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Showing results for "italy" in Secondary Keywords.
- Title
- Upright Venice, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- Seen from an elevated vantage point, a quay in the foreground with boats anchored nearby and figures talking is balanced in the upper part of the image by a view of buildings along the canals, gondolas, shipping and, just left of center a large domed church.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.388
- Medium and Support
- etching and drypoint, printed in black ink on laid paper, trimmed to platemark
- relevance
- rank 4.53040
- Secondary Keywords
- architecture
- artists
- cityscapes
- europe
- flat-bottomed watercraft
- italy
- locality
- monohulls
- objects we use
- people and occupations
- ships
- study
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by form
- watercraft by sectional form
- watercraft by specific type
- waterscapes
- Title
- Rialto Bridge, Venice
- Artist
- Carlo Ponti?
- Century
- 19th century
- Object Creation Date
- circa 1828-1900
- Accession Number
- 1987/1.343
- Medium and Support
- albumen print on paper
- relevance
- rank 4.53040
- Secondary Keywords
- architecture
- bridges
- cityscapes
- europe
- figures
- flat-bottomed watercraft
- geography
- italy
- locality
- modern and contemporary art
- monohulls
- objects we use
- people and occupations
- transportation vehicles
- vehicles
- watercraft
- watercraft by form
- watercraft by sectional form
- watercraft by specific type
- Title
- The Riva, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A view of a city along the edge of water sweeps from the foreground towards the right in the distance. Along quays, bridges and promenades can be seen groupoings of people walking and in conversation. Boats populate the water's edge: smaller boats in the foreground, larger multi-masted ships in the distance.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1955/1.125
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper
- relevance
- rank 4.50995
- Secondary Keywords
- architecture
- cityscapes
- europe
- figures
- flat-bottomed watercraft
- geography
- italy
- locality
- monohulls
- objects we use
- people and occupations
- streets
- study
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by form
- watercraft by sectional form
- watercraft by specific type
- waterscapes
- Title
- Venetian Nocturne; Verso: Two Kneeling Figures and a Profile Face
- Artist
- Eugene Berman
- Artist Life Dates
- 1899-1972
- Century
- 20th century
- Object Creation Date
- circa 1930
- Accession Number
- 1951/2.26
- Medium and Support
- ink wash, ink and pen on white paper
- relevance
- rank 4.49558
- Secondary Keywords
- image form
- architecture
- europe
- italy
- locality
- men
- men on horseback
- modern and contemporary art
- objects we use
- people and occupations
- portraits
- views
- views by vantage point or orientation
- visual works
- visual works by form
- Title
- St. Croce and the Statue of Dante in Florence (St. Croce e Statua di Dante, Fire)
- Artist
- Sommer, Giorgio and Behles, Edmund
- Century
- 20th century
- Object Creation Date
- 1914-1934
- Accession Number
- 1986/1.151
- Medium and Support
- albumen print on paper
- relevance
- rank 4.45287
- Secondary Keywords
- architecture
- buildings
- churches
- descriptors
- europe
- inorganic material
- italy
- locality
- materials
- materials by composition
- modern and contemporary art
- objects
- objects we use
- places of worship
- rock
- rock by form
- statues
- visual works
- visual works by medium or technique
- Title
- September Sunset
- Artist
- James McBey
- Artist Life Dates
- 1883-1959
- Century
- 20th century
- Object Creation Date
- 1925
- Accession Number
- 1954/2.4
- Medium and Support
- etching on paper
- relevance
- rank 4.44320
- Secondary Keywords
- architecture
- atmospheric effects
- cityscapes
- europe
- flat-bottomed watercraft
- italy
- locality
- modern and contemporary art
- monohulls
- movement
- objects we use
- people and occupations
- study
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by form
- watercraft by sectional form
- watercraft by specific type
- waterscapes
- Title
- The Little Lagoon, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- Gondolas, striped poles, and channel markers all dot the open surface of water in this image. At the center is a two-masted ship at anchor. In the distance are low islands with buildings and ships in the distance under cloudy skies.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.374
- Medium and Support
- etching and drypoint, printed in black ink on laid paper, trimmed to platemark
- relevance
- rank 4.42916
- Secondary Keywords
- europe
- flat-bottomed watercraft
- italy
- locality
- monohulls
- objects we use
- ships
- study
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by form
- watercraft by general type
- watercraft by sectional form
- watercraft by specific type
- waterscapes
- Title
- Long Venice, One of the 'Twenty-six Etchings,' or the 'Second Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A sweeping panorama shows a city and shipping along the water. The left side is more minutely described as large three-story buildings hug the water's edge. Just to the right of center is a large building with several domes. Several small boats and gondolas are visible to left of center. A cloudy and blustery sky occupies the top of the image.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.391
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
- relevance
- rank 4.42229
- Secondary Keywords
- architecture
- cityscapes
- europe
- flat-bottomed watercraft
- italy
- locality
- monohulls
- objects we use
- study
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by form
- watercraft by general type
- watercraft by sectional form
- watercraft by specific type
- waterscapes
- Title
- Venice
- Artist
- Hercules Brabazon
- Artist Life Dates
- 1821-1906
- Century
- 20th century
- Object Creation Date
- 1821-1906
- Accession Number
- 1954/1.212
- Medium and Support
- graphite, pastel and gouache on gray paper
- relevance
- rank 4.40142
- Secondary Keywords
- architecture
- europe
- flat-bottomed watercraft
- italy
- locality
- modern and contemporary art
- monohulls
- objects we use
- study
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by form
- watercraft by general type
- watercraft by sectional form
- watercraft by specific type
- waterscapes
- Title
- The Palaces, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A series of buildings and gondolas are seen along the edge of a canal. The emphasis on the dark tile roofs is contrasted with the play of window tracery and balconies along the facades of the building.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1955/1.123
- Medium and Support
- etching, drypoint, and open bite, printed in black ink on laid paper, trimmed to platemark
- relevance
- rank 4.40099
- Secondary Keywords
- architecture
- buildings
- castles and palaces
- cityscapes
- europe
- flat-bottomed watercraft
- geography
- houses
- italy
- locality
- monohulls
- objects we use
- palaces
- sketches
- study
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by form
- watercraft by sectional form
- watercraft by specific type
- Title
- Venice
- Artist
- T. Peckitt
- Artist Life Dates
- (active 1881-1888)
- Century
- 19th century
- Object Creation Date
- circa 1881-1888
- Accession Number
- 1932.7
- Medium and Support
- oil on canvas
- relevance
- rank 4.38371
- Secondary Keywords
- architecture
- buildings
- castles and palaces
- churches
- cityscapes
- europe
- flat-bottomed watercraft
- italy
- locality
- monohulls
- objects we use
- palace
- palaces
- places of worship
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by form
- watercraft by sectional form
- watercraft by specific type
- waterscapes
- Title
- Study of a Seated Male Nude
- Artist
- Ubaldo Gandolfi
- Physical Description
- A muscular young male nude, seen in profile from the left, sits on a rock in a vaguely suggested outdoor setting.
- Artist Life Dates
- 1728-1781
- Century
- 18th century
- Object Creation Date
- 18th century
- Accession Number
- 2008/2.199.1
- Medium and Support
- oil on canvas
- relevance
- rank 4.34326
- Secondary Keywords
- bologna (province)
- emilia-romagna (region)
- europe (continent)
- figures (representations)
- geographic and political locations
- italy (nation)
- objects we use
- paintings
- paintings by material or technique
- visual works
- visual works by function
- visual works by medium or technique
- visual works by subject type
- Title
- Views of Rome. 73. So-called Villa of Maecenas at Tivoli. Interior With Two Fig
- Artist
- Giovanni Battista Piranesi
- Artist Life Dates
- Venice, 1720 - 1778, Rome
- Century
- 18th century
- Object Creation Date
- 1764 (n.d)
- Accession Number
- 1969/2.66
- Medium and Support
- etching on paper
- relevance
- rank 4.33248
- Secondary Keywords
- architectural elements
- components
- components and systems
- components by specific context
- enclosing structural elements
- europe
- figures
- genres
- italy
- locality
- people and occupations
- structural elements
- structural elements and structural element components
- vaults and vault components
- Title
- The Traghetto, No. 1
- Artist
- James McNeill Whistler
- Physical Description
- An empty covered passageway dominates this image. In the foreground are three young saplings. At the far end of the passageway a man can be seen sitting in the sunlight alongside the edge of the canal. On either side of the passageway in the foreground are windows and indications of cornices, etc. of the architecture.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.376
- Medium and Support
- etching, printed in warm black ink on laid Japan paper
- relevance
- rank 4.30238
- Secondary Keywords
- architecture
- buildings and the land
- europe
- figures
- italy
- locality
- open spaces
- open spaces and site elements
- open spaces by function
- people and occupations
- plants
- roads
- roads by form
- streets
- streets by form
- the natural world
- transportation spaces
- Title
- The Traghetto, No. 2, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A dark passageway dominates the middle and left portions of the composition; to the right is a group of men seated outside at a table. The passageway has a view at the far end of a man seated while a gondola passes by. In front of the passageway re three young trees, the leaves of which fall in front of the passageway. To the left of the passageway is a child holding a baby. On either side of the passageway are windows that indicate the walls that fill the plate.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.377
- Medium and Support
- etching, printed in dark brown ink on laid paper, trimmed to platemark
- relevance
- rank 4.29777
- Secondary Keywords
- architecture
- buildings and the land
- europe
- figures
- italy
- locality
- objects
- open spaces
- open spaces and site elements
- open spaces by function
- people and occupations
- plants
- roads
- roads by form
- streets
- streets by form
- the natural world
- transportation spaces
- Title
- The Beggars, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A deep covered passageway dominates the composition. At the near end of the passage, to the right side stand a woman and young girl, both with heads covered and looking at the viewer. Looking down the passageway, light catches the timbered ceiling and figures can be seen walking at the far end, silhouetted against the bright light in the square or street beyond. A lantern hangs above the entrance at the near end of the passage.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.382
- Medium and Support
- etching and drypoint, printed in dark brown ink on laid paper, trimmed to platem
- relevance
- rank 4.29748
- Secondary Keywords
- architecture
- buildings and the land
- europe
- figures
- italy
- locality
- open spaces
- open spaces and site elements
- open spaces by function
- people and occupations
- roads
- roads by form
- streets
- streets by form
- transportation spaces
- Title
- Rome - Arch of Drusus
- Artist
- Anonymous Italian?
- Century
- 19th century
- Object Creation Date
- circa 1865
- Accession Number
- 1980/1.160
- Medium and Support
- albumen print on paper
- relevance
- rank 4.29748
- Secondary Keywords
- architecture
- buildings and the land
- europe
- figures
- italy
- locality
- open spaces
- open spaces and site elements
- open spaces by function
- people and occupations
- roads
- roads by form
- streets
- streets by form
- transportation spaces
- Title
- Venice
- Artist
- Arthur Heintzelman
- Artist Life Dates
- 1891 - 1965
- Century
- 20th century
- Object Creation Date
- 1891-1932
- Accession Number
- 1932.1
- Medium and Support
- etching on paper
- relevance
- rank 4.29074
- Secondary Keywords
- architecture
- clothing
- europe
- flat-bottomed watercraft
- italy
- locality
- modern and contemporary art
- monohulls
- objects
- objects we use
- the natural world
- transportation vehicles
- vehicles
- watercraft
- watercraft by form
- watercraft by general type
- watercraft by sectional form
- watercraft by specific type
- waterscapes
- Title
- Venice from the Lido
- Artist
- Jane C. Stanley
- Artist Life Dates
- 1863-1940
- Century
- 20th century
- Object Creation Date
- 1863-1940
- Accession Number
- 1954/1.241
- Medium and Support
- graphite on white paper
- relevance
- rank 4.27067
- Secondary Keywords
- architecture
- buildings
- castles and palaces
- cityscapes
- europe
- flat-bottomed watercraft
- italy
- locality
- modern and contemporary art
- monohulls
- objects we use
- palace
- palaces
- study
- transportation vehicles
- vehicles
- watercraft
- watercraft by form
- watercraft by general type
- watercraft by sectional form
- watercraft by specific type
- Title
- Rome - Ruin of Temple of Mars Ultor
- Artist
- Anonymous Italian
- Century
- 19th century
- Object Creation Date
- circa 1865
- Accession Number
- 1980/1.152
- Medium and Support
- albumen print on paper
- relevance
- rank 4.25191
- Secondary Keywords
- architecture
- buildings and the land
- europe
- italy
- locality
- open spaces
- open spaces and site elements
- open spaces by function
- roads
- roads by form
- streets
- streets by form
- transportation spaces
- Title
- The Mast, One of the 'Twelve Etchings,' or the 'First Venice Set'
- Artist
- James McNeill Whistler
- Physical Description
- A long street receds at the center of the image. In the center is a flagpole surmounted by a winged lion (symbol of St. Mark, and therefore of Venice). In the foreground at lower left is a group of women seated working together making lace. Other than a man and boy at the right of the flagpole, the street is largely empty.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.383
- Medium and Support
- etching and drypoint printed in warm black ink on laid paper, trimmed to platemark
- relevance
- rank 4.21397
- Secondary Keywords
- architecture
- clothing
- europe
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- italy
- locality
- man
- objects
- objects we use
- people and occupations
- seating furniture
- single seating furniture
- streets
- Title
- Facciata interna del Palazzo Ducale, con la Scala dei Giganti
- Artist
- Carlo Naya
- Artist Life Dates
- Active from the late 1860s
- Century
- 19th century
- Object Creation Date
- circa 1875
- Accession Number
- 1995/1.72
- Medium and Support
- albumen print on paper
- relevance
- rank 4.18606
- Secondary Keywords
- architectural elements
- architecture
- circulation elements
- components
- components and systems
- components by specific context
- europe
- italy
- locality
- objects
- objects we use
- stair components
- stairs and stair components
- steps and step components
- visual works
- visual works by medium or technique
- Title
- Untitled
- Artist
- Artist Unknown
- Physical Description
- Paper size: lh 20 2/5cm & rh 20 1/5cm x tw 16cm & bw 15 3/5cm. Image size approx: h 9cm x w 4cm.
- Accession Number
- 2008/2.459
- Medium and Support
- wood engraving on cream laid Japan tissue
- relevance
- rank 4.13353
- Secondary Keywords
- transfer method
- europe (continent)
- geographic and political locations
- italy (nation)
- lazio (region)
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- prints
- prints by process
- prints by process or technique
- relief prints
- roma (province)
- visual works
- visual works by medium or technique
- Title
- Nydia, the Blind Flower Girl of Pompeii
- Artist
- Randolph Rogers
- Physical Description
- A white marble statue of a young female figure, leaning forward holding a staff with eyes closed, her left hand held up to her right ear. A flowing, wind-swept garment drapes the figure. On the base to the left of the figure is a broken capital of a Corinthian column lying on its side.
- Artist Life Dates
- 1825-1892
- Century
- 19th century
- Object Creation Date
- 1861
- Accession Number
- 1862.1
- Medium and Support
- Carrara marble
- relevance
- rank 4.10856
- Secondary Keywords
- aegean
- aegean architecture styles
- aegean styles
- allegory and literature
- architectural elements
- artistic concepts
- artistic devices
- associated concepts
- campania (region)
- capitals and capital components
- card, table and board game elements
- child
- column components
- columns and column components
- components
- components and systems
- components by specific context
- concepts in the arts
- descriptors
- early western world
- equipment
- equipment by context
- equipment for personal use
- europe
- europe (continent)
- european
- european styles and periods
- exceptional people
- figures
- game pieces
- genres in the arts
- geographic and political locations
- handicapped
- iconography
- inorganic material
- italy
- italy (nation)
- literary, oral and motion picture genres
- locality
- materials
- materials by composition
- mediterranean
- modern european styles and movements
- napoli (province)
- objects
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- people by state or condition
- physically handicapped
- recreational artifacts
- recreational artifacts for competitive activities
- rock
- rock by form
- sculpture by subject type
- structural elements
- structural elements and structural element components
- styles and periods
- styles and periods by region
- supporting and resisting elements
- symbolism
- tools and equipment
- visual works
- visual works by medium or technique
- visual works by subject type
- walking sticks
- Title
- Well in Bologna/ in Court of Palazzo Bevilacqua
- Artist
- Albert Kahn
- Artist Life Dates
- (1869 - 1942)
- Century
- 19th century
- Object Creation Date
- 1891
- Accession Number
- 1972/2.482
- Medium and Support
- graphite on paper
- relevance
- rank 4.10697
- Secondary Keywords
- animals
- architecture
- buildings and the land
- europe
- hydraulic structures
- hydraulic structures by function
- italy
- locality
- mammals
- single built works
- single built works by function
- single built works by specific type
- the natural world
- water distribution structures
- wells
- Title
- Photograph album of Italy
- Artist
- Anonymous English
- Century
- 19th century
- Object Creation Date
- circa 1881
- Accession Number
- 1994/2.26
- Medium and Support
- 108 albumen prints on leather-bound album
- relevance
- rank 4.06747
- Secondary Keywords
- animals
- buildings and the land
- europe
- italy
- locality
- mammals
- people
- people (agents)
- people and culture
- people by state or condition
- religious buildings
- religious structures
- single built works
- single built works by function
- single built works by specific type
- the natural world
- Title
- Palazzo Vecchio
- Artist
- Fratelli Alinari
- Artist Life Dates
- (active 1854 - 1920)
- Century
- 20th century
- Object Creation Date
- 1854-1920
- Accession Number
- 1993/2.57
- Medium and Support
- albumen print on paper
- relevance
- rank 4.01276
- Secondary Keywords
- architecture
- buildings
- buildings and the land
- castles and palaces
- europe
- hydraulic structures
- hydraulic structures by function
- italy
- locality
- modern and contemporary art
- objects
- palace
- single built works
- single built works by function
- single built works by specific type
- water distribution structures
- Title
- Laguna, Venice (View of Shipping from the Riva)
- Artist
- Frank Duveneck
- Artist Life Dates
- 1848-1919
- Century
- 19th century
- Object Creation Date
- 1880
- Accession Number
- 1954/1.279
- Medium and Support
- etching on paper
- relevance
- rank 3.99494
- Secondary Keywords
- architecture
- buildings and the land
- europe
- flat-bottomed watercraft
- italy
- locality
- man
- monohulls
- objects we use
- open spaces
- open spaces and site elements
- open spaces by location or context
- people and occupations
- ships
- transportation vehicles
- vehicles
- watercraft
- watercraft by form
- watercraft by sectional form
- watercraft by specific type
- waterfront spaces
- waterfronts and waterfront spaces
- Title
- Florence - Loggia dei Lanzi
- Artist
- Anonymous Italian
- Century
- 19th century
- Object Creation Date
- circa 1875
- Accession Number
- 1980/1.154
- Medium and Support
- albumen print on paper
- relevance
- rank 3.93600
- Secondary Keywords
- architectural elements
- architecture
- circulation elements
- components
- components and systems
- components by specific context
- descriptors
- europe
- figures
- inorganic material
- italy
- locality
- materials
- materials by composition
- motion
- objects
- objects we use
- people and occupations
- rock
- rock by form
- stair components
- stairs and stair components
- steps and step components
- streets
- visual works
- visual works by medium or technique
- Title
- Eve Tempted by the Serpent
- Artist
- Defendente Ferrari
- Physical Description
- A nude woman with long hair flowing down her back grasps a tree branch with her right hand and bends it downward in order to more easily pluck the green fruit dangling at its tip with her left hand. Her white body contrasts starkly with the darker tones of the surrounding landscape. The less conspicuous figure of a serpent with the head of a bearded man coils about the trunk of the tree next to the woman and fixes her with his stare.
- Artist Life Dates
- active 1500-1535
- Century
- 16th century
- Object Creation Date
- 1520-1525
- Accession Number
- 1967/1.38
- Medium and Support
- tempera on panel
- relevance
- rank 3.92371
- Secondary Keywords
- animals and creatures
- bible
- buildings and the land
- descriptors
- document genres
- document genres by function
- europe (continent)
- food
- fruit
- geographic and political locations
- information forms
- italy (nation)
- materials
- materials by function
- objects we use
- old testament
- open spaces
- open spaces and site elements
- open spaces by form
- religious texts
- reptiles
- visual works
- visual works by subject type
- Title
- Senatus populusque Romanus / monumenta marmorea magistratuum / triumphorumque ab urbe condita ad / tempora divi Augusti ruderibus in foro / egestis eruta impensa Al ex(andri) Farnesii card(inalis) / Pauli III Pont(ificis) Max(imi) nepot(is) in Capitolio p(osita), from Piranesi's Lapides Capitolini (1762)
- Artist
- Giovanni Battista Piranesi
- Physical Description
- Large double-folio print, with fold marks. Contains various monuments and their text from ancient Rome. Title plate beneath print indicates that the fragments were from ancient Rome and found in various ancient ruins, with the exception of fragment XLIX, currently (at time of print) in the collection of the Collegio Romano, a building then housing the Jesuits' Rome seminary.
- Print is patched. Separate plate marks are visible between image and inscription. The image is patched from four segments, while the text below is patched from two segments. Paper bears no watermark. Folio fold marks are noted on copy in file. Large text portions read as follows:
- Inscription 1 (in image plate, center): senatus populusque Romanus / monumenta marmorea magistratuum / triumphorumque ab urbe condita ad / tempora divi Augusti ruderibus in foro / egestis eruta impensa Al ex(andri) Farnesii card(inalis) / Pauli III Pont(ificis) Max(imi) nepot(is) in Capitolio p(osita)
- Inscription 2 (in separate text plate attached at bottom): Lapides Capitolini / Sive Fastorum fragmenta, quos Verrius Flaccus, Caii et Lucii, Augusti Nepotum, praeceptor ase dispositos in inferiore fori parte conlocaverat, nunc primum edita prout cermuntur in Capitolio servata / nempe characteris et Lapidum forma, additis ad ornatum degantioribus aliquot veteribus sigillis, et anaglyplus / Fragmentum XLIX in Collegio Romano Patrum Societatis Jesu adservatum
- Artist Life Dates
- Venice, 1720 - 1778, Rome
- Century
- 18th century
- Object Creation Date
- 1762
- Accession Number
- 2007/2.117
- Medium and Support
- engraving, printed in black ink on paper
- relevance
- rank 3.91201
- Secondary Keywords
- buildings and the land
- document genres
- document genres by form
- early western world
- europe (continent)
- geographic and political locations
- information forms
- italy (nation)
- lazio (region)
- mediterranean
- objects we use
- people and culture
- roma (province)
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- Title
- The Discovery of Mars and Venus
- Artist
- Jacob Cornelisz. Cobaert
- Physical Description
- A nude man and woman recline together on the right side of this octagonal plaque. They lay upon the mesh of a net, which is being pulled by a nude male figure seated nearby next to an anvil. Behind the seated man appear two standing figures working at a brick forge. Another pair of figures stands in the middle ground with a row of trees behind them. A diminutive figure mounted on horses appears against a disk in the sky.
- Artist Life Dates
- active 1602-1621
- Century
- 17th century
- Object Creation Date
- 1602-1621
- Accession Number
- 1969/2.158
- Medium and Support
- bronze
- relevance
- rank 3.90692
- Secondary Keywords
- associated concepts
- concepts in the arts
- descriptors
- europe (continent)
- genres in the arts
- geographic and political locations
- italy (nation)
- lazio (region)
- literary, oral and motion picture genres
- object genres
- object genres by form
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- roma (province)
- sculpture
- sculpture by material
- visual works
- visual works by medium or technique
- Title
- Dish
- Artist
- Artist Unknown, Italy
- Physical Description
- This maiolica dish is covered by a radial pattern consisting of abstract leaves and curling tendrils punctuated with flowers all centered around a yellow disk in the center of the well. The harmony of the design stems from radial symmetry of the pattern as well as the restricted palette of blue and a soft brass-yellow.
- Century
- 16th century
- Object Creation Date
- 1500-1525
- Accession Number
- 1969/2.38
- Medium and Support
- tin-glazed earthenware (maiolica) with underglaze painting
- relevance
- rank 3.84490
- Secondary Keywords
- ceramics
- containers
- containers by function or context
- containers for serving and consuming food
- culinary containers
- descriptors
- design elements
- earthenware
- europe (continent)
- geographic and political locations
- italy (nation)
- object genres
- object genres by material
- objects we use
- patterns (design elements)
- patterns by specific type
- perugia (province)
- pottery (object genre)
- scrollwork
- umbria (region)
- vessels for serving and consuming food
- Title
- Sheet of Figure Studies
- Artist
- Pietro Testa
- Physical Description
- This sheet contains studies of fourteen figures in various stages of elaboration. Several of the figures are represented standing while gazing upward, including a man with an outstretched arm on the left edge of the sheet, a woman standing before a column near the center, and a man with a cross over his shoulder in the upper right corner. Two summarily sketched seated figures in the lower left corner appear to develop ideas for a similar figure placed at the foot of a column in a more detailed study near the middle of the sheet. In the upper left quadrant of the sheet appears a monk kneeling beneath a tree with a figure holding a staff standing behind him. Marked off by an octagonal frame along the lower edge is a seated female figure pointing upward with her right hand and holding a globe in her left.
- Artist Life Dates
- (Lucca, Italy, 1612 - 1650, Rome, Italy)
- Century
- 17th century
- Object Creation Date
- 1635-1640
- Accession Number
- 2008/2.199.4
- Medium and Support
- pen and brown ink on laid paper
- relevance
- rank 3.83635
- Secondary Keywords
- descriptors
- drawing and drawing techniques
- europe (continent)
- geographic and political locations
- image-making processes and techniques
- information artifacts
- information artifacts by physical form
- information forms
- italy (nation)
- lazio (region)
- objects we use
- processes and techniques
- processes and techniques by specific type
- roma (province)
- visual works
- visual works by function
- visual works by subject type
- Title
- Leaf from a Gradual with St. Lawrence
- Artist
- Ludovico de Gaci
- Physical Description
- This leaf from a manuscript contains seven lines of Latin text with musical notation. The initial letter, "C," of the opening word "Confessio" is made from a curved vegetal form. The text is preceded by a painted miniature in a circular frame that is, in turn, enclosed by a golden square. The miniature depicts a man with a tonsure and a golden halo standing in a verdant landscape. He holds a palm leaf in his left hand and rests his right hand on a grill. The left and upper margins of the page are decorated with green and pink leaves and flowers and small gold circles.
- Century
- 15th century
- Object Creation Date
- 1489
- Accession Number
- 1986/2.85
- Medium and Support
- ink, tempera and gold on parchment
- relevance
- rank 3.81589
- Secondary Keywords
- architectural elements
- associated concepts
- barrier elements
- barriers and barrier elements
- components
- components and systems
- components by specific context
- document genres
- document genres by conditions of production
- document genres by function
- europe (continent)
- geographic and political locations
- information forms
- italy (nation)
- liturgical texts
- lombardy (region)
- objects we use
- people and culture
- religions
- religions and religious concepts
- religious texts
- Title
- Study of a Standing Male Nude
- Artist
- Gaetano Gandolfi
- Physical Description
- A nude, muscular man, seen from behind, leans upon his left leg, which is propped on a rock. He grasps a stick for support with his left hand, while bending his torso to the right and looking downward. The lighting and colors vaguely suggest an outdoor environment.
- Artist Life Dates
- (1728 - 1781)
- Century
- 18th century
- Object Creation Date
- 1760-1780
- Accession Number
- 2008/2.199.2
- Medium and Support
- oil on canvas
- relevance
- rank 3.75067
- Secondary Keywords
- bologna (province)
- descriptors
- emilia-romagna (region)
- europe (continent)
- figures (representations)
- geographic and political locations
- image-making processes and techniques
- italy (nation)
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- people
- people (agents)
- people and culture
- people by activity
- processes and techniques
- processes and techniques by specific type
- visual works
- visual works by function
- visual works by subject type
- Title
- Study for an Overdoor Decoration in the Sala Regia of the Vatican
- Artist
- Taddeo Zuccaro
- Physical Description
- This drawing depicts two addorsed female figures reclining on a triangular slope. The women are partly clothed, and the one on the left wears an elephant-shaped headpiece. Between their shoulders appears a blank escutcheon held by two putti. Nude men in the background strain to hold back piles of objects that include shields and spears.
- Artist Life Dates
- (1529 - 1566)
- Century
- 16th century
- Object Creation Date
- 1564
- Accession Number
- 1966/1.93
- Medium and Support
- pen and brown ink with brown wash on buff paper
- relevance
- rank 3.73586
- Secondary Keywords
- artistic concepts
- artistic devices
- associated concepts
- concepts in the arts
- descriptors
- drawing and drawing techniques
- drawings
- drawings by function
- europe (continent)
- geographic and political locations
- image-making processes and techniques
- italy (nation)
- lazio (region)
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- processes and techniques
- processes and techniques by specific type
- roma (province)
- symbolism
- visual works
- visual works by medium or technique
- Title
- Religious Procession, Genoa
- Artist
- Sir Frank William Brangwyn
- Artist Life Dates
- 1867-1956
- Century
- 20th century
- Object Creation Date
- 1867-1956
- Accession Number
- 1977/2.147
- Medium and Support
- etching and drypoint on paper
- relevance
- rank 3.72522
- Secondary Keywords
- architecture
- audiences
- europe
- european
- european styles and periods
- italy
- locality
- modern and contemporary art
- modern british styles and movements
- modern british styles by reign
- modern european regional styles and movements
- modern european styles and movements
- objects
- people and culture
- people and occupations
- religion
- styles and periods
- styles and periods by region
- Title
- Gateway, Genoa (Une Porte à Gènes)
- Artist
- Sir Frank William Brangwyn
- Artist Life Dates
- 1867-1956
- Century
- 20th century
- Object Creation Date
- 1924
- Accession Number
- 1949/1.53
- Medium and Support
- drypoint on paper
- relevance
- rank 3.72356
- Secondary Keywords
- architecture
- europe
- european
- european styles and periods
- italy
- locality
- modern and contemporary art
- modern british styles and movements
- modern british styles by reign
- modern european regional styles and movements
- modern european styles and movements
- people and culture
- styles and periods
- styles and periods by region
- Title
- Rome - Fountain of Trevi
- Artist
- Anonymous Italian?
- Century
- 19th century
- Object Creation Date
- circa 1865
- Accession Number
- 1980/1.161
- Medium and Support
- albumen print on paper
- relevance
- rank 3.71469
- Secondary Keywords
- architecture
- buildings and the land
- descriptors
- europe
- hydraulic structures
- hydraulic structures by function
- inorganic material
- italy
- locality
- materials
- materials by composition
- objects
- objects we use
- rock
- rock by form
- single built works
- single built works by function
- single built works by specific type
- visual works
- visual works by medium or technique
- water distribution structures
- Title
- Courtyard, Bologna
- Artist
- Anonymous Italian?
- Century
- 19th century
- Object Creation Date
- circa 1880
- Accession Number
- 1980/1.167
- Medium and Support
- albumen print on paper
- relevance
- rank 3.71469
- Secondary Keywords
- architecture
- buildings and the land
- descriptors
- europe
- hydraulic structures
- hydraulic structures by function
- inorganic material
- italy
- locality
- materials
- materials by composition
- objects
- objects we use
- rock
- rock by form
- single built works
- single built works by function
- single built works by specific type
- visual works
- visual works by medium or technique
- water distribution structures
- Title
- Roma, The Arch of Titus
- Artist
- Luigi Kasimir
- Physical Description
- Etching depicting the Arch of Titus in Rome (Roma). The etching is colored, possibly after the image had already been printed. The perspective of the image is one from the ground level looking directly through the arch to the buildings on the other side.
- Artist Life Dates
- b. 1881, active 1905-1925
- Object Creation Date
- 1923
- Accession Number
- 2009/2.96
- Medium and Support
- etching on paper
- relevance
- rank 3.65969
- Secondary Keywords
- arches and arch components
- architectural elements
- components
- components and systems
- components by specific context
- descriptors
- europe (continent)
- geographic and political locations
- image-making processes and techniques
- intaglio printing processes
- italy (nation)
- lazio (region)
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- spanning and projecting structural elements
- structural elements
- structural elements and structural element components
- Title
- Processional cross with triumphant Christ (Christus triumphans) flanked by busts of the evangelists, Saints Matthew, John, Mark, and Luke (obverse); and suffering Christ (Christus patiens) flanked by busts of the Virgin Mary, God the father, Saint John and unidentified male saint with cross (Saint Philip?) (reverse)
- Artist
- Neri di Bicci
- Physical Description
- The arms of the cross end in quatrefoil-shaped terminals. The front (obverse) is gilded and features a molding along the edges. The back (reverse) has a deep azurite blue ground and a gilded band punched with tiny rosettes that runs along the border.
- Artist Life Dates
- 1418-1492
- Century
- 15th century
- Object Creation Date
- circa 1475
- Accession Number
- 1942.6
- Medium and Support
- tempera and gold on wood
- relevance
- rank 3.64718
- Secondary Keywords
- ceremonies
- cultural ceremonies
- descriptors
- europe (continent)
- european
- european styles and periods
- events
- executions
- firenze (province)
- geographic and political locations
- italy (nation)
- object genres
- object genres by form
- objects we use
- paintings
- paintings by form
- people and culture
- renaissance
- renaissance-baroque styles and periods
- styles and periods
- styles and periods by region
- tuscany (region)
- visual works
- visual works by medium or technique
- Title
- The Mourning Virgin and holy women (fragment of a Crucifixion from a portable altarpiece)
- Artist
- Embriachi Workshop, Venice, Italy
- Physical Description
- This carved bone sculpture depicts the Virgin Mary raising her right hand in a gesture of grief while her head is bent in mourning. A similar female figure, holding her hands clasped before her, appears in profile behind the Virgin, and another female figure stands to the left. Behind the mourning women the pointed helmets worn by two soldiers may be discerned.
- Century
- 14th-15th century
- Object Creation Date
- circa 1400
- Accession Number
- 1976/2.102
- Medium and Support
- bone
- relevance
- rank 3.64246
- Secondary Keywords
- associated concepts
- combination inorganic/organic animal material
- combination inorganic/organic material
- descriptors
- europe (continent)
- events
- executions
- geographic and political locations
- italy (nation)
- materials
- materials by composition
- objects we use
- people and culture
- religions
- religions and religious concepts
- religious visual works
- sculpture
- sculpture by technique
- veneto (region)
- venezia (province)
- visual works
- visual works by function
- visual works by medium or technique
- Title
- Cathedral and Leaning Tower - Pisa
- Artist
- Fratelli Alinari
- Artist Life Dates
- (active 1854 - 1920)
- Century
- 19th century
- Object Creation Date
- 1832-1865
- Accession Number
- 1982/1.228
- Medium and Support
- albumen print on paper
- relevance
- rank 3.64115
- Secondary Keywords
- architecture
- buildings and the land
- churches
- churches by location or context
- europe
- europe (continent)
- geographic and political locations
- italy (nation)
- locality
- objects we use
- photographic prints
- photographic prints by process
- photographs
- photographs by form
- pisa (province)
- positives
- religious buildings
- religious structures
- roads
- single built works
- single built works by function
- single built works by specific type
- tuscany (region)
- visual works
- visual works by medium or technique
- Title
- Combat of Romans and Dacians (after a relief on the Arch of Constantine, Rome)
- Artist
- Nicolas Beatrizet
- Physical Description
- This engraving reproduces a relief sculpture from the second century CE of Roman soldiers under Emperor Trajan conquering the Dacians in what is today Romania. The sculpture was later removed from its original monument built to honor Trajan and incorporated into the Arch of Constantine, erected in Rome by the emperor Constantine between 312 and 315.
- The relief depicts mounted Roman soldiers, dressed in their characteristic armor and helmets, surging to the left and right from the center of the scene. A group of soldiers sounding horns stands in their midst. The Romans' vanquished Dacian foes lie trampled beneath the horses' hooves.
- Artist Life Dates
- c.1515 - after 1565
- Century
- 16th century
- Object Creation Date
- 1553
- Accession Number
- 1960/2.41
- Medium and Support
- engraving on laid paper
- relevance
- rank 3.59556
- Secondary Keywords
- copies (derivative objects)
- derivative objects
- descriptors
- europe (continent)
- geographic and political locations
- image-making processes and techniques
- intaglio printing processes
- italy (nation)
- lazio (region)
- object genres
- originals and derivative objects
- people
- people (agents)
- people and culture
- people by activity
- people by occupation
- people in military occupations
- physical activities
- physical activities by general context
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- roma (province)
- Title
- Nocturne, from the "Twelve Etchings" or the "First Venice Set"
- Artist
- James McNeill Whistler
- Physical Description
- This is a nighttime view of a city on water. Along the horizon can be seen numerous buildings and ships. At center left is a three-masted ship at anchor; along the right side are buildings, incuding domes and a tall tower. Throughout the image, there is an importance given to reflections and the nocturnal setting.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.372
- Medium and Support
- etching and drypoint, printed in warm black ink on laid paper
- relevance
- rank 3.55358
- Secondary Keywords
- scale
- architecture
- associated concepts
- buildings
- buildings and the land
- churches
- earth sciences concepts
- energy and related concepts
- energy-related concepts
- europe (continent)
- geographic and political locations
- italy (nation)
- light-related concepts
- objects we use
- people and culture
- physical sciences concepts
- physics concepts
- places of worship
- scientific concepts
- settlements
- settlements and landscapes
- settlements by form
- study
- transportation vehicles
- vehicles
- veneto (region)
- venezia (province)
- visual works
- visual works by subject type
- watercraft
- watercraft by general type
- Title
- The Mourning St. John the Evangelist with two male figures (fragment of a crucifixion from a portable altarpiece)
- Artist
- Embriachi Workshop, Venice, Italy
- Physical Description
- This carved bone sculpture depicts John the Evangelist in profile with his hands held before him, bowing his head in mourning. A male figure wearing a knee-length robe stands on the right and holds a club in his left hand. A second male figure appears behind the saint in a similar pose of grief.
- Century
- 14th-15th century
- Object Creation Date
- circa 1400
- Accession Number
- 1966/1.108
- Medium and Support
- bone
- relevance
- rank 3.52793
- Secondary Keywords
- associated concepts
- combination inorganic/organic animal material
- combination inorganic/organic material
- descriptors
- europe (continent)
- geographic and political locations
- italy (nation)
- materials
- materials by composition
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- religions
- religions and religious concepts
- religious visual works
- sculpture
- sculpture by technique
- veneto (region)
- venezia (province)
- visual works
- visual works by function
- visual works by medium or technique
- Title
- Mars and Venus Surrounded by Nymphs and Putti
- Artist
- Giovanni Jacopo Caraglio
- Physical Description
- The nude figures of four women, a man, a winged boy, and numerous putti stand in front of a curtained bed. The man stands near the center of the crowd and gasps, apparently in shock, as his jacket is pulled off by the young boy behind him. The woman seated on the bed beckons toward the man.
- Artist Life Dates
- c.1505-1565
- Century
- 16th century
- Object Creation Date
- circa 1530-1540
- Accession Number
- 1985/1.86
- Medium and Support
- engraving on cream laid paper
- relevance
- rank 3.51487
- Secondary Keywords
- transfer method
- descriptors
- design elements
- europe (continent)
- figure- and animal-derived motifs
- figures (representations)
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- geographic and political locations
- intaglio prints
- italy (nation)
- motifs
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- prints
- prints by process
- prints by process or technique
- sleeping and reclining furniture
- veneto (region)
- venezia (province)
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- The Nativity of the Virgin
- Artist
- Sano di Pietro
- Physical Description
- This painted panel depicts an intimate domestic setting consisting of a bedchamber with a fireplace and a smaller vaulted antechamber that opens out on a garden. A haloed woman wearing a white veil rests in bed, having recently given birth. She leans to her right as she reaches toward a basin held by an attendant and looks across the room to the infant who is held on the lap of another servant. A halo also encircles the head of the child and a pair of angels fly above her. Several other attendants and midwives bustle about the room, while another woman, more richly clad than the servants, gazes on the child from her seat at the foot of the bed. In the antechamber sits a haloed man in a long white beard, who leans forward to hear news of the birth from the child standing in front of him. A companion sits behind him and a servant passes through the door into the bedchamber.
- Artist Life Dates
- 1405-1481
- Century
- 15th century
- Object Creation Date
- 1448-1452
- Accession Number
- 1977/2.1
- Medium and Support
- tempera and gold on panel
- relevance
- rank 3.51170
- Secondary Keywords
- associated concepts
- drawings
- drawings by method of projection
- drawings by method of representation
- europe (continent)
- events
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- geographic and political locations
- italy (nation)
- objects we use
- people and culture
- personal life events
- perspective drawings
- religions
- religions and religious concepts
- religious visual works
- siena (province)
- sleeping and reclining furniture
- tuscany (region)
- visual works
- visual works by function
- visual works by medium or technique