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Showing results for "materials" in Secondary Keywords.
- Title
- Temple bell with handle of a pair of addorsed lions and a dragon
- Artist
- Artist Unknown, Burma
- Physical Description
- Bronze temple bell with traces of polychrome, text, and lowermost handle in shape of a pair of addorsed lions. A decorated post threads through the space created by the back-to-back lions, on which an additional handle decorated with addorsed dragons is thread. The open space created between the dragons' connecting tails is where part of a frame would pass through, suspending the bell above the ground. This type of bell does not have a metal clapper, and is rung by striking with a wooden stick.
- Century
- Early 20th century
- Object Creation Date
- 1907
- Accession Number
- 2002/2.237A-C
- Medium and Support
- bronze with traces of polychrome
- Secondary Keywords
- hollow-bodied
- animals and creatures
- bells and sets of bells
- buildings and the land
- chordophones
- copper alloy
- copper and copper alloy
- descriptors
- directly struck idiophones
- inorganic material
- legendary creatures
- mammals
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- nonferrous metal
- objects we use
- percussion idiophones
- religious buildings
- religious structures
- single built works
- single built works by function
- single built works by specific type
- sound devices
- sound devices by acoustical characteristics
- struck idiophones
- Title
- Temple bell
- Artist
- Artist Unknown
- Physical Description
- Wood base for a temple bell.
- Century
- 20th century
- Object Creation Date
- 20th century
- Accession Number
- 2002/2.237D
- Medium and Support
- wood
- Secondary Keywords
- hollow-bodied
- bells and sets of bells
- buildings and the land
- chordophones
- descriptors
- directly struck idiophones
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- materials
- materials by origin
- objects we use
- percussion idiophones
- plant material
- religious buildings
- religious structures
- single built works
- single built works by function
- single built works by specific type
- sound devices
- sound devices by acoustical characteristics
- struck idiophones
- support furniture
- wood and wood products
- Title
- Bamboo in snow
- Artist
- Zhu Sheng (Chu Sheng)
- Physical Description
- In this image of bamboo bent under heavy snow the leaves are depicted with vigorous yet controlled strokes of the brush, while the snow is indicated by surrounding areas of blank paper with dark ink, a traditional technique in monochrome ink painting.
- Artist Life Dates
- 1618 - circa 1690
- Century
- 17th century
- Object Creation Date
- 1690
- Accession Number
- 2002/2.351
- Medium and Support
- hanging scroll, ink on satin
- Secondary Keywords
- artists
- associated concepts
- descriptors
- earth sciences concepts
- grass (plant material)
- materials
- materials by origin
- objects we use
- painters (artists)
- painters by subject of work
- paintings
- paintings by form
- people
- people (agents)
- people and culture
- people by occupation
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the visual arts
- people in the visual arts and related occupations
- physical sciences concepts
- plant material
- precipitation
- scientific concepts
- scroll paintings
- seasons
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- Title
- Travelling in Autumn Mountains: Landscape in the style of Guo Xi (Kuo Hsi)
- Artist
- Artist Unknown, China
- Physical Description
- A group of travellers moves along a path at the foot of the mountains that grow upward, dominating the majority of the pictoral space. The common technique using small black dots occurs throughout the painting, accenting mountain edges, tree branches and roots. A building can be seen peeking out from behind the mountains in the lower portion of hte painting.
- Century
- 16th century
- Object Creation Date
- 16th century
- Accession Number
- 2002/2.354
- Medium and Support
- hanging scroll, ink on silk
- Secondary Keywords
- upward
- buildings and the land
- coating (material)
- coating by form
- descriptors
- geography
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by function
- plants
- settlements and landscapes
- the natural world
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Pipe holder in the form of Ashinaga and crab-shaped tobacco pouch
- Artist
- Artist Unknown, Japan
- Century
- 19th century
- Object Creation Date
- circa 1810-1849
- Accession Number
- 2002/2.42
- Medium and Support
- bone and stag antler
- Secondary Keywords
- smoking and tobacco use
- animal material
- animals and creatures
- arthropods
- combination inorganic/organic animal material
- combination inorganic/organic material
- crustaceans
- descriptors
- equipment
- equipment by context
- equipment for personal use
- keratinous material
- leaf (plant material)
- materials
- materials by composition
- materials by origin
- objects we use
- plant material
- tools and equipment
- Title
- Hyakunin jorô shinasadame (One Hundred Types of Women), vol. 1 of 3
- Artist
- Nishikawa Sukenobu
- Physical Description
- Book containing detailed calligraphic text descriptions of various types of women, accompanied by woodblock prints depicting the types described.
- Artist Life Dates
- Kyoto, 1671 - 1751
- Century
- 18th century
- Object Creation Date
- 1723
- Accession Number
- 2003/1.381.1
- Medium and Support
- woodblock print picture book
- Secondary Keywords
- asia (continent)
- coating (material)
- coating by form
- descriptors
- geographic and political locations
- image-making processes and techniques
- materials
- materials by function
- people
- people (agents)
- people and culture
- people by gender
- processes and techniques
- processes and techniques by specific type
- writing (processes)
- Title
- Hyakunin jorô shinasadame (One Hundred Types of Women), vol. 1 of 3
- Artist
- Nishikawa Sukenobu
- Physical Description
- Book containing detailed calligraphic text descriptions of various types of women, accompanied by woodblock prints depicting the types described.
- Century
- 18th century
- Object Creation Date
- 1723
- Accession Number
- 2003/1.381.2
- Medium and Support
- woodblock print picture book
- Secondary Keywords
- asia (continent)
- coating (material)
- coating by form
- descriptors
- geographic and political locations
- image-making processes and techniques
- materials
- materials by function
- people
- people (agents)
- people and culture
- people by gender
- processes and techniques
- processes and techniques by specific type
- writing (processes)
- Title
- Animals of the Zodiac (pair with 2003/1.282.1)
- Artist
- Yoshikawa Kôkei
- Physical Description
- The animals are presented in zodiac sequence, from right to left: mouse, ox, tiger, hare, dragon, serpent, horse, goat, monkey, chicken, dog, and boar. The eight-fold screen allows the animals to seem to walk across the space. Negative space plays a significant role in the screen, creating a place for the animals to exist and at the same time extending into the room.
- Artist Life Dates
- active 1920's
- Century
- 20th century
- Object Creation Date
- 1924
- Accession Number
- 2003/1.383.2
- Medium and Support
- one of a pair of six-fold screens, ink and color on silk
- Secondary Keywords
- animals and creatures
- coating (material)
- coating by form
- descriptors
- design elements
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- mammals
- materials
- materials by function
- motifs
- objects we use
- Title
- Bamboo and Rocks
- Artist
- Nakabayashi Chikutô
- Physical Description
- Black ink painting of bamboo shoots around rocks. Writing located in the lower left side of the painting.
- Artist Life Dates
- 1776-1853
- Century
- 19th century
- Object Creation Date
- 1836
- Accession Number
- 2003/1.390
- Medium and Support
- hanging scroll, ink on silk
- Secondary Keywords
- descriptors
- inorganic material
- materials
- materials by composition
- plants
- the natural world
- Title
- Calligraphy: "The Ocean of Good Fortune"
- Artist
- Yueshan Daozong (J. Etsuzan Dôshû; Ôbaku Etsuzan)
- Physical Description
- Running script calligraphy
- Artist Life Dates
- 1629 - 1709
- Century
- 17th century
- Object Creation Date
- circa 1660-1709
- Accession Number
- 2003/1.392
- Medium and Support
- ink on paper
- Secondary Keywords
- coating (material)
- coating by form
- descriptors
- image-making processes and techniques
- materials
- materials by function
- objects we use
- paintings
- paintings by form
- processes and techniques
- processes and techniques by specific type
- scroll paintings
- visual works
- visual works by medium or technique
- writing (processes)
- Title
- Tanuki (raccoon dog) and Bamboo in the Snow
- Artist
- Konoshima Ôkoku
- Physical Description
- A tanuki, or racoon dog, is seen peering over its shoulder on a snowy hill. Its footprints disappear in the snow behind it. Bamboo rise from out of view on the bottom right, and dominate the upper register of the image. This painting mounted on a hanging scroll also includes elaborate gold fabric with repeating designs.
- Artist Life Dates
- 1877-1938
- Century
- 20th century
- Object Creation Date
- early 20th century
- Accession Number
- 2003/1.402
- Medium and Support
- Hanging scroll, ink on silk
- Secondary Keywords
- animal
- associated concepts
- coating (material)
- coating by form
- descriptors
- earth sciences concepts
- grass (plant material)
- materials
- materials by function
- materials by origin
- objects we use
- paintings
- paintings by form
- people and culture
- physical sciences concepts
- plant material
- precipitation
- scientific concepts
- scroll paintings
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- Title
- Tea bowl with handpainted floral design
- Artist
- Kawai Kanjirô
- Physical Description
- Tea bowl with underglaze floral design.
- Artist Life Dates
- (1890 - 1966)
- Century
- 20th century
- Object Creation Date
- circa 1929
- Accession Number
- 2003/2.13
- Medium and Support
- stoneware with blue, copper and lead underglaze painting and milky glaze
- Secondary Keywords
- containers
- containers by function or context
- containers for serving and consuming food
- culinary containers
- descriptors
- drinking vessels
- food
- materials
- materials by function
- objects we use
- vessels for serving and consuming food
- Title
- Large Ovoid Vase with Bamboo Design
- Artist
- Hamada Shôji
- Physical Description
- Ovoid stoneware vase with brown iron glaze and bamboo design stretching diagonally across the height of the vase. A short, tapered neck flares iinto a wide rimmed opening.
- Artist Life Dates
- (1894 - 1978)
- Century
- 20th century
- Object Creation Date
- circa 1930-1950
- Accession Number
- 2003/2.16
- Medium and Support
- stoneware with iron glaze; bamboo design created with wax resist
- Secondary Keywords
- ceramics
- containers
- containers by form
- descriptors
- grass (plant material)
- materials
- materials by origin
- object genres
- object genres by material
- objects we use
- plant material
- pottery (object genre)
- vessels
- Title
- Mashiko Ware Teacup (style of Hamada Shôji)
- Artist
- Old Mashiko Ware
- Physical Description
- Stoneware tea bowl with short foot that flares out into the base of the tea bowl, and bends gently back inwards, until flaring slightly at the lip of the piece. Underglaze design of a circle and stylized design or plant decorates the side of the bowl.
- Century
- 20th century
- Object Creation Date
- circa 1950-1960
- Accession Number
- 2003/2.18
- Medium and Support
- stoneware with underglaze iron painting and translucent glaze
- Secondary Keywords
- containers
- containers by function or context
- containers for serving and consuming food
- culinary containers
- descriptors
- drinking vessels
- food
- materials
- materials by function
- objects we use
- vessels for serving and consuming food
- Title
- Esu-Elegbara Dance Staff (ogo Esu-Elegbara)
- Artist
- Artist Unknown, African, Yoruba Peoples Nigeria
- Physical Description
- At the top of the staff, a male and female supplicant peer from a cascade of cowries, brass beads, iron fragments, and seeds. Some cowries are stained with indigo dye. The lower bodies of the figures are concealed by the shell strands above. Their elongated hairstyles extend the overall verticality of the piece. The figure’s faces appear to be identical.
- Century
- 19th-20th century
- Object Creation Date
- 1900-1975
- Accession Number
- 2003/2.26
- Medium and Support
- wood, leather, cowrie shells, brass, iron, seeds
- Secondary Keywords
- arts
- arts and related disciplines
- ceremonial weapons
- chordophones
- combination inorganic/organic animal material
- combination inorganic/organic material
- descriptors
- disciplines
- humanities
- indirectly struck idiophones
- international post-1945 styles and movements
- materials
- materials by composition
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- performing arts
- post-1945 fine arts styles and movements
- shell (animal material)
- shell and shell material
- sound devices
- sound devices by acoustical characteristics
- struck idiophones
- styles and periods
- styles and periods by region
- weapons
- weapons and ammunition
- Title
- Phulkari (woman's head covering) with peacock designs
- Artist
- Artist Unknown, India, Punjab
- Physical Description
- This is a red cloth covered with geometric patterns and abstract forms in the shape of peacocks. The designs and peacocks are multicolored and depicted in a repetitive format with the birds arranged in five columns and nine rows.
- Century
- 20th century
- Object Creation Date
- 1st half of 20th century
- Accession Number
- 2003/2.57
- Medium and Support
- white, green, magenta, and indigo silk floss embroidery on madder-dyed cotton
- Secondary Keywords
- animals and creatures
- asia (continent)
- birds
- descriptors
- design elements
- fiber and fiber products
- fiber products
- geographic and political locations
- materials
- materials by form
- materials by physical form
- needleworking
- needleworking and needleworking techniques
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- textile materials
- textile materials by form
- textile processes and techniques
- textile working processes and techniques
- Title
- Spirit Dancer
- Artist
- Mark Bressler
- Physical Description
- hollowed burl with natural bark edges
- Artist Life Dates
- born 1951
- Century
- late 20th century
- Object Creation Date
- 2001
- Accession Number
- 2003/2.79
- Medium and Support
- madrone burl
- Secondary Keywords
- descriptors
- materials
- materials by origin
- objects we use
- plant material
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- sculpture
- sculpture by material
- visual works
- visual works by medium or technique
- wood and wood products
- Title
- Mother Cut Your Toenails, You're Tearing All The Sheets
- Artist
- Terry Martin
- Artist Life Dates
- born 1947
- Century
- 20th century
- Object Creation Date
- 1999
- Accession Number
- 2003/2.81
- Medium and Support
- walnut
- Secondary Keywords
- descriptors
- materials
- materials by origin
- plant material
- wood and wood products
- Title
- Cradles in the Sea
- Artist
- William Moore
- Artist Life Dates
- born 1945
- Century
- 21st century
- Object Creation Date
- 2002
- Accession Number
- 2003/2.82
- Medium and Support
- patinated copper, madrone burl
- Secondary Keywords
- artistic concepts
- associated concepts
- concepts in the arts
- concepts relating to the creative process
- containers
- containers by form
- creativity
- descriptors
- imagination
- materials
- materials by origin
- objects we use
- people and culture
- plant material
- wood and wood products
- Title
- Temple in the Wood
- Artist
- Yoshida Hiroshi
- Artist Life Dates
- 1876 - 1950
- Century
- 20th century
- Object Creation Date
- 1940
- Accession Number
- 2004/1.119
- Medium and Support
- color woodblock print on paper
- Secondary Keywords
- animals
- descriptors
- geography
- inorganic material
- mammals
- materials
- materials by composition
- plants
- the natural world
- Title
- Roof Tile-End with Lotus Design
- Artist
- Artist Unknown, Korea
- Physical Description
- Earthenware roof tile-end with molded lotus design.
- Century
- late 6th century
- Object Creation Date
- late 6th century
- Accession Number
- 2004/1.196
- Medium and Support
- earthenware with molded decoration
- Secondary Keywords
- descriptors
- design elements
- forming
- materials
- materials by form
- materials by physical form
- motifs
- object genres
- object genres by material
- plant-derived motifs
- pottery (object genre)
- processes and techniques
- processes and techniques by specific type
- Title
- Roof Tile-End with Floral Medallion Design
- Artist
- Artist Unknown, Korea
- Physical Description
- Earthenware roof tile-end with molded floral pattern.
- The floral medallion on this tile-end consists of bosanghwa(Buddhist floral pattern) motifs which has four heart-shaped petals. The rim is decorated with a chain of beads.
- Century
- 8th-9th century
- Object Creation Date
- 8th century - 9th century
- Accession Number
- 2004/1.200
- Medium and Support
- earthenware with molded decoration
- Secondary Keywords
- descriptors
- design elements
- forming
- materials
- materials by form
- materials by physical form
- motifs
- object genres
- object genres by material
- plant-derived motifs
- pottery (object genre)
- processes and techniques
- processes and techniques by specific type
- Title
- Roof Tile-End with Lotus and Bosanghwa Design
- Artist
- Artist Unknown, Korea
- Physical Description
- Circular earthenware tile with molded lotus and bosangwha design.
- Century
- 9th century
- Object Creation Date
- 9th century
- Accession Number
- 2004/1.201
- Medium and Support
- earthenware with molded decoration
- Secondary Keywords
- building divisions
- components
- components and systems
- components by specific context
- descriptors
- design elements
- forming
- materials
- materials by form
- materials by physical form
- motifs
- object genres
- object genres by material
- plant-derived motifs
- pottery (object genre)
- processes and techniques
- processes and techniques by specific type
- rooms and spaces
- rooms and spaces by form
- uncovered spaces
- Title
- Ogre tile from the roof of the Great South Gate (Namdaemon) of Seoul
- Artist
- Artist Unknown, Korea
- Physical Description
- Ceramic tile with grimacing face.
- Object Creation Date
- circa 1398
- Accession Number
- 2004/1.258
- Medium and Support
- earthenware
- Secondary Keywords
- animals and creatures
- asia (continent)
- building divisions
- components
- components and systems
- components by specific context
- descriptors
- geographic and political locations
- legendary creatures
- materials
- materials by form
- materials by physical form
- rooms and spaces
- rooms and spaces by form
- uncovered spaces
- Title
- White Porcelain Peach-Shaped Water Dropper
- Artist
- Artist Unknown, Korea
- Physical Description
- A round peach-shaped water dropper. The peach itself is covered in a white glaze and covered in bamboo stalks and leaves. These are embossed onto the peach and stand out even more as the iron brown underglaze comes through strongest on these details. The iron brown underglaze can also be seen along the base of the waterdropper. The hole is at the top of the peach.
- Century
- 20th century
- Object Creation Date
- 20th century
- Accession Number
- 2004/1.298
- Medium and Support
- porcelain with iron brown underglaze painting
- Secondary Keywords
- containers
- containers by form
- descriptors
- food
- fruit
- materials
- materials by function
- objects we use
- Title
- Mouri jang (chest with 3 drawers and central double doors and butterfly brass fittings)
- Artist
- Artist Unknown, Korea
- Physical Description
- This is a low pear wood storage chest, with three drawers and two doors. The butterfly and bat brass fittings for the hinges and drawer pulls add 'feminine' touches.
- Century
- mid-19th century
- Object Creation Date
- mid 19th century
- Accession Number
- 2004/1.311
- Medium and Support
- pear wood with brass fittings
- Secondary Keywords
- animals and creatures
- arthropods
- ball game equipment
- ball striking or snaring and throwing equipment
- case furniture
- chests
- descriptors
- furnishings
- furnishings by form or function
- furniture by form or function
- insects
- materials
- materials by origin
- metalwork
- object genres
- object genres by material
- objects we use
- plant material
- recreational artifacts
- recreational artifacts for competitive activities
- sports and athletic equipment
- storage and display furniture
- wood and wood products
- Title
- Very Very Cherries
- Artist
- Mark Bressler
- Artist Life Dates
- born 1951
- Century
- 21st century
- Object Creation Date
- 2004
- Accession Number
- 2004/1.83A
- Medium and Support
- maple, lacquer and silver
- Secondary Keywords
- cherry (fruit)
- descriptors
- food
- fruit
- materials
- materials by function
- materials by origin
- plant material
- wood and wood products
- Title
- Very Very Cherries
- Artist
- Mark Bressler
- Century
- 21st century
- Object Creation Date
- 2004
- Accession Number
- 2004/1.83B
- Medium and Support
- maple, lacquer and silver
- Secondary Keywords
- descriptors
- food
- fruit
- materials
- materials by function
- materials by origin
- plant material
- wood and wood products
- Title
- Very Very Cherries
- Artist
- Mark Bressler
- Artist Life Dates
- b.1951
- Century
- 21st century
- Object Creation Date
- 2004
- Accession Number
- 2004/1.83C
- Medium and Support
- maple, lacquer and silver
- Secondary Keywords
- descriptors
- food
- fruit
- materials
- materials by function
- materials by origin
- plant material
- wood and wood products
- Title
- Requiem
- Artist
- Erwin Binder
- Physical Description
- bronze abstract sculpture
- Artist Life Dates
- 1934-1993
- Century
- 20th century
- Object Creation Date
- 1988
- Accession Number
- 2004/2.107
- Medium and Support
- bronze on concrete
- Secondary Keywords
- architecture
- copper alloy
- copper and copper alloy
- descriptors
- european
- european styles and periods
- figures
- inorganic material
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- nonferrous metal
- objects we use
- people and culture
- people and occupations
- sculpture
- sculpture by location or context
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- After Manet, from May Days Long Forgotten
- Artist
- Carrie Mae Weems
- Physical Description
- Black and white photograph in circular format depicting four young African American girls wearing floral dresses lounging on a blanket in the grass.
- Artist Life Dates
- b. 1953
- Century
- 21st century
- Object Creation Date
- 2002
- Accession Number
- 2004/2.3
- Medium and Support
- chromogenic color print on paper
- Secondary Keywords
- associated concepts
- concepts in the arts
- descriptors
- historical, theoretical and critical concepts
- materials
- materials by origin
- modern american styles and periods
- modern north american styles and movements
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- plant material
- styles and periods
- styles and periods by region
- the americas
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Shiprock Triptych #1
- Artist
- Richard Misrach
- Physical Description
- Born and raised in Los Angeles, Richard Misrach first began to photograph western landscapes as an undergraduate at Berkeley. Beginning in the late 1970s, he traveled extensively in the American West, using a large-format camera and color film to make beautiful and technically precise photographs of the often-disastrous effects mankind has had on the environment. For Shiprock Triptych #1, Misrach traveled to the Navajo and Chuska volcanic fields that stretch between northeastern Arizona and northwestern New Mexico, where Shiprock, the unique natural monument sacred to the Navajo, sits in close proximity to uranium mines and mill tailings (the radioactive waste resulting from the extraction and processing of uranium) that contaminate drinking and irrigation water and diffuse carcinogenic radon gas. Created from a volcanic eruption that occurred over 30 million years ago, Shiprock is shown in Misrach’s images as a majestic if distant presence, alone in the center of a sparse landscape. The three photographs—taken at intervals over the course of the day—emphasize both the actual passage of time and the sense of timelessness conjured by such natural monuments.
- Artist Life Dates
- born 1949
- Century
- 20th century
- Object Creation Date
- 1987
- Accession Number
- 2004/2.59.1
- Medium and Support
- cibachrome print on paper
- Secondary Keywords
- level
- upward
- associated concepts
- buildings and the land
- descriptors
- earth sciences concepts
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by composition
- natural landscapes
- people and culture
- physical sciences concepts
- scientific concepts
- settlements and landscapes
- Title
- Shiprock Triptych #1
- Artist
- Richard Misrach
- Physical Description
- The lower portion of this work depicts a dusty brown landscape with a craggy rock formation rising in the central portion of the horizon. A dirt road is shown in the foreground. The upper portion depicts a vast, cloudless sky in tones of blue and pink.
- Artist Life Dates
- born 1949
- Century
- 20th century
- Object Creation Date
- 1987
- Accession Number
- 2004/2.59.2
- Medium and Support
- cibachrome print on paper
- Secondary Keywords
- level
- upward
- associated concepts
- buildings and the land
- descriptors
- earth sciences concepts
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by composition
- natural landscapes
- people and culture
- physical sciences concepts
- scientific concepts
- settlements and landscapes
- Title
- Shiprock Triptych #1
- Artist
- Richard Misrach
- Physical Description
- The lower half of this work depicts a dusty brown landscape with a craggy rock formation rising in the central portion of the horizon. The upper portion depicts a vast, cloudless sky in tones of blue and gray.
- Artist Life Dates
- born 1949
- Century
- 20th century
- Object Creation Date
- 1987
- Accession Number
- 2004/2.59.3
- Medium and Support
- cibachrome print on paper
- Secondary Keywords
- level
- upward
- associated concepts
- buildings and the land
- descriptors
- earth sciences concepts
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by composition
- natural landscapes
- people and culture
- physical sciences concepts
- scientific concepts
- settlements and landscapes
- Title
- Last Supper, from "You and What Army"
- Artist
- Anthony Goicolea
- Physical Description
- Large color photograph depicting a grouping of eight boys in a triangular horizontal arrangement parallel to the picture plane wearing navy blue hooded coats. Figures are grouped around a large boulder in a wooded area feasting on sliced white “Wonder” bread.
- Artist Life Dates
- born 1971
- Century
- 20th century
- Object Creation Date
- 1999
- Accession Number
- 2004/2.9
- Medium and Support
- color c-print on paper
- Secondary Keywords
- associated concepts
- buildings and the land
- concepts in the arts
- cultural landscapes
- cultural landscapes by location or context
- descriptors
- electronic images
- historical, theoretical and critical concepts
- inorganic material
- landscapes (environments)
- materials
- materials by composition
- materials by function
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- philosophical concepts
- physical activities
- physical activities by general context
- settlements and landscapes
- visual works
- visual works by medium or technique
- visual works by subject type
- wilderness
- Title
- Figure
- Artist
- Artist Unknown, African, Congo (Zaire), Bekalebwe
- Century
- 19th century
- Object Creation Date
- circa 1890
- Accession Number
- 2005/1.227
- Medium and Support
- wood, copper, metal tacks, leather, snakeskin, raffia, vegetable fiber cloth
- Secondary Keywords
- copper and copper alloy
- descriptors
- inorganic material
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- nonferrous metal
- object genres
- object genres by material
- objects we use
- people and culture
- physical activities
- physical activities by general context
- visual works
- visual works by subject type
- Title
- Commemorative Head of an Oba of the Benin kingdom
- Artist
- Artist Unknown, African, Nigeria, Benin
- Physical Description
- Cast brass head of a human. An opening at the top would have supported a carved elephant tusk. The heads wears elaborate "winged" headgear.
- Accession Number
- 2005/1.260
- Medium and Support
- bronze
- Secondary Keywords
- aristocracy
- biological components
- buildings and the land
- components
- components and systems
- components by specific context
- copper alloy
- copper and copper alloy
- descriptors
- figures
- figures (representations)
- groups of people
- inorganic material
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- nobility
- nonferrous metal
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- political figures
- religious structures
- single built works
- single built works by function
- single built works by specific type
- social classes
- social classes by specific type
- social groups
- the human body
- upper body
- upper class
- visual works
- visual works by subject type
- Title
- Black Nagoya -style obi with woven design of decorative spools (itomaki)
- Artist
- Artist Unknown, Japan
- Physical Description
- Black plain-weave silk (shusu) with woven designs in turquoise, fuschia, white, apricot, red, pink, and gold- and silver- coated paper (kinran, ginran). Lined with black satin.
- Century
- 20th century
- Object Creation Date
- 1930s-1950s
- Accession Number
- 2005/1.343
- Medium and Support
- black colored silk with gold and silver wrapped thread
- Secondary Keywords
- accessories worn at the waist or below
- animal material
- costume
- costume accessories
- costume accessories worn
- costume by form
- descriptors
- fibroinous material
- main garments
- materials
- materials by origin
- objects we use
- Title
- Red brocade fukuro obi with woven pattern of colorful medallions against a field of wavy gold stripes (tatewaku)
- Artist
- Artist Unknown, Japan
- Physical Description
- This is made of a thick brocade of red, gold and silver. Medallion patterns and wavy stripes are woven through the entirety of the fabric, rather than halfway, as is common in less intricate obi. Medallion motifs of tortoise shells, flowers, and bamboo leaves are spaced among the golden waves across the fabric.
- Century
- mid-20th century
- Object Creation Date
- 1950s-1960s
- Accession Number
- 2005/1.344
- Medium and Support
- red silk with woven and embroidered design and gold wrapped thread
- Secondary Keywords
- accessories worn at the waist or below
- animal material
- animals and creatures
- buildings and the land
- costume
- costume accessories
- costume accessories worn
- costume by form
- descriptors
- design elements
- fibroinous material
- flowers (plants)
- grass (plant material)
- herbaceous plants
- landscapes (environments)
- main garments
- materials
- materials by origin
- motifs
- natural landscapes
- needleworking
- needleworking and needleworking techniques
- objects we use
- plant material
- plant-derived motifs
- plants
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- reptiles
- settlements and landscapes
- textile processes and techniques
- textile working processes and techniques
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Maru obi with woven designs of hexagonal medallions with phoenixes among floral scrolls
- Artist
- Artist Unknown, Japan
- Physical Description
- Black pain-weave satin interwoven with silk threads in light purple, rust, coral, maize, chartreuse, red, white, and ultramarine, and metallic threads in three shades of gold. The hexagonal shapes are definied by a weft of gold-coated paper (kinran) in pale greenish gold; the gold threads used in the medallions are wrapped. Inside each medallion is a phoenix design among a floral scroll.
- Century
- mid-20th century
- Object Creation Date
- mid 20th century
- Accession Number
- 2005/1.345
- Medium and Support
- black silk interwoven with silk floss and gold-covered paper threads
- Secondary Keywords
- accessories worn at the waist or below
- animal material
- animals and creatures
- costume
- costume accessories
- costume accessories worn
- costume by form
- descriptors
- fibroinous material
- legendary creatures
- main garments
- materials
- materials by origin
- objects we use
- Title
- Beige and brown Shibori haori with abstract design
- Artist
- Artist Unknown, Japan
- Physical Description
- White silk with yokobiki kanoko dyed pattern with contrasting beige/brown tatebiki kanoko dyed pattern.
- Century
- mid-20th century
- Object Creation Date
- circa 1950-1960
- Accession Number
- 2005/1.346
- Medium and Support
- white silk with brown design and yellow and white silk lining
- Secondary Keywords
- animal material
- costume
- costume by form
- descriptors
- fibroinous material
- main garments
- main garments for the upper body
- materials
- materials by origin
- objects we use
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- resist dyeing
- textile dyeing processes and techniques
- textile finishing processes and techniques
- textile processes and techniques
- Title
- Dark indigo shibori haori
- Artist
- Artist Unknown, Japan
- Physical Description
- White silk hand tie-dyed with dark indigo, in two techniques: makiage shibori and kanako shibori. Cream or pale peach-colored plain weave silk lining. Cord silver and white braided silk (kumihimo)
- Century
- mid-20th century
- Object Creation Date
- 1960s-1980s
- Accession Number
- 2005/1.347
- Medium and Support
- white silk tie dyed dark indigo
- Secondary Keywords
- animal material
- costume
- costume by form
- descriptors
- fibroinous material
- main garments
- main garments for the upper body
- materials
- materials by origin
- objects we use
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- resist dyeing
- textile dyeing processes and techniques
- textile finishing processes and techniques
- textile processes and techniques
- Title
- Dark indigo Shibori haori with lining depicting children at play
- Artist
- Artist Unknown, Japan
- Physical Description
- This haori demponstrates a variety of geometric patterns of repeating white shapes against a dark indigo ground. It also has an inner silk lining.
- Century
- mid-20th century
- Object Creation Date
- 1960s-1980s
- Accession Number
- 2005/1.348
- Medium and Support
- white silk tie-dyed dark indigo
- Secondary Keywords
- animal material
- costume
- costume by form
- descriptors
- fibroinous material
- main garments
- main garments for the upper body
- materials
- materials by origin
- objects we use
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- resist dyeing
- textile dyeing processes and techniques
- textile finishing processes and techniques
- textile processes and techniques
- Title
- Black haori with scattered fan designs in yûzen (paste-resist painting), surihaku (metallic foil appliqué), embroidery, and appliquéd Saga brocade
- Artist
- Artist Unknown, Japan
- Physical Description
- Black plain weave silk with hand painted, embroidered, and appliquéd designs. Lining with hand-painted peaches, melons and other fruits on white silk with bokashi dye toward pink at sleeve ends and lower edge of back. Single crest on the back of paired oak leaves (kashiwa) embroidered in brown and gold thread
- Century
- 20th century
- Object Creation Date
- 1960s-1970s
- Accession Number
- 2005/1.349
- Medium and Support
- black silk with hand painted and appliquéd designs
- Secondary Keywords
- costume
- costume accessories
- costume accessories carried
- costume by form
- descriptors
- fiber and fiber products
- fiber products
- main garments
- materials
- materials by form
- materials by physical form
- needleworking
- needleworking and needleworking techniques
- objects we use
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- textile materials
- textile materials by process or technique
- textile materials by weaving technique
- textile processes and techniques
- textile working processes and techniques
- Title
- Black supplementary weft brocade haori with woven design of sparrows and bamboo
- Artist
- Artist Unknown, Japan
- Physical Description
- Black crepe silk with woven metallic threads. Lining is made of white damask silk with sayagata pattern; white gofun painted lines between pattern repeats and then bokashizome in "stripes" of colors. Woven design of sparrow and bamboo is on the back only.
- Century
- 20th century
- Object Creation Date
- 1940s-1950s
- Accession Number
- 2005/1.353
- Medium and Support
- black crepe silk with woven metallic threads
- Secondary Keywords
- patterning
- animals and creatures
- costume
- costume by form
- descriptors
- grass (plant material)
- main garments
- main garments for the upper body
- materials
- materials by origin
- objects we use
- plant material
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- textile construction processes and techniques
- textile processes and techniques
- textile weaving processes and techniques
- textile weaving techniques
- weft patterning
- Title
- Black crested haori with yûzen painted origami crane design
- Artist
- Artist Unknown, Japan
- Physical Description
- Black crepe silk with origame crane designs hand-painted by paste-resist yûzen techinique, in colors and gold pigment. Lining is pink silk damask with woven pattern of truncated floral medallions. Double oak leaf crest (kashiwa) is embroidered with bokashi-dyed blue and white thread.
- Century
- mid-20th century
- Object Creation Date
- 1940s-1960s
- Accession Number
- 2005/1.356
- Medium and Support
- black crepe silk with painted design
- Secondary Keywords
- animal material
- animals and creatures
- birds
- costume
- costume by form
- descriptors
- fibroinous material
- main garments
- main garments for the upper body
- materials
- materials by origin
- objects we use
- paperworking techniques
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- Title
- Crested kimono with elaborate floral wax resist designs (hageito, nandina, biwa, camelia, daffodils, omoto, plums, thistles) against crackled pink-on-taupe ground, with embroidery in metallic threads
- Artist
- Minagawa Gekka
- Physical Description
- This is a pink silk crepe kimono with wax-resist patterns, hand-painted design and metallic threads embroidery. The kimono is in full length and has elongated sleeves. The fabric is dyed with pink, leaving the family crest under the collar and the floral design part white. The red scale pattern is added using wax-resist technique. Then the design of multiple kinds of plants is hand-painted with white, red, yellow, and pale and blue green colors. There are mix of fall and winter flowers and trees: nandin on the left sleeve, plum, chrysanthemums, thistles, amaranths, camellias and narcissus on the front and back, makino (Chloranthus glaber, with red berries) and more camellias on the right sleeve. Embroidery is added in various metallic threads around the contours of flowers and leaves.
- Artist Life Dates
- 1892-1987
- Century
- mid-20th century
- Object Creation Date
- circa 1950
- Accession Number
- 2005/1.358
- Medium and Support
- crepe silk with colorful wax resist design and metallic thread embroidery
- Secondary Keywords
- animal material
- buildings and the land
- costume
- costume by form
- costumes
- deciduous trees
- descriptors
- design elements
- embroidery
- fibroinous material
- landscapes (environments)
- main garments
- materials
- materials by origin
- natural landscapes
- objects we use
- patterns (design elements)
- patterns by specific type
- plants
- settlements and landscapes
- trees
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Shibori kimono with overall indigo dot pattern against mottled ground
- Artist
- Artist Unknown, Japan
- Physical Description
- White silk with bokashi mottled dye; then overall hitta miura shibori design. Lining is white silk with blue bokashi dye at hem and sleeves.
- Century
- 20th century
- Object Creation Date
- 1970-1979
- Accession Number
- 2005/1.362
- Medium and Support
- white silk with mottled aqua dye ground and overall tie-dye design
- Secondary Keywords
- animal material
- costume
- costume by form
- descriptors
- fibroinous material
- main garments
- materials
- materials by origin
- objects we use
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- resist dyeing
- textile dyeing processes and techniques
- textile finishing processes and techniques
- textile processes and techniques
- Title
- Black shibori kimono with overall design with overall design of small dots (hitta kanoko shibori)
- Artist
- Artist Unknown, Japan
- Physical Description
- White silk with tie-dye pattern in dark indigo. Lining is plain weave white silk above; plain weave gray silk below.
- Century
- 20th century
- Object Creation Date
- 1950s-1970s
- Accession Number
- 2005/1.363
- Medium and Support
- white silk with indigo tie-dye design
- Secondary Keywords
- animal material
- costume
- costume by form
- descriptors
- fibroinous material
- main garments
- materials
- materials by origin
- objects we use
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- resist dyeing
- textile dyeing processes and techniques
- textile finishing processes and techniques
- textile processes and techniques
- Title
- Saga brocade obijime (obi cord) in green, red, white and gold
- Artist
- Artist Unknown, Japan
- Physical Description
- Braided silk brocade with green, red, white and gold-covered threads; no tassels
- Century
- 20th century
- Object Creation Date
- circa 1960-1980
- Accession Number
- 2005/1.364
- Medium and Support
- saga nishiki brocade silk with green, red and white silk & gold-coated threads
- Secondary Keywords
- patterning
- accessories worn at the waist or below
- costume
- costume accessories
- costume accessories worn
- costume by form
- descriptors
- fiber and fiber products
- fiber products
- main garments
- materials
- materials by form
- materials by physical form
- objects we use
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- textile construction processes and techniques
- textile processes and techniques
- textile weaving processes and techniques
- textile weaving techniques
- weft patterning