styles and periods by region | 1-50 | Search Results | University of Michigan Museum of Art | University of Michigan Library Digital Collections

Colored; Betye Saar

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Collection: University of Michigan Museum of Art
Title: Colored; Betye Saar
Date: 21st century
musart_keywords2: color; constructions (sculpture); descriptors; found object sculpture; image-making processes and techniques; modern american styles and periods; modern north american styles and movements; object-making processes and techniques; objects we use; people; people (agents); people and culture; people by gender; photographic prints; photographs by form; photography and photographic processes and techniques; positives; processes and techniques; processes and techniques by specific type; sculpture; sculpture by material; sculpture by technique; sculpture techniques; styles and periods; styles and periods by region; the americas; visual works; visual works by medium or technique

Construction (Konstruktion); László Moholy-Nagy

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Collection: University of Michigan Museum of Art
Title: Construction (Konstruktion); László Moholy-Nagy
Date: 20th century
musart_keywords2: height; transfer method; visual arts; artistic concepts; associated concepts; buildings and the land; concepts in the arts; european; european styles and periods; forms of expression; genres; geometric concepts; geometric figures; international post-1945 styles and movements; lithographs; mathematical concepts; modern and contemporary art; modern european regional styles and movements; modern european styles and movements; modern german styles and movements; multistory buildings; objects we use; people and culture; plane figures; planographic prints; polygons; post-1945 fine arts styles and movements; prints; prints by process; prints by process or technique; quadrilaterals; scientific concepts; single built works; single built works by form; single built works by specific type; styles and periods; styles and periods by region; visual works; visual works by medium or technique

Tu Walpi, Arizona; Carl Hoerman

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Collection: University of Michigan Museum of Art
Title: Tu Walpi, Arizona; Carl Hoerman
Date: 20th century
musart_keywords2: height; buildings and the land; equipment; equipment by process; geographic and political locations; modern and contemporary art; native american; native north american styles; north and central america (continent); objects we use; people and culture; single built works; single built works by form; single built works by specific type; southwestern native american styles; styles and periods; styles and periods by region; supporting equipment; the americas; tools and equipment; united states (nation)

Untitled (bird cage, re-lynching); Tyree Guyton

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Collection: University of Michigan Museum of Art
Title: Untitled (bird cage, re-lynching); Tyree Guyton
musart_keywords2: hollow-bodied; american regions; animal husbandry containers; bells and sets of bells; chordophones; containers; containers by function or context; directly struck idiophones; identifying artifacts; information artifacts; information artifacts by function; information forms; north american; objects we use; people and culture; percussion idiophones; sound devices; sound devices by acoustical characteristics; struck idiophones; styles and periods; styles and periods by region; the americas

Portrait of an unidentified Tibetan lama (teacher); Artist Unknown, Tibet or Nepal

Collection: University of Michigan Museum of Art
Title: Portrait of an unidentified Tibetan lama (teacher); Artist Unknown, Tibet or Nepal
musart_keywords2: hollow-bodied; asian; associated concepts; bells and sets of bells; chordophones; descriptors; design elements; directly struck idiophones; motifs; objects we use; people; people (agents); people and culture; people by occupation; people in religion; people in religion and related occupations; people in the humanities; percussion idiophones; plant-derived motifs; religions; religions and religious concepts; religious (people); sound devices; sound devices by acoustical characteristics; south asian; struck idiophones; styles and periods; styles and periods by region; visual works; visual works by subject type

One Hundred Famous Views of Edo: #107 Fukagawa, Susaki and the Jumantsubo Plain; Andô Hiroshige

Collection: University of Michigan Museum of Art
Title: One Hundred Famous Views of Edo: #107 Fukagawa, Susaki and the Jumantsubo Plain; Andô Hiroshige
Date: 19th century
musart_keywords2: image form; level; upward; animals and creatures; asian; associated concepts; buildings and the land; containers; containers by form; descriptors; earth sciences concepts; east asian; inorganic material; japanese; japanese printmaking styles; japanese styles; landforms; landforms and landform components; landforms by shape or position; landscapes (environments); materials; materials by composition; natural landscapes; noncompetitive play equipment; objects we use; people and culture; physical sciences concepts; precipitation; recreational artifacts; recreational artifacts for noncompetitive activities; scientific concepts; settlements and landscapes; styles and periods; styles and periods by region; views; views by vantage point or orientation; visual works; visual works by form; weather and related phenomena; weather-related phenomena

Monstrosities of 1825-26; George Cruikshank

Collection: University of Michigan Museum of Art
Title: Monstrosities of 1825-26; George Cruikshank
Date: 19th century
musart_keywords2: image form; transfer method; accessories worn on arms or hands; associated concepts; costume; costume accessories; costume accessories carried; costume accessories worn; descriptors; earth sciences concepts; european; european styles and periods; handwear; image-making processes and techniques; intaglio prints; modern british styles and movements; modern british styles by reign; modern european regional styles and movements; modern european styles and movements; objects we use; people and culture; physical sciences concepts; printing; printing and printing processes and techniques; prints; prints by process; prints by process or technique; processes and techniques; processes and techniques by specific type; scientific concepts; styles and periods; styles and periods by region; visual works; visual works by form; visual works by medium or technique; weather and related phenomena; weather-related phenomena

Untitled; Kara Walker

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Collection: University of Michigan Museum of Art
Title: Untitled; Kara Walker
Date: 20th century
musart_keywords2: image form; visual arts; associated concepts; concepts in the arts; disciplines; historical, theoretical and critical concepts; history and related disciplines; modern american styles and periods; modern north american periods; objects we use; people and culture; psychological concepts; social science concepts; social sciences; styles and periods; styles and periods by region; the americas; views; views by vantage point or orientation; visual works; visual works by form

Thinks I to Myself, Thinks I; George Cruikshank

Collection: University of Michigan Museum of Art
Title: Thinks I to Myself, Thinks I; George Cruikshank
Date: 19th century
musart_keywords2: image form; animals; architecture; european; european styles and periods; furnishings; furnishings by form or function; furniture; furniture by form or function; genres; mammals; modern british styles and movements; modern british styles by reign; modern european regional styles and movements; modern european styles and movements; objects we use; people and culture; people and occupations; sleeping and reclining furniture; styles and periods; styles and periods by region; text-based art; the natural world; visual works; visual works by form

Thinks I to Myself, Thinks I; George Cruikshank

Collection: University of Michigan Museum of Art
Title: Thinks I to Myself, Thinks I; George Cruikshank
Date: 19th century
musart_keywords2: image form; animals; architecture; european; european styles and periods; furnishings; furnishings by form or function; furniture; furniture by form or function; genres; mammals; modern british styles and movements; modern british styles by reign; modern european regional styles and movements; modern european styles and movements; objects; objects we use; people and culture; people and occupations; sleeping and reclining furniture; styles and periods; styles and periods by region; the natural world; visual works; visual works by form

Profile Head of a Woman; George Cruikshank

Collection: University of Michigan Museum of Art
Title: Profile Head of a Woman; George Cruikshank
Date: 18th-19th century
musart_keywords2: image form; biological components; components; components and systems; components by specific context; european; european styles and periods; modern british styles and movements; modern british styles by reign; modern european regional styles and movements; modern european styles and movements; objects we use; people and culture; people and occupations; styles and periods; styles and periods by region; the human body; upper body; views; views by vantage point or orientation; visual works; visual works by form; women

Untitled (Aerial View of Shoreline); Al Weber

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Collection: University of Michigan Museum of Art
Title: Untitled (Aerial View of Shoreline); Al Weber
musart_keywords2: image form; buildings and the land; european; european styles and periods; landforms and landform components; landscapes (environments); modern european fine arts styles and movements; modern european styles and movements; natural landscapes; objects we use; people and culture; settlements and landscapes; styles and periods; styles and periods by region; views; views by vantage point or orientation; visual works; visual works by form

Three Men at a Table; George Cruikshank

Collection: University of Michigan Museum of Art
Title: Three Men at a Table; George Cruikshank
Date: 19th century
musart_keywords2: image form; clothing; european; european styles and periods; hats; medium; modern british styles and movements; modern british styles by reign; modern european regional styles and movements; modern european styles and movements; objects; objects we use; people and culture; people and occupations; styles and periods; styles and periods by region; visual works; visual works by form

Profile Bust of a Man; George Cruikshank

Collection: University of Michigan Museum of Art
Title: Profile Bust of a Man; George Cruikshank
Date: 19th century
musart_keywords2: image form; european; european styles and periods; figures; modern british styles and movements; modern british styles by reign; modern european regional styles and movements; modern european styles and movements; objects we use; people and culture; people and occupations; styles and periods; styles and periods by region; text-based art; views; views by vantage point or orientation; visual works; visual works by form

Harlem; Leonard Freed

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Collection: University of Michigan Museum of Art
Title: Harlem; Leonard Freed
musart_keywords2: image form; modern american styles and periods; modern north american styles and movements; objects we use; people; people (agents); people and culture; people by family relationship; styles and periods; styles and periods by region; the americas; views; views by vantage point or orientation; visual works; visual works by form

Castronauts; Roberto Sebastián Antonio Echaurren Matta

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Collection: University of Michigan Museum of Art
Title: Castronauts; Roberto Sebastián Antonio Echaurren Matta
musart_keywords2: intaglio; air and space transportation vehicles; descriptors; european; european styles and periods; image-making processes and techniques; intaglio printing processes; modern european fine arts styles and movements; modern european styles and movements; objects we use; people and culture; photogravure; photomechanical processes; printing and printing processes and techniques; printing processes; processes and techniques; processes and techniques by specific type; styles and periods; styles and periods by region; transportation vehicles; vehicles

Anklet with six figures; Artist Unknown, African, Burkina Faso, Mossi?

Collection: University of Michigan Museum of Art
Title: Anklet with six figures; Artist Unknown, African, Burkina Faso, Mossi?
Date: 20th century
musart_keywords2: layout features; african; african styles by region; animals; animals and creatures; components; components and systems; components by specific context; costume; costume accessories; costume accessories worn; gur-speaking peoples styles; illustrations; illustrations by form; images and ornament; information form components; jewelry; jewelry by location; jewelry worn on legs and feet; layout features; objects; objects we use; people and culture; people and occupations; styles and periods; styles and periods by region; the natural world; west african styles; western sudanese styles

Untitled [Ohne Titel] (1945) New Year Card for Galerie Rive Gauche, Paris; Asger Jorn

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Collection: University of Michigan Museum of Art
Title: Untitled [Ohne Titel] (1945) New Year Card for Galerie Rive Gauche, Paris; Asger Jorn
Date: Mid-20th century
musart_keywords2: layout features; building divisions; components; components and systems; components by specific context; display rooms and spaces; european; european styles and periods; events; holidays; illustrations; illustrations by form; images and ornament; information form components; layout features; modern european fine arts styles and movements; modern european styles and movements; national holidays; people and culture; rooms and spaces; rooms and spaces by function; styles and periods; styles and periods by region

Bounded on the West by the Land Under Water; Kay Sage

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Collection: University of Michigan Museum of Art
Title: Bounded on the West by the Land Under Water; Kay Sage
Date: 20th century
musart_keywords2: massing or shape; architecture; buildings and the land; built complexes and districts; complexes; complexes by function; cultural landscapes; cultural landscapes by location or context; descriptors; equipment; equipment by process; european; european styles and periods; genres; image-making processes and techniques; industrial structures; landscapes (environments); modern and contemporary art; modern european fine arts styles and movements; modern european styles and movements; movement; objects we use; painting and painting techniques; painting techniques; painting techniques by medium; people and culture; processes and techniques; processes and techniques by specific type; settlements and landscapes; single built works; single built works by form; single built works by function; single built works by specific type; styles and periods; styles and periods by region; supporting equipment; the natural world; tools and equipment; waterscapes

Marcus Calphurnius Flama (Plate 8 from "Roman Heroes"); Hendrick Goltzius

Collection: University of Michigan Museum of Art
Title: Marcus Calphurnius Flama (Plate 8 from "Roman Heroes"); Hendrick Goltzius
Date: 16th century
musart_keywords2: neck and head; upward; armed conflicts; armor by form; body armor; buildings and the land; costume; costume by function; descriptors; european; european styles and periods; events; figures (representations); image-making processes and techniques; intaglio printing processes; landforms; landforms and landform components; landforms by shape or position; landscapes (environments); natural landscapes; objects we use; people and culture; printing and printing processes and techniques; printing processes; processes and techniques; processes and techniques by specific type; protective wear; renaissance-baroque styles; renaissance-baroque styles and periods; settlements and landscapes; styles and periods; styles and periods by region; visual works; visual works by subject type

Le Chanteur Espinol ou le Guittarrero; Édouard Manet

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Collection: University of Michigan Museum of Art
Title: Le Chanteur Espinol ou le Guittarrero; Édouard Manet
musart_keywords2: plucked; transfer method; chordophones; descriptors; european; european regions; image-making processes and techniques; intaglio printing processes; intaglio prints; lutelike chordophones; lutelike chordophones with long neck; objects we use; people and culture; printing and printing processes and techniques; printing processes; prints; prints by process; prints by process or technique; processes and techniques; processes and techniques by specific type; sound devices; sound devices by acoustical characteristics; styles and periods; styles and periods by region; visual works; visual works by medium or technique

Mandolin Woman (Femme-mandoline), Plate IV, from "Transmutations"; Brassaï (Gyula Halász)

Collection: University of Michigan Museum of Art
Title: Mandolin Woman (Femme-mandoline), Plate IV, from "Transmutations"; Brassaï (Gyula Halász)
Date: 20th century
musart_keywords2: plucked; visual arts; artistic concepts; associated concepts; breasts; chordophones; concepts in the arts; european; european styles and periods; figures; figures (representations); forms of expression; genres; lutelike chordophones; lutelike chordophones with short neck; modern european fine arts styles and movements; modern european styles and movements; movement; objects; objects we use; people; people (agents); people and culture; people and occupations; people by gender; photographs; photographs by processing or presentation technique; photographs by technique; sound devices; sound devices by acoustical characteristics; styles and periods; styles and periods by region; visual works; visual works by medium or technique; visual works by subject type

Eight Views of Edo Suburbs: Fishing Boats Returning to Gyôtoku; Andô Hiroshige

Collection: University of Michigan Museum of Art
Title: Eight Views of Edo Suburbs: Fishing Boats Returning to Gyôtoku; Andô Hiroshige
Date: 19th century
musart_keywords2: relation to water; transfer method; asian; bodies of water; bodies of water and components of bodies of water; bodies of water by size; buildings and the land; early modern japanese periods; east asian; edo (japanese period); hunting and commercial fishing vessels; japanese; japanese periods; japanese printmaking styles; japanese styles; landforms; landforms and landform components; landforms by position; landforms by shape or position; landscapes (environments); natural landscapes; objects we use; people and culture; physical activities; physical activities by location; physical activities by specific context; prints; prints by process; prints by process or technique; relief prints; riverine bodies; settlements and landscapes; styles and periods; styles and periods by region; transportation vehicles; vehicles; visual works; visual works by medium or technique; water activities; watercraft; watercraft by function; watercraft by method of propulsion; watercraft by specific type

Pop Dots; Barbara Levine

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Collection: University of Michigan Museum of Art
Title: Pop Dots; Barbara Levine
musart_keywords2: relation to water; visual arts; abstraction; artistic concepts; associated concepts; buildings and the land; components; components and systems; components by specific context; concepts in the arts; constructions (sculpture); descriptors; design elements; forms of expression; geometric motifs; gothic scripts; image-making processes and techniques; information form components; international post-1945 styles and movements; islands; landforms; landforms and landform components; landforms by position; landforms by shape or position; landscapes (environments); latin and greek alphabet scripts; motifs; natural landscapes; objects we use; painting and painting techniques; painting techniques; people and culture; post-1945 fine arts styles and movements; processes and techniques; processes and techniques by specific type; script and type forms; scripts (writing); scripts by form; sculpture; sculpture by technique; settlements and landscapes; styles and periods; styles and periods by region; visual works; visual works by medium or technique

Storm Clouds, Cape Cod (Strumwolken uber Cape Cod); George Grosz

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Collection: University of Michigan Museum of Art
Title: Storm Clouds, Cape Cod (Strumwolken uber Cape Cod); George Grosz
Date: 20th century
musart_keywords2: relation to water; associated concepts; buildings and the land; descriptors; dwellings; earth sciences concepts; eolian landforms; european; european styles and periods; events; geography; landforms; landforms and landform components; landforms by formation process; landforms by position; landforms by shape or position; materials; materials by origin; modern european fine arts styles and movements; modern european styles and movements; natural events; natural landscapes; people and culture; physical sciences concepts; plant material; residential structures; scientific concepts; settlements and landscapes; shores (landforms); single built works; single built works by function; single built works by specific type; styles and periods; styles and periods by region; weather and related phenomena; weather-related phenomena

The Fifty-Three Stations of the Tôkaidô (Hôeidô edition): #16 Night Snow at Kambara; Andô Hiroshige

Collection: University of Michigan Museum of Art
Title: The Fifty-Three Stations of the Tôkaidô (Hôeidô edition): #16 Night Snow at Kambara; Andô Hiroshige
Date: 19th century
musart_keywords2: scale; transfer method; asian; associated concepts; buildings and the land; earth sciences concepts; east asian; japanese; japanese printmaking styles; japanese styles; objects we use; people and culture; physical sciences concepts; precipitation; prints; prints by process; prints by process or technique; relief prints; scientific concepts; settlements; settlements and landscapes; settlements by form; styles and periods; styles and periods by region; visual works; visual works by medium or technique; weather and related phenomena; weather-related phenomena

Famous Views of the 60-odd Provinces: #9 The Tennô Festival at Tsushima in Owari Province; Andô Hiroshige

Collection: University of Michigan Museum of Art
Title: Famous Views of the 60-odd Provinces: #9 The Tennô Festival at Tsushima in Owari Province; Andô Hiroshige
Date: 19th century
musart_keywords2: scale; transfer method; asian; bodies of water; bodies of water and components of bodies of water; bodies of water by size; buildings and the land; east asian; garden structures; how we live; japanese; japanese printmaking styles; japanese styles; landscapes (environments); natural landscapes; objects we use; people and culture; plants; prints; prints by process; prints by process or technique; relief prints; religious buildings; religious structures; riverine bodies; settlements; settlements and landscapes; settlements by form; single built works; single built works by function; single built works by location or context; single built works by specific type; styles and periods; styles and periods by region; the natural world; transportation vehicles; vehicles; visual works; visual works by medium or technique; watercraft; watercraft by general type; waterscapes

Drum; Artist Unknown, African, Congo (Zaire), Kuba

Collection: University of Michigan Museum of Art
Title: Drum; Artist Unknown, African, Congo (Zaire), Kuba
Date: 20th century
musart_keywords2: single-headed; descriptors; drums (membranophones); materials; materials by origin; membranophones; objects we use; people and culture; plant material; sound devices; sound devices by acoustical characteristics; struck drums; styles and periods; styles and periods by region; tubular drums; wood and wood products

What We All Lack (Ce qui manque à nous tous); Man Ray

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Collection: University of Michigan Museum of Art
Title: What We All Lack (Ce qui manque à nous tous); Man Ray
Date: 20th century
musart_keywords2: smoking and tobacco use; associated concepts; constructions (sculpture); dynamics; equipment; equipment by context; equipment for personal use; information artifacts; information artifacts by physical form; information forms; international post-1945 styles and movements; mechanics concepts; modern and contemporary art; movement; objects; objects we use; people and culture; physical sciences concepts; physics concepts; post-1945 fine arts styles and movements; scientific concepts; sculpture; sculpture by technique; styles and periods; styles and periods by region; surface tension; tools and equipment; visual works; visual works by medium or technique; words

The Fifty-Three Stations of the Tôkaidô (Kichizo Edition): #54 Otsu; Andô Hiroshige

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Collection: University of Michigan Museum of Art
Title: The Fifty-Three Stations of the Tôkaidô (Kichizo Edition): #54 Otsu; Andô Hiroshige
Date: 19th century
musart_keywords2: transfer method; upward; asian; buildings and the land; descriptors; east asian; inorganic material; japanese; japanese printmaking styles; japanese styles; landforms; landforms and landform components; landforms by shape or position; landings (marine structures); landscapes (environments); materials; materials by composition; natural landscapes; objects we use; people; people (agents); people and culture; people by occupation; prints; prints by process; prints by process or technique; relief prints; settlements and landscapes; single built works; single built works by function; single built works by specific type; styles and periods; styles and periods by region; transportation structures; transportation structures by function; transportation vehicles; vehicles; visual works; visual works by medium or technique; water transportation structures; watercraft; watercraft by method of propulsion; watercraft by specific type

Articulation: Formulation, from the portfolio "Formulation: Articulation"; Josef Albers

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Collection: University of Michigan Museum of Art
Title: Articulation: Formulation, from the portfolio "Formulation: Articulation"; Josef Albers
Date: 20th century
musart_keywords2: transfer method; visual arts; abstraction; aegean; aegean periods; artistic concepts; associated concepts; concepts in the arts; descriptors; design elements; early western world; forms of expression; geometric concepts; geometric figures; greek; mathematical concepts; mediterranean; modern and contemporary art; objects we use; patterns (design elements); patterns by specific type; people and culture; plane figures; polygons; prints; prints by process; prints by process or technique; quadrilaterals; rectangles; scientific concepts; styles and periods; styles and periods by region; visual and tactile; visual works; visual works by medium or technique

Articulation: Formulation, from the portfolio "Formulation: Articulation"; Josef Albers

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Collection: University of Michigan Museum of Art
Title: Articulation: Formulation, from the portfolio "Formulation: Articulation"; Josef Albers
Date: 20th century
musart_keywords2: transfer method; visual arts; abstraction; aegean; aegean periods; artistic concepts; associated concepts; concepts in the arts; descriptors; design elements; early western world; forms of expression; greek; image-making processes and techniques; mediterranean; modern and contemporary art; objects we use; patterns (design elements); patterns by specific type; people and culture; printing; printing and printing processes and techniques; prints; prints by process; prints by process or technique; processes and techniques; processes and techniques by specific type; styles and periods; styles and periods by region; visual and tactile; visual works; visual works by medium or technique

Articulation: Formulation, from the portfolio "Formulation: Articulation"; Josef Albers

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Collection: University of Michigan Museum of Art
Title: Articulation: Formulation, from the portfolio "Formulation: Articulation"; Josef Albers
Date: 20th century
musart_keywords2: transfer method; visual arts; abstraction; aegean; aegean periods; artistic concepts; associated concepts; concepts in the arts; descriptors; early western world; european; european styles and periods; forms of expression; greek; image-making processes and techniques; mediterranean; modern and contemporary art; modern european fine arts styles and movements; modern european styles and movements; objects we use; people and culture; printing; printing and printing processes and techniques; prints; prints by process; prints by process or technique; processes and techniques; processes and techniques by specific type; styles and periods; styles and periods by region; visual and tactile; visual works; visual works by medium or technique

Articulation: Formulation, from the portfolio "Formulation: Articulation"; Josef Albers

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Collection: University of Michigan Museum of Art
Title: Articulation: Formulation, from the portfolio "Formulation: Articulation"; Josef Albers
Date: 20th century
musart_keywords2: transfer method; visual arts; abstraction; aegean; aegean periods; artistic concepts; associated concepts; concepts in the arts; descriptors; early western world; forms of expression; geometric concepts; geometric figures; greek; image-making processes and techniques; mathematical concepts; mediterranean; modern and contemporary art; objects we use; people and culture; plane figures; polygons; printing; printing and printing processes and techniques; prints; prints by process; prints by process or technique; processes and techniques; processes and techniques by specific type; quadrilaterals; rectangles; scientific concepts; styles and periods; styles and periods by region; visual and tactile; visual works; visual works by medium or technique

Articulation: Formulation, from the portfolio "Formulation: Articulation"; Josef Albers

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Collection: University of Michigan Museum of Art
Title: Articulation: Formulation, from the portfolio "Formulation: Articulation"; Josef Albers
Date: 20th century
musart_keywords2: transfer method; visual arts; abstraction; aegean; aegean periods; artistic concepts; associated concepts; concepts in the arts; early western world; european; european styles and periods; forms of expression; geometric concepts; geometric figures; greek; mathematical concepts; mediterranean; modern and contemporary art; modern european fine arts styles and movements; modern european styles and movements; objects we use; people and culture; plane figures; polygons; prints; prints by process; prints by process or technique; quadrilaterals; rectangles; scientific concepts; styles and periods; styles and periods by region; visual and tactile; visual works; visual works by medium or technique

Durango I; Sean Scully

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Collection: University of Michigan Museum of Art
Title: Durango I; Sean Scully
Date: 20th century
musart_keywords2: transfer method; visual arts; abstraction; artistic concepts; associated concepts; biting techniques; concepts in the arts; descriptors; design elements; etchings; forms of expression; geometric concepts; geometric figures; geometric patterns; image-making processes and techniques; intaglio prints; international post-1945 styles and movements; mathematical concepts; objects we use; patterns (design elements); patterns by specific type; people and culture; plane figures; polygons; post-1945 fine arts styles and movements; printing and printing processes and techniques; printing surface preparation techniques; printing techniques; prints; prints by process; prints by process or technique; processes and techniques; processes and techniques by specific type; quadrilaterals; scientific concepts; styles and periods; styles and periods by region; visual works; visual works by medium or technique

Small Worlds, III (Kleine Welten, III); Wassily Kandinsky

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Collection: University of Michigan Museum of Art
Title: Small Worlds, III (Kleine Welten, III); Wassily Kandinsky
Date: 20th century
musart_keywords2: transfer method; visual arts; abstraction; artistic concepts; associated concepts; concepts in the arts; european; european styles and periods; forms of expression; lithographs; modern and contemporary art; modern european fine arts styles and movements; modern european styles and movements; movement; objects we use; people and culture; planographic prints; prints; prints by process; prints by process or technique; styles and periods; styles and periods by region; visual works; visual works by medium or technique

Untitled, from 'Spectral Cadmiums'; Richard Anuszkiewicz

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Collection: University of Michigan Museum of Art
Title: Untitled, from 'Spectral Cadmiums'; Richard Anuszkiewicz
Date: 20th century
musart_keywords2: transfer method; visual arts; aegean; aegean periods; artistic concepts; associated concepts; concepts in the arts; early western world; european; european styles and periods; forms of expression; genres; geometric concepts; geometric figures; geometric shapes; greek; mathematical concepts; mediterranean; modern and contemporary art; modern european fine arts styles and movements; modern european styles and movements; objects we use; people and culture; plane figures; polygons; prints; prints by process; prints by process or technique; quadrilaterals; rectangles; scientific concepts; styles and periods; styles and periods by region; visual and tactile; visual works; visual works by medium or technique

Articulation: Formulation, from the portfolio "Formulation: Articulation"; Josef Albers

Access to media is restricted to U-M users.

Collection: University of Michigan Museum of Art
Title: Articulation: Formulation, from the portfolio "Formulation: Articulation"; Josef Albers
Date: 20th century
musart_keywords2: transfer method; visual arts; aegean; aegean periods; artistic concepts; associated concepts; concepts in the arts; early western world; forms of expression; genres; greek; mediterranean; modern and contemporary art; objects we use; people and culture; prints; prints by process; prints by process or technique; styles and periods; styles and periods by region; visual and tactile; visual works; visual works by medium or technique

Eight Views of Ômi: #2 Night Rain at Karasaki; Andô Hiroshige

Collection: University of Michigan Museum of Art
Title: Eight Views of Ômi: #2 Night Rain at Karasaki; Andô Hiroshige
Date: 19th century
musart_keywords2: transfer method; visual arts; artistic concepts; asian; associated concepts; buildings and the land; concepts in the arts; earth sciences concepts; east asian; evergreens; forms of expression; japanese; japanese printmaking styles; japanese styles; natural landscapes; objects we use; people and culture; physical sciences concepts; plants; precipitation; prints; prints by process; prints by process or technique; relief prints; scientific concepts; settlements and landscapes; styles and periods; styles and periods by region; trees; trees by leaf life; vegetation and vegetation components; vegetation components; visual works; visual works by medium or technique; weather and related phenomena; weather-related phenomena; woody plants

Sunday of the Bookkeeper; Pierre Alechinsky

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Collection: University of Michigan Museum of Art
Title: Sunday of the Bookkeeper; Pierre Alechinsky
Date: 20th century
musart_keywords2: transfer method; visual arts; artistic concepts; associated concepts; concepts in the arts; european; european styles and periods; forms of expression; genres; intaglio prints; modern european fine arts styles and movements; modern european styles and movements; objects we use; people and culture; prints; prints by process; prints by process or technique; styles and periods; styles and periods by region; visual works; visual works by medium or technique

Sunday of the Bookkeeper; Pierre Alechinsky

Access to media is restricted to U-M users.

Collection: University of Michigan Museum of Art
Title: Sunday of the Bookkeeper; Pierre Alechinsky
Date: 20th century
musart_keywords2: transfer method; visual arts; artistic concepts; associated concepts; concepts in the arts; european; european styles and periods; forms of expression; genres; intaglio prints; modern european fine arts styles and movements; modern european styles and movements; objects we use; people and culture; prints; prints by process; prints by process or technique; styles and periods; styles and periods by region; visual works; visual works by medium or technique

Sunday of the Bookkeeper; Pierre Alechinsky

Access to media is restricted to U-M users.

Collection: University of Michigan Museum of Art
Title: Sunday of the Bookkeeper; Pierre Alechinsky
Date: 20th century
musart_keywords2: transfer method; visual arts; artistic concepts; associated concepts; concepts in the arts; european; european styles and periods; forms of expression; genres; intaglio prints; modern european fine arts styles and movements; modern european styles and movements; objects we use; people and culture; prints; prints by process; prints by process or technique; styles and periods; styles and periods by region; visual works; visual works by medium or technique

Untitled; Garo Zareh Antreasian

Collection: University of Michigan Museum of Art
Title: Untitled; Garo Zareh Antreasian
Date: 20th century
musart_keywords2: transfer method; visual arts; artistic concepts; associated concepts; concepts in the arts; european; european styles and periods; forms of expression; genres; modern and contemporary art; modern european fine arts styles and movements; modern european styles and movements; objects we use; people and culture; planographic prints; prints; prints by process; prints by process or technique; styles and periods; styles and periods by region; visual works; visual works by medium or technique

Composition: from 'Octet Suite'; Garo Zareh Antreasian

Collection: University of Michigan Museum of Art
Title: Composition: from 'Octet Suite'; Garo Zareh Antreasian
Date: 20th century
musart_keywords2: transfer method; visual arts; artistic concepts; associated concepts; concepts in the arts; european; european styles and periods; forms of expression; genres; modern and contemporary art; modern european fine arts styles and movements; modern european styles and movements; objects we use; people and culture; planographic prints; prints; prints by process; prints by process or technique; styles and periods; styles and periods by region; visual works; visual works by medium or technique

Composition: from 'Quantum Suite'; Garo Zareh Antreasian

Collection: University of Michigan Museum of Art
Title: Composition: from 'Quantum Suite'; Garo Zareh Antreasian
Date: 20th century
musart_keywords2: transfer method; visual arts; artistic concepts; associated concepts; concepts in the arts; european; european styles and periods; forms of expression; genres; modern and contemporary art; modern european fine arts styles and movements; modern european styles and movements; objects we use; people and culture; planographic prints; prints; prints by process; prints by process or technique; styles and periods; styles and periods by region; visual works; visual works by medium or technique

Hesiod's Theogony. Abstract Composition; Georges Braque

Access to media is restricted to U-M users.

Collection: University of Michigan Museum of Art
Title: Hesiod's Theogony. Abstract Composition; Georges Braque
Date: 20th century
musart_keywords2: transfer method; visual arts; artistic concepts; associated concepts; concepts in the arts; european; european styles and periods; forms of expression; intaglio prints; modern european styles and movements; objects we use; people and culture; prints; prints by process; prints by process or technique; styles and periods; styles and periods by region; visual works; visual works by medium or technique

Faste, from "Spectacles"; Jean Dubuffet

Access to media is restricted to U-M users.

Collection: University of Michigan Museum of Art
Title: Faste, from "Spectacles"; Jean Dubuffet
Date: 20th century
musart_keywords2: transfer method; abstract expressionist; attributes and properties; attributes and properties by specific type; descriptors; international post-1945 styles and movements; objects we use; people and culture; planographic prints; post-1945 fine arts styles and movements; prints; prints by process; prints by process or technique; styles and periods; styles and periods by region; visual works; visual works by medium or technique

Incarnation Mystique; Gaston Petit

Access to media is restricted to U-M users.

Collection: University of Michigan Museum of Art
Title: Incarnation Mystique; Gaston Petit
musart_keywords2: transfer method; abstract expressionist; international post-1945 styles and movements; objects we use; people and culture; planographic prints; post-1945 fine arts styles and movements; prints; prints by process; prints by process or technique; styles and periods; styles and periods by region; visual works; visual works by medium or technique

The Fifty-Three Stations of the Tokaido (Hoeido Edition): #48 Seki; Andô Hiroshige

Access to media is restricted to U-M users.

Collection: University of Michigan Museum of Art
Title: The Fifty-Three Stations of the Tokaido (Hoeido Edition): #48 Seki; Andô Hiroshige
musart_keywords2: transfer method; accessories worn on the head; asian; buildings and the land; built complexes and districts; commercial buildings; commercial complexes; complexes; complexes by function; costume; costume accessories; costume accessories worn; coverings and hangings; coverings and hangings by location or context; coverings and hangings by specific type; coverings and hangings for openings; east asian; furnishings; furnishings by form or function; headgear; mercantile buildings; objects we use; people; people (agents); people and culture; people by activity; people by gender; prints; prints by process; prints by process or technique; relief prints; single built works; single built works by function; single built works by specific type; styles and periods; styles and periods by region; visual works; visual works by medium or technique

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