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Showing results for "prelates" in Secondary Keywords.
- Title
- Saint Maria, Saint Claude, Saint Norbert, and Saint Robert from Israel Henriet's "Images of the Saints" (Plate 48)
- Artist
- Jacques Callot
- Physical Description
- Four oval illustrations of different scenes of saints helping others.
- Artist Life Dates
- 1592-1635
- Century
- 17th century
- Object Creation Date
- 1636
- Accession Number
- 2013/2.540
- Medium and Support
- etching on laid paper
- relevance
- rank 9.50393
- Secondary Keywords
- associated concepts
- bishops (prelates)
- christian clergy
- clergy
- descriptors
- document genres
- document genres by function
- equipment
- equipment by context
- equipment for personal use
- information artifacts
- information artifacts by physical form
- information forms
- object genres
- object genres by form
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people by state or condition
- people in religion
- people in religion and related occupations
- people in the humanities
- prelates
- religions
- religions and religious concepts
- religious texts
- tools and equipment
- walking sticks
- Title
- Baptism of a Warrior by a Bishop Saint (recto); Young Woman's Head (verso)
- Artist
- Artist Unknown, Germany
- Century
- 17th century
- Object Creation Date
- 17th century
- Accession Number
- 1970/2.17
- Medium and Support
- pen and brown ink with gray wash and black chalk on cream paper
- relevance
- rank 7.19159
- Secondary Keywords
- ceremonies
- christian clergy
- clergy
- events
- people
- people (agents)
- people and culture
- people by activity
- people by occupation
- people in religion
- people in religion and related occupations
- people in the humanities
- prelates
- religious ceremonies
- Title
- Busts of Saints Jerome and Gregory
- Artist
- Atelier of Jörg Syrlin the Younger
- Physical Description
- This pair of finely carved bust-length figures depicts two men in ecclesiastical garb. On the right appears an older figure who wears elaborate vestments and a papal tiara with a book in his left hand. His deeply lined and wrinkled face conveys a patient wisdom and authority as he stares directly ahead. His more youthful companion, dressed in a simpler collared robe and brimless cap, glances introspectively aside. He grasps an unfurled scroll in his left hand and a diminutive lion stares out from its perch on his left shoulder.
- Century
- late 15th/early 16th-century
- Object Creation Date
- circa1500
- Accession Number
- 1958/1.59
- Medium and Support
- lindenwood with polychromy
- relevance
- rank 6.08933
- Secondary Keywords
- animals and creatures
- associated concepts
- christian clergy
- clergy
- information artifacts
- information artifacts by physical form
- information forms
- mammals
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in religion
- people in religion and related occupations
- people in the humanities
- prelates
- religions
- religions and religious concepts
- religious visual works
- visual works
- visual works by function
- Title
- Pope Nicholas V (obverse), Nicholas V in the Ship "Eclesia" (reverse)
- Artist
- Andrea Guacioloti
- Physical Description
- The obverse of this medal depicts a profile portrait of a man with a tonsure. The reverse represents a man holding a cross-staff piloting a boat labeled "Eclesia" along the gunwale. Both sides of the medal have inscriptions around the edge.
- Artist Life Dates
- 1435-1495
- Century
- 15th century
- Object Creation Date
- 1455
- Accession Number
- 1984/1.283
- Medium and Support
- cast bronze
- relevance
- rank 5.51711
- Secondary Keywords
- image form
- biological components
- christian clergy
- clergy
- components
- components and systems
- components by specific context
- descriptors
- forming
- medals
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in religion
- people in religion and related occupations
- people in the humanities
- prelates
- processes and techniques
- processes and techniques by specific type
- the human body
- transportation vehicles
- upper body
- vehicles
- views
- views by vantage point or orientation
- visual works
- visual works by form
- visual works by subject type
- watercraft
- watercraft by general type
- Title
- Madonna and Child with a Bishop
- Artist
- Andrea Andreani
- Physical Description
- A woman sits on the left holding a nude infant in her lap. An aureole of light radiates around her head as she looks downward toward the child, who returns her gaze. A bearded bishop wearing a miter and holding a crosier kneels before them on the right.
- Artist Life Dates
- 1558/59-1629
- Century
- 16th century
- Object Creation Date
- 1591
- Accession Number
- 2007/2.146
- Medium and Support
- chiaroscuro woodcut on laid paper
- relevance
- rank 5.42432
- Secondary Keywords
- transfer method
- accessories worn on the head
- children (people by age group)
- christian clergy
- clergy
- costume
- costume accessories
- costume accessories worn
- headgear
- identifying artifacts
- information artifacts
- information artifacts by function
- information forms
- objects we use
- parents
- people
- people (agents)
- people and culture
- people by age group
- people by family relationship
- people by occupation
- people in religion
- people in religion and related occupations
- people in the humanities
- prelates
- prints
- prints by process
- prints by process or technique
- relief prints
- symbols of office
- visual works
- visual works by medium or technique
- woodcuts
- youth
- Title
- Enthroned Madonna and Child with angels and Saints Louis of Toulouse, Zenobius, John the Evangelist, and John the Baptist
- Artist
- Jacopo del Casentino
- Physical Description
- The majestic figure of the Virgin with the infant Christ on her lap sits enthroned in the center of this painted panel. Her elaborate throne rests upon a dais and is enclosed on three sides by panels bristling with Gothic ornament. Two bishop saints holding croziers stand at the foot of the dais accompanied by two other saints who stand behind them, while fourteen angels crowd the background.
- Artist Life Dates
- 1279 - c.1349
- Century
- 14th century
- Object Creation Date
- circa 1325
- Accession Number
- 1960/2.123
- Medium and Support
- tempera and gold on panel
- relevance
- rank 5.41244
- Secondary Keywords
- animals and creatures
- associated concepts
- california (state)
- ceremonial chairs
- chairs
- chairs by function
- christian clergy
- clergy
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- geographic and political locations
- legendary creatures
- los angeles (county)
- north and central america (continent)
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in religion
- people in religion and related occupations
- people in the humanities
- prelates
- religions
- religions and religious concepts
- religious visual works
- seating furniture
- single seating furniture
- united states (nation)
- visual works
- visual works by function
- Title
- Pope Sixtus IV (obverse), and the Ponte Sisto (reverse)
- Artist
- Lysippus
- Physical Description
- The front (obverse) of this medal depicts the profile portrait of a man with a tonsure, wearing a cope adorned with acorns and oak leaves and a large clasp. An inscription runs around the border. The reverse represents a bridge spanning a river enclosed within a border of oak leaves. An inscription appears above the balustrade of the bridge.
- Artist Life Dates
- active 1471-1484
- Century
- 15th century
- Object Creation Date
- 1473
- Accession Number
- 1984/1.285
- Medium and Support
- cast bronze
- relevance
- rank 4.94668
- Secondary Keywords
- image form
- buildings and the land
- christian clergy
- clergy
- copper alloy
- copper and copper alloy
- descriptors
- forming
- inorganic material
- materials
- materials by composition
- medals
- metal
- metal and metal products
- metal by composition or origin
- nonferrous metal
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in religion
- people in religion and related occupations
- people in the humanities
- prelates
- processes and techniques
- processes and techniques by specific type
- single built works
- single built works by function
- single built works by specific type
- transportation structures
- transportation structures by form
- views
- views by vantage point or orientation
- visual works
- visual works by form
- visual works by subject type
- Title
- Pope Clement IX (obverse), and the Ponte Sant' Angelo (reverse)
- Artist
- Nicolas-François Chéron
- Physical Description
- The front (obverse) of the medal presents a profile portrait of a bearded man wearing a cassock, cap, and stole. The reverse depicts a bridge spanning a river. A winged figure flies above the bridge blowing a trumpet, while a nude male figure reclines below the bridge in the foreground and a wolf nurses at his feet. Inscriptions run around both the border edge of both sides of the medal.
- Artist Life Dates
- died 1746
- Century
- 17th-18th century
- Object Creation Date
- 1669
- Accession Number
- 1984/1.284
- Medium and Support
- cast bronze
- relevance
- rank 4.73291
- Secondary Keywords
- image form
- biological components
- buildings and the land
- christian clergy
- clergy
- components
- components and systems
- components by specific context
- copper alloy
- copper and copper alloy
- descriptors
- forming
- inorganic material
- materials
- materials by composition
- medals
- metal
- metal and metal products
- metal by composition or origin
- nonferrous metal
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in religion
- people in religion and related occupations
- people in the humanities
- prelates
- processes and techniques
- processes and techniques by specific type
- single built works
- single built works by function
- single built works by specific type
- the human body
- transportation structures
- transportation structures by form
- upper body
- views
- views by vantage point or orientation
- visual works
- visual works by form
- visual works by subject type
- Title
- Pope Alexander VII (obverse), and the Piazzo del Popolo (reverse)
- Artist
- Gioacchino Travani
- Physical Description
- The front (obverse) of this medal represents a portrait of a man in profile wearing a papal tiara and a cope. The reverse depicts a city square dominated by an obelisk with a pair of identical domed churches in the background. Inscriptions run around the edge of the medal on both sides.
- Artist Life Dates
- Active 1634-1674
- Century
- 17th-18th century
- Object Creation Date
- 1662
- Accession Number
- 1984/1.282
- Medium and Support
- bronze
- relevance
- rank 4.65285
- Secondary Keywords
- image form
- biological components
- buildings and the land
- christian clergy
- clergy
- components
- components and systems
- components by specific context
- copper alloy
- copper and copper alloy
- descriptors
- forming
- inorganic material
- materials
- materials by composition
- medals
- metal
- metal and metal products
- metal by composition or origin
- monumental pillars
- monuments
- monuments by form
- nonferrous metal
- objects we use
- open spaces
- open spaces and site elements
- open spaces by form
- people
- people (agents)
- people and culture
- people by occupation
- people in religion
- people in religion and related occupations
- people in the humanities
- prelates
- processes and techniques
- processes and techniques by specific type
- single built works
- single built works by function
- single built works by specific type
- the human body
- upper body
- views
- views by vantage point or orientation
- visual works
- visual works by form