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Showing results for "Bequest of Margaret Watson Parker" in Credit Line.
- Title
- Sea and Rain: Variations in Violet and Green
- Artist
- James McNeill Whistler
- Physical Description
- Painting depicts a solitary male figure standing along the shore. The thin layers of paint evoke a misty, overcast day with the figure standing perhaps on a tidal flat.
- Artist Life Dates
- 1834-1903
- Century
- 20th century
- Object Creation Date
- 1865
- Accession Number
- 1955/1.89
- Medium and Support
- oil on canvas
- Date Added/Updated
- 2015-05-15 10:49:59
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Annie Haden
- Artist
- James McNeill Whistler
- Physical Description
- A girl with long loose hair stands on a carpet in front of drapery. She is wearing a straw hat and cape over her dress; she is wearing flat shoes with rosetts on the top. She stands facing slightly to the left, although her eyes look at the viewer. Her left hand is not visible and her right hand holds the edge of her cape.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1860
- Accession Number
- 1954/1.344
- Medium and Support
- drypoint, printed in black ink on laid paper
- Date Added/Updated
- 2015-05-15 10:47:37
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Cotton Rep
- Artist
- Artist Unknown, Japan
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 1955/1.223
- Medium and Support
- heavy, lined, tan cotton
- Date Added/Updated
- 2015-05-15 10:47:03
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Miniature Facsmile of Landscape Scroll, after Sesshû Tôyô
- Artist
- Sesshû Tôyô
- Artist Life Dates
- 1420-1506
- Century
- 20th century
- Object Creation Date
- circa 1940
- Accession Number
- 1948/1.119
- Medium and Support
- commercial printing on paper
- Date Added/Updated
- 2015-02-20 15:27:32
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Kozan-ji Makimono: Scroll with Animal Caricatures (Hares and Frogs) [facsimile]
- Artist
- Toba Sôjô
- Century
- 20th century
- Object Creation Date
- circa 1940
- Accession Number
- 1948/1.120
- Medium and Support
- brush and India ink on paper
- Date Added/Updated
- 2015-02-20 15:21:15
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Page of text related to Billingsgate
- Artist
- James McNeill Whistler
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1859
- Accession Number
- 1954/1.339.3A&B
- Medium and Support
- etching, printed in black ink on laid Japan paper
- Date Added/Updated
- 2014-08-15 13:04:19
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Two Courtesans with a Companion and Two kamuro, Sheet 3 from the series of "The Main Street of the Yoshiwara in Cherry Blossom Time" (A five-sheet series)
- Artist
- Utagawa Toyokuni I
- Artist Life Dates
- 1769 - 1825
- Century
- 19th century
- Object Creation Date
- late 18th century - early 19th century
- Accession Number
- 1948/1.177
- Medium and Support
- color woodblock print on paper
- Date Added/Updated
- 2014-08-15 13:04:19
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- A Courtesan and a Porter Carrying food, Sheet 2 from the series of "The Main Street of the Yoshiwara in Cherry Blossom Time" (A five-sheet series)
- Artist
- Utagawa Toyokuni I
- Physical Description
- A color print depicting groups of women in kimono and men gathered under blossoming trees. The woman to the far right wears a dark kimono with an undistiguishable pattern. The next woman to her left wears a dark kimono with white dots. To her left is a woman wearing a kimono of multiple layers and single colors. She is surrounded by two girls with matching kimono. The final woman to the far left wears similarly colored material, though not as many layers. The man is wearing an outfit of geometric squares.
- A group of one woman and two men is depicted in the back to the left while another group is entering the scene behind them. In gront of the large group are two men talking. Two men appear to be looking outside the screens of the building, and to the right of them is a group of three women and one man talking.
- Artist Life Dates
- 1769 - 1825
- Century
- 19th century
- Object Creation Date
- late 18th century - early 19th century
- Accession Number
- 1948/1.176
- Medium and Support
- color woodblock print on paper
- Date Added/Updated
- 2014-08-15 13:04:19
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Vase
- Artist
- Artist Unknown, Native American, Santa Clara or San Ildefonso?
- Object Creation Date
- n.d.
- Accession Number
- 1955/1.145
- Medium and Support
- pottery with black glaze
- Date Added/Updated
- 2014-08-15 13:03:03
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Satin Brocade
- Artist
- Artist Unknown
- Object Creation Date
- n.d.
- Accession Number
- 1955/1.214
- Medium and Support
- lined gold satin brocade with gray and black silk
- Date Added/Updated
- 2014-08-15 13:00:15
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Billingsgate
- Artist
- James McNeill Whistler
- Physical Description
- A group of figures stand on the bow of a boat at the left. Behind and to the left are buildings and steps leading up to a quay with people gathered along the railings. Behind the figures and to the right are the numerous masts of ships lined side by side, all containing figures while in the distance beyond are the arches of a bridge.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1859
- Accession Number
- 1954/1.339.1
- Medium and Support
- etching, printed in black ink on laid Japan paper
- Date Added/Updated
- 2014-08-15 12:56:26
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Billingsgate
- Artist
- James McNeill Whistler
- Physical Description
- A group of figures stand on the bow of a boat at the left. Behind and to the left are buildings and steps leading up to a quay with people gathered along the railings. Behind the figures and to the right are the numerous masts of ships lined side by side, all containing figures while in the distance beyond are the arches of a bridge.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1859
- Accession Number
- 1954/1.339.2
- Medium and Support
- etching, printed in black ink on laid Japan paper
- Date Added/Updated
- 2014-08-15 12:53:44
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Shallow blue-green bowl (broken)
- Artist
- Seifû Yohei III
- Artist Life Dates
- 1854-1914
- Century
- Late 19th-early 20th century
- Object Creation Date
- 1880s-1914
- Accession Number
- 1954/1.497
- Medium and Support
- Porcelain with bluish-green glaze
- Date Added/Updated
- 2014-03-13 12:04:09
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Porta Aurea, Spalato
- Artist
- Jane C. Stanley
- Artist Life Dates
- 1863-1940
- Century
- 20th century
- Object Creation Date
- 1863-1940
- Accession Number
- 1954/1.234.1
- Medium and Support
- graphite on white paper
- Date Added/Updated
- 2014-02-14 00:33:56
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Seated Female Figure
- Artist
- Jane C. Stanley
- Artist Life Dates
- 1863-1940
- Century
- 20th century
- Object Creation Date
- 1863-1940
- Accession Number
- 1954/1.234.2
- Medium and Support
- graphite on white paper
- Date Added/Updated
- 2014-02-14 00:32:44
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Incense Container, (cylindrical box with cover), from a Bridal Trousseau
- Artist
- Artist Unknown, Japan
- Century
- 17th-19th century
- Object Creation Date
- 1615-1867
- Accession Number
- 1955/1.166A&B
- Medium and Support
- wood with black, red, and gold lacquer
- Date Added/Updated
- 2014-02-14 00:10:03
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Container for vegetable tannin for ohaguro [square box with cover], from a bridal trousseau
- Artist
- Artist Unknown, Japan
- Century
- 17th-19th century
- Object Creation Date
- 1615-1867
- Accession Number
- 1955/1.162A&B
- Medium and Support
- wood with black, red, and gold lacquer
- Date Added/Updated
- 2014-02-14 00:09:20
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Stacked cylindrical container for oil (the larger of two), from a bridal trousseau
- Artist
- Artist Unknown, Japan
- Century
- 17th-19th century
- Object Creation Date
- 1615-1867
- Accession Number
- 1955/1.163A-C
- Medium and Support
- wood with black, red, and gold lacquer
- Date Added/Updated
- 2014-02-14 00:05:50
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Container for vegetable tannin for ohaguro [square box with cover; the larger of two], from a bridal trousseau
- Artist
- Artist Unknown, Japan
- Century
- 17th-19th century
- Object Creation Date
- 1615-1867
- Accession Number
- 1955/1.161A&B
- Medium and Support
- wood with black, red, and gold lacquer
- Date Added/Updated
- 2014-02-13 23:57:56
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Street Scene, Paris [Rue Laffitte (?) ]
- Artist
- James McNeill Whistler
- Physical Description
- This watercolor on brown prepared board is vertically oriented. The piece
- is reputedly a view of a Parisian street (perhaps in the 8th arrondissement), and the perspective is as if the viewer is on the fourth floor of an adjacent
- building. The upper two-thirds of the piece show a building-lined street,
- curving gently to the left. The buildings are about six stories tall, and
- additional rooftops are barely visible in the distance. On the ground
- floor of the buildings, there are traces of people, shops, and cafés. In
- the bottom third of the work, the road dissolves, but forms suggesting a
- few people populate the space.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- circa 1883-1885
- Accession Number
- 1955/1.91
- Medium and Support
- watercolor on brown prepared board
- Date Added/Updated
- 2013-12-20 16:38:27
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Portrait of an Artist
- Artist
- Anonymous French
- Physical Description
- A portrait of an artist with a palatte and brushes. He is wearing a shirt covering and a hat.
- Artist Life Dates
- ()
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 1955/1.93
- Medium and Support
- oil on canvas
- Date Added/Updated
- 2013-12-20 16:38:27
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- The Doorway, One of the "Twelve Etchings," or the "First Venice Set"
- Artist
- James McNeill Whistler
- Physical Description
- A large ornate waterdoor faces onto a canal. On the threshold near the water, a woman bends down towards the surface of the canal. Behind the doorway stands another figure in the shadows and beyond is another opening to a small square or open-air workspace. The Doorway consists of a large lunette shaped transom light over the door and the portal is flanked on either side by large arched windows. The glazing is all fitted into a fine network of mullions in either square on diamond patterns. The door and windows are each framed by carved pilasters and engaged corinthian capitals. Below the windows are bands of rosettes and other carved ornament that extends to the water level.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1955/1.124
- Medium and Support
- etching, drypoint and roulette on laid paper
- Date Added/Updated
- 2013-12-20 16:38:24
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Old Hungerford Bridge, from the 'Sixteen Etchings,' or the 'Thames Set'
- Artist
- James McNeill Whistler
- Physical Description
- The thriving commercial activity of a metropolitan river is shown as ships and barges of all types maneuver along the river's edge in the foreground. In the middle distance a bridge spans the water and beyond more buildings are loosely sketched in.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1861
- Accession Number
- 1955/1.121
- Medium and Support
- etching and drypoint, printed in black ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:24
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Courtesan in an iris-patterned robe: "June" in a series of Twelve Months
- Artist
- Kaigetsudô Dohan
- Physical Description
- This is a large monochrome print of a courtesan wearing kimono with iris design. The courtesan is standing with her right hand in the sleeve that she raises to her chin and left hand gathering up her kimono; Her cloak with bamboo leaf and gentian flower design is slipping off her shoulder and revealing her dark kimono with iris roundels. She has long hair; her hair is tied and draped on the back. She is looking toward the right side. There is the artist’s signature and seal, and publisher’s seal on the right.
- Artist Life Dates
- active 1710 - 1716
- Century
- 18th century
- Object Creation Date
- circa 1714
- Accession Number
- 1955/1.128
- Medium and Support
- Kakemono-e (oversize) sumizurii-e (monochrome woodblock print) on paper
- Date Added/Updated
- 2013-12-20 16:38:24
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Tea cup (one of four; with 1954/1.490-492)
- Artist
- Seifû Yohei III
- Artist Life Dates
- 1854-1914
- Century
- Late 19th to early 20th century
- Object Creation Date
- 1880s-1914
- Accession Number
- 1954/1.489
- Medium and Support
- porcelain with celadon glaze
- Date Added/Updated
- 2013-12-20 16:38:22
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Tea cup (one of four; with 1954/1.489-491)
- Artist
- Seifû Yohei III
- Artist Life Dates
- 1854-1914
- Century
- Late 19th-early 20th century
- Object Creation Date
- 1880s-1914
- Accession Number
- 1954/1.492
- Medium and Support
- porcelain with celadon glaze
- Date Added/Updated
- 2013-12-20 16:38:22
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Tea cup (one of four; with 1954/1.489-490 & 492)
- Artist
- Seifû Yohei III
- Artist Life Dates
- 1854-1914
- Century
- Late 19th-early 20th century
- Object Creation Date
- 1880s-1914
- Accession Number
- 1954/1.491
- Medium and Support
- porcelain with celadon glaze
- Date Added/Updated
- 2013-12-20 16:38:22
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Tea cup (one of four; with 1954/1.489 & 491-492)
- Artist
- Seifû Yohei III
- Artist Life Dates
- 1854-1914
- Century
- Late 19th-early 20th century
- Object Creation Date
- 1880s-1914
- Accession Number
- 1954/1.490
- Medium and Support
- porcelain with celadon glaze
- Date Added/Updated
- 2013-12-20 16:38:22
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Trixie (Mrs. Beatrice Whistler)
- Artist
- James McNeill Whistler
- Physical Description
- A seated woman in late 19th c. dress is shown against an undescribed dark background; she looks directly at the viewer and rests her chin on her right hand. At the lower left is a flower-like form that is the artist's "butterfly" signature.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1892-1894
- Accession Number
- 1954/1.411
- Medium and Support
- drypoint, printed in dark brown ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:21
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- The Embroidered Curtain
- Artist
- James McNeill Whistler
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1889
- Accession Number
- 1954/1.407
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:21
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Nocturne
- Artist
- James McNeill Whistler
- Physical Description
- Set at night, a man in a lighter or small boat is seen in the foreground; in the distance stands the silhouettes of various buildings, including smokestacks, a clock tower, and a church spire, all of which are reflected in the water's surface, as well as reflections of lights and smoke.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1878
- Accession Number
- 1954/1.413
- Medium and Support
- lithotint with scraping on a prepared half-tint ground on blue-grey laid paper,
- Date Added/Updated
- 2013-12-20 16:38:21
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Balcony, Amsterdam
- Artist
- James McNeill Whistler
- Physical Description
- A two-story building fronting onto a canal is shown in this print. Three figures are gathered on the second floor balcony while a seated woman and standing man are visible at the water door below the balcony. At the top of the image cloth (laundry?) creates a kind of canopy over the figures on the balcony. Adjacent buildings are only summarily drawn and the emphasis of this image is on the dramatic juxtapositions of the projecting elements, e.g. balcony, laundry, with the shadows cast on other parts of the building and figures and in the reflections in the dark surface of the water.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1889
- Accession Number
- 1954/1.405
- Medium and Support
- etching and drypoint, printed in warm black ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:20
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- The Square House, Amsterdam
- Artist
- James McNeill Whistler
- Physical Description
- A street facing onto a canal is seen at a very slight angle. The three buildings each have balconies (some enclosed), banks of windows, and doors at the water's edge. A dense network of hatching lines describe the brick facades, balconies and windows, and reflecions.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1889
- Accession Number
- 1954/1.404
- Medium and Support
- etching and drypoint, printed in brown ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:20
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Steps, Amsterdam
- Artist
- James McNeill Whistler
- Physical Description
- Seen frontally is a building along a canal. In front of the facade is a brick or cobble pavement; steps lead up to a triple doorway entrance while laundry and windows complete the second story. To either side of the central steps are doorways that lead down. In each of the doorways and on the pavement are grouped figures of women and children. The lower portion of the print shows the reflections of the building and figures.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1889
- Accession Number
- 1954/1.403
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
- Date Added/Updated
- 2013-12-20 16:38:20
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Long Venice, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A sweeping panorama shows a city and shipping along the water. The left side is more minutely described as large three-story buildings hug the water's edge. Just to the right of center is a large building with several domes. Several small boats and gondolas are visible to left of center. A cloudy and blustery sky occupies the top of the image.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.391
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
- Date Added/Updated
- 2013-12-20 16:38:19
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Ponte del Piovan, One of the "Twenty-six Etchings," or the "Second Venice Set"
- Artist
- James McNeill Whistler
- Physical Description
- A brick and stone bridge crosses a canal at the center of the image. On both sides as well as behind the bridge are tall buildings that surround the bridge, creating shallow space. Several figures stand and sit on the bridge. Windows, balconies,
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.390
- Medium and Support
- etching and drypoint on laid paper
- Date Added/Updated
- 2013-12-20 16:38:19
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Doorway and Vine, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A dark passageway through a building reveals a distant view of figures on both sides of a canal. In the foreground, the building is sketched in to show a vine growing up and over the passageway at the left, and an arched window at the right side; above the passage on the second floor two figures are seen silhouetted in an open window.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.384
- Medium and Support
- etching on paper
- Date Added/Updated
- 2013-12-20 16:38:19
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Fleur de Lys Passage
- Artist
- James McNeill Whistler
- Physical Description
- Figrues stand or sit in a narrow passgeway that leads back in space to a dark entrance, beyond which a brightly lit arched entry is visible. The flanking buildings that form the passageway are not described; the focus is on the scattering of figures and the entryway in the distance.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1887
- Accession Number
- 1954/1.396
- Medium and Support
- etching, printed in dark brown ink on laid paper, trimmed to platemark
- Date Added/Updated
- 2013-12-20 16:38:19
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- The Traghetto, No. 2, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A dark passageway dominates the middle and left portions of the composition; to the right is a group of men seated outside at a table. The passageway has a view at the far end of a man seated while a gondola passes by. In front of the passageway re three young trees, the leaves of which fall in front of the passageway. To the left of the passageway is a child holding a baby. On either side of the passageway are windows that indicate the walls that fill the plate.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.377
- Medium and Support
- etching, printed in dark brown ink on laid paper, trimmed to platemark
- Date Added/Updated
- 2013-12-20 16:38:18
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- The Beggars, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A deep covered passageway dominates the composition. At the near end of the passage, to the right side stand a woman and young girl, both with heads covered and looking at the viewer. Looking down the passageway, light catches the timbered ceiling and figures can be seen walking at the far end, silhouetted against the bright light in the square or street beyond. A lantern hangs above the entrance at the near end of the passage.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.382
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
- Date Added/Updated
- 2013-12-20 16:38:18
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Two Doorways, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- Seen from the water's edge, a canal in the foreground curves to the right and back into space. In the ditant view, buildings with balconies and chimney pots are visible as well as a bridge that is cropped by the curve of the waterway. In the foreground, across the canal, are several arched entryways. A dark waterdoor is open and shows a man on the steps and two shadowy figures behind him framed in the doorway; a lantern hangs overhead. To the right, another arched doorway with a metal grille above faces the canal, but is closed. A small open window on the seond floor can be seen between the arched doors.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.380
- Medium and Support
- etching and drypoint, printed in black ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:18
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Two Doorways, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- Seen from the water's edge, a canal in the foreground curves to the right and back into space. In the ditant view, buildings with balconies and chimney pots are visible as well as a bridge that is cropped by the curve of the waterway. In the foreground, across the canal, are several arched entryways. A dark waterdoor is open and shows a man on the steps and two shadowy figures behind him framed in the doorway; a lantern hangs overhead. To the right, another arched doorway with a metal grille above faces the canal, but is closed. A small open window on the seond floor can be seen between the arched doors.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.381
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:18
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- The Riva, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A view of a city along the edge of water sweeps from the foreground towards the right in the distance. Along quays, bridges and promenades can be seen groupoings of people walking and in conversation. Boats populate the water's edge: smaller boats in the foreground, larger multi-masted ships in the distance.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.378
- Medium and Support
- etching, printed in black ink on wove paper
- Date Added/Updated
- 2013-12-20 16:38:18
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Nocturne, from the "Twelve Etchings" or the "First Venice Set"
- Artist
- James McNeill Whistler
- Physical Description
- This is a nighttime view of a city on water. Along the horizon can be seen numerous buildings and ships. At center left is a three-masted ship at anchor; along the right side are buildings, incuding domes and a tall tower. Throughout the image, there is an importance given to reflections and the nocturnal setting.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.372
- Medium and Support
- etching and drypoint, printed in warm black ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:17
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- The Traghetto, No. 1
- Artist
- James McNeill Whistler
- Physical Description
- An empty covered passageway dominates this image. In the foreground are three young saplings. At the far end of the passageway a man can be seen sitting in the sunlight alongside the edge of the canal. On either side of the passageway in the foreground are windows and indications of cornices, etc. of the architecture.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.376
- Medium and Support
- etching, printed in warm black ink on laid Japan paper
- Date Added/Updated
- 2013-12-20 16:38:17
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- The Doorway, from the "Twelve Etchings", or the "First Venice Set"
- Artist
- James McNeill Whistler
- Physical Description
- A large ornate waterdoor faces onto a canal. On the threshold near the water, a woman bends down towards the surface of the canal. Behind the doorway stands another figure in the shadows and beyond is another opening to a small square or open-air workspace. The Doorway consists of a large lunette shaped transom light over the door and the portal is flanked on either side by large arched windows. The glazing is all fitted into a fine network of mullions in either square on diamond patterns. The door and windows are each framed by carved pilasters and engaged corinthian capitals. Below the windows are bands of rosettes and other carved ornaments that extends to the water level.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.375
- Medium and Support
- etching, drypoint, and roulette on laid paper on laid paper
- Date Added/Updated
- 2013-12-20 16:38:17
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- The Little Lagoon, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- Gondolas, striped poles, and channel markers all dot the open surface of water in this image. At the center is a two-masted ship at anchor. In the distance are low islands with buildings and ships in the distance under cloudy skies.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.374
- Medium and Support
- etching and drypoint, printed in black ink on laid paper, trimmed to platemark
- Date Added/Updated
- 2013-12-20 16:38:17
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Wapping--The Pool
- Artist
- James McNeill Whistler
- Physical Description
- A river stretches before the viewer. In the foreground are a several rows of flat, mast-less boats tied to the quay. A group of ships with sails furled are at anchor in the middle of the river. On either side and extending into the distance can be seen buildings that hug either bank of the river.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- circa 1879
- Accession Number
- 1954/1.370
- Medium and Support
- etching and drypoint, printed in warm black ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:16
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Whistler with the White Lock
- Artist
- James McNeill Whistler
- Physical Description
- Very loosely drawn image of a man's head and shoulders, the rest of the body is left undescribed. The man has a moustache and curly dark hair, wth the exception of a white patch right at the hairline at his forehead.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879
- Accession Number
- 1954/1.369
- Medium and Support
- etching and drypoint, printed in black ink on pale green laid paper
- Date Added/Updated
- 2013-12-20 16:38:16
- Credit Line
- Bequest of Margaret Watson Parker
- Title
- Irving as Philip of Spain, No. 1
- Artist
- James McNeill Whistler
- Physical Description
- A man stands in a full-length portrait, turned slightly to the left, but looking directly at the viewer. He is in historical costume with a short cape, high dark hat with a white feather and fitted vest and pants. The dark background is not described.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- circa 1876-1877
- Accession Number
- 1954/1.368
- Medium and Support
- drypoint, printed in black ink on laid paper
- Date Added/Updated
- 2013-12-20 16:38:16
- Credit Line
- Bequest of Margaret Watson Parker