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Showing results for "military" in Secondary Keywords.
- Title
- The Combination that Will Win the War
- Artist
- Adolph Treidler
- Physical Description
- Text: The Combination that Will Win the War - Every piece of work done in this plant has a direct bearing on the outcome of the war. Our finished product goes to France. The men who face for us weariness, hardships, death, depend upon us. Our work here, fits their work over there, like a cog in a giant machine. Without our product they are helpless. With it they are invincible. They fight with what we make. We are their resource and reliance, the American workman and the American soldier, the combination that will win the war. - Issued By Ordnance Department U.S. Army
- Artist Life Dates
- 1886-1981
- Century
- 20th century
- Object Creation Date
- circa 1917
- Accession Number
- 1954/2.35.98
- Medium and Support
- color lithograph on paper
- Secondary Keywords
- armed conflicts
- army
- declaratory and advertising artifacts
- events
- figures
- how we live
- information artifacts
- information artifacts by function
- information forms
- military
- modern and contemporary art
- objects we use
- people and culture
- people and occupations
- soldiers
- text-based art
- war
- world wars
- Title
- Back Our Girls Over There - United War Work Campaign - Y.W.C.A.
- Artist
- Clarence F. Underwood
- Artist Life Dates
- 1871-1929
- Century
- 20th century
- Object Creation Date
- circa 1918
- Accession Number
- 1954/2.35.101
- Medium and Support
- color lithograph on paper
- Secondary Keywords
- animals
- architecture
- armed conflicts
- army
- declaratory and advertising artifacts
- events
- figures
- horsemen
- how we live
- information artifacts
- information artifacts by function
- information forms
- mammals
- military
- modern and contemporary art
- objects
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- text-based art
- the natural world
- war
- world wars
- Title
- Warriors Receiving Blessing From God at Waterfall (Taigan jôju arigatakitsubo)
- Artist
- Utagawa Kunisada
- Artist Life Dates
- 1786-1864
- Century
- 19th century
- Object Creation Date
- 1864
- Accession Number
- 1985/1.171A
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- army
- descriptors
- forming
- geography
- historical figures
- military
- people and occupations
- processes and techniques
- processes and techniques by specific type
- standing
- the natural world
- waterscapes
- Title
- Warriors Receiving Blessing From God at Waterfall (Taigan joju arigatakitsubo)
- Artist
- Utagawa Kunisada
- Artist Life Dates
- 1786-1864
- Century
- 19th century
- Object Creation Date
- 1864
- Accession Number
- 1985/1.171B
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- army
- descriptors
- forming
- geography
- military
- people and occupations
- processes and techniques
- processes and techniques by specific type
- standing
- the natural world
- waterscapes
- Title
- Warriors Receiving Blessing From God at Waterfall (Taigan joju arigatakitsubo)
- Artist
- Utagawa Kunisada
- Artist Life Dates
- 1786-1864
- Century
- 19th century
- Object Creation Date
- 1864
- Accession Number
- 1985/1.171C
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- army
- geography
- military
- people and occupations
- the natural world
- waterscapes
- Title
- Twenty-four Warriors (Kôyô nijûshi-shô no hitori)
- Artist
- Utagawa Kuniyoshi
- Artist Life Dates
- 1797 - 1861
- Century
- 19th century
- Object Creation Date
- 1853
- Accession Number
- 1987/1.161
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- army
- military
- objects
- people and occupations
- swords
- warriors
- weaponry
- Title
- Oban Triptych (Center) Bandô Hikosaburô IV as Fujiwara Shihei (???? ?) and Matsumoto Koshirô VI as Matsuômaru (???) in the play Sugawara denju tenarai kagami
- Artist
- Utagawa Kuniyoshi
- Physical Description
- A color woodblock print depicting a fight between two samurais. Included are captions in Japanese.
- Century
- 19th century
- Object Creation Date
- 1849-1853
- Accession Number
- 2011/2.199.2
- Medium and Support
- woodblock print on paper
- Secondary Keywords
- transfer method
- asian
- east asian
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in military occupations
- prints
- prints by process
- prints by process or technique
- relief prints
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Oban Triptych (Right Side) Sawamura Ujûrô II as Toneri Matsuômaru (???) in the play Sugawara denju tenarai kagami
- Artist
- Utagawa Kuniyoshi
- Physical Description
- One of a set of three Japanese woodblock prints. Depicts a samurai in preparation to fight, includeds captions in Japanese.
- Artist Life Dates
- 1797-1861
- Century
- 19th century
- Object Creation Date
- 1849-1853
- Accession Number
- 2011/2.199.3
- Medium and Support
- woodblock print on paper
- Secondary Keywords
- transfer method
- asian
- east asian
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in military occupations
- prints
- prints by process
- prints by process or technique
- relief prints
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Actor Ichikawa Ichizô III as Kinryû Kumokichi
- Artist
- Utagawa Toyokuni I
- Physical Description
- Japanese style woodblock print of a samurai standing with his back facing the viewer. The woodblock print has been colored during the printing process. The samurai figure takes up the majority of the image, with printed Japanese in the upper and lower right corners of the print.
- Artist Life Dates
- 1769-1825
- Object Creation Date
- early 19th century
- Accession Number
- 2009/2.100
- Medium and Support
- woodblock print on paper
- Secondary Keywords
- transfer method
- asian
- east asian
- entertainment events
- events
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in military occupations
- performances
- prints
- prints by process
- prints by process or technique
- relief prints
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Waterside Castle Under Siege, sheet 1
- Artist
- Utagawa Yoshitora
- Artist Life Dates
- (Tokyo, ca. 1815 - ca. 1880)
- Century
- 19th century
- Object Creation Date
- circa 1850-1880
- Accession Number
- before6/30/46.1
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- animals
- army
- asia
- geography
- houses
- locality
- mammals
- military
- objects we use
- people and occupations
- the natural world
- transportation vehicles
- vehicles
- visual and tactile
- watercraft
- watercraft by general type
- Title
- A vingt ans
- Artist
- Félix Edouard Vallotton
- Artist Life Dates
- 1865-1925
- Century
- 19th century
- Object Creation Date
- 1894
- Accession Number
- 1968/2.17
- Medium and Support
- woodcut on paper
- Secondary Keywords
- army
- military
- people and occupations
- Title
- Reclining Soldier
- Artist
- Frede Vidar
- Artist Life Dates
- 1911-1967
- Century
- 20th century
- Object Creation Date
- 1944
- Accession Number
- 1980/2.231
- Medium and Support
- ink and crayon on paper
- Secondary Keywords
- army
- military
- modern and contemporary art
- people and occupations
- soldiers
- Title
- Conversation under the Statue, Luxembourg Gardens
- Artist
- James McNeill Whistler
- Physical Description
- In the lower left corner, two women are seen seated out of doors conversing in a park-like setting. In the middle distance is a large sculpture on a raised pedestal. Grouped around the sculpture are other small gatherings of people in conversation. Behind the figures and sculpture is the loose indication of trees.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1893
- Accession Number
- 1954/1.438
- Medium and Support
- transfer lithograph with stumping on laid paper
- Secondary Keywords
- armed forces
- buildings and the land
- europe
- europe (continent)
- france
- france (nation)
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- geographic and political locations
- locality
- military
- objects
- objects we use
- open spaces
- open spaces and site elements
- open spaces by form
- organizations
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- physical activities
- physical activities by general context
- religious figures
- saint
- sculpture
- sculpture by subject type
- seating furniture
- single seating furniture
- ville de paris, dèpartement de (department)
- visual works
- visual works by medium or technique
- œle-de-france (region)
- Title
- Stand by the boys in the trenches - Mine More Coal - United States Fuel Administration
- Artist
- Walter Whitehead
- Physical Description
- Text: Stand by the boys in the trenches - Mine More Coal - United States Fuel Administration
- Artist Life Dates
- 1874-1956
- Century
- 20th century
- Object Creation Date
- 1918
- Accession Number
- 1954/2.35.104
- Medium and Support
- color lithograph on paper
- Secondary Keywords
- architecture
- armed conflicts
- army
- buildings and the land
- built complexes and districts
- business and industry
- complexes
- complexes by function
- declaratory and advertising artifacts
- events
- extracting complexes
- figures
- how we live
- industrial complexes
- information artifacts
- information artifacts by function
- information forms
- military
- mines (industrial complexes)
- modern and contemporary art
- objects
- objects we use
- people and culture
- people and occupations
- soldiers
- text-based art
- war
- world wars
- Title
- Come On! Buy More Liberty Bonds
- Artist
- Walter Whitehead
- Artist Life Dates
- Born 1874
- Century
- 20th century
- Object Creation Date
- 1918
- Accession Number
- 1954/2.35.105
- Medium and Support
- color lithograph on paper
- Secondary Keywords
- armed conflicts
- army
- declaratory and advertising artifacts
- events
- figures
- how we live
- information artifacts
- information artifacts by function
- information forms
- military
- modern and contemporary art
- objects
- objects we use
- people and culture
- people and occupations
- physical activities
- physical activities by general context
- rites of passage
- soldiers
- stand
- text-based art
- war
- world wars
- Title
- Y.M.C.A. United War Work Campaign - Pershing
- Artist
- Samuel Johnson Woolf
- Physical Description
- Text: YMCA - Cabled From France August 21st, 1918 - "A sense of obligation for the varied and useful service rendered to the army in France by the Y.M.C.A. prompts me to join in the appeal for its further financial support. I have opportunity to observe its operations, measure the quality of its personnel and mark its beneficial influence upon our troops, and I wish unreservedly to commend its work for the Army." - Pershing - United War Work Campaign - November 11-18, 1918
- Artist Life Dates
- 1880 - 1948
- Century
- 20th century
- Object Creation Date
- November 11, 1918 - November 18, 1918
- Accession Number
- 1954/2.35.107
- Medium and Support
- color lithograph on paper
- Secondary Keywords
- armed conflicts
- army
- clothing
- declaratory and advertising artifacts
- events
- figures
- how we live
- information artifacts
- information artifacts by function
- information forms
- military
- modern and contemporary art
- objects
- objects we use
- people and culture
- people and occupations
- soldiers
- text-based art
- war
- world wars
- Title
- Armor and Helmet with Paulownia Crests
- Artist
- Workshop of Mitsusada
- Physical Description
- The armor is comprised of a round helmet with a neck protector and a crescent-moon shaped ornament; a mask with fake mustache; an upper-body protector with sleeves from waist down and paulownia crest in the middle; a thigh cover; two metal leg protectors; two arm and hand protectors. The suit is stored in a black lacquered box with the gold crest.
- The helmet is made of red-painted metal lined with indigo-died cotton fabric and deer skin leather trim, which is attached to the metal helmet. The cotton is quilted with indigo-dyed cotton threads. There are two loops on side and one loop in the back, to hold a code for tying below the wearer’s chin. The code is indigo-dyed and then plaited; there are some fading areas. On the outside of helmet, the paulownia crest is on side flaps (to protect ears). There is a hole in the middle of the helmet for a head ornament. The metal leaves are interlaced with cotton strings. Ceremonial knots of yellow code on the back. It weights about 10 pounds.
- The helmet ornament is in crescent moon shape and made of lacquered wood in gold color. There is a slot on the back to place the ornament in the helmet. The slot is nailed to the wood; it looks like a later creation.
- The mask covers below the wearer’s eyes, ears, nose and mouth, and down to front neck. The upper part is made of metal; the neck is in metal pieces and cotton codes. The mustache is made of animal hair. The mouth has fake teeth painted with gold.
- The arm and hand protectors are made of red-painted metal shell and silk fabric with small flower motifs lined with deerskin and indigo-dyed cotton fabric. The shell is consisted of small metal panels connected with chains. The hand protectors have three different crests. The protectors are tied with indigo dyed cotton codes on back.
- The leg protectors are also made of red-painted metal with silk fabric lining. On the metal surface of each piece, there are the artist’s signature and seal.
- The body is consisted of metal panels, lacquered with gold in design of peonies and vines. The family crest appears in the middle. Metal knots are in chrysanthemum design. Inside is lined with leather printed with lions and peonies. The shoulder pads are made of cotton quilt in tortoise shell design.
- The apron for thighs is made of silk fabric quilt and metal panels. The metal panels protect thighs. The apron belt is made of cotton kasuri; the back is lined with indigo dyed cotton.
- The thick belt for the body is made of padded silk fabric.
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 2006/1.146A-M
- Medium and Support
- metal, lacquer, silk cords, and silk fabric
- Secondary Keywords
- costume
- costume by function
- descriptors
- design elements
- heraldic motifs
- motifs
- natural element motifs
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in military occupations
- protective wear
- Title
- Enlist in the Navy - Follow the Boys in Blue for Home and Country
- Artist
- George Hand Wright
- Artist Life Dates
- (active Philadelphia, Pennsylvania, 1873 - 1951, Westport, Connecticut)
- Century
- 20th century
- Object Creation Date
- circa 1917-1919
- Accession Number
- 1954/2.35.109
- Medium and Support
- color lithograph on paper
- Secondary Keywords
- armed conflicts
- armed forces
- army
- declaratory and advertising artifacts
- events
- figures
- geography
- identifying artifacts
- information artifacts
- information artifacts by function
- information forms
- military
- modern and contemporary art
- objects we use
- organizations
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- people by occupation
- people in military occupations
- smoke
- text-based art
- transportation vehicles
- vehicles
- watercraft
- watercraft by general type
- world wars
- Title
- "Colonel Work", from "Antietam: The Lost Images Portfolio I"
- Artist
- Robert A. Zeichner
- Physical Description
- Army Reinactment. Army colonel stainding next to a fence in a field. Has a large knife strapped across his chest.
- Object Creation Date
- 1997
- Accession Number
- 2013/1.267
- Medium and Support
- toned gelatin silver print on paper
- Secondary Keywords
- armed conflicts
- armed forces
- descriptors
- design elements
- events
- organizations
- ornament areas
- people
- people (agents)
- people and culture
- people by occupation
- people in military occupations
- Title
- "Rations Boys!", from "Antietam: The Lost Images Portfolio I"
- Artist
- Robert A. Zeichner
- Physical Description
- Army Reinactment. Line of soldiers standing behind a wagon waiting to get their meal.
- Object Creation Date
- 1997
- Accession Number
- 2013/1.268
- Medium and Support
- toned gelatin silver print on paper
- Secondary Keywords
- armed conflicts
- armed forces
- descriptors
- design elements
- events
- organizations
- ornament areas
- people
- people (agents)
- people and culture
- people by occupation
- people in military occupations
- Title
- "Fording Antietam Creek", from "Antietam: The Lost Images Portfolio I"
- Artist
- Robert A. Zeichner
- Physical Description
- Army Reinactment. Soldiers sitting in a field watching some soldiers on horses forge the creek.
- Object Creation Date
- 1997
- Accession Number
- 2013/1.269
- Medium and Support
- toned gelatin silver print on paper
- Secondary Keywords
- armed conflicts
- armed forces
- descriptors
- design elements
- events
- organizations
- ornament areas
- people
- people (agents)
- people and culture
- people by occupation
- people in military occupations
- Title
- "Parker's Virginians Under Fire", from "Antietam: The Lost Images Portfolio I"
- Artist
- Robert A. Zeichner
- Physical Description
- Army Reinactment. Soldiers standing around a canon in a field, lots of smoke in the air.
- Object Creation Date
- 1997
- Accession Number
- 2013/1.270
- Medium and Support
- toned gelatin silver print on paper
- Secondary Keywords
- armed conflicts
- armed forces
- descriptors
- design elements
- events
- organizations
- ornament areas
- people
- people (agents)
- people and culture
- people by occupation
- people in military occupations
- Title
- "Eyeball to Eyeball", from "Antietam: The Lost Images Portfolio I"
- Artist
- Robert A. Zeichner
- Physical Description
- Army Reinactment. Two sides of the battle are fighting in a field with a fence between them.
- Object Creation Date
- 1997
- Accession Number
- 2013/1.271
- Medium and Support
- toned gelatin silver print on paper
- Secondary Keywords
- armed conflicts
- armed forces
- descriptors
- design elements
- events
- organizations
- ornament areas
- people
- people (agents)
- people and culture
- people by occupation
- people in military occupations
- Title
- "Don't Look at Them", from "Antietam: The Lost Images Portfolio I"
- Artist
- Robert A. Zeichner
- Physical Description
- Army Reinactment. Soldiers passing over wounded soldiers. One is carrying the American flag.
- Object Creation Date
- 1997
- Accession Number
- 2013/1.272
- Medium and Support
- toned gelatin silver print on paper
- Secondary Keywords
- armed conflicts
- armed forces
- descriptors
- design elements
- events
- organizations
- ornament areas
- people
- people (agents)
- people and culture
- people by occupation
- people in military occupations
- Title
- "Discovering Order 191", from "Antietam: The Lost Images Portfolio I"
- Artist
- Robert A. Zeichner
- Physical Description
- Army Reinactment. Two soldiers sitting against a fence, one is reading a letter.
- Object Creation Date
- 1997
- Accession Number
- 2013/1.273
- Medium and Support
- toned gelatin silver print on paper
- Secondary Keywords
- armed conflicts
- armed forces
- descriptors
- design elements
- events
- organizations
- ornament areas
- people
- people (agents)
- people and culture
- people by occupation
- people in military occupations
- Title
- "Tragedy in Miller's Cornfield", from "Antietam: The Lost Images Portfolio I"
- Artist
- Robert A. Zeichner
- Physical Description
- Army Reinactment. Soldiers and their weapons strewn about in a field.
- Object Creation Date
- 1997
- Accession Number
- 2013/1.274
- Medium and Support
- toned gelatin silver print on paper
- Secondary Keywords
- armed conflicts
- armed forces
- descriptors
- design elements
- events
- organizations
- ornament areas
- people
- people (agents)
- people and culture
- people by occupation
- people in military occupations
- Title
- "Waud Sketches the Truce at Dunker Church", from "Antietam: The Lost Images Portfolio I"
- Artist
- Robert A. Zeichner
- Physical Description
- Army Reinactment. A man sketching the signing of a truce after a battle amongst the dead soldiers near a church.
- Object Creation Date
- 1997
- Accession Number
- 2013/1.275
- Medium and Support
- toned gelatin silver print on paper
- Secondary Keywords
- armed conflicts
- armed forces
- descriptors
- design elements
- events
- organizations
- ornament areas
- people
- people (agents)
- people and culture
- people by occupation
- people in military occupations
- Title
- "Leave the Dead to Bury the Dead", from "Antietam: The Lost Images Portfolio I"
- Artist
- Robert A. Zeichner
- Physical Description
- Army Reinactment. Soldiers looking through a field of injured for survivors.
- Object Creation Date
- 1997
- Accession Number
- 2013/1.276
- Medium and Support
- toned gelatin silver print on paper
- Secondary Keywords
- armed conflicts
- armed forces
- descriptors
- design elements
- events
- organizations
- ornament areas
- people
- people (agents)
- people and culture
- people by occupation
- people in military occupations
- Title
- Caesar Pausing at the Rubicon
- Artist
- Federico Zuccaro
- Artist Life Dates
- 1543-1609
- Century
- Late 16th century
- Object Creation Date
- late 16th century
- Accession Number
- 1970/2.32
- Medium and Support
- pen and brown ink with brown wash
- Secondary Keywords
- animals
- army
- historical figures
- mammals
- military
- objects
- people and occupations
- the natural world
- transportation
- vehicles
- weaponry