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Showing results for "plant-derived motifs" in Secondary Keywords.
- Title
- Document Box (ryoshi-bako)
- Artist
- Artist Unknown, Japan
- Physical Description
- Lacquer ware box with mother-of-pearl inlay decoration combining geometric patterns, flowers, dragons, and scepters.
- Century
- 17th-19th century
- Object Creation Date
- 1615-1868
- Accession Number
- 1972/2.108
- Medium and Support
- black lacquer and abalone shell inlay on wood
- relevance
- rank 18.63080
- Secondary Keywords
- containers
- containers by form
- descriptors
- design elements
- motifs
- objects we use
- plant-derived motifs
- Title
- Picchvai
- Artist
- Artist Unknown, India
- Physical Description
- The piece portrays a central god, with many milkmaids surrounding him. There are louts flowers present, as well as hills and buildings at the top of the painting. There are also various incarnations of gods, which are the blue-skinned figures.
- Object Creation Date
- 1700-1850
- Accession Number
- 2008/2.289
- Medium and Support
- ink, opaque watercolor and gold on cloth
- relevance
- rank 16.87372
- Secondary Keywords
- animals and creatures
- descriptors
- design elements
- herdsmen
- hindu
- mammals
- motifs
- named gods and goddesses
- people
- people (agents)
- people and culture
- people and occupations
- people by state or condition
- plant-derived motifs
- religion
- subject matter
- vishnu
- workers
- Title
- Four seated Buddhas, in dhyana mudra
- Artist
- Artist Unknown, Cambodia (Khmer)
- Physical Description
- A molded and incised relief sculpture of four seated Buddhas, on a dais with floral rosette motifs.
- Century
- 12th century
- Object Creation Date
- 12th century
- Accession Number
- 2000/2.152
- Medium and Support
- bronze
- relevance
- rank 16.48319
- Secondary Keywords
- associated concepts
- descriptors
- design elements
- figures (representations)
- motifs
- objects we use
- people and culture
- plant-derived motifs
- religions
- religions and religious concepts
- visual works
- visual works by subject type
- Title
- Standing Buddha (or possibly Maitreya) in abhaya mudra, with flask in left hand
- Artist
- Artist Unknown, China
- Century
- 4th century
- Object Creation Date
- 4th century
- Accession Number
- 1964/1.91
- Medium and Support
- bronze
- relevance
- rank 16.23166
- Secondary Keywords
- associated concepts
- bottles
- bottles by form
- containers
- containers by form
- descriptors
- design elements
- motifs
- natural element motifs
- object genres
- object genres by form
- objects we use
- people and culture
- plant-derived motifs
- religions
- religions and religious concepts
- vessels
- Title
- Bowl with carved lotus petals design
- Artist
- Kiln Unknown, Vietnam
- Physical Description
- A rounded bowl, its lower two-thirds carved as a lotus blossom centered on the foot of the bowl, with two bands of double incised lines around the rim area. The pale yellow-brown glaze is worn in some areas. Five spur marks inside.
- Century
- 16th century
- Object Creation Date
- 16th century
- Accession Number
- 1991/1.97
- Medium and Support
- stoneware with yellow green glaze
- relevance
- rank 16.13489
- Secondary Keywords
- ceramics
- containers
- containers by form
- descriptors
- design elements
- motifs
- object genres
- object genres by material
- objects
- objects we use
- plant-derived motifs
- pottery (object genre)
- vessels
- Title
- Paperweight or box cover: underside carved with lotus and double vajra motifs
- Artist
- Artist Unknown, Tibet or Nepal
- Century
- 20th century
- Object Creation Date
- late 19th century - early 20th century
- Accession Number
- 1983/1.112
- Medium and Support
- stone
- relevance
- rank 15.90464
- Secondary Keywords
- asian
- associated concepts
- descriptors
- design elements
- motifs
- people and culture
- plant-derived motifs
- religions
- religions and religious concepts
- south asian
- styles and periods
- styles and periods by region
- Title
- Duck and Lotus
- Artist
- Gao Qipei (Kao Ch'i-p'ei)
- Physical Description
- In this large scroll Gao depicts a duck swimming among aquatic plants in the shade of a cluster of lotus.
- Artist Life Dates
- 1660-1734
- Century
- 18th century
- Object Creation Date
- circa 1690-1734
- Accession Number
- 1961/1.162
- Medium and Support
- ink and color on paper
- relevance
- rank 15.87723
- Secondary Keywords
- animals and creatures
- birds
- buildings and the land
- descriptors
- design elements
- inorganic material
- landscapes (environments)
- materials
- materials by composition
- motifs
- natural landscapes
- plant-derived motifs
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- Title
- Covered Dish
- Artist
- Artist Unknown, Germany
- Physical Description
- White ceramic dish with attached covered bowl. Gold leave detail border and flower motifs as decoration. The handle of the dish cover is a ceramic detailed and painted flower.
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 2009/2.9
- Medium and Support
- glazed porcelain
- relevance
- rank 15.84273
- Secondary Keywords
- containers
- containers by function or context
- containers for serving and consuming food
- culinary containers
- descriptors
- design elements
- motifs
- objects we use
- plant-derived motifs
- vessels for serving and consuming food
- Title
- Ball spoon with vegetal ornament
- Artist
- Artist Unknown, Norway
- Physical Description
- This silver ball spoon consists of a round bowl joined to a stem composed of a flattened section and a twist stem that terminates in an ornamental ball knop. An incised six-petal flower surrounded by bands of geometric ornament decorates the interior of the bowl. The flattened section of the stem is adorned with vegetal ornament.
- Century
- 17th century
- Object Creation Date
- 1620-1640
- Accession Number
- 1968/2.45
- Medium and Support
- gilded silver
- relevance
- rank 15.81225
- Secondary Keywords
- descriptors
- design elements
- motifs
- object genres
- object genres by function
- object genres by material
- people and culture
- physical activities
- physical activities by general context
- plant-derived motifs
- Title
- Bodhisattva Mañjusri (J. Monju Bosatsu), seated on a lion
- Artist
- Artist Unknown, Japan
- Century
- 15th century
- Object Creation Date
- 15th century
- Accession Number
- 1954/1.207
- Medium and Support
- hanging scroll, ink, color and gold on silk
- relevance
- rank 15.80839
- Secondary Keywords
- animals and creatures
- associated concepts
- buddhist doctrinal concepts
- conditions and effects
- descriptors
- design elements
- doctrinal concepts
- mammals
- motifs
- people and culture
- plant-derived motifs
- religions
- religions and religious concepts
- religious concepts
- Title
- 300-Year Old Louisiana Oak
- Artist
- Sam Stauffer
- Physical Description
- Large oak tree.
- Object Creation Date
- 2004
- Accession Number
- 2013/1.260
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 15.68476
- Secondary Keywords
- buildings and the land
- descriptors
- design elements
- geographic and political locations
- landscapes (environments)
- motifs
- natural landscapes
- north and central america (continent)
- plant-derived motifs
- plants
- settlements and landscapes
- united states (nation)
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Bodhisattva Mañjusri (J. Monju Bosatsu) seated on a lion
- Artist
- Artist Unknown, Japan
- Century
- 18th century?
- Object Creation Date
- 18th century (?)
- Accession Number
- 1986/2.49
- Medium and Support
- ema, ink and color on wood panel
- relevance
- rank 15.14037
- Secondary Keywords
- animals and creatures
- associated concepts
- buddhist doctrinal concepts
- descriptors
- design elements
- doctrinal concepts
- edged weapons
- mammals
- motifs
- objects we use
- people and culture
- plant-derived motifs
- religions
- religions and religious concepts
- religious concepts
- weapons
- weapons and ammunition
- Title
- Vairocana Buddha (J. Dainichi Nyorai)
- Artist
- Artist Unknown, Japan
- Century
- 17th century
- Object Creation Date
- 17th century
- Accession Number
- 2003/2.59.4
- Medium and Support
- cypress wood with gesso, lacquer, polychrome, and gilding
- relevance
- rank 15.08185
- Secondary Keywords
- descriptors
- design elements
- motifs
- objects we use
- plant-derived motifs
- sculpture
- sculpture by subject type
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Roof Tile-End with Floral Medallion Design
- Artist
- Artist Unknown, Korea
- Physical Description
- Earthenware roof tile-end with molded floral pattern.
- The floral medallion on this tile-end consists of bosanghwa(Buddhist floral pattern) motifs which has four heart-shaped petals. The rim is decorated with a chain of beads.
- Century
- 8th-9th century
- Object Creation Date
- 8th century - 9th century
- Accession Number
- 2004/1.200
- Medium and Support
- earthenware with molded decoration
- relevance
- rank 15.00047
- Secondary Keywords
- descriptors
- design elements
- forming
- materials
- materials by form
- materials by physical form
- motifs
- object genres
- object genres by material
- plant-derived motifs
- pottery (object genre)
- processes and techniques
- processes and techniques by specific type
- Title
- Roof Tile-End with Lotus Design
- Artist
- Artist Unknown, Korea
- Physical Description
- Earthenware roof tile-end with molded lotus design.
- Century
- late 6th century
- Object Creation Date
- late 6th century
- Accession Number
- 2004/1.196
- Medium and Support
- earthenware with molded decoration
- relevance
- rank 15.00047
- Secondary Keywords
- descriptors
- design elements
- forming
- materials
- materials by form
- materials by physical form
- motifs
- object genres
- object genres by material
- plant-derived motifs
- pottery (object genre)
- processes and techniques
- processes and techniques by specific type
- Title
- Bodhisattva Padmapani (Avalokiteshvara; Japanese, Kannon), from Kôfukuji
- Artist
- Artist Unknown, Japan
- Physical Description
- The figure is standing on a lotus-shaped pedestal; the hair is tied as a knot on top of the head; a crown is also on the top. The face has two elongated ears, round eyeblows, eyes looking downward; the lips are shut; sloping sholders are wrapped with thin robe, which hung toward the knees. Right hand, showing a palm, is raised to the chest while the left hand is by the lower abdomen, as if holding something. The three wrinkles can be seen on the neck. All are made of wood.
- Century
- 12th century
- Object Creation Date
- 12th century
- Accession Number
- 1969/1.106
- Medium and Support
- wood with trace of color
- relevance
- rank 14.99248
- Secondary Keywords
- associated concepts
- bodhisattva
- buddhist doctrinal concepts
- descriptors
- design elements
- doctrinal concepts
- figures (representations)
- motifs
- objects we use
- people and culture
- plant-derived motifs
- religions
- religions and religious concepts
- religious concepts
- visual works
- visual works by subject type
- Title
- Six-armed Bodhisattva Mañjusri, standing, with two celestial attendants
- Artist
- Artist Unknown, India
- Physical Description
- Mañjusri, the Bodhisattva of Wisdom, standing with two celestial attendants. This representation of Manjushri includes six arms, one of which holds a sword, while a narrow book (modeled after books made from palm leaves) lays across his upper hand. Manjushri is wearing an ornamented crown and necklace, and is encircled by a halo of flames.
- Century
- 17th-18th century
- Object Creation Date
- 17th century
- Accession Number
- 1978/2.109
- Medium and Support
- bronze
- relevance
- rank 14.91144
- Secondary Keywords
- asian
- associated concepts
- buddhist doctrinal concepts
- descriptors
- design elements
- doctrinal concepts
- edged weapons
- motifs
- natural element motifs
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- plant-derived motifs
- religions
- religions and religious concepts
- religious concepts
- south asian
- styles and periods
- styles and periods by region
- weapons
- weapons and ammunition
- Title
- Lakshmi lustrated by elephants (Gaja Lakshmi (Goddess))
- Artist
- India, Rajasthan, Bundi School
- Physical Description
- The white elephants, which draw the eye into the image, face toward the center leading the viewer to Lakshmi who is the central figure in the frame. The image is bordered by a red colored frame. And below the figures, in the background is a dark banded representing a pond.
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 2001/2.133
- Medium and Support
- ink, opaque watercolor, and gold on paper
- relevance
- rank 14.62664
- Secondary Keywords
- animals and creatures
- asia (continent)
- asian
- descriptors
- design elements
- geographic and political locations
- indian
- indian painting styles
- indian styles and periods
- mammals
- motifs
- people
- people (agents)
- people and culture
- people by state or condition
- plant-derived motifs
- rajasthani
- rajput
- south asian
- styles and periods
- styles and periods by region
- Title
- Guru Dragpo Votive Plaque, in the shape of a lotus petal
- Artist
- Artist Unknown, Tibet or Nepal
- Physical Description
- A bas-relief carving made of bone and in the shape of a lotus petal, depicting a wrathful guardian of the Tibetan Buddhist faith. At the base of the "petal" are the tops of mountains, with the waves of the sea visible between them; in the rounded part of the "petal," a border of flames encircles a dynamic image of the bodhisattva Vajrapani in his wrathful form. The background behind Vajrapani is incised with closely spaced wavy lines, again suggesting flames.
- Century
- 18th century
- Object Creation Date
- 18th century
- Accession Number
- 1985/2.49
- Medium and Support
- bone
- relevance
- rank 14.50599
- Secondary Keywords
- asia (continent)
- asian
- associated concepts
- buddhist doctrinal concepts
- china (nation)
- combination inorganic/organic animal material
- combination inorganic/organic material
- descriptors
- design elements
- doctrinal concepts
- geographic and political locations
- materials
- materials by composition
- motifs
- natural element motifs
- people and culture
- plant-derived motifs
- religions
- religions and religious concepts
- religious concepts
- south asian
- styles and periods
- styles and periods by region
- Title
- Dorje Legpa Votive Plaque
- Artist
- Artist Unknown, Tibet or Nepal
- Physical Description
- A bas-relief carving made of bone and in the shape of a lotus petal, depicting Pehar, a guardian of the Tibetan Buddhist faith, in wrathful form. At the base of the "petal" are the tops of mountains, with the waves of the sea visible between them; in the rounded part of the "petal," a border of flames encircles a dynamic image of Pehar, his garments flowing in the wind as he rides on a snow lion. The background behind Pehar is incised with closely spaced wavy lines, again suggesting flames.
- Century
- 18th century
- Object Creation Date
- 18th century
- Accession Number
- 1985/2.50
- Medium and Support
- bone
- relevance
- rank 14.49590
- Secondary Keywords
- animals and creatures
- asia (continent)
- asian
- associated concepts
- china (nation)
- combination inorganic/organic animal material
- combination inorganic/organic material
- descriptors
- design elements
- geographic and political locations
- legendary creatures
- materials
- materials by composition
- motifs
- natural element motifs
- people
- people (agents)
- people and culture
- people by activity
- plant-derived motifs
- religions
- religions and religious concepts
- south asian
- styles and periods
- styles and periods by region
- Title
- Flowers and Grasses
- Artist
- Watanabe Shikô
- Physical Description
- Realistic flowers and grasses, painted with vivid colors on a hanging scroll.
- Artist Life Dates
- 1683-1755
- Century
- 18th century
- Object Creation Date
- 1st half of 18th century
- Accession Number
- 1964/2.65
- Medium and Support
- hanging scroll, ink and color on paper
- relevance
- rank 14.42814
- Secondary Keywords
- asia (continent)
- buildings and the land
- descriptors
- design elements
- geographic and political locations
- herbaceous plants
- landscapes (environments)
- motifs
- natural landscapes
- objects we use
- paintings
- paintings by form
- plant-derived motifs
- plants
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- Title
- Buddha, standing, in double abhaya mudra (modern work in Khmer style)
- Artist
- Artist Unknown, Thailand
- Century
- 20th century?
- Object Creation Date
- 20th century (?)
- Accession Number
- 1993/2.51
- Medium and Support
- bronze
- relevance
- rank 14.42719
- Secondary Keywords
- associated concepts
- descriptors
- design elements
- devotional images
- figures (representations)
- motifs
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- plant-derived motifs
- religions
- religions and religious concepts
- religious visual works
- visual works
- visual works by function
- visual works by subject type
- Title
- Buddha, seated in the padmasana pose, iin bhumisparsa mudra (Khanom Tom style)
- Artist
- Artist Unknown, Thailand
- Century
- 15th-16th century
- Object Creation Date
- 15th century - 16th century
- Accession Number
- 1983/2.170
- Medium and Support
- bronze
- relevance
- rank 14.42719
- Secondary Keywords
- associated concepts
- descriptors
- design elements
- devotional images
- figures (representations)
- motifs
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- plant-derived motifs
- religions
- religions and religious concepts
- religious visual works
- visual works
- visual works by function
- visual works by subject type
- Title
- Red brocade fukuro obi with woven pattern of colorful medallions against a field of wavy gold stripes (tatewaku)
- Artist
- Artist Unknown, Japan
- Physical Description
- This is made of a thick brocade of red, gold and silver. Medallion patterns and wavy stripes are woven through the entirety of the fabric, rather than halfway, as is common in less intricate obi. Medallion motifs of tortoise shells, flowers, and bamboo leaves are spaced among the golden waves across the fabric.
- Century
- mid-20th century
- Object Creation Date
- 1950s-1960s
- Accession Number
- 2005/1.344
- Medium and Support
- red silk with woven and embroidered design and gold wrapped thread
- relevance
- rank 14.38213
- Secondary Keywords
- accessories worn at the waist or below
- animal material
- animals and creatures
- buildings and the land
- costume
- costume accessories
- costume accessories worn
- costume by form
- descriptors
- design elements
- fibroinous material
- flowers (plants)
- grass (plant material)
- herbaceous plants
- landscapes (environments)
- main garments
- materials
- materials by origin
- motifs
- natural landscapes
- needleworking
- needleworking and needleworking techniques
- objects we use
- plant material
- plant-derived motifs
- plants
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- reptiles
- settlements and landscapes
- textile processes and techniques
- textile working processes and techniques
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Bodhisattva (Jokaisho Bosatsu): esoteric Buddhist iconographic drawing
- Artist
- Takuma Tametô
- Artist Life Dates
- active 1132-1174
- Century
- 12th century
- Object Creation Date
- mid 12th century
- Accession Number
- 1963/1.99
- Medium and Support
- handscroll fragment, ink and color on paper
- relevance
- rank 14.32753
- Secondary Keywords
- associated concepts
- buddhist doctrinal concepts
- descriptors
- design elements
- doctrinal concepts
- document genres
- document genres by form
- figures (representations)
- information forms
- motifs
- objects we use
- people and culture
- plant-derived motifs
- religions
- religions and religious concepts
- religious concepts
- visual works
- visual works by subject type
- Title
- Uchikake (Wedding Cloak)
- Artist
- Artist Unknown, Japan
- Physical Description
- The apple-green fabric is pure silk brocade, woven in an overall pattern of maple leaves scattered on a flowing stream—an allusion to a famous classical poem. Lying on top of the brocade is a thick layer of embroidery, with plum blossoms in red silk, and pine branches and doves in dazzling metallic threads of gold, silver, and copper.
- Century
- mid-20th century
- Object Creation Date
- 1920-1980
- Accession Number
- 1986/1.215
- Medium and Support
- silk brocade with gilt paper (kinran), embroidery and couched metallic threads
- relevance
- rank 14.27256
- Secondary Keywords
- ceremonies
- costume
- costume by form
- cultural ceremonies
- descriptors
- design elements
- events
- main garments
- motifs
- needleworking
- needleworking and needleworking techniques
- objects we use
- people and culture
- plant-derived motifs
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- rites of passage
- textile processes and techniques
- textile working processes and techniques
- Title
- Bodhisattva, attendant figure from a larger Buddha shrine
- Artist
- Artist Unknown, China
- Object Creation Date
- 618-907
- Accession Number
- 1961/2.81
- Medium and Support
- gilt bronze
- relevance
- rank 14.13268
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- buddhist doctrinal concepts
- descriptors
- design elements
- doctrinal concepts
- form attributes
- motifs
- natural element motifs
- objects we use
- people and culture
- plant-derived motifs
- religions
- religions and religious concepts
- religious concepts
- religious visual works
- size (extent)
- size by specific type
- visual works
- visual works by function
- Title
- The Salvation of the Elephant (Gaj Mokasha)
- Artist
- Artist Unknown, India
- Physical Description
- An elephant seems to walk on water from the bottom right corner of the composition, rising towards Vishnu in the upper left with a single lotus flower in its trunk. Vishnu, with 4 arms, steps on green hills surrounding the lotus covered pond, bending towards the elephant. Garuda flies in the upper right.
- Century
- 19th century
- Object Creation Date
- circa 1815
- Accession Number
- 2010/2.27
- Medium and Support
- paint on canvas
- relevance
- rank 14.12909
- Secondary Keywords
- animals and creatures
- associated concepts
- buildings and the land
- descriptors
- design elements
- herbaceous plants
- landscapes (environments)
- mammals
- motifs
- natural landscapes
- objects we use
- people and culture
- plant-derived motifs
- plants
- religions
- religions and religious concepts
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- Title
- Model of a granary with bear-shaped feet
- Artist
- Artist Unknown, China
- Century
- 1st century BCE
- Object Creation Date
- 1st century BCE
- Accession Number
- 1996/2.17
- Medium and Support
- earthenware, unglazed
- relevance
- rank 14.00041
- Secondary Keywords
- agricultural buildings
- agricultural structures
- buildings and the land
- descriptors
- design elements
- motifs
- objects we use
- plant-derived motifs
- single built works
- single built works by function
- single built works by specific type
- visual works
- visual works by function
- Title
- Plate with three vase design (one of five with 1964/1.100-103)
- Artist
- Artist Unknown, Nabeshima ware, Japan
- Physical Description
- A circular, smaller white porcelain plate. On the upper surface, three vases, similar in shape, are shown overlapping diagonally in blue background. The two outer vases run off the plate’s rim. They are outlined in underglaze blue and are against a painted light-blue background. The left vase is covered with a white glaze (which left unpainted) under a red key-fret design. The center vase is totally covered with a white crackle pattern done in blue underglaze line. The right vase has a design of evenly-spaced red flowers. Precise flat bases are combined with a rather awkward suggestion of a three-dimensional view of the lips. The back has a triple representation of peony buds surrounded by fine branching stems and leaves. On the shallow foot, bold lines are drawn in a row like a comb. The design on the back is all drawn with blue underglaze. (Referencce: Becker, Sister Johanna. “A Group of Nabeshima Porcelain.”)
- Century
- Early 18th century
- Object Creation Date
- early 18th century
- Accession Number
- 1964/1.104
- Medium and Support
- porcelain with blue underglaze and enamel overglaze painting
- relevance
- rank 13.97508
- Secondary Keywords
- buildings and the land
- containers
- containers by form
- containers by function or context
- containers for serving and consuming food
- culinary containers
- descriptors
- design elements
- dishes
- landscapes (environments)
- motifs
- natural landscapes
- objects we use
- plant-derived motifs
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- vessels
- vessels for serving and consuming food
- Title
- Rock crystal snuff bottle with Chinese text and deity on lotus blossum
- Artist
- Yeh Chungsan
- Century
- 20th century
- Object Creation Date
- 1917
- Accession Number
- 1980/2.148
- Medium and Support
- rock crystal, coral, ivory
- relevance
- rank 13.94778
- Secondary Keywords
- bone
- bone by form
- combination inorganic/organic animal material
- combination inorganic/organic material
- containers
- containers by function or context
- containers for personal use
- containers for smoking and tobacco use
- dentin
- descriptors
- design elements
- materials
- materials by composition
- motifs
- objects we use
- plant-derived motifs
- tooth and tooth components
- tooth components
- Title
- Lotus Relief, Fragment from the crosspiece of a stupa railing in Mathura
- Artist
- India, Uttar Pradesh, Mathura
- Physical Description
- The red mottled sandstone of this lotus relief is unique to the Sikri quarry, just outside of Mathura.
- Century
- 3rd century
- Object Creation Date
- 3rd century
- Accession Number
- 1963/1.90
- Medium and Support
- red sandstone
- relevance
- rank 13.88131
- Secondary Keywords
- architectural elements
- balustrades, railings and their components
- barrier elements
- barriers and barrier elements
- buildings and the land
- components
- components and systems
- components by specific context
- descriptors
- design elements
- motifs
- plant-derived motifs
- religious structures
- single built works
- single built works by function
- single built works by specific type
- Title
- Buddha, seated in the ardha padmasana pose, in bhumisparsa mudra (Chieng Sen style)
- Artist
- Artist Unknown, Thailand
- Physical Description
- The Buddha in bhumisparsa mudra (the gesture of touching the earth with his right hand, palm inward), signaling his victory over Mara. In Southeast Asian contexts, this hand gesture is often referred to as Maravijaya mudra, or "victory over Mara." The Buddha’s elongated earlobes refer to his early life as a prince, when he wore heavy earrings. Texts that describe how a Buddha’s face should look often use comparisons to natural forms such as eyes like lotus petals, eyebrows like an archer’s bow, and a chin like a mango stone. The artist who created this sculpture clearly followed similar instructions.
- Century
- 16th century
- Object Creation Date
- 1500-1599
- Accession Number
- 1993/2.48
- Medium and Support
- bronze
- relevance
- rank 13.83660
- Secondary Keywords
- associated concepts
- descriptors
- design elements
- devotional images
- figures (representations)
- motifs
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- physical activities
- physical activities by general context
- plant-derived motifs
- religions
- religions and religious concepts
- religious visual works
- visual works
- visual works by function
- visual works by subject type
- Title
- Bodhisattva Mañjusri
- Artist
- Tibet
- Physical Description
- A woodblock print, with monochromatic black ink. The impression is good, especially given the detail of the design, although the block appears to have been worn at the outside edges.
- Century
- 20th century?
- Object Creation Date
- 20th century (?)
- Accession Number
- 1973/1.808A
- Medium and Support
- woodblock print on paper
- relevance
- rank 13.67785
- Secondary Keywords
- animals and creatures
- asian
- associated concepts
- buddhist doctrinal concepts
- descriptors
- design elements
- doctrinal concepts
- earth sciences concepts
- edged weapons
- mammals
- motifs
- objects we use
- people and culture
- physical sciences concepts
- plant-derived motifs
- religions
- religions and religious concepts
- religious concepts
- scientific concepts
- south asian
- styles and periods
- styles and periods by region
- weapons
- weapons and ammunition
- Title
- Egôro (ritual censer)
- Artist
- Artist Unknown, Japan
- Physical Description
- It is a bronze incense burner with a long handle. The circular bowl is a brazier, in which incense is burnt in Shinto rituals. The brazier has a fluted mouth and double-lines on the outside body. A circular foot, in a chrysanthemum shape, is attached to the brazier. There is a support that connects between the brazier and the foot. The brazier’s lid has an intricate openwork design of lotus flower scrolls with a knob in the shape of a lotus bud. The rim has an incised, stylized design of clouds. The mounting between the brazier and the handle is in the shape of Buddhist jewel with two semi-precious stones. The handle has carved lotus flower scrolls, and the end of which is bent at a right angle and joined to a round pedestal. Rising from the pedestal is a small statue of a lion on a lotus-shape pedestal, which serves as a knob handgrip when the incense burner is held.
- Century
- 16th-17th century
- Object Creation Date
- 1583-1650
- Accession Number
- 2007/2.6
- Medium and Support
- gilt bronze with semiprecious stones
- relevance
- rank 13.66608
- Secondary Keywords
- animals and creatures
- associated concepts
- buildings and the land
- containers
- containers by function or context
- descriptors
- design elements
- events
- flowers (plants)
- herbaceous plants
- landscapes (environments)
- mammals
- motifs
- natural landscapes
- object genres
- object genres by material
- objects we use
- people and culture
- plant-derived motifs
- plants
- religions
- religions and religious concepts
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Jina and a devotee from a Digambara Jain manuscript
- Artist
- Artist Unknown, India
- Physical Description
- Nude (Jina, center) and a devotees (nude on left, and other clothed figures) depicted in a folio of a Jain manuscript.
- The image contains trees, lotus flowers and dark clouds. The the colors are composed of vivid reds, browns, yellows, greens and blues. The image is surrounded by a red and green pattereed border which resembles a chain.
- Century
- 18th century
- Object Creation Date
- circa 18th century
- Accession Number
- 1975/2.174
- Medium and Support
- ink, opaque watercolor, and gold on paper
- relevance
- rank 13.60923
- Secondary Keywords
- buildings and the land
- descriptors
- design elements
- herbaceous plants
- landscapes (environments)
- motifs
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- physical activities
- physical activities by general context
- plant-derived motifs
- plants
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by subject type
- woody plants
- Title
- Buddha, seated in the padmasana pose, in bhumisparsa mudra
- Artist
- Artist Unknown, Tibet or Nepal
- Physical Description
- A hollow cast bronze sculpture of the Buddha, including a lotus base. The bronze has a dark, shiny patina over most of its surface.
- The Buddha sits with his legs crossed in the padmasana pose; his right hand reaches down, palm inwards, to touch the earth, in an elegant gesture with just the tip of his third finger making contact, while his right hand rests in his lap. His torso is tall and erect. His dhoti (a skirt-like garment) is tied high on his torso, while his outer robe covers his left shoulder completely and just brushes against his right shoulder. His face is shaped like a tall and narrow "U," with wide, gently arching brows, downcast eyes under swelling lids, a long and high nose, and full, cupid's-bow lips. The urna, an auspicious mark on his forehead, is indicated here by a small bump with an incised outline. His hair is arranged in rows of snail-shell curls, which are repeated in a larger size on his ushnisha, culminating in a lotus bud.
- The upward-pointing lotus petals on the dais are in high relief, with curling tips.
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 1995/1.58
- Medium and Support
- bronze
- relevance
- rank 13.57433
- Secondary Keywords
- asian
- associated concepts
- descriptors
- design elements
- devotional images
- figures (representations)
- motifs
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- plant-derived motifs
- religions
- religions and religious concepts
- religious visual works
- south asian
- styles and periods
- styles and periods by region
- visual works
- visual works by function
- visual works by subject type
- Title
- Bodhisattva Avalokitesvara (Chinese, Guanyin) with a willow branch and vase
- Artist
- Artist Unknown, China
- Century
- 7th-10th century
- Object Creation Date
- 618-907
- Accession Number
- 1964/2.20
- Medium and Support
- Molded terracotta votive plaque
- relevance
- rank 13.55417
- Secondary Keywords
- associated concepts
- buddhist doctrinal concepts
- buildings and the land
- deciduous trees
- descriptors
- design elements
- doctrinal concepts
- landscapes (environments)
- motifs
- natural landscapes
- people and culture
- plant-derived motifs
- plants
- religions
- religions and religious concepts
- religious concepts
- settlements and landscapes
- trees
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- A Votive plaque depicting the Buddha Amitâbha (Chinese, Amitofou) preaching in his Western Paradise
- Artist
- Artist Unknown, China
- Physical Description
- A small, thin, molded clay plaque with a bas-relief scene..
- Century
- 7th-9th century
- Object Creation Date
- 618-907
- Accession Number
- 1964/2.18
- Medium and Support
- terracotta, molded
- relevance
- rank 13.49879
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- design elements
- doctrinal concepts
- figures (representations)
- form attributes
- motifs
- objects we use
- people and culture
- plant-derived motifs
- religions
- religions and religious concepts
- religious concepts
- size (extent)
- size by specific type
- visual works
- visual works by subject type
- Title
- Celestial Musician (Japanese, Hiten; Sanskrit, Apsara)
- Artist
- Artist Unknown, Japan
- Physical Description
- The figure is kneeling musician on lotus seat, made of separately carved petals. Below the seat, there is a base, which consists of two lotus-shaped half-sphere, connected up-side-down. The head has two buns, elongated ears, simplified facial parts; the figure wears a pink robe with wide sleeves, holding a sort of instrument with hands.
- Century
- 7th century
- Object Creation Date
- circa 670-700
- Accession Number
- 1999/2.14
- Medium and Support
- polychromed camphor wood on lacquered wood base
- relevance
- rank 13.44872
- Secondary Keywords
- arts
- arts and related disciplines
- associated concepts
- descriptors
- design elements
- disciplines
- humanities
- motifs
- people
- people (agents)
- people and culture
- people by occupation
- people by state or condition
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the performing arts
- performing arts
- plant-derived motifs
- religions
- religions and religious concepts
- Title
- Kubera, god of wealth, seated in lalitasana on double lotus dais
- Artist
- Nepal
- Century
- 10th century
- Object Creation Date
- 10th century
- Accession Number
- 2000/2.156
- Medium and Support
- bronze
- relevance
- rank 13.40855
- Secondary Keywords
- asian
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- design elements
- form attributes
- motifs
- people
- people (agents)
- people and culture
- people by state or condition
- plant-derived motifs
- religions
- religions and religious concepts
- size (extent)
- size by specific type
- south asian
- styles and periods
- styles and periods by region
- Title
- Buddha, standing, in vitarka mudra
- Artist
- Artist Unknown, China
- Physical Description
- A small, solid gilt bronze image of the Budddha, shown standing in a slighly swayback pose with both right and left hands in vitarka mudra, the gesture ot teaching. His robe is draped over both shoulders and falls in large, symmentrical V-shaped folds in shallow relief over his torso. His head is small, with the canonical snail-shell curls suggested by tiny knobs of bronze. He has full cheeks, a well-defined mouth, and incised slits for his eyes. There are two incised rings at his neck (instead of the canonical three). He stands on a pedestal of upward, double-petal lotus petals, raised on a hollow base. Some turquoise patina is visible on tthe base and head.
- Century
- 7th century
- Object Creation Date
- 7th century
- Accession Number
- 1964/2.97
- Medium and Support
- gilt bronze
- relevance
- rank 13.39001
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- design elements
- educating
- educational functions
- figures (representations)
- form attributes
- functions
- functions (activities)
- functions by specific context
- motifs
- objects we use
- people and culture
- plant-derived motifs
- religions
- religions and religious concepts
- size (extent)
- size by specific type
- visual works
- visual works by subject type
- Title
- Wedding Jacket
- Artist
- Artist Unknown, China
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 1989/2.66
- Medium and Support
- embroidered silk
- relevance
- rank 13.37836
- Secondary Keywords
- descriptors
- design elements
- motifs
- needleworking
- needleworking and needleworking techniques
- object genres
- object genres by material
- plant-derived motifs
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- textile processes and techniques
- textile working processes and techniques
- Title
- Roof Tile-End with Lotus and Bosanghwa Design
- Artist
- Artist Unknown, Korea
- Physical Description
- Circular earthenware tile with molded lotus and bosangwha design.
- Century
- 9th century
- Object Creation Date
- 9th century
- Accession Number
- 2004/1.201
- Medium and Support
- earthenware with molded decoration
- relevance
- rank 13.33680
- Secondary Keywords
- building divisions
- components
- components and systems
- components by specific context
- descriptors
- design elements
- forming
- materials
- materials by form
- materials by physical form
- motifs
- object genres
- object genres by material
- plant-derived motifs
- pottery (object genre)
- processes and techniques
- processes and techniques by specific type
- rooms and spaces
- rooms and spaces by form
- uncovered spaces
- Title
- Buddha, seated in the padmasana pose, in bhumisparsa mudra, on a double lotus dais
- Artist
- Nepal
- Century
- 16th century
- Object Creation Date
- 16th century
- Accession Number
- 2000/2.154
- Medium and Support
- gilt bronze
- relevance
- rank 13.29079
- Secondary Keywords
- asian
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- design elements
- figures (representations)
- form attributes
- motifs
- objects we use
- people and culture
- plant-derived motifs
- religions
- religions and religious concepts
- size (extent)
- size by specific type
- south asian
- styles and periods
- styles and periods by region
- visual works
- visual works by subject type
- Title
- Four-armed Vishnu
- Artist
- Artist Unknown, India, Rajasthan
- Physical Description
- Vishnu stands with his legs apart holding his four attributes in his hands. Reading in clockwise direction from his right front hand he holds: his club, discus, conch and lotus, here a rather flat object cupped in his palm. His back two arms are extremely short. The figure is encircled with a decorated arch with a line of beads and triangular shaped openings around them. A stylized sun and moon are to either side of Vishnu’s head. He wears a variety of simple, lumpy jewelry at his feet are a horse to his right and a bull or cow to his left and between them are three rings lying flat on the base. At the front of the base are seven stylized horses, identifying this as a combination figure: Vishnu and the sun god Surya, whose chariot is pulled by seven horses.
- Century
- 18th-19th century
- Object Creation Date
- 18th century - 19th century
- Accession Number
- 1977/2.49
- Medium and Support
- bronze
- relevance
- rank 13.22564
- Secondary Keywords
- animals and creatures
- associated concepts
- combination inorganic/organic animal material
- combination inorganic/organic material
- descriptors
- design elements
- hindu
- mammals
- materials
- materials by composition
- motifs
- named gods and goddesses
- natural element motifs
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- percussive weapons
- plant-derived motifs
- recreational artifacts
- recreational artifacts for competitive activities
- religion
- religions
- religions and religious concepts
- shell (animal material)
- shell and shell material
- sports and athletic equipment
- subject matter
- track and field sports equipment
- weapons
- weapons and ammunition
- Title
- Lobed Lotus-Shaped Cup and Stand with incised floral patterns
- Artist
- Artist Unknown, Korea
- Physical Description
- Stoneware lotus-shaped cup and stand with celadon glaze. The cup is shaped in the style of a ten-lobed lotus blossom. On each lobe lies lightly incised chrysanthemum decoration. The cup rests on a pedestal in the design of an inverted lotus flower, which rises from the dish-like base of the stand, mounted on a fluted foot.
- Century
- 12th century
- Object Creation Date
- 12th century
- Accession Number
- 2004/1.235A&B
- Medium and Support
- stoneware with incised decoration under celadon glaze
- relevance
- rank 13.15527
- Secondary Keywords
- ceramics
- containers
- containers by function or context
- containers for serving and consuming food
- culinary containers
- cups
- cups by function
- descriptors
- design elements
- drinking vessels
- forming
- motifs
- object genres
- object genres by material
- objects we use
- plant-derived motifs
- pottery (object genre)
- processes and techniques
- processes and techniques by specific type
- surface marking processes and techniques
- vessels for serving and consuming food
- Title
- Bodhisattva Amoghapasa (Avalokitesvara of the never-empty noose)
- Artist
- Artist Unknown
- Physical Description
- A small bronze figure of Amoghapasa, a Buddhist deity, made by the cire perdue (lost wax) casting method. The challenge to the caster is this case is the top-heaviness of the piece caused by the iconographical requirement for the image to have eight arms; in at attempt to provide some support, he arranging floating scarves to drape all the way to the lotus pedestal.
- Object Creation Date
- n.d.
- Accession Number
- 1978/2.97
- Medium and Support
- bronze
- relevance
- rank 13.03882
- Secondary Keywords
- asian
- associated concepts
- attributes and properties
- attributes and properties by specific type
- buddhist doctrinal concepts
- descriptors
- design elements
- doctrinal concepts
- form attributes
- motifs
- people and culture
- plant-derived motifs
- religions
- religions and religious concepts
- religious concepts
- size (extent)
- size by specific type
- south asian
- styles and periods
- styles and periods by region
- Title
- Buddhist altar ornament: lotus bud supported by two dvarapala
- Artist
- Artist Unknown, China
- Century
- 7th-8th century
- Object Creation Date
- 618-907
- Accession Number
- 1961/2.74
- Medium and Support
- gilt bronze with blue-green patina
- relevance
- rank 13.03796
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- design elements
- form attributes
- motifs
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- plant-derived motifs
- religions
- religions and religious concepts
- religious visual works
- size (extent)
- size by specific type
- visual works
- visual works by function
- Title
- A Votive plaque depicting a Bodhisattva in Amitabha's (Chinese. Amitofou's) Western Paradise, giving rebirth to new souls from lotus buds
- Artist
- Artist Unknown, China
- Physical Description
- A small, thin, molded clay plaque with a bas-relief scene.
- Century
- 7th-9th century
- Object Creation Date
- 618-907
- Accession Number
- 1964/2.17
- Medium and Support
- terracotta, molded
- relevance
- rank 13.03730
- Secondary Keywords
- associated concepts
- attributes and properties
- attributes and properties by specific type
- buddhist doctrinal concepts
- descriptors
- design elements
- doctrinal concepts
- form attributes
- geographic and political locations
- lancaster (county)
- motifs
- north and central america (continent)
- object genres
- object genres by form
- pennsylvania (state)
- people and culture
- plant-derived motifs
- religions
- religions and religious concepts
- religious concepts
- size (extent)
- size by specific type
- united states (nation)