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Showing results for "metallizing" in Secondary Keywords.
- Title
- Mourning Virgin from Crucifixion group
- Artist
- Artist Unknown, Spain or Belgium
- Physical Description
- This standing figure of the Virgin turns slightly toward the left with her head bowed and hands clasped before her in a restrained expression of grief. Her robe is gilded, which contributes a regal note to this somber figure.
- Century
- 15th century
- Object Creation Date
- 1450-1500
- Accession Number
- 1975/2.197
- Medium and Support
- wood, paint and gilding
- relevance
- rank 6.97851
- Secondary Keywords
- additive and joining processes and techniques
- associated concepts
- descriptors
- emotion
- europe (continent)
- events
- executions
- geographic and political locations
- metallizing
- people
- people (agents)
- people and culture
- people by activity
- processes and techniques
- processes and techniques by specific type
- psychological concepts
- religions
- religions and religious concepts
- social science concepts
- spain (nation)
- surface covering processes and techniques
- Title
- Standing Guatama Buddha in Repousse
- Artist
- Artist Unknown
- Physical Description
- A gilt copper figure of a standing man. His right arm is at his side and his left arm is bent at the elbow. The parts of the figure that are not gilt are black.
- Century
- 16th-17th century
- Accession Number
- 2012/1.279
- Medium and Support
- gilt copper
- relevance
- rank 6.97581
- Secondary Keywords
- additive and joining processes and techniques
- descriptors
- metallizing
- metalwork
- object genres
- object genres by material
- objects we use
- processes and techniques
- processes and techniques by specific type
- surface covering processes and techniques
- visual works
- visual works by subject type
- Title
- Light blue crested kimono with woven hexagonal pattern, enhanced by painted and gilded designs and appliquéd Saga brocade.
- Artist
- Artist Unknown, Japan
- Physical Description
- Silk crepe with yûzen (painted) and surihaku (gold foil) designs and appliquéd patches of Saga brocade, all in hexagonal shapes to match the damask weave of the ground cloth.
- Century
- 20th century
- Object Creation Date
- circa 1970-1979
- Accession Number
- 2005/1.391
- Medium and Support
- silk crepe with painted, gilt, and embroidered designs
- relevance
- rank 6.89842
- Secondary Keywords
- additive and joining processes and techniques
- costumes
- descriptors
- fabric
- metallizing
- needleworking
- needleworking and needleworking techniques
- objects
- objects we use
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- surface covering processes and techniques
- textile processes and techniques
- textile working processes and techniques
- textiles
- Title
- Standing Buddha in Abhaya-vara mudra
- Artist
- Artist Unknown, Korea
- Physical Description
- Gilt bronze standing Buddha on lotus pedestal. He is clothed in monastic robes with cascading U-shaped folds, similar to the gentle folds of his neck. His hands ake the form of two mudras: the abhaya (“have no fear”) mudra with the right hand, and varada (“wishes are granted”) mudra with the left.
- It is well proportioned overall and represent Buddha in a standing position; a position quite popular in Unified Shilla Buddhist sculpture. The Ushinisha on the top of Buddha's head is tall, voluminous and black. The face is plump and facial features, including the eyes, nose and the mouth, are all rather small. The earlobes hang are hanging and the three curved lines on the neck are highly distinct.
- Century
- ca. 8th century
- Object Creation Date
- late 7th century - early 8th century
- Accession Number
- 1961/2.80
- Medium and Support
- gilt bronze
- relevance
- rank 5.48164
- Secondary Keywords
- additive and joining processes and techniques
- associated concepts
- attributes and properties
- attributes and properties by specific type
- copper alloy
- copper and copper alloy
- descriptors
- figures (representations)
- form attributes
- inorganic material
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- metallizing
- nonferrous metal
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- processes and techniques
- processes and techniques by specific type
- religions
- religions and religious concepts
- size (extent)
- size by specific type
- surface covering processes and techniques
- visual works
- visual works by subject type
- Title
- Crossbow fibula with vegetal ornament on the catchplate
- Artist
- Anonymous Gallo-Roman
- Physical Description
- This fibula, a type of brooch used to pin outer garments, features a crossbar that ends in three onion-shaped terminals, which give the fibula a shape reminiscent of a crossbow. An arched bow connects the crossbar to the longer catchplate, which is ornamented with vegetal motifs.
- Century
- 5th century
- Object Creation Date
- 450-500
- Accession Number
- 1966/2.17
- Medium and Support
- gilt bronze
- relevance
- rank 5.28549
- Secondary Keywords
- additive and joining processes and techniques
- associated concepts
- copper alloy
- copper and copper alloy
- costume
- costume accessories
- costume accessories worn
- culture and related concepts
- culture-related concepts
- descriptors
- europe (continent)
- european
- european styles and periods
- geographic and political locations
- inorganic material
- jewelry
- jewelry by location
- jewelry worn on costume
- materials
- materials by composition
- medieval
- medieval styles and periods
- metal
- metal and metal products
- metal by composition or origin
- metallizing
- nonferrous metal
- objects we use
- people and culture
- pins (jewelry)
- processes and techniques
- processes and techniques by specific type
- styles and periods
- styles and periods by region
- surface covering processes and techniques
- Title
- Mantel clock with a priestess and Cupid offering a sacriffice to Venus
- Artist
- Joseph Buzot
- Physical Description
- The dial of this elaborately decorated clock stands upon a two-tiered base. The lower tier consists of a hollow base made of ebony and adorned with a frieze of gilded bronze scrollwork and palmette motifs. The upper tier, made entirely of gilded bronze, features six fluted pilasters with a decorative panel centered on the front below the dial. This panel is composed of a pair of doves touching beaks before a crossed quiver of arrows and a flaming torch framed by leaves. A woman in long flowing robes stands to the right of the dial and empties a small cup onto a dove held by a winged putto who lies on a rocky projection. Behind the dove burns a fire on a small altar inscribed "Altar of Venus" [Autel à Venus].
- Century
- 18th century
- Object Creation Date
- circa 1780
- Accession Number
- 2001/2.82
- Medium and Support
- gilded bronze, ebony, porcelain, and glass
- relevance
- rank 4.66437
- Secondary Keywords
- additive and joining processes and techniques
- altars and altar components
- animals and creatures
- architectural elements
- architectural elements by building type
- birds
- ceremonies
- components
- components and systems
- components by specific context
- descriptors
- design elements
- enclosing structural elements
- european
- european styles and periods
- events
- figure- and animal-derived motifs
- measuring devices
- measuring devices for extent
- metallizing
- modern european regional styles and movements
- modern european styles and movements
- modern french styles and movements
- modern french styles by reign
- motifs
- objects we use
- people and culture
- processes and techniques
- processes and techniques by specific type
- religious building fixtures
- religious ceremonies
- sculpture
- sculpture by material
- structural elements
- structural elements and structural element components
- styles and periods
- styles and periods by region
- surface covering processes and techniques
- timepieces
- timepieces by form
- visual works
- visual works by medium or technique
- wall components
- wall components by form or function
- walls and wall components