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Showing results for "movement" in Secondary Keywords.
- Title
- September Sunset
- Artist
- James McBey
- Artist Life Dates
- 1883-1959
- Century
- 20th century
- Object Creation Date
- 1925
- Accession Number
- 1954/2.4
- Medium and Support
- etching on paper
- Secondary Keywords
- architecture
- atmospheric effects
- cityscapes
- europe
- flat-bottomed watercraft
- italy
- locality
- modern and contemporary art
- monohulls
- movement
- objects we use
- people and occupations
- study
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by form
- watercraft by sectional form
- watercraft by specific type
- waterscapes
- Title
- Signs (Signes) for 'Anatomy of My Universe'
- Artist
- André Masson
- Artist Life Dates
- (Balagny, Oise, France, 1896 - 1987, Paris, France)
- Century
- 20th century
- Object Creation Date
- 1943
- Accession Number
- 1964/2.50
- Medium and Support
- soft-ground etching with drypoint and etching on paper
- Secondary Keywords
- animals
- labyrinths
- leaves
- mazes
- modern and contemporary art
- movement
- objects we use
- the natural world
- visual works
- visual works by function
- words
- Title
- Small Worlds, III (Kleine Welten, III)
- Artist
- Wassily Kandinsky
- Physical Description
- Positioned within a black background a vertically stationed white oval shape sits at center; within the oval are a series of abstracted forms and lines in primary colors all characteristic of Kandinsky's style.
- Artist Life Dates
- 1866 - 1944
- Century
- 20th century
- Object Creation Date
- 1922
- Accession Number
- 1948/1.62
- Medium and Support
- color lithograph on paper
- Secondary Keywords
- transfer method
- visual arts
- abstraction
- artistic concepts
- associated concepts
- concepts in the arts
- european
- european styles and periods
- forms of expression
- lithographs
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- objects we use
- people and culture
- planographic prints
- prints
- prints by process
- prints by process or technique
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Soldatengrab zwischen den Linien (Soldier's Grave between the Lines), from "Der Krieg"
- Artist
- Otto Dix
- Artist Life Dates
- 1891 - 1969
- Century
- 20th century
- Object Creation Date
- 1924
- Accession Number
- 1948/1.100
- Medium and Support
- etching, drypoint and aquatint on paper
- Secondary Keywords
- army
- buildings and the land
- funerary structures
- military
- modern and contemporary art
- movement
- people and occupations
- single built works
- single built works by function
- single built works by specific type
- soldiers
- Title
- Solomon 1:16: 'Our bed is green...', from the suite 'Solomon: Song of Songs'
- Artist
- Paul Wunderlich
- Artist Life Dates
- born 1927
- Century
- 20th century
- Object Creation Date
- 1969
- Accession Number
- 1996/1.74
- Medium and Support
- color lithograph on cream wove paper
- Secondary Keywords
- animals
- clothing
- family
- how we live
- man
- men
- modern and contemporary art
- movement
- objects
- people and occupations
- relationships
- the natural world
- Title
- Song of Songs IV:1
- Artist
- Paul Wunderlich
- Artist Life Dates
- born 1927
- Century
- 20th century
- Object Creation Date
- 1969?
- Accession Number
- 1977/2.26
- Medium and Support
- color lithograph on paper
- Secondary Keywords
- animals
- faces
- modern and contemporary art
- movement
- the natural world
- Title
- South Polar Quadrille
- Artist
- John Tunnard
- Artist Life Dates
- 1900-1971
- Century
- 20th century
- Object Creation Date
- 1947
- Accession Number
- 1954/2.49
- Medium and Support
- ink, colored crayons, watercolor and gouache on white wove paper
- Secondary Keywords
- animal material
- animal material by form or function
- atmospheric effects
- automata
- descriptors
- equipment
- equipment by context
- equipment for costume
- genres
- geography
- materials
- materials by origin
- modern and contemporary art
- movement
- objects we use
- skeleton and skeleton components
- southern cross
- the natural world
- tools and equipment
- Title
- Standing Male Figure
- Artist
- Stanley William Hayter
- Artist Life Dates
- 1901-1988
- Century
- 20th century
- Object Creation Date
- 1929
- Accession Number
- 1948/1.268
- Medium and Support
- pen and ink on white paper
- Secondary Keywords
- figures
- modern and contemporary art
- movement
- people and occupations
- Title
- Standing Nude; Verso: Standing Nude
- Artist
- Gerhard Marcks
- Artist Life Dates
- 1889-1981
- Century
- 20th century
- Object Creation Date
- 1939
- Accession Number
- 1951/2.61
- Medium and Support
- graphite on white paper
- Secondary Keywords
- figures
- modern and contemporary art
- movement
- people and occupations
- Title
- Standing Youth
- Artist
- Gerhard Marcks
- Artist Life Dates
- 1889-1981
- Century
- 20th century
- Object Creation Date
- circa 1940
- Accession Number
- 1963/2.11
- Medium and Support
- graphite on cream paper
- Secondary Keywords
- figures
- modern and contemporary art
- movement
- people and occupations
- Title
- Still Life with Figures (Stil Leben Mit Holz Figur)
- Artist
- Erich Heckel
- Artist Life Dates
- 1883-1970
- Century
- 20th century
- Object Creation Date
- 1960
- Accession Number
- 1983/1.86
- Medium and Support
- woodcut on paper
- Secondary Keywords
- geography
- leaves
- modern and contemporary art
- movement
- objects
- people and occupations
- plants
- standing
- the natural world
- Title
- Still Life with Toys and Shell
- Artist
- Max Beckmann
- Artist Life Dates
- 1884-1950
- Century
- 20th century
- Object Creation Date
- 1934
- Accession Number
- 1949/1.183
- Medium and Support
- watercolor on pink paper
- Secondary Keywords
- allegory and literature
- clothing
- horns
- modern and contemporary art
- movement
- objects
- objects we use
- toys
- Title
- Street in a Village (possibly Le Chemin des vallées)
- Artist
- Charles-François Daubigny
- Artist Life Dates
- 1817-1878
- Century
- 19th century
- Object Creation Date
- circa 1865
- Accession Number
- 1969/2.70
- Medium and Support
- black and red chalk on tan wove paper
- Secondary Keywords
- scale
- buildings and the land
- descriptors
- inorganic material
- materials
- materials by composition
- movement
- plants
- settlements
- settlements and landscapes
- settlements by form
- streets
- the natural world
- Title
- Street Scene, Paris [Rue Laffitte (?) ]
- Artist
- James McNeill Whistler
- Physical Description
- This watercolor on brown prepared board is vertically oriented. The piece
- is reputedly a view of a Parisian street (perhaps in the 8th arrondissement), and the perspective is as if the viewer is on the fourth floor of an adjacent
- building. The upper two-thirds of the piece show a building-lined street,
- curving gently to the left. The buildings are about six stories tall, and
- additional rooftops are barely visible in the distance. On the ground
- floor of the buildings, there are traces of people, shops, and cafés. In
- the bottom third of the work, the road dissolves, but forms suggesting a
- few people populate the space.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- circa 1883-1885
- Accession Number
- 1955/1.91
- Medium and Support
- watercolor on brown prepared board
- Secondary Keywords
- architecture
- cityscapes
- europe
- france
- groups
- locality
- movement
- people and occupations
- streets
- Title
- Stripped Woman of Seville (Sévillane dénudée), Plate II, from "Transmutations"
- Artist
- Brassaï (Gyula Halász)
- Artist Life Dates
- 1899 - 1984
- Century
- 20th century
- Object Creation Date
- 1934-1935; printed 1967
- Accession Number
- 1971/2.150.2
- Medium and Support
- clichés-verre on paper
- Secondary Keywords
- allegory and literature
- genres
- movement
- music
- objects
- people and occupations
- religious figures
- Title
- Study for 'Image in Xhorkom'
- Artist
- Arshile Gorky
- Physical Description
- Black and white drawing of organic forms vaguely resembling human figures flowing into one another in a room-like space. On the right hand side of the grouping stands the most recognizably humanoid figure.
- Artist Life Dates
- 1904 - 1948
- Century
- 20th century
- Object Creation Date
- circa 1936
- Accession Number
- 1964/2.41
- Medium and Support
- graphite and tempera on off-white laid paper
- Secondary Keywords
- visual arts
- abstraction
- artistic concepts
- asia
- asia (continent)
- associated concepts
- biological concepts
- biomorphic
- concepts in the arts
- drawings
- drawings by function
- european
- european styles and periods
- forms of expression
- geographic and political locations
- groups of people
- kinship groups
- life
- life stages
- locality
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- objects we use
- people
- people (agents)
- people and culture
- psychological concepts
- scientific concepts
- social groups
- social science concepts
- study
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Study for 'Three Standing Forms in a Garden'
- Artist
- Graham Sutherland
- Artist Life Dates
- 1903 - 1980
- Century
- 20th century
- Object Creation Date
- 1951
- Accession Number
- 1952/2.21
- Medium and Support
- crayon and wash on white wove paper
- Secondary Keywords
- ancient greeks
- combination inorganic/organic animal material
- combination inorganic/organic material
- descriptors
- fantasy
- gardens
- man
- materials
- materials by composition
- modern and contemporary art
- movement
- people and occupations
- shell and shell material
- study
- Title
- Symmetry
- Artist
- Stanley William Hayter
- Artist Life Dates
- 1901-1988
- Century
- 20th century
- Object Creation Date
- 1901-1976
- Accession Number
- 1976/2.96
- Medium and Support
- color aquatint on paper
- Secondary Keywords
- genres
- modern and contemporary art
- movement
- Title
- Tahstvaat
- Artist
- David Smith
- Artist Life Dates
- 1906 - 1965
- Century
- 20th century
- Object Creation Date
- 1946
- Accession Number
- 1950/1.164
- Medium and Support
- cast iron and forged fabricated steel with wood base
- Secondary Keywords
- figures
- genres
- modern and contemporary art
- movement
- people and occupations
- Title
- Tarantelle
- Artist
- Stanley William Hayter
- Artist Life Dates
- 1901-1988
- Century
- 20th century
- Object Creation Date
- 1943
- Accession Number
- 1949/2.86
- Medium and Support
- engraving, soft-ground etching and scorper, heightened with white
- Secondary Keywords
- dances
- genres
- modern and contemporary art
- movement
- people and occupations
- Title
- Téléphone-homard cybernétique, from 'Imaginations and Objects of the Future' por
- Artist
- Salvador Dali
- Artist Life Dates
- 1904-1989
- Century
- 20th century
- Object Creation Date
- circa 1975-1976
- Accession Number
- 1981/2.110.10
- Medium and Support
- mixed media on Rives BFK paper
- Secondary Keywords
- animals
- modern and contemporary art
- mollusks and crustaceans
- movement
- objects
- the natural world
- Title
- Télévision liquide et gazeuse, from 'Imaginations and Objects of the Future' por
- Artist
- Salvador Dali
- Artist Life Dates
- 1904-1989
- Century
- 20th century
- Object Creation Date
- circa 1975-1976
- Accession Number
- 1981/2.110.3
- Medium and Support
- mixed media on Rives BFK paper
- Secondary Keywords
- faces
- figures
- modern and contemporary art
- mouths
- movement
- noses
- people and occupations
- rooms
- Title
- Temptation of Saint Anthony (Tentation de Saint Antoine), Plate VII, from "Transmutations"
- Artist
- Brassaï (Gyula Halász)
- Artist Life Dates
- 1899 - 1984
- Century
- 20th century
- Object Creation Date
- 1934; printed 1967
- Accession Number
- 1971/2.150.8
- Medium and Support
- clichés-verre on paper
- Secondary Keywords
- breasts
- figures
- genres
- movement
- objects
- people and occupations
- Title
- The Archeologists IV (Gli Archeologi IV); Plate VI from the suite "Metamorphosis" (Metamorphosis is underlined)
- Artist
- Giorgio de Chirico
- Artist Life Dates
- Greece, 1888-1978
- Century
- 20th century
- Object Creation Date
- 1929
- Accession Number
- 1948/1.54
- Medium and Support
- color lithograph on paper
- Secondary Keywords
- architecture
- automata
- buildings
- equipment
- equipment by context
- equipment for costume
- modern and contemporary art
- movement
- objects
- objects we use
- tools and equipment
- Title
- The Beach (Strand)
- Artist
- Max Beckmann
- Artist Life Dates
- 1884-1950
- Century
- 20th century
- Object Creation Date
- 1922
- Accession Number
- 1948/2.30
- Medium and Support
- drypoint on paper
- Secondary Keywords
- modern and contemporary art
- movement
- Title
- The Big Bridge
- Artist
- Max Beckmann
- Artist Life Dates
- 1884-1950
- Century
- 20th century
- Object Creation Date
- 1922
- Accession Number
- 1948/1.20
- Medium and Support
- drypoint on paper
- Secondary Keywords
- architecture
- modern and contemporary art
- movement
- Title
- The Bison (Le Bison)
- Artist
- André Masson
- Artist Life Dates
- (Balagny, Oise, France, 1896 - 1987, Paris, France)
- Century
- 20th century
- Object Creation Date
- 1944
- Accession Number
- 1964/2.49
- Medium and Support
- soft-ground etching on paper
- Secondary Keywords
- animals
- automatism
- mammals
- modern and contemporary art
- movement
- the natural world
- Title
- The Catalyzer (Le Catalyseur), for 'The Western Extreme (L'Extrême Occidental)
- Artist
- Roberto Sebastián Antonio Echaurren Matta
- Artist Life Dates
- 1911 - 2002
- Century
- 20th century
- Object Creation Date
- 1961
- Accession Number
- 1962/2.35
- Medium and Support
- color etching and aquatint with soft-ground etching on paper
- Secondary Keywords
- genres
- modern and contemporary art
- movement
- Title
- The Childhood of Oedipus, Plate 2 from 'The Myth of Oedipus'
- Artist
- Kurt Seligmann
- Artist Life Dates
- 1900-1962
- Century
- 20th century
- Object Creation Date
- 1944
- Accession Number
- 1986/2.97.2
- Medium and Support
- etching on off-white wove paper
- Secondary Keywords
- allegory and literature
- literary
- literary characters
- modern and contemporary art
- movement
- Title
- The Crocodile Hunters
- Artist
- Nancy Brorby
- Artist Life Dates
- 20th century
- Century
- 20th century
- Object Creation Date
- 1964
- Accession Number
- 1965/2.18
- Medium and Support
- lithograph on paper
- Secondary Keywords
- genres
- modern and contemporary art
- movement
- objects
- the natural world
- transportation
- Title
- The Downtrodden (Zertretene)
- Artist
- Käthe Kollwitz
- Artist Life Dates
- 1867 - 1945
- Century
- 20th century
- Object Creation Date
- 1900
- Accession Number
- 1954/2.9
- Medium and Support
- aquatint and etching on paper
- Secondary Keywords
- associated concepts
- emotion
- figures
- how we live
- modern and contemporary art
- movement
- people and culture
- people and occupations
- psychological concepts
- rites of passage
- social science concepts
- Title
- The Dream and Lie of Franco (Sueño y Mentira de Franco). Plate 1
- Artist
- Pablo Picasso
- Artist Life Dates
- 1881 - 1973
- Century
- 20th century
- Object Creation Date
- 1937
- Accession Number
- 1949/2.28
- Medium and Support
- aquatint and etching on paper
- Secondary Keywords
- animals
- army
- mammals
- military
- modern and contemporary art
- movement
- people and occupations
- the natural world
- warriors
- Title
- The Elements: Leaf transformed into a torso
- Artist
- Hans Arp
- Artist Life Dates
- 1886-1966
- Century
- 20th century
- Object Creation Date
- 1887-1962
- Accession Number
- 1962/2.32
- Medium and Support
- color woodcut on paper
- Secondary Keywords
- genres
- leaves
- modern and contemporary art
- movement
- Title
- The Family
- Artist
- George Grosz
- Artist Life Dates
- 1893-1959
- Century
- 20th century
- Object Creation Date
- 20th century
- Accession Number
- 1949/1.204
- Medium and Support
- brush and ink on cream-colored paper
- Secondary Keywords
- modern and contemporary art
- movement
- Title
- The Industrial Beast (La Bête industrielle), Plate IX from "Bestiary (Bestiaire)"
- Artist
- André Masson
- Artist Life Dates
- (Balagny, Oise, France, 1896 - 1987, Paris, France)
- Century
- 20th century
- Object Creation Date
- 1945
- Accession Number
- 1956/1.43
- Medium and Support
- lithograph on paper
- Secondary Keywords
- biological components
- components
- components and systems
- components by specific context
- faces
- modern and contemporary art
- movement
- people and occupations
- the human body
- upper body
- Title
- The Lord's Prayer, sheet 1 (Das Vaterunser)
- Artist
- Max Pechstein
- Physical Description
- This title sheet from Pechstein's "The Lord's Prayer" portfolio has the title of the series in large letters and an attribution to Pechstein at the bottom. Beneath the word "Vater," a man leans over a table, his hands folded in prayer. Two other praying men in profile bracket the word "Unser" near the bottom. All three wear plain, long-sleeved blue shirts.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.423
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 10 - For Thine Is the Kingdom (Das Vaterunser - Denn Dein ist das Reich)
- Artist
- Max Pechstein
- Physical Description
- A man, a woman, and a child facing the viewer with their hands folded in prayer. The man and woman sit on a mattress and look to heaven. The child stands in front of them with his head bowed. Next to the child is a diminutive cow. In the background behind the family are images of fish and birds.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.432
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- animals
- animals and creatures
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- figures
- groups of people
- information forms
- kinship groups
- mammals
- mental activities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- social groups
- social science concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 11 - The Power and the Glory (Das Vaterunser - Und die Kraft und die Herrlichkeit)
- Artist
- Max Pechstein
- Physical Description
- Positioned in the upper center, a large eye sits inside a black triangle from which five arms and hands radiate. Behind the triangle and extending to the viewer's right edge is a rainbow. Below the triangle is a stylized, mask-like face that radiates beams of light rom its eyes. On each side of this large face is a man's face in profile. In the far background, there are mountains and clouds.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.433
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- architecture
- arms
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- document genres
- document genres by form
- document genres for literary works
- earth sciences concepts
- electromagnetic radiation
- energy
- energy and related concepts
- european
- european styles and periods
- heads
- human body
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- monuments
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people and culture
- physical sciences concepts
- physics concepts
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- scientific concepts
- styles and periods
- styles and periods by region
- the human body
- the natural world
- upper body
- visual works
- visual works by medium or technique
- visual works groupings
- weather and related phenomena
- weather-related phenomena
- Title
- The Lord's Prayer, sheet 12 - For Ever and Ever. Amen! (Das Vaterunser - von Ewigkeit zu Ewigkeit. Amen!)
- Artist
- Max Pechstein
- Physical Description
- One forearm extends from the upper left side and ends to the right of center in a hand with palm down. Another arm extends from the lower right and ends in the lower left in a hand with palm up. Between the hands is the word "Amen!" in large letters.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.434
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- arms
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- human body
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people and culture
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the human body
- the natural world
- upper body
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 2 - Our Father Who Art in Heaven (Das Vaterunser - Vater Unser Der Du bist im Himmel)
- Artist
- Max Pechstein
- Physical Description
- A large central figure represents God towers seen in the radiating rays of light and clouds that surround him.. On the forehead of his blocky, totemic head is a third eye. His left arm crosses over his middle and holds fire. His right hand extends down to the lower right corner as reaching down. The words "Vater Unser" are at the very top; "Der Du Bist" across God's waistline; "im Himmel" along the bottom.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.424
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- human body
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- prints
- prints by process
- prints by process or technique
- rays
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 4 - Thy Kingdom Come, Thy Will Be Done on Earth, as It Is in Heaven (Das Vaterunser - Dein Reich komme, Dein Wille geschehe, Wie im Himmel, also auch auf Erden)
- Artist
- Max Pechstein
- Physical Description
- Three male figures dressed in dark clothing, with their backs to the viewer, stand on a shore facing the water as shafts of light break through dark clouds overhead. The figure at the viewer's left raises his hands in exultation. The man in the center stands with head tilted back; the figure at the viewer's righ looks down, as if at his hands. The words of the Lord's Prayer are presented in three lines of text, at the top, middle, and bottom of the composition.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.426
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- daylight
- doctrinal concepts
- document genres
- document genres by form
- document genres for literary works
- earth sciences concepts
- electromagnetic radiation
- energy
- energy and related concepts
- european
- european styles and periods
- information forms
- light (energy)
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- physical sciences concepts
- physics concepts
- prints
- prints by process
- prints by process or technique
- rays
- relief prints
- religions and religious concepts
- religious concepts
- scientific concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- weather and related phenomena
- weather-related phenomena
- Title
- The Lord's Prayer, sheet 5 - Give Us this Day Our Daily Bread (Das Vaterunser - Unser täglich Brot gieb uns heute)
- Artist
- Max Pechstein
- Physical Description
- Four men in plain, dark clothing sit, with hands folded in prayer, around a rectangular table, in the center of which is a fish on an oval platter. The man at the far end has his eyes closed. The other three raise their faces to heaven.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.427
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- animals
- associated concepts
- components and systems
- descriptors
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- events
- information forms
- materials
- materials by function
- mental activities
- modern and contemporary art
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 6 - And Forgive Us Our Sins (Das Vaterunser - Und vergieb uns unsre Schuld)
- Artist
- Max Pechstein
- Physical Description
- A group of seven men kneel and pray around a radiant figure representing God. God is in the viewer's upper left, and the supplicants are arranged around him. Hands project into the scene from behind God, suggesting additional figures kneeling in prayer behind.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.428
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- arms
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- human body
- information forms
- mental activities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the human body
- the natural world
- upper body
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 7 - As We Forgive Them that Sin Against Us (Das Vaterunser - Wie wir vergeben unsern Schuldigern)
- Artist
- Max Pechstein
- Physical Description
- A male figure in profile seen at viewer's right rests his head on the shoulder of a woman. The figures grasp hands in the center of the composition; the female figure's proper left hand rests upon the neck of the male figure; both figures are dressed in dark clothes and illuiminated from behind by a bright white light; text runs along the uppermost edge of the composition, at the viewer's right mid-center, and along the bottom proper.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.429
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by general context
- object groupings by specific context
- objects we use
- people and culture
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- sets (groups)
- social science concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 8 - And Lead Us Not into Temptation (Das Vaterunser - Und führe uns nicht in Versuchung)
- Artist
- Max Pechstein
- Physical Description
- A nude man and woman at center struggle with one another; a snake and a seated figure are visible in the background. The two central figures with intertwined limbs suggesting a struggle are positioned above a sharp-toothed mammal resembling a fox.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.430
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- animals and creatures
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by general context
- object groupings by specific context
- objects we use
- people and culture
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- reptiles
- sets (groups)
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 9 - But Deliver Us from Evil (Das Vaterunser - Sondern erlöse uns von dem Übel)
- Artist
- Max Pechstein
- Physical Description
- At viewer's left, two reclining figures lie side-by-side in a bed, covered by a sheet up to their chins. At the foot of the bed at the viewer's right, a man sits with his eyes closed and his hands on his head. To the viewer's left, in the foreground , a woman sits, crying, wiping her eyes with the back of her left hand.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.431
- Medium and Support
- woodcut with hand-coloring on paper
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- events
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by state or condition
- personal life events
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- social science concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Marriage, Plate 5 from 'The Myth of Oedipus'
- Artist
- Kurt Seligmann
- Artist Life Dates
- 1900-1962
- Century
- 20th century
- Object Creation Date
- 1944
- Accession Number
- 1986/2.97.5
- Medium and Support
- etching on off-white wove paper
- Secondary Keywords
- allegory and literature
- literary
- literary characters
- marriages
- modern and contemporary art
- movement
- Title
- The Negro. No.6 from the Series of Ten Prints, 'Der Jahrmarkt'
- Artist
- Max Beckmann
- Artist Life Dates
- 1884-1950
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.50
- Medium and Support
- drypoint on paper
- Secondary Keywords
- men
- modern and contemporary art
- movement
- people and occupations
- Title
- The Nest
- Artist
- Theodoros Stamos
- Artist Life Dates
- 1922-1997
- Century
- 20th century
- Object Creation Date
- 1949
- Accession Number
- 1962/1.89
- Medium and Support
- oil on board
- Secondary Keywords
- genres
- modern and contemporary art
- movement
- nests
- Title
- The Operation
- Artist
- Harry Brorby
- Artist Life Dates
- 20th century
- Century
- 20th century
- Object Creation Date
- 1964
- Accession Number
- 1965/2.16
- Medium and Support
- lithograph on paper
- Secondary Keywords
- modern and contemporary art
- movement
- people and occupations