead
- Artist
- Warren Lombard
- Physical Description
- This ocean scene shows a cliff on the left half of the composition, with the ocean and some birds on the right. The cliff is darker towards the bottom, and the strip of ocean is in the bottom third of the composition. There are five birds; three are more distinct, while the other two a smaller and fainter.
- Artist Life Dates
- 1855-1939
- Century
- 20th century
- Object Creation Date
- 1927
- Accession Number
- 1940.44
- Medium and Support
- drypoint on paper
- Secondary Keywords
- animals and creatures
- birds
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- descriptors
- gulls
- inorganic material
- landform components
- landforms and landform components
- landscapes (environments)
- marine bodies
- materials
- materials by composition
- modern and contemporary art
- natural landscapes
- settlements and landscapes
- Title
- Shiva and his family
- Artist
- India, Punjab Hills, Kangra School
- Physical Description
- In this idyllic scene, the goddess Parvati offers her husband Shiva a drink, as they enjoy a quiet moment together. Their children, the elephant-headed Ganesha and Skanda, play inside a tent made from the hide of an elephant demon that Shiva had slain. Both parents are clothed in animal skins, the garb of mountain-dwelling ascetics, while Shiva is further adorned with a long necklace of skulls and a snake.
- Century
- 18th century
- Object Creation Date
- circa 1790-1800
- Accession Number
- 1942.4
- Medium and Support
- ink, opaque watercolor, and gold on paper
- Secondary Keywords
- animals
- animals and creatures
- associated concepts
- branches
- groups of people
- hindu
- kinship groups
- mammals
- named gods and goddesses
- people
- people (agents)
- people and culture
- people by age group
- people by family relationship
- people by state or condition
- religion
- religions
- social groups
- social science concepts
- social structure
- sociological concepts
- subject matter
- tents
- the natural world
- Title
- Diana and Satyr
- Artist
- Giacinto Brandi
- Artist Life Dates
- 1623-1691
- Century
- 17th century
- Object Creation Date
- 17th century
- Accession Number
- 1947/2.1
- Medium and Support
- pen and gouache on toned paper
- Secondary Keywords
- allegory and literature
- creatures
- greek
- mythology
- Title
- Begin the Beguine
- Artist
- Max Beckmann
- Physical Description
- Interior composition with male and female dancers positioned at center with seated female at lower left, standing male on crutches at right and a group of birds in the leftmost background.
- Artist Life Dates
- 1884-1950
- Century
- 20th century
- Object Creation Date
- 1946
- Accession Number
- 1948/1.103
- Medium and Support
- oil on canvas
- Secondary Keywords
- amputation
- animals
- animals and creatures
- arts
- arts and related disciplines
- buildings and the land
- disciplines
- equipment
- equipment by context
- equipment for personal use
- european
- european styles and periods
- genres
- humanities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the performing arts
- performing artists
- performing arts
- performing arts buildings
- performing arts structures
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- the natural world
- tools and equipment
- Title
- Gazing at Snow on Matsuchi Hill (center sheet from triptych, Fûryû Genji Awase)
- Artist
- Andô Hiroshige
- Physical Description
- The snow scene of a village under the mountain. The house roofs, the bridge over the river, the mountain and trees are all covered by the snow. Three birds fly above the riverbank, lingering around the snow-covered pine branches.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- 1853
- Accession Number
- 1948/1.145
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- scale
- transfer method
- animals and creatures
- associated concepts
- buildings and the land
- dwellings
- earth sciences concepts
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- plants
- precipitation
- prints
- prints by process
- prints by process or technique
- relief prints
- residential structures
- scientific concepts
- settlements
- settlements and landscapes
- settlements by form
- single built works
- single built works by function
- single built works by specific type
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- woodcuts
- woody plants
- Title
- Courtesan and client: parody of the Kiritsubo Chapter of the Tale of Genji (Mitate Genji Kiritsubo)
- Artist
- Okumura Masanobu
- Physical Description
- A monochrome print depicting two standing women and a reclining man in a room. The taller woman, a courtesan, wears an elaborate kimono of butterfly design and under-kimono of geometric patterns; her hair is tied on the back, wearing tortoise shell comb and hairpin. She is holding skirts of kimono and under-kimono with her right hand and is hiding her left hand under the kimono. The second woman, an attendant, is standing behind the courtesan, holding a doll of a boy and her face turning away. She wears a plain kimono with pine tree design and obi (sash) with striped patterns. The man is reclining and looking toward the courtesan. They seem to engage in conversation. The man wears kimono with design of coins and short jacket with plaid patterns. His hair is shaved on top and tied on the back. There is a folded screen behind him, depicting a plum tree by river. In front of him, there are a sake pitcher, sake cup and its stand, and a bowl with food accompanied by a tray and chopsticks. There is a title of the print in cartouche at upper right.
- Artist Life Dates
- 1686-1764
- Century
- 18th century
- Object Creation Date
- 1711-1716
- Accession Number
- 1948/1.198
- Medium and Support
- Oban (large-size) sumizurii-e (monochrome woodblock print) on paper
- Secondary Keywords
- animals and creatures
- arthropods
- buildings and the land
- commercial buildings
- deciduous trees
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- insects
- landscapes (environments)
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in service occupations
- plants
- prostitutes
- service industry buildings
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- trees
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- The Lord's Prayer, sheet 8 - And Lead Us Not into Temptation (Das Vaterunser - Und führe uns nicht in Versuchung)
- Artist
- Max Pechstein
- Physical Description
- A nude man and woman at center struggle with one another; a snake and a seated figure are visible in the background. The two central figures with intertwined limbs suggesting a struggle are positioned above a sharp-toothed mammal resembling a fox.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.430
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- animals and creatures
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by general context
- object groupings by specific context
- objects we use
- people and culture
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- reptiles
- sets (groups)
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 10 - For Thine Is the Kingdom (Das Vaterunser - Denn Dein ist das Reich)
- Artist
- Max Pechstein
- Physical Description
- A man, a woman, and a child facing the viewer with their hands folded in prayer. The man and woman sit on a mattress and look to heaven. The child stands in front of them with his head bowed. Next to the child is a diminutive cow. In the background behind the family are images of fish and birds.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.432
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- animals
- animals and creatures
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- figures
- groups of people
- information forms
- kinship groups
- mammals
- mental activities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- social groups
- social science concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Two Llamas
- Artist
- Renée Sintenis
- Physical Description
- Two llamas are depicted in this print. One llama is on the left half of the composition, facing away from the viewer so that we only see its back. The second llama is in the right half of the composition, and is facing the right, so we see the side of its body. The llamas are depicted in mostly dark, rich lines. They are outlined in various line weights, and their bodies are filled in with curving, connected lines to depict fur.
- Artist Life Dates
- 1888-1965
- Century
- 20th century
- Object Creation Date
- 1888-1934
- Accession Number
- 1948/1.437
- Medium and Support
- drypoint on paper
- Secondary Keywords
- animals and creatures
- modern and contemporary art
- Title
- Plum Blossoms and Bird
- Artist
- Qi Baishi (Ch'i Pai-shih)
- Physical Description
- A black crow is seated on a plum branch above calligraphic text and cascades of open blossoms.
- Artist Life Dates
- (1864 - 1957)
- Century
- 20th century
- Object Creation Date
- circa 1930
- Accession Number
- 1949/1.192
- Medium and Support
- ink on paper
- Secondary Keywords
- animals and creatures
- buildings and the land
- deciduous trees
- descriptors
- herbaceous plants
- image-making processes and techniques
- landscapes (environments)
- natural landscapes
- plants
- processes and techniques
- processes and techniques by specific type
- settlements and landscapes
- trees
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- woody plants
- writing (processes)
- Title
- Fish
- Artist
- Qi Baishi (Ch'i Pai-shih)
- Physical Description
- The painting depicts three fishes below a calligraphic poem. The poem goes: "I once painted Three Fish and inscribed it: painting is what I did in the time remaining after work, poetry in the time remaining after sleep, and calligraphy in the time remaining after carving. This is what I call the three remaining." (in Chinese, "fish" and "remaining" are pronounced the same)
- Artist Life Dates
- 1864-1957
- Century
- 20th century
- Object Creation Date
- 1920-1949
- Accession Number
- 1949/1.194
- Medium and Support
- ink on paper
- Secondary Keywords
- animals and creatures
- descriptors
- document genres
- document genres by form
- document genres for literary works
- image-making processes and techniques
- information forms
- objects we use
- processes and techniques
- processes and techniques by specific type
- writing (processes)
- Title
- Frog
- Artist
- Qi Baishi (Ch'i Pai-shih)
- Physical Description
- There is a frog on the left bottom of the painting, and on the right the artist inscribed "to make a voice" with his signature and seal.
- Artist Life Dates
- (1864 - 1957)
- Century
- 20th century
- Object Creation Date
- 1927
- Accession Number
- 1949/1.195
- Medium and Support
- ink on paper
- Secondary Keywords
- amphibians
- animals and creatures
- descriptors
- image-making processes and techniques
- processes and techniques
- processes and techniques by specific type
- writing (processes)
- Title
- Solitary Bird Perched on a Banana Plant
- Artist
- Qi Baishi (Ch'i Pai-shih)
- Physical Description
- This painting depicts a solitary bird perched on a tropical banana plant. There are inscriptions and signature of the artist on the upper left-hand corner: "A farewell gift for Mr. Katsuizumi, as he goes south. Baishi."
- Artist Life Dates
- (1864 - 1957)
- Century
- 20th century
- Object Creation Date
- circa 1920
- Accession Number
- 1949/1.196
- Medium and Support
- ink on paper
- Secondary Keywords
- animals and creatures
- buildings and the land
- deciduous trees
- landscapes (environments)
- natural landscapes
- plants
- settlements and landscapes
- trees
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Crabs
- Artist
- Qi Baishi (Ch'i Pai-shih)
- Physical Description
- The painting depicts two crabs with aquatic plants. The artist signed his pen name, Qi Huang, and sealed another pen name, Wood Hermit.
- Artist Life Dates
- 1864-1957
- Century
- 20th century
- Object Creation Date
- 1864-1949
- Accession Number
- 1949/1.199
- Medium and Support
- ink on paper
- Secondary Keywords
- animals and creatures
- arthropods
- crustaceans
- descriptors
- image-making processes and techniques
- processes and techniques
- processes and techniques by specific type
- writing (processes)
- Title
- Shrimps
- Artist
- Qi Baishi (Ch'i Pai-shih)
- Physical Description
- Blank background. The painting depicts four lobsters, with calligraphic texts and seal on the right edge of the painting.
- Artist Life Dates
- (1864 - 1957)
- Century
- 20th century
- Object Creation Date
- 1931
- Accession Number
- 1949/1.200
- Medium and Support
- ink on rice paper
- Secondary Keywords
- animals and creatures
- arthropods
- crustaceans
- descriptors
- image-making processes and techniques
- processes and techniques
- processes and techniques by specific type
- writing (processes)
- Title
- Grasshopper
- Artist
- Qi Baishi (Ch'i Pai-shih)
- Physical Description
- The painting depicts a grasshopper resting on the leaves. The artist signed his pen name, A-chih, and sealed his pen names, Pai-shih mountain hermit, and Pai-shih hermit.
- Artist Life Dates
- (1864 - 1957)
- Century
- 20th century
- Object Creation Date
- circa 1920-1935
- Accession Number
- 1949/1.201
- Medium and Support
- ink on rice paper
- Secondary Keywords
- animals and creatures
- arthropods
- biological components
- buildings and the land
- components
- components and systems
- components by specific context
- insects
- landscapes (environments)
- natural landscapes
- plant components
- settlements and landscapes
- trees (components)
- vegetation and vegetation components
- vegetation components
- Title
- Duck
- Artist
- Qi Baishi (Ch'i Pai-shih)
- Physical Description
- Blank background. On the right half of the painting, there is a duck and a few plant leaves. The artist signed his pen name, "Host of the Eight-inkstone Mansion," with seal on the right edge of the painting.
- Artist Life Dates
- (1864 - 1957)
- Century
- 20th century
- Object Creation Date
- circa 1930
- Accession Number
- 1949/1.202
- Medium and Support
- ink on rice paper
- Secondary Keywords
- animals and creatures
- birds
- buildings and the land
- descriptors
- image-making processes and techniques
- landscapes (environments)
- natural landscapes
- processes and techniques
- processes and techniques by specific type
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- writing (processes)
- Title
- Ville d'Avray: Boatman's Pond (Evening) [Ville d'Avray: L'Etang du Batelier (Effet du Soir)]
- Artist
- Jean-Baptiste-Camille Corot
- Physical Description
- The upper half of the picture is the sky, Corot's signature mark in the upper right corner. There are two trees with little foliage extending from the lower left corner up to the top of the image. To the right of those trees is the boat with a hunched figure sitting on the left side. A cow is on the other side of the boat, facing the right side of the image. There are trees with a lot of foliage in the center of the right half of the image just above the cow. There is grass all along the bottom edge of the image.
- Artist Life Dates
- 1796-1875
- Century
- 19th century
- Object Creation Date
- 1862
- Accession Number
- 1949/1.86
- Medium and Support
- etching and drypoint on paper
- Secondary Keywords
- animals and creatures
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- lacustrine bodies
- landscapes (environments)
- mammals
- natural landscapes
- objects we use
- settlements and landscapes
- transportation vehicles
- vehicles
- visual works
- visual works by subject type
- watercraft
- watercraft by general type
- Title
- "Los Proverbios" (also known as "Los Disparates"), plate 17: El que no te ama, burlando te difama ("He who does not like thee will defame thee in jest") or La lealtad (Loyalty)
- Artist
- Francisco José de Goya y Lucientes
- Artist Life Dates
- 1746-1828
- Century
- 19th century
- Object Creation Date
- circa 1864-1900
- Accession Number
- 1949/2.19
- Medium and Support
- etching and burnished aquatint on paper
- Secondary Keywords
- animals and creatures
- legendary creatures
- modern and contemporary art
- people and occupations
- Title
- "Los Proverbios" (also known as "Los Disparates"), plate 5: Reniego al amigo que cubre con las alas y muerde conel pico ("Renounce the friend who covered you with his wings and bites you with his beak") or Disparate volanted (Flying folly)
- Artist
- Francisco José de Goya y Lucientes
- Artist Life Dates
- 1746-1828
- Century
- 19th century
- Object Creation Date
- circa 1864-1900
- Accession Number
- 1949/2.7
- Medium and Support
- aquatint and etching on paper
- Secondary Keywords
- allegory and literature
- animals and creatures
- legendary creatures
- modern and contemporary art
- Title
- "Los Proverbios" (also known as "Los Disparates"), plate 7: La que mal marida nunca le falta que diga ("She who is ill wed never misses a chance to say no") or Disparate matrimonial (Matrimonial folly)
- Artist
- Francisco José de Goya y Lucientes
- Artist Life Dates
- 1746-1828
- Century
- 19th century
- Object Creation Date
- circa 1864-1900
- Accession Number
- 1949/2.9
- Medium and Support
- etching, aquatint and drypoint on paper
- Secondary Keywords
- animals and creatures
- legendary creatures
- modern and contemporary art
- Title
- Caparisoned horse
- Artist
- Artist Unknown, China
- Physical Description
- Ceramic figure of a horse standing on a thin ceramic base, which a high-arched neck and a vertical head; large saddle with tassels; traces of orange-ochre, pink red and white pigments
- Century
- 6th century
- Object Creation Date
- 534-550
- Accession Number
- 1950/2.12
- Medium and Support
- earthenware with slip and painted decoration
- Secondary Keywords
- animals and creatures
- art genres
- artistic concepts
- asia (continent)
- associated concepts
- concepts in the arts
- descriptors
- geographic and political locations
- mammals
- object genres
- object genres by material
- objects we use
- people and culture
- sculpture
- sculpture by function
- visual works
- visual works by medium or technique
- Title
- Yaozhou ware bowl with incised design of three fish in a pond
- Artist
- Artist Unknown, China
- Physical Description
- a northern celadon bowl of conical shape, incised with abstract depictions of fish and waves on interior, small ring foot
- Century
- 12th century
- Object Creation Date
- 12th century - 13th century
- Accession Number
- 1950/2.16
- Medium and Support
- stoneware with incised and combed decoration under celadon glaze
- Secondary Keywords
- animals and creatures
- containers
- containers by form
- objects we use
- vessels
- Title
- Devils Taking the Rich Man to Hell, No. 4 from the Series of 5 Prints "Parable of the Rich Man and Lazarus"
- Artist
- Heinrich Aldegrever
- Artist Life Dates
- 1502- circa 1561
- Century
- 16th century
- Object Creation Date
- 1554
- Accession Number
- 1952/1.87
- Medium and Support
- engraving on paper
- Secondary Keywords
- animals
- animals and creatures
- associated concepts
- construction equipment
- doctrinal concepts
- earthmoving equipment
- equipment
- equipment by process
- hells
- how we live
- legendary creatures
- mammals
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- plants
- religion
- religions and religious concepts
- religious concepts
- reptiles
- reptiles and amphibians
- rites of passage
- shovels
- subject matter
- the natural world
- tools and equipment
- Title
- Bodhisattva Mañjusri (J. Monju Bosatsu), seated on a lion
- Artist
- Artist Unknown, Japan
- Century
- 15th century
- Object Creation Date
- 15th century
- Accession Number
- 1954/1.207
- Medium and Support
- hanging scroll, ink, color and gold on silk
- Secondary Keywords
- animals and creatures
- associated concepts
- buddhist doctrinal concepts
- conditions and effects
- descriptors
- design elements
- doctrinal concepts
- mammals
- motifs
- people and culture
- plant-derived motifs
- religions
- religions and religious concepts
- religious concepts
- Title
- Rue de Vannes, Paris
- Artist
- James McNeill Whistler
- Physical Description
- A partial view of a four-story building, concentrating on pairs of windows on each story and a wrought iron fence on the ground level. Windows have window boxes or balconies; on the ground level are several dogs on either side and a pair of milk cans at the center in front of the fence.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- circa 1892-1893
- Accession Number
- 1954/1.410
- Medium and Support
- etching, printed in black ink on laid Japanese tissue
- Secondary Keywords
- animals
- animals and creatures
- architectural elements
- architecture
- buildings and the land
- components
- components and systems
- components by specific context
- containers
- containers by form
- mammals
- objects
- objects we use
- open spaces and site elements
- openings (architectural elements)
- openings and opening components
- openings by form
- site elements
- the natural world
- windows and window components
- Title
- Gaiety Stage Door
- Artist
- James McNeill Whistler
- Physical Description
- A building with an arched doorway, windows at the center right, and the beginning of a flight of stairs on the right acts as architectural foils for the figures and a cart and horse (hansom cab?) arrayed in front of the building or grouped in the dark entryway.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879
- Accession Number
- 1954/1.419
- Medium and Support
- transfer lithograph with scraping on buff-colored paper, laid down on white wove
- Secondary Keywords
- animals and creatures
- architectural elements
- architecture
- buildings and the land
- circulation elements
- components
- components and systems
- components by specific context
- freewheeled vehicles
- freewheeled vehicles by form or function
- land vehicles
- land vehicles by form
- objects
- objects we use
- openings (architectural elements)
- openings and opening components
- openings by form
- service and utility vehicles
- stair components
- stairs and stair components
- steps and step components
- the natural world
- transportation
- transportation vehicles
- vehicles
- windows and window components
- Title
- The Steps, Luxembourg Gardens
- Artist
- James McNeill Whistler
- Physical Description
- A broad set of steps leading up to a tree-lined terrace are the main features of this work. Figures on the terrace and a sculpture of putti supporting an urn or pot are visible at the top of the stairs; in the left foreground, a woman and little girl are climbing the stairs.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1893
- Accession Number
- 1954/1.437
- Medium and Support
- transfer lithograph with stumping on wove paper
- Secondary Keywords
- agricultural complexes
- animals
- animals and creatures
- architectural elements
- buildings and the land
- built complexes and districts
- circulation elements
- complexes
- complexes by function
- components
- components and systems
- components by specific context
- europe
- europe (continent)
- figures
- france
- france (nation)
- gardens by form
- geographic and political locations
- locality
- objects
- objects we use
- open spaces
- open spaces and site elements
- open spaces by form
- people
- people (agents)
- people and culture
- people and occupations
- people by occupation
- people in agriculture or natural resource occupations
- people in science-related occupations
- physical activities
- physical activities by general context
- scientists and people in science-related occupations
- sculpture
- sculpture by subject type
- stair components
- stairs and stair components
- terraces
- the natural world
- ville de paris, dèpartement de (department)
- visual works
- visual works by medium or technique
- œle-de-france (region)
- Title
- The Terrace, Luxembourg
- Artist
- James McNeill Whistler
- Physical Description
- Six figures, women and girls, sit or stand in front of a balustrade. On the left side is an urn holding a plant; the upper portion of a young tree projects above the balustrade at center; in the distance on the right appears the upper portion of a building with a mansard roof
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1894
- Accession Number
- 1954/1.448
- Medium and Support
- transfer lithograph with stumping on laid paper
- Secondary Keywords
- animals
- animals and creatures
- architecture
- buildings and the land
- containers
- containers by form
- europe
- europe (continent)
- figures
- france
- france (nation)
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- geographic and political locations
- landscapes (environments)
- locality
- natural landscapes
- objects
- objects we use
- open spaces
- open spaces and site elements
- open spaces by form
- people and culture
- people and occupations
- physical activities
- physical activities by general context
- seating furniture
- settlements and landscapes
- single seating furniture
- the natural world
- vegetation and vegetation components
- vegetation components
- ville de paris, dèpartement de (department)
- œle-de-france (region)
- Title
- The Butcher's Dog
- Artist
- James McNeill Whistler
- Physical Description
- A partial view of a butcher's shop is seen frontally from across the road. To the left is an arched doorway within a pedimented entryway; a woman holding a baby stands silhouetted against the doorway while a little girl sits on the stoop. To the right is an arched shopfront that comprises both the doorway and the window in which hangs two large cuts of meat. The window of the shop is partially screened by an awning the extends before the facade of the building. A dog is seen sitting in front of the shop window.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1896
- Accession Number
- 1954/1.464
- Medium and Support
- transfer lithograph on wove paper
- Secondary Keywords
- animals
- animals and creatures
- architectural elements
- architecture
- buildings and the land
- components
- components and systems
- components by specific context
- descriptors
- figures
- mammals
- materials
- materials by function
- open spaces
- open spaces and site elements
- open spaces by function
- openings (architectural elements)
- openings and opening components
- openings by form
- people and culture
- people and occupations
- physical activities
- physical activities by general context
- roads
- roads by form
- the natural world
- transportation spaces
- windows and window components
- Title
- Hen-shaped covered box
- Artist
- Seifû Yohei III
- Artist Life Dates
- 1854-1914
- Century
- Late 19th-early 20th century
- Object Creation Date
- 1880s-1914
- Accession Number
- 1954/1.495A&B
- Medium and Support
- porcelain with clear glaze
- Secondary Keywords
- animals and creatures
- birds
- ceramics
- containers
- descriptors
- object genres
- object genres by material
- objects we use
- pottery (object genre)
- stoneware
- Title
- Duck-shaped covered box
- Artist
- Seifû Yohei III
- Artist Life Dates
- 1854-1914
- Century
- Late 19th-early 20th century
- Object Creation Date
- 1880s-1914
- Accession Number
- 1954/1.496A&B
- Medium and Support
- porcelain with clear glaze
- Secondary Keywords
- animals and creatures
- birds
- ceramics
- containers
- descriptors
- object genres
- object genres by material
- objects we use
- pottery (object genre)
- stoneware
- Title
- Sencha pitcher with stamped dragonfly design (pair w/ 1954/1.512)
- Artist
- Seifû Yohei III
- Artist Life Dates
- 1854-1914
- Century
- Late 19th-early 20th century
- Object Creation Date
- circa 1893-1914
- Accession Number
- 1954/1.503
- Medium and Support
- porcelain with clear glaze
- Secondary Keywords
- animals and creatures
- arthropods
- ceramics
- containers
- containers by form
- descriptors
- food
- materials
- materials by function
- object genres
- object genres by material
- objects we use
- pottery (object genre)
- stoneware
- vessels
- Title
- Miniature Vase with Rabbit Design (1 of 2)
- Artist
- Seifû Yohei III
- Artist Life Dates
- 1854-1914
- Century
- Late 19th-early 20th century
- Object Creation Date
- 1880s-1914
- Accession Number
- 1954/1.506
- Medium and Support
- porcelain with blue underglaze painting
- Secondary Keywords
- animals and creatures
- ceramics
- containers
- containers by form
- descriptors
- mammals
- object genres
- object genres by material
- objects we use
- pottery (object genre)
- stoneware
- vessels
- Title
- Miniature Vase with Rabbit Design (1 of 2)
- Artist
- Seifû Yohei III
- Artist Life Dates
- 1854-1914
- Century
- Late 19th-early 20th century
- Object Creation Date
- 1880s-1914
- Accession Number
- 1954/1.507
- Medium and Support
- porcelain with blue underglaze painting
- Secondary Keywords
- animals and creatures
- ceramics
- containers
- containers by form
- descriptors
- mammals
- object genres
- object genres by material
- objects we use
- pottery (object genre)
- stoneware
- vessels
- Title
- White teapot with stamped dragonfly design (pair w/ 1954/1.503)
- Artist
- Seifû Yohei III
- Artist Life Dates
- 1854-1914
- Century
- Late 19th-early 20th century
- Object Creation Date
- circa 1893-1914
- Accession Number
- 1954/1.512
- Medium and Support
- porcelain with clear glaze
- Secondary Keywords
- animals and creatures
- arthropods
- ceramics
- containers
- containers by function or context
- containers for serving and consuming food
- culinary containers
- descriptors
- object genres
- object genres by material
- objects we use
- pottery (object genre)
- stoneware
- vessels for serving and consuming food
- vessels for serving drinks
- Title
- Forgotten Things
- Artist
- Grace Albee
- Artist Life Dates
- 1890-1985
- Century
- 20th century
- Object Creation Date
- 1943
- Accession Number
- 1954/1.82
- Medium and Support
- wood engraving on paper
- Secondary Keywords
- animals
- animals and creatures
- architecture
- birds
- buildings and the land
- descriptors
- design elements
- landscapes
- modern and contemporary art
- natural landscapes
- objects
- ornament areas
- plants
- settlements and landscapes
- the natural world
- transportation
- vegetation and vegetation components
- vegetation components
- vehicles
- woody plants
- Title
- Save the Products of the Land - Eat More Fish - The Feed Themselves
- Artist
- Charles Livingston Bull
- Physical Description
- Text: Save the products of the land - Eat more fish - they feed themselves. United States Food Administration
- Artist Life Dates
- 1874-1932
- Century
- 20th century
- Object Creation Date
- circa 1917
- Accession Number
- 1954/2.35.14
- Medium and Support
- color lithograph on paper
- Secondary Keywords
- animals
- animals and creatures
- armed conflicts
- declaratory and advertising artifacts
- events
- how we live
- information artifacts
- information artifacts by function
- information forms
- modern and contemporary art
- objects we use
- people and culture
- text-based art
- the natural world
- war
- waterscapes
- world wars
- Title
- Mine More Coal - United States Fuel Administration - Stand by the boys in the trenches!
- Artist
- Artist Unknown
- Physical Description
- Text: Mine More Coal - United States Fuel Administration - Stand by the boys in the trenches! - (Italian) Sostenete i soldati nelle trincee! Estraete Sempre Piu' Carbone! - (Croatian) Pomogni nasoj mladosti u rovovima! Kopaj Vise Ugljevlja! - (Slovenian) Podpiraj vojake v strelnih jarkih! Koplji Vec Premoga! - (Polish) Wspomagajcie wiernie tych ktorzy sa na linii bojowej! Starajcie Sie Powiekszyc Produkcje Wegla! - (Hungarian) Segitse a fiukat a lövészarokban! Aknázzon Több Szenet! - (German) Unterstuetzt die Jungen in den Schuetzengraeben! Foerdert Mehr Kohle!
- Century
- 20th century
- Object Creation Date
- circa 1918
- Accession Number
- 1954/2.35.140
- Medium and Support
- color lithograph on paper
- Secondary Keywords
- animals
- animals and creatures
- armed conflicts
- birds
- buildings and the land
- built complexes and districts
- business and industry
- complexes
- complexes by function
- components
- components and systems
- components by specific context
- declaratory and advertising artifacts
- descriptors
- design elements
- events
- extracting complexes
- how we live
- industrial complexes
- information artifacts
- information artifacts by function
- information form components
- information forms
- layout features
- mines (industrial complexes)
- modern and contemporary art
- motifs
- natural element motifs
- objects we use
- people and culture
- text-based art
- the natural world
- visual works
- visual works by medium or technique
- war
- world wars
- Title
- Priest's Robe, Satin Brocade
- Artist
- Artist Unknown, Japan
- Object Creation Date
- n.d.
- Accession Number
- 1955/1.188
- Medium and Support
- tan, green, gold and silver satin brocade
- Secondary Keywords
- allegory and literature
- asia
- clergy
- creatures
- descriptors
- drapery
- locality
- medium
- mythology
- needleworking
- needleworking and needleworking techniques
- objects we use
- people and occupations
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- religion
- religious figures
- textile processes and techniques
- textile working processes and techniques
- Title
- Priest's Robe, Satin Brocade
- Artist
- Artist Unknown, Japan
- Object Creation Date
- n.d.
- Accession Number
- 1955/1.190
- Medium and Support
- tan, blue, gold and silver satin brocade with six white and gold insets
- Secondary Keywords
- allegory and literature
- asia
- atmospheric effects
- clergy
- colors
- creatures
- descriptors
- drapery
- geometric shapes
- locality
- medium
- mythology
- needleworking
- needleworking and needleworking techniques
- objects we use
- people and occupations
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- rectangles
- religion
- religious figures
- textile processes and techniques
- textile working processes and techniques
- the natural world
- visual and tactile
- Title
- Priest's Robe, Satin Brocade
- Artist
- Artist Unknown, Japan
- Object Creation Date
- n.d.
- Accession Number
- 1955/1.192
- Medium and Support
- blue, green, red, yellow and gold satin brocade with six insets
- Secondary Keywords
- allegory and literature
- asia
- clergy
- creatures
- descriptors
- drapery
- geometric shapes
- locality
- medium
- mythology
- needleworking
- needleworking and needleworking techniques
- objects we use
- people and occupations
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- rectangles
- religion
- religious figures
- textile processes and techniques
- textile working processes and techniques
- visual and tactile
- Title
- Silk (or Satin?) Brocade
- Artist
- Artist Unknown, Japan
- Object Creation Date
- n.d.
- Accession Number
- 1955/1.202
- Medium and Support
- salmon, blue, green and purple satin or silk brocade with four dark blue insets
- Secondary Keywords
- allegory and literature
- creatures
- descriptors
- drapery
- fabric
- mythology
- needleworking
- needleworking and needleworking techniques
- objects we use
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- textile processes and techniques
- textile working processes and techniques
- Title
- Textile
- Artist
- Artist Unknown, Japan
- Object Creation Date
- n.d.
- Accession Number
- 1955/1.206
- Medium and Support
- cream, red, blue, green, yellow and gold fabric
- Secondary Keywords
- allegory and literature
- creatures
- descriptors
- drapery
- mythology
- needleworking
- needleworking and needleworking techniques
- objects we use
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- textile processes and techniques
- textile working processes and techniques
- Title
- Satin Brocade
- Artist
- Artist Unknown, Japan
- Object Creation Date
- n.d.
- Accession Number
- 1955/1.209
- Medium and Support
- tan, blue, and green satin brocade
- Secondary Keywords
- allegory and literature
- atmospheric effects
- creatures
- descriptors
- drapery
- fabric
- mythology
- needleworking
- needleworking and needleworking techniques
- objects we use
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- textile processes and techniques
- textile working processes and techniques
- the natural world