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Showing results for "europe%20%28continent%29" in Secondary Keywords.
- Title
- Vue prise en Normandie
- Artist
- Jules Dupre
- Physical Description
- Paper size: h 20 2/5cm x w 27 3/10cm. Image Size: h 13 4/5cm x w 20 7/10cm.
- Artist Life Dates
- (1811 - 1889)
- Object Creation Date
- 19th century
- Accession Number
- 2008/2.450
- Medium and Support
- lithograph on beige wove paper
- relevance
- rank 6.54197
- Secondary Keywords
- image form
- transfer method
- europe (continent)
- france (nation)
- geographic and political locations
- objects we use
- planographic prints
- prints
- prints by process
- prints by process or technique
- visual works
- visual works by form
- visual works by medium or technique
- Title
- The Terrace, Luxembourg
- Artist
- James McNeill Whistler
- Physical Description
- Six figures, women and girls, sit or stand in front of a balustrade. On the left side is an urn holding a plant; the upper portion of a young tree projects above the balustrade at center; in the distance on the right appears the upper portion of a building with a mansard roof
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1894
- Accession Number
- 1954/1.448
- Medium and Support
- transfer lithograph with stumping on laid paper
- relevance
- rank 6.52322
- Secondary Keywords
- animals
- animals and creatures
- architecture
- buildings and the land
- containers
- containers by form
- europe
- europe (continent)
- figures
- france
- france (nation)
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- geographic and political locations
- landscapes (environments)
- locality
- natural landscapes
- objects
- objects we use
- open spaces
- open spaces and site elements
- open spaces by form
- people and culture
- people and occupations
- physical activities
- physical activities by general context
- seating furniture
- settlements and landscapes
- single seating furniture
- the natural world
- vegetation and vegetation components
- vegetation components
- ville de paris, dèpartement de (department)
- œle-de-france (region)
- Title
- Acropolis from the East, Athens
- Artist
- Marilyn Bridges
- Physical Description
- An aerial view image of the Athenan Acropolis taken from the east.
- Artist Life Dates
- American, born 1957
- Object Creation Date
- 2004
- Accession Number
- 2012/2.56
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 6.47255
- Secondary Keywords
- image form
- europe (continent)
- geographic and political locations
- objects we use
- perifèreia protevoúsis (region)
- photographic prints
- photographic prints by process
- photographs
- photographs by form
- positives
- views
- views by vantage point or orientation
- visual works
- visual works by form
- visual works by medium or technique
- Title
- Portrait of Arnold Schönberg
- Artist
- Felix Albrecht Harta
- Physical Description
- Minimal line drawing presents a 3/4 profile of man, with right ear, a tuft of hair, mouth, nose, full right eye, partial left eye, eyebrows, eye lashes, and minimal chin.
- Artist Life Dates
- (1884 - 1967)
- Century
- 20th century
- Accession Number
- 2007/2.112
- Medium and Support
- graphite on beige wove paper
- relevance
- rank 6.44672
- Secondary Keywords
- image form
- associated concepts
- austria (nation)
- europe (continent)
- geographic and political locations
- objects we use
- people and culture
- social science concepts
- social status
- sociological concepts
- vienna state (state)
- views
- views by vantage point or orientation
- visual works
- visual works by form
- visual works by subject type
- Title
- Volvo, near Newgrange Tumulus, Slane, County Meath, Ireland (R6), from "The Ryoichi Excavations"
- Artist
- Patrick Nagatani
- Physical Description
- Car under excavation at a golf course.
- Artist Life Dates
- born 1945
- Object Creation Date
- 1987; printed 2001
- Accession Number
- 2012/2.136
- Medium and Support
- toned gelatin silver print on paper
- relevance
- rank 6.42938
- Secondary Keywords
- course sports
- europe (continent)
- freewheeled vehicles
- freewheeled vehicles by form or function
- geographic and political locations
- land vehicles
- land vehicles by form
- objects we use
- passenger vehicles
- people and culture
- physical activities
- physical activities by location
- physical activities by specific context
- transportation vehicles
- vehicles
- Title
- The Good Thief on the Cross
- Artist
- Artist Unknown, School of Kalkar, Germany
- Physical Description
- A bearded man, wearing a loincloth and a long trailing headband, hangs from a cross by his arms, which have split open beneath the ropes that bind them. His left leg hangs downward and passes behind his right foot, which perches precariously on a forked branch. He strains to his left and gazes upward with his mouth open in a tortured movement augmented by the dramatic sweeps of drapery that frame his torso.
- Century
- 16th century
- Object Creation Date
- circa 1520
- Accession Number
- 1976/1.233
- Medium and Support
- walnut with polychrome
- relevance
- rank 6.41121
- Secondary Keywords
- associated concepts
- costume
- costume by form
- europe (continent)
- events
- executions
- geographic and political locations
- germany (nation)
- main garments
- main garments for the lower body
- objects we use
- people and culture
- religions
- religions and religious concepts
- religious visual works
- visual works
- visual works by function
- Title
- Boulevard Montmartre
- Artist
- Camille Pissarro
- Physical Description
- This lithograph is printed in black ink on a rose-colored chine collé paper. It depicts a wide Parisian boulevard as though seen from above at a distance. Large trees and buildings line either side of the street. Vehicles and pedestrians, many of whom appear to hold umbrellas, people the scene.
- Artist Life Dates
- 1830-1903
- Object Creation Date
- circa 1899
- Accession Number
- 2012/2.213
- Medium and Support
- lithograph on rose Ingres chine appliqué laid down on medium white wove paper
- relevance
- rank 6.37893
- Secondary Keywords
- buildings and the land
- europe (continent)
- france (nation)
- geographic and political locations
- open spaces
- open spaces and site elements
- open spaces by function
- people
- people (agents)
- people and culture
- people by activity
- roads
- roads by form
- transportation spaces
- ville de paris, dèpartement de (department)
- œle-de-france (region)
- Title
- Ford Woody, near Entrance to Lascaux Cave, Dordogne, France (R21), from "The Ryoichi Excavations"
- Artist
- Patrick Nagatani
- Physical Description
- Car under excavation outside the entrance to Lasxaux Cave, Dordgone, France.
- Artist Life Dates
- born 1945
- Object Creation Date
- 1994; printed 2001
- Accession Number
- 2012/2.151
- Medium and Support
- toned gelatin silver print on paper
- relevance
- rank 6.37045
- Secondary Keywords
- buildings and the land
- built complexes and districts
- complexes
- complexes by function
- europe (continent)
- freewheeled vehicles
- freewheeled vehicles by form or function
- geographic and political locations
- land vehicles
- land vehicles by form
- objects we use
- passenger vehicles
- sites
- transportation vehicles
- vehicles
- Title
- Mourning Virgin from Crucifixion group
- Artist
- Artist Unknown, Spain or Belgium
- Physical Description
- This standing figure of the Virgin turns slightly toward the left with her head bowed and hands clasped before her in a restrained expression of grief. Her robe is gilded, which contributes a regal note to this somber figure.
- Century
- 15th century
- Object Creation Date
- 1450-1500
- Accession Number
- 1975/2.197
- Medium and Support
- wood, paint and gilding
- relevance
- rank 6.36878
- Secondary Keywords
- additive and joining processes and techniques
- associated concepts
- descriptors
- emotion
- europe (continent)
- events
- executions
- geographic and political locations
- metallizing
- people
- people (agents)
- people and culture
- people by activity
- processes and techniques
- processes and techniques by specific type
- psychological concepts
- religions
- religions and religious concepts
- social science concepts
- spain (nation)
- surface covering processes and techniques
- Title
- Agfa, Berlin, 1945
- Artist
- Dmitri Baltermants
- Physical Description
- A man in uniform and heavy coat looks to his right as he stands posed next to a broken sign and broken mannequins in the rubble-filled street of Berlin.
- Artist Life Dates
- Russian, 1912-1990
- Object Creation Date
- 2003
- Accession Number
- 2012/2.77
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 6.35943
- Secondary Keywords
- equipment
- equipment by context
- equipment for costume
- europe (continent)
- geographic and political locations
- germany (nation)
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in military occupations
- photographic prints
- photographic prints by process
- photographs
- photographs by form
- positives
- tools and equipment
- visual works
- visual works by medium or technique
- Title
- Rue Des Toiles a Bourges
- Artist
- Charles Meryon
- Physical Description
- Paper size: lh 26 7/10cm & rh 26 2/5cm x tw 17 1/2cm & bw 17 9/10cm. Plate size: h 22 3/10cm x tw 11 1/2cm & bw 11/3/5cm. Image size: rh 20 7/10cm & lh 20 4/5cm x tw 11 1/2cm & bw 11 3/5cm.
- Accession Number
- 2008/2.385
- Medium and Support
- etching on brown wove paper
- relevance
- rank 6.35102
- Secondary Keywords
- centre (region)
- cher (department)
- descriptors
- europe (continent)
- france (nation)
- geographic and political locations
- image-making processes and techniques
- intaglio printing processes
- objects we use
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- visual works
- visual works by subject type
- Title
- Montrichard in May
- Artist
- Samuel Chamberlain
- Physical Description
- Eight distinct trees are shown in the foreground, with a house visible through the trees in the background. The trees are tall and skinny, with tufts of leaves in regular intervals up their trunks. Two trees on the left are thicker and darker. One tree sweeps diagonally across the composition. Two trees on the right of the page cross in the middle of their trunks.
- Artist Life Dates
- 1895-1975
- Century
- 20th century
- Object Creation Date
- 1926
- Accession Number
- 1954/1.95
- Medium and Support
- drypoint on paper
- relevance
- rank 6.29241
- Secondary Keywords
- buildings and the land
- dwellings
- europe (continent)
- geographic and political locations
- landscapes (environments)
- modern and contemporary art
- natural landscapes
- plants
- residential structures
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Topkapi Palace, Istanbul, Turkey
- Artist
- Marilyn Bridges
- Physical Description
- An angled aerial image of Topkapi Palace in Istanbul, Turkey.
- Artist Life Dates
- American, born 1957
- Object Creation Date
- 2004
- Accession Number
- 2012/2.58
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 6.27387
- Secondary Keywords
- image form
- buildings and the land
- dwellings
- europe (continent)
- geographic and political locations
- houses
- houses by occupants
- middle east (general region)
- objects we use
- official residences
- residential structures
- single built works
- single built works by function
- single built works by specific type
- views
- views by vantage point or orientation
- visual works
- visual works by form
- Title
- Eiffel Tower
- Artist
- André Kertész
- Physical Description
- A black and white photo of the area beneath the Eiffel Tower. A shadow from an arch covers most of the ground. A crowd of people stand beneath the tower.
- Artist Life Dates
- 1894-1985
- Object Creation Date
- 1929
- Accession Number
- 2011/2.166
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 6.26019
- Secondary Keywords
- color
- drawings
- drawings by subject type
- europe (continent)
- france (nation)
- geographic and political locations
- groups of people
- groups of people by activity
- objects we use
- people
- people (agents)
- people and culture
- photographs
- photographs by form
- ville de paris, dèpartement de (department)
- visual works
- visual works by medium or technique
- œle-de-france (region)
- Title
- Eve Tempted by the Serpent
- Artist
- Defendente Ferrari
- Physical Description
- A nude woman with long hair flowing down her back grasps a tree branch with her right hand and bends it downward in order to more easily pluck the green fruit dangling at its tip with her left hand. Her white body contrasts starkly with the darker tones of the surrounding landscape. The less conspicuous figure of a serpent with the head of a bearded man coils about the trunk of the tree next to the woman and fixes her with his stare.
- Artist Life Dates
- active 1500-1535
- Century
- 16th century
- Object Creation Date
- 1520-1525
- Accession Number
- 1967/1.38
- Medium and Support
- tempera on panel
- relevance
- rank 6.24383
- Secondary Keywords
- animals and creatures
- bible
- buildings and the land
- descriptors
- document genres
- document genres by function
- europe (continent)
- food
- fruit
- geographic and political locations
- information forms
- italy (nation)
- materials
- materials by function
- objects we use
- old testament
- open spaces
- open spaces and site elements
- open spaces by form
- religious texts
- reptiles
- visual works
- visual works by subject type
- Title
- Senatus populusque Romanus / monumenta marmorea magistratuum / triumphorumque ab urbe condita ad / tempora divi Augusti ruderibus in foro / egestis eruta impensa Al ex(andri) Farnesii card(inalis) / Pauli III Pont(ificis) Max(imi) nepot(is) in Capitolio p(osita), from Piranesi's Lapides Capitolini (1762)
- Artist
- Giovanni Battista Piranesi
- Physical Description
- Large double-folio print, with fold marks. Contains various monuments and their text from ancient Rome. Title plate beneath print indicates that the fragments were from ancient Rome and found in various ancient ruins, with the exception of fragment XLIX, currently (at time of print) in the collection of the Collegio Romano, a building then housing the Jesuits' Rome seminary.
- Print is patched. Separate plate marks are visible between image and inscription. The image is patched from four segments, while the text below is patched from two segments. Paper bears no watermark. Folio fold marks are noted on copy in file. Large text portions read as follows:
- Inscription 1 (in image plate, center): senatus populusque Romanus / monumenta marmorea magistratuum / triumphorumque ab urbe condita ad / tempora divi Augusti ruderibus in foro / egestis eruta impensa Al ex(andri) Farnesii card(inalis) / Pauli III Pont(ificis) Max(imi) nepot(is) in Capitolio p(osita)
- Inscription 2 (in separate text plate attached at bottom): Lapides Capitolini / Sive Fastorum fragmenta, quos Verrius Flaccus, Caii et Lucii, Augusti Nepotum, praeceptor ase dispositos in inferiore fori parte conlocaverat, nunc primum edita prout cermuntur in Capitolio servata / nempe characteris et Lapidum forma, additis ad ornatum degantioribus aliquot veteribus sigillis, et anaglyplus / Fragmentum XLIX in Collegio Romano Patrum Societatis Jesu adservatum
- Artist Life Dates
- Venice, 1720 - 1778, Rome
- Century
- 18th century
- Object Creation Date
- 1762
- Accession Number
- 2007/2.117
- Medium and Support
- engraving, printed in black ink on paper
- relevance
- rank 6.22521
- Secondary Keywords
- buildings and the land
- document genres
- document genres by form
- early western world
- europe (continent)
- geographic and political locations
- information forms
- italy (nation)
- lazio (region)
- mediterranean
- objects we use
- people and culture
- roma (province)
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- Title
- The Discovery of Mars and Venus
- Artist
- Jacob Cornelisz. Cobaert
- Physical Description
- A nude man and woman recline together on the right side of this octagonal plaque. They lay upon the mesh of a net, which is being pulled by a nude male figure seated nearby next to an anvil. Behind the seated man appear two standing figures working at a brick forge. Another pair of figures stands in the middle ground with a row of trees behind them. A diminutive figure mounted on horses appears against a disk in the sky.
- Artist Life Dates
- active 1602-1621
- Century
- 17th century
- Object Creation Date
- 1602-1621
- Accession Number
- 1969/2.158
- Medium and Support
- bronze
- relevance
- rank 6.21711
- Secondary Keywords
- associated concepts
- concepts in the arts
- descriptors
- europe (continent)
- genres in the arts
- geographic and political locations
- italy (nation)
- lazio (region)
- literary, oral and motion picture genres
- object genres
- object genres by form
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- roma (province)
- sculpture
- sculpture by material
- visual works
- visual works by medium or technique
- Title
- Sheet of Studies of Hands
- Artist
- Artist Unknown, Italy
- Physical Description
- Eight hands and wrists, some male others female, are arrayed across this sheet in various gestures.
- Object Creation Date
- 19th century
- Accession Number
- 2009/1.481
- Medium and Support
- engraving printed in sepia ink on laid paper
- relevance
- rank 6.16663
- Secondary Keywords
- arms
- biological components
- components
- components and systems
- components by specific context
- descriptors
- engraving (printing process)
- europe (continent)
- geographic and political locations
- image-making processes and techniques
- intaglio printing processes
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- the human body
- upper body
- Title
- Ornament
- Artist
- Hans Sebald Beham
- Physical Description
- This small print depicts an ornamental pattern composed of curled acanthus leaves and spiralling vines terminating in flowers or buds. The plant ornament forms a symmetrical pattern around a central motif inscribed with the initials "HSB," which are conjoined. This motif is framed by two horn-shaped containers that end in monsters' heads.
- Artist Life Dates
- 1500-1550
- Century
- 16th century
- Object Creation Date
- 16th century
- Accession Number
- 1960/2.26
- Medium and Support
- engraving on paper
- relevance
- rank 6.15847
- Secondary Keywords
- transfer method
- descriptors
- design elements
- europe (continent)
- geographic and political locations
- intaglio prints
- object genres
- object genres by function
- objects we use
- patterns (design elements)
- patterns by specific type
- prints
- prints by process
- prints by process or technique
- scrollwork
- visual works
- visual works by medium or technique
- Title
- Dish
- Artist
- Artist Unknown, Italy
- Physical Description
- This maiolica dish is covered by a radial pattern consisting of abstract leaves and curling tendrils punctuated with flowers all centered around a yellow disk in the center of the well. The harmony of the design stems from radial symmetry of the pattern as well as the restricted palette of blue and a soft brass-yellow.
- Century
- 16th century
- Object Creation Date
- 1500-1525
- Accession Number
- 1969/2.38
- Medium and Support
- tin-glazed earthenware (maiolica) with underglaze painting
- relevance
- rank 6.11842
- Secondary Keywords
- ceramics
- containers
- containers by function or context
- containers for serving and consuming food
- culinary containers
- descriptors
- design elements
- earthenware
- europe (continent)
- geographic and political locations
- italy (nation)
- object genres
- object genres by material
- objects we use
- patterns (design elements)
- patterns by specific type
- perugia (province)
- pottery (object genre)
- scrollwork
- umbria (region)
- vessels for serving and consuming food
- Title
- Sheet of Figure Studies
- Artist
- Pietro Testa
- Physical Description
- This sheet contains studies of fourteen figures in various stages of elaboration. Several of the figures are represented standing while gazing upward, including a man with an outstretched arm on the left edge of the sheet, a woman standing before a column near the center, and a man with a cross over his shoulder in the upper right corner. Two summarily sketched seated figures in the lower left corner appear to develop ideas for a similar figure placed at the foot of a column in a more detailed study near the middle of the sheet. In the upper left quadrant of the sheet appears a monk kneeling beneath a tree with a figure holding a staff standing behind him. Marked off by an octagonal frame along the lower edge is a seated female figure pointing upward with her right hand and holding a globe in her left.
- Artist Life Dates
- (Lucca, Italy, 1612 - 1650, Rome, Italy)
- Century
- 17th century
- Object Creation Date
- 1635-1640
- Accession Number
- 2008/2.199.4
- Medium and Support
- pen and brown ink on laid paper
- relevance
- rank 6.10482
- Secondary Keywords
- descriptors
- drawing and drawing techniques
- europe (continent)
- geographic and political locations
- image-making processes and techniques
- information artifacts
- information artifacts by physical form
- information forms
- italy (nation)
- lazio (region)
- objects we use
- processes and techniques
- processes and techniques by specific type
- roma (province)
- visual works
- visual works by function
- visual works by subject type
- Title
- Italian Landscape (Paysage d' Italie)
- Artist
- Jean-Baptiste-Camille Corot
- Physical Description
- The right two-thirds of the image is filled with tree foliage from 6 distinguishable trees. One of those trees is on the far right edge separated from the others with faint drawing of a church-like structure in between them. Two figures sit in the lower left side of the image, one of them has arm outstretched towards the trees and buildings.
- Artist Life Dates
- 1796-1875
- Century
- 19th century
- Object Creation Date
- 1866
- Accession Number
- 2008/2.437
- Medium and Support
- etching and drypoint on cream calendered laid paper
- relevance
- rank 6.09478
- Secondary Keywords
- buildings and the land
- descriptors
- engraving (printing process)
- europe (continent)
- geographic and political locations
- image-making processes and techniques
- intaglio printing processes
- natural landscapes
- plants
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Leaf from a Gradual with St. Lawrence
- Artist
- Ludovico de Gaci
- Physical Description
- This leaf from a manuscript contains seven lines of Latin text with musical notation. The initial letter, "C," of the opening word "Confessio" is made from a curved vegetal form. The text is preceded by a painted miniature in a circular frame that is, in turn, enclosed by a golden square. The miniature depicts a man with a tonsure and a golden halo standing in a verdant landscape. He holds a palm leaf in his left hand and rests his right hand on a grill. The left and upper margins of the page are decorated with green and pink leaves and flowers and small gold circles.
- Century
- 15th century
- Object Creation Date
- 1489
- Accession Number
- 1986/2.85
- Medium and Support
- ink, tempera and gold on parchment
- relevance
- rank 6.07226
- Secondary Keywords
- architectural elements
- associated concepts
- barrier elements
- barriers and barrier elements
- components
- components and systems
- components by specific context
- document genres
- document genres by conditions of production
- document genres by function
- europe (continent)
- geographic and political locations
- information forms
- italy (nation)
- liturgical texts
- lombardy (region)
- objects we use
- people and culture
- religions
- religions and religious concepts
- religious texts
- Title
- Three Apostles: St. John the Evangelist, St. Thomas, and St. James the Less with the Apostles' Creed
- Artist
- Jan Joest
- Physical Description
- Three apostles, each holding an identifying attribute, stand in a row as full-length figures on this painted panel. On the left stands the youthful beardless St. John holding a chalice with a snake coiled in the cup. Next to him appears the bald and bearded St. Thomas, holding an architect's square. The bearded figure of St. James the Less appears on the left with an open book in his left hand and a long fuller's club in his right. Scrolls above each apostle's head contain a line from the Apostles' Creed in Latin.
- Artist Life Dates
- 1455-1460 - 1519
- Century
- 16th century
- Object Creation Date
- 1500-1519
- Accession Number
- 1973/2.77
- Medium and Support
- oil on panel, mounted on panel
- relevance
- rank 6.06275
- Secondary Keywords
- animals and creatures
- disciples
- equipment
- equipment by process
- europe (continent)
- geographic and political locations
- measuring devices
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- percussive weapons
- religious visual works
- reptiles
- shaping and guiding equipment
- shaping and guiding tools
- tools and equipment
- visual works
- visual works by function
- weapons
- weapons and ammunition
- Title
- Moon over Lausanne
- Artist
- Joseph Mallord William Turner
- Physical Description
- Three figures stand in the bottom left corner. The image is mostly tan and light blue except very dark in the center. The blue horizon line is in the top third of the image stretching from a cityscape on the left side to a sweeping hill on the right side. There is a small moon in the middle at the very top of the image.
- Artist Life Dates
- 1775-1851
- Century
- 19th century
- Object Creation Date
- 1836
- Accession Number
- 1991/2.72
- Medium and Support
- watercolor and graphite on paper
- relevance
- rank 6.05783
- Secondary Keywords
- downward
- associated concepts
- buildings and the land
- earth sciences concepts
- europe (continent)
- geographic and political locations
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- natural landscapes
- objects we use
- paintings
- paintings by material or technique
- people and culture
- physical sciences concepts
- scientific concepts
- settlements and landscapes
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Teichos Dymaion, Greece
- Artist
- Marilyn Bridges
- Physical Description
- An aerial view of the remains of a hilltop settlement in Teichos Dymaion, Greece.
- Artist Life Dates
- American, born 1957
- Object Creation Date
- 2004
- Accession Number
- 2012/2.55
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 6.05029
- Secondary Keywords
- image form
- upward
- buildings and the land
- europe (continent)
- geographic and political locations
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- natural landscapes
- objects we use
- settlements and landscapes
- single built works
- single built works by condition
- single built works by specific type
- views
- views by vantage point or orientation
- visual works
- visual works by form
- Title
- Rade de Bordeaux
- Artist
- Maxime Lalanne
- Physical Description
- This black and white etching depicts a winter scene along a harbor. A line of many boats with high masts separates the water from the land at a diagonal from the lower right corner up to the center of the horizon line. On the left side of the horizon line there is a row of tall buildings. On the left and center in the mid-ground are crowds of figures and horse-drawn carriages along the snowy shore. The upper two-thirds of the composition are devoted to the lightly crosshatched sky.
- Artist Life Dates
- 1827-1886
- Object Creation Date
- 1868
- Accession Number
- 2012/2.194
- Medium and Support
- etching on laid paper
- relevance
- rank 6.01687
- Secondary Keywords
- aquitaine (region)
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by location
- buildings and the land
- coastline bodies of water
- earth sciences concepts
- europe (continent)
- france (nation)
- geographic and political locations
- gironde (department)
- landscapes (environments)
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- scientific concepts
- seasons
- settlements and landscapes
- transportation vehicles
- vehicles
- watercraft
- watercraft by general type
- Title
- Study of a Standing Male Nude
- Artist
- Gaetano Gandolfi
- Physical Description
- A nude, muscular man, seen from behind, leans upon his left leg, which is propped on a rock. He grasps a stick for support with his left hand, while bending his torso to the right and looking downward. The lighting and colors vaguely suggest an outdoor environment.
- Artist Life Dates
- (1728 - 1781)
- Century
- 18th century
- Object Creation Date
- 1760-1780
- Accession Number
- 2008/2.199.2
- Medium and Support
- oil on canvas
- relevance
- rank 5.96847
- Secondary Keywords
- bologna (province)
- descriptors
- emilia-romagna (region)
- europe (continent)
- figures (representations)
- geographic and political locations
- image-making processes and techniques
- italy (nation)
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- people
- people (agents)
- people and culture
- people by activity
- processes and techniques
- processes and techniques by specific type
- visual works
- visual works by function
- visual works by subject type
- Title
- The Steps, Luxembourg Gardens
- Artist
- James McNeill Whistler
- Physical Description
- A broad set of steps leading up to a tree-lined terrace are the main features of this work. Figures on the terrace and a sculpture of putti supporting an urn or pot are visible at the top of the stairs; in the left foreground, a woman and little girl are climbing the stairs.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1893
- Accession Number
- 1954/1.437
- Medium and Support
- transfer lithograph with stumping on wove paper
- relevance
- rank 5.96782
- Secondary Keywords
- agricultural complexes
- animals
- animals and creatures
- architectural elements
- buildings and the land
- built complexes and districts
- circulation elements
- complexes
- complexes by function
- components
- components and systems
- components by specific context
- europe
- europe (continent)
- figures
- france
- france (nation)
- gardens by form
- geographic and political locations
- locality
- objects
- objects we use
- open spaces
- open spaces and site elements
- open spaces by form
- people
- people (agents)
- people and culture
- people and occupations
- people by occupation
- people in agriculture or natural resource occupations
- people in science-related occupations
- physical activities
- physical activities by general context
- scientists and people in science-related occupations
- sculpture
- sculpture by subject type
- stair components
- stairs and stair components
- terraces
- the natural world
- ville de paris, dèpartement de (department)
- visual works
- visual works by medium or technique
- œle-de-france (region)
- Title
- Lamborghini, Otztaler Alps, Italy (R10), from "The Ryoichi Excavations"
- Artist
- Patrick Nagatani
- Physical Description
- A car under excavation in a river bank. The car is underwater.
- Artist Life Dates
- born 1945
- Object Creation Date
- 1987; printed 2001
- Accession Number
- 2012/2.140
- Medium and Support
- toned gelatin silver print on paper
- relevance
- rank 5.94920
- Secondary Keywords
- bodies of water and components of bodies of water
- buildings and the land
- components of bodies of water
- europe (continent)
- freewheeled vehicles
- freewheeled vehicles by form or function
- geographic and political locations
- land vehicles
- land vehicles by form
- landscapes (environments)
- natural landscapes
- objects we use
- passenger vehicles
- settlements and landscapes
- transportation vehicles
- vehicles
- Title
- Study for an Overdoor Decoration in the Sala Regia of the Vatican
- Artist
- Taddeo Zuccaro
- Physical Description
- This drawing depicts two addorsed female figures reclining on a triangular slope. The women are partly clothed, and the one on the left wears an elephant-shaped headpiece. Between their shoulders appears a blank escutcheon held by two putti. Nude men in the background strain to hold back piles of objects that include shields and spears.
- Artist Life Dates
- (1529 - 1566)
- Century
- 16th century
- Object Creation Date
- 1564
- Accession Number
- 1966/1.93
- Medium and Support
- pen and brown ink with brown wash on buff paper
- relevance
- rank 5.94491
- Secondary Keywords
- artistic concepts
- artistic devices
- associated concepts
- concepts in the arts
- descriptors
- drawing and drawing techniques
- drawings
- drawings by function
- europe (continent)
- geographic and political locations
- image-making processes and techniques
- italy (nation)
- lazio (region)
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- processes and techniques
- processes and techniques by specific type
- roma (province)
- symbolism
- visual works
- visual works by medium or technique
- Title
- Sortie de la Maison Cochin
- Artist
- Johan Barthold Jongkind
- Physical Description
- Paper size: lh 25 4/5cm & rh 25 9/10cm x tw 33 2/5cm & bw 33 1/2cm. Plate size: lh 15 1/2cm & rh 15 7/10cm x w 24cm. Image size: h 14cm w 23cm.
- Accession Number
- 2008/2.393
- Medium and Support
- etching and drypoint on beige laid paper
- relevance
- rank 5.94172
- Secondary Keywords
- buildings and the land
- cultural landscapes
- cultural landscapes by location or context
- descriptors
- engraving (printing process)
- europe (continent)
- france (nation)
- geographic and political locations
- image-making processes and techniques
- intaglio printing processes
- landscapes (environments)
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- settlements and landscapes
- ville de paris, dèpartement de (department)
- œle-de-france (region)
- Title
- View of the Fortifications at Gennep on the Maas River
- Artist
- Salomon van Ruysdael
- Physical Description
- The low horizon used in this landscape painting creates a sense of expansive sky and flat terrain, which is divided equally between river and land. Figures and animals engage in variety of activities on the riverbank and in boats, including fishing and ferrying cargo and animals. Silhouetted against the vast sky stands a fortress on a spur of land with an orange flag flying from its tower. The opposite bank is visible in the distance as a dark broken line across the shining stretch of water.
- Artist Life Dates
- c.1602-1670
- Century
- 17th century
- Object Creation Date
- 1665
- Accession Number
- 2000/2.2
- Medium and Support
- oil on canvas
- relevance
- rank 5.92972
- Secondary Keywords
- animals and creatures
- buildings and the land
- europe (continent)
- fortifications
- geographic and political locations
- mammals
- objects we use
- paintings
- paintings by material or technique
- single built works
- single built works by function
- single built works by specific type
- transportation vehicles
- vehicles
- visual works
- visual works by medium or technique
- visual works by subject type
- watercraft
- watercraft by general type
- Title
- Olympia, Greece
- Artist
- Marilyn Bridges
- Physical Description
- An aerial view of the ruins at Olympia in Greece.
- Artist Life Dates
- American, born 1957
- Object Creation Date
- 2004
- Accession Number
- 2012/2.65
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 5.92972
- Secondary Keywords
- image form
- buildings and the land
- europe (continent)
- geographic and political locations
- objects we use
- photographic prints
- photographic prints by process
- photographs
- photographs by form
- positives
- single built works
- single built works by condition
- single built works by specific type
- views
- views by vantage point or orientation
- visual works
- visual works by form
- visual works by medium or technique
- Title
- Architectural ceiling boss with two dragons, probably from the Church of St. Andrews at Cullompton
- Artist
- Artist Unknown, England
- Physical Description
- Two rampant dragons with open wings, wide flared tails and red-painted eyes stand facing one another with a large plant form held between them.
- Century
- 15th Century
- Object Creation Date
- circa 1430
- Accession Number
- 1968/2.46
- Medium and Support
- wood with red polychrome
- relevance
- rank 5.86423
- Secondary Keywords
- animals and creatures
- architectural elements
- components
- components and systems
- components by general context
- components by specific context
- devon (county)
- enclosing structural elements
- england (country)
- europe (continent)
- geographic and political locations
- legendary creatures
- objects we use
- sculpture
- sculpture by material
- sculpture by technique
- structural elements
- structural elements and structural element components
- united kingdom (nation)
- vaults and vault components
- visual works
- visual works by medium or technique
- Title
- Andernache
- Artist
- Joseph Mallord William Turner
- Physical Description
- Line drawing that extends from upper left corner and down diagonally. Bottom Left corner has handwritten note that says " Andernache."
- Artist Life Dates
- 1775-1851
- Century
- 19th century
- Object Creation Date
- circa 1844
- Accession Number
- 1983/2.238
- Medium and Support
- graphite on paper
- relevance
- rank 5.86303
- Secondary Keywords
- upward
- buildings and the land
- drawings
- drawings by technique
- europe (continent)
- fortifications
- geographic and political locations
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- natural landscapes
- objects we use
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Bentley, Stonehedge, Salisbury Plain, Wiltshire, England (R5), from "The Ryoichi Excavations"
- Artist
- Patrick Nagatani
- Physical Description
- Stonehedge in the background with a car being excavated from underground in the foreground. There are ropes around the site.
- Artist Life Dates
- born 1945
- Object Creation Date
- 1987; printed 2001
- Accession Number
- 2012/2.135
- Medium and Support
- toned gelatin silver print on paper
- relevance
- rank 5.85207
- Secondary Keywords
- relation to water
- buildings and the land
- construction equipment
- earthmoving equipment
- equipment
- equipment by process
- europe (continent)
- freewheeled vehicles
- freewheeled vehicles by form or function
- geographic and political locations
- land vehicles
- land vehicles by form
- landforms
- landforms and landform components
- landforms by position
- landforms by shape or position
- landscapes (environments)
- natural landscapes
- objects we use
- passenger vehicles
- settlements and landscapes
- shovels
- tools and equipment
- transportation vehicles
- united kingdom (nation)
- vehicles
- Title
- Berlin is Taken, May 1945
- Artist
- Dmitri Baltermants
- Physical Description
- Taken Berlin. In the foreground is a cannon while in the back hollowed-out buildings burn.
- Artist Life Dates
- Russian, 1912-1990
- Object Creation Date
- 2003
- Accession Number
- 2012/2.80
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 5.84410
- Secondary Keywords
- descriptors
- europe (continent)
- firearms
- geographic and political locations
- germany (nation)
- objects we use
- photographic prints
- photographic prints by process
- photographs
- photographs by form
- physicochemical processes
- positives
- processes and techniques
- processes and techniques by specific type
- projectile weapons
- projectile weapons with explosive propellant
- small arms
- small arms by form
- visual works
- visual works by medium or technique
- weapons
- weapons and ammunition
- Title
- St. John the Evangelist on Patmos
- Artist
- Joos van Cleve
- Physical Description
- St. John the Evangelist sits in the foreground with a book open on his knee and quill pen poised over its pages. Two books rest next to him and an eagle has alighted on an adjacent rock. St. John looks up and to his right to see a standing figure of the Virgin Mary holding the infant Christ, who appear in a glowing mandorla hovering in the sky. A vast panoramic view of a bustling harbor and formidable mountains unfolds behind St. John and extends into the distance.
- Artist Life Dates
- active 1511 - 1540/1541
- Century
- 16th century
- Object Creation Date
- circa 1525
- Accession Number
- 1958/2.77
- Medium and Support
- oil on panel, mounted on panel
- relevance
- rank 5.83644
- Secondary Keywords
- animals and creatures
- associated concepts
- birds
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by location
- buildings and the land
- coastline bodies of water
- europe (continent)
- flanders (former nation/state/empire)
- geographic and political locations
- information artifacts
- information artifacts by physical form
- information forms
- landscapes (environments)
- natural landscapes
- objects we use
- people and culture
- religions
- religions and religious concepts
- settlements and landscapes
- visual works
- visual works by subject type
- Title
- Luxembourg
- Artist
- Joseph Mallord William Turner
- Physical Description
- The top third of the landscape image is the sky with two tower-structures silhouetted on the far right side. There is a structure in the middle of the image with a bridge connecting the cliffs. The bottom right corner of the image is darker and more blue than the rest.
- Artist Life Dates
- 1775-1851
- Century
- 19th century
- Object Creation Date
- 1839
- Accession Number
- 1991/2.73
- Medium and Support
- watercolor and gouache on blue paper
- relevance
- rank 5.83237
- Secondary Keywords
- downward
- buildings and the land
- europe (continent)
- flanders (former nation/state/empire)
- geographic and political locations
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- natural landscapes
- objects we use
- paintings
- paintings by material or technique
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Roma, The Arch of Titus
- Artist
- Luigi Kasimir
- Physical Description
- Etching depicting the Arch of Titus in Rome (Roma). The etching is colored, possibly after the image had already been printed. The perspective of the image is one from the ground level looking directly through the arch to the buildings on the other side.
- Artist Life Dates
- b. 1881, active 1905-1925
- Object Creation Date
- 1923
- Accession Number
- 2009/2.96
- Medium and Support
- etching on paper
- relevance
- rank 5.82370
- Secondary Keywords
- arches and arch components
- architectural elements
- components
- components and systems
- components by specific context
- descriptors
- europe (continent)
- geographic and political locations
- image-making processes and techniques
- intaglio printing processes
- italy (nation)
- lazio (region)
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- spanning and projecting structural elements
- structural elements
- structural elements and structural element components
- Title
- Architectural ceiling boss with four faces, probably from the Church of St. Andrew at Cullompton
- Artist
- Artist Unknown, England
- Physical Description
- This ceiling boss features four faces with traces of paint that are arranged in a radial pattern with the crowns of their heads converging on a single, central point. Two of the faces are female, identifiable by the wimples worn on their heads, while the other two, wearing small pointed caps and sporting beards, are male. The symmetrical regularity of the piece is counterbalanced by subtle asymmetries introduced by differences in detail and the sequence of facial types.
- Century
- 15th century
- Object Creation Date
- circa 1430
- Accession Number
- 1968/2.47
- Medium and Support
- wood with polychrome
- relevance
- rank 5.81761
- Secondary Keywords
- architectural elements
- biological components
- components
- components and systems
- components by general context
- components by specific context
- devon (county)
- enclosing structural elements
- england (country)
- europe (continent)
- geographic and political locations
- heads
- objects we use
- sculpture
- sculpture by material
- sculpture by technique
- structural elements
- structural elements and structural element components
- the human body
- united kingdom (nation)
- upper body
- vaults and vault components
- visual works
- visual works by medium or technique
- Title
- Processional cross with triumphant Christ (Christus triumphans) flanked by busts of the evangelists, Saints Matthew, John, Mark, and Luke (obverse); and suffering Christ (Christus patiens) flanked by busts of the Virgin Mary, God the father, Saint John and unidentified male saint with cross (Saint Philip?) (reverse)
- Artist
- Neri di Bicci
- Physical Description
- The arms of the cross end in quatrefoil-shaped terminals. The front (obverse) is gilded and features a molding along the edges. The back (reverse) has a deep azurite blue ground and a gilded band punched with tiny rosettes that runs along the border.
- Artist Life Dates
- 1418-1492
- Century
- 15th century
- Object Creation Date
- circa 1475
- Accession Number
- 1942.6
- Medium and Support
- tempera and gold on wood
- relevance
- rank 5.80378
- Secondary Keywords
- ceremonies
- cultural ceremonies
- descriptors
- europe (continent)
- european
- european styles and periods
- events
- executions
- firenze (province)
- geographic and political locations
- italy (nation)
- object genres
- object genres by form
- objects we use
- paintings
- paintings by form
- people and culture
- renaissance
- renaissance-baroque styles and periods
- styles and periods
- styles and periods by region
- tuscany (region)
- visual works
- visual works by medium or technique
- Title
- Sugar Caster (one of a pair)
- Artist
- Monogrammist CO
- Physical Description
- This sugar caster consists of an octagonal body topped by a domed lid. The body stands on a molded, octagonal base with alternating concave sides, a design carried through the rest of the body and the lid. The lid is pierced with geometric and floral patterns that alternate on each facet, and is surmounted by a rounded finial. The tall, slender proportions of the caster are counterbalanced by the horizontal moldings that decorate the base, body and lid. An unidentified coat of arms appears on the body of the caster.
- Artist Life Dates
- active 1739-1742
- Century
- 18th century
- Object Creation Date
- 1739
- Accession Number
- 1966/2.5
- Medium and Support
- silver
- relevance
- rank 5.80051
- Secondary Keywords
- casters (vessels)
- condiment vessels
- containers
- containers by function or context
- containers for serving and consuming food
- culinary containers
- descriptors
- design elements
- europe (continent)
- european
- european styles and periods
- geographic and political locations
- metalwork
- netherlands (nation)
- object genres
- object genres by material
- objects we use
- people and culture
- renaissance-baroque styles and periods
- south holland (province)
- styles and periods
- styles and periods by region
- vessels for serving and consuming food
- Title
- Sugar Caster (one of a pair)
- Artist
- Monogrammist CO
- Physical Description
- This sugar caster consists of an octagonal body topped by a domed lid. The body stands on a molded, octagonal base with alternating concave sides, a design carried through the rest of the body and the lid. The lid is pierced with geometric and floral patterns that alternate on each facet, and is surmounted by a rounded finial. The tall, slender proportions of the caster are counterbalanced by the horizontal moldings that decorate the base, body and lid. An unidentified coat of arms appears on the body of the caster.
- Artist Life Dates
- active 1739-1742
- Century
- 18th century
- Object Creation Date
- 1739
- Accession Number
- 1966/2.6
- Medium and Support
- silver
- relevance
- rank 5.80051
- Secondary Keywords
- casters (vessels)
- condiment vessels
- containers
- containers by function or context
- containers for serving and consuming food
- culinary containers
- descriptors
- design elements
- europe (continent)
- european
- european styles and periods
- geographic and political locations
- metalwork
- netherlands (nation)
- object genres
- object genres by material
- objects we use
- people and culture
- renaissance-baroque styles and periods
- south holland (province)
- styles and periods
- styles and periods by region
- vessels for serving and consuming food
- Title
- Domodossola
- Artist
- Samuel Prout
- Physical Description
- This small watercolor depicts a city square viewed through the arches of an arcade. A small group clusters next to one of the columns in the foreground, and a few other figures are scattered about the square along with a man leading a horse and cart.
- Artist Life Dates
- (1783 - 1852)
- Century
- 19th century
- Object Creation Date
- 1824-1852
- Accession Number
- 2009/1.511.3
- Medium and Support
- watercolor, bodycolor, pen with brown ink on paper
- relevance
- rank 5.79683
- Secondary Keywords
- animals and creatures
- buildings and the land
- europe (continent)
- freewheeled vehicles
- freewheeled vehicles by form or function
- geographic and political locations
- land vehicles
- land vehicles by form
- mammals
- objects we use
- open spaces
- open spaces and site elements
- open spaces by form
- paintings
- paintings by material or technique
- service and utility vehicles
- transportation vehicles
- vehicles
- visual works
- visual works by medium or technique
- Title
- The Mourning Virgin and holy women (fragment of a Crucifixion from a portable altarpiece)
- Artist
- Embriachi Workshop, Venice, Italy
- Physical Description
- This carved bone sculpture depicts the Virgin Mary raising her right hand in a gesture of grief while her head is bent in mourning. A similar female figure, holding her hands clasped before her, appears in profile behind the Virgin, and another female figure stands to the left. Behind the mourning women the pointed helmets worn by two soldiers may be discerned.
- Century
- 14th-15th century
- Object Creation Date
- circa 1400
- Accession Number
- 1976/2.102
- Medium and Support
- bone
- relevance
- rank 5.79627
- Secondary Keywords
- associated concepts
- combination inorganic/organic animal material
- combination inorganic/organic material
- descriptors
- europe (continent)
- events
- executions
- geographic and political locations
- italy (nation)
- materials
- materials by composition
- objects we use
- people and culture
- religions
- religions and religious concepts
- religious visual works
- sculpture
- sculpture by technique
- veneto (region)
- venezia (province)
- visual works
- visual works by function
- visual works by medium or technique
- Title
- Annunciation
- Artist
- Artist Unknown, Antwerp School, Belgium
- Physical Description
- An angel, holding a scepter in his left hand and making a gesture of speech with his right, interrupts the Virgin at her reading. She kneels on the floor and rests her left hand on an open book placed atop a lectern. A vase with a flowering lily sits on the floor between the angel and the Virgin and a small white dove encircled by a halo hovers between them. The scene unfolds within an elaborate and richly decorated interior that includes a chair and canopied bed in the background.
- Century
- 16th century
- Object Creation Date
- circa 1520
- Accession Number
- 1992/1.135
- Medium and Support
- oil on panel
- relevance
- rank 5.77118
- Secondary Keywords
- animals and creatures
- antwerpen (province)
- associated concepts
- belgium (nation)
- birds
- descriptors
- europe (continent)
- flanders (region)
- geographic and political locations
- image-making processes and techniques
- legendary creatures
- objects we use
- painting (image-making)
- painting and painting techniques
- people and culture
- processes and techniques
- processes and techniques by specific type
- religions
- religions and religious concepts
- religious visual works
- visual works
- visual works by function
- Title
- Lord Charles Spencer (1740-1820), Second son of the Third Duke of Marlborough
- Artist
- Joshua Reynolds
- Physical Description
- A young man leans against a stone ledge and gazes to his right. He wears a slate blue jacket with a white collar and cuffs and has a matching mantle. He casually hooks a finger of his left hand in the hilt of a sword that hangs at his waist. A plain stone column immediately behind the sitter creates a near silhouette of the shadowed side of his face. A hazy sky fills the background.
- Artist Life Dates
- 1723-1792
- Century
- 18th century
- Object Creation Date
- 1759
- Accession Number
- 2001/2.128
- Medium and Support
- oil on canvas
- relevance
- rank 5.75867
- Secondary Keywords
- architectural elements
- aristocrats
- columns and column components
- components
- components and systems
- components by specific context
- england (country)
- europe (continent)
- geographic and political locations
- greater london (metropolitan area)
- objects we use
- paintings
- paintings by material or technique
- people
- people (agents)
- people and culture
- people by state or condition
- structural elements
- structural elements and structural element components
- supporting and resisting elements
- united kingdom (nation)
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Bay of Naples
- Artist
- Samuel Prout
- Physical Description
- Three figures stand in a wooded clearing in the foreground of this small watercolor. A view opens out in the middle ground over a bay with a city descending from the adjacent hills to the water. A volcano smolders in the distance on the opposite side of the bay, a thick plume of smoke rising from its peak.
- Artist Life Dates
- (1783 - 1852)
- Century
- 19th century
- Object Creation Date
- 1824-1852
- Accession Number
- 2009/1.511.2
- Medium and Support
- watercolor, bodycolor, pen with brown ink on paper
- relevance
- rank 5.73143
- Secondary Keywords
- scale
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by location
- buildings and the land
- coastline bodies of water
- europe (continent)
- geographic and political locations
- landforms
- landforms and landform components
- landforms by formation process
- landscapes (environments)
- magmatic landforms
- natural landscapes
- objects we use
- paintings
- paintings by material or technique
- settlements
- settlements and landscapes
- settlements by form
- visual works
- visual works by medium or technique