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Showing results for "energy and related concepts" in Secondary Keywords.
- Title
- Penn Station
- Artist
- Louis Stettner
- Physical Description
- A girl in a short dress walking next to the light coming in from the windows. Man walking towards her, she has a very dark shadow.
- Artist Life Dates
- born 1922
- Object Creation Date
- 1958; printed 2000
- Accession Number
- 2013/2.178
- Medium and Support
- toned gelatin silver print on paper
- relevance
- rank 19.72001
- Secondary Keywords
- associated concepts
- daylight
- electromagnetic radiation
- energy
- energy and related concepts
- guideway vehicles
- land vehicles
- land vehicles by form
- light (energy)
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- physical sciences concepts
- physics concepts
- rail guideway vehicles
- railroad cars
- scientific concepts
- transportation vehicles
- vehicles
- Title
- Untitled (Virginia)
- Artist
- Sally Mann
- Physical Description
- Contemporary black and white photograph made to look old. The image is contained within the circular field created by the aperture. A foggy landscape with silhouetted trees receding from the left into the hazy distance and sky.
- Artist Life Dates
- Born 1951
- Century
- 20th century
- Object Creation Date
- 1993; printed 2002
- Accession Number
- 2003/1.365
- Medium and Support
- gelatin silver print, toned with tea on paper
- relevance
- rank 19.59707
- Secondary Keywords
- associated concepts
- buildings and the land
- cultural landscapes
- cultural landscapes by function
- disciplines
- electromagnetic radiation
- energy
- energy and related concepts
- geographic and political locations
- history and related disciplines
- landscapes
- landscapes (environments)
- light (energy)
- north and central america (continent)
- objects we use
- people and culture
- photographic prints
- photographic prints by process
- photographs
- photographs by form
- physical sciences concepts
- physics concepts
- positives
- psychological concepts
- scientific concepts
- settlements and landscapes
- social science concepts
- social sciences
- the natural world
- united states (nation)
- visual works
- visual works by medium or technique
- Title
- Odeon Table, from "Tribeca, 10013"
- Artist
- Donna Ferrato
- Physical Description
- This is a black and white photograph of several place settings on a cloth covered table. Plates, forks and napkins are arranged around salt and pepper shakers in the center. There are four clear glasses that have shadows projecting designs onto the tablecloth. The viewpoint is looking down from above.
- Artist Life Dates
- American, born 1949
- Object Creation Date
- 2005
- Accession Number
- 2010/2.51.5
- Medium and Support
- pigment print on fiber paper
- relevance
- rank 19.55723
- Secondary Keywords
- associated concepts
- descriptors
- energy and related concepts
- energy-related concepts
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- light-related concepts
- object genres
- object genres by material
- objects we use
- people and culture
- physical sciences concepts
- physics concepts
- scientific concepts
- support furniture
- tables (support furniture)
- tables by function
- Title
- Sketch of a Seated Beggar
- Artist
- Pablo Picasso
- Physical Description
- A sketch of a man seated and begging for money with a bowl in his left hand. He is drawn from the left angle and is facing forawrds, away from the artist. He is unshaved and wearing tattered clothing and no shoes. The shadows of the beggar suggest he is sitting on the street against a wall.
- Artist Life Dates
- 1881 - 1973
- Object Creation Date
- 1900-1950
- Accession Number
- 2009/1.531
- Medium and Support
- graphite and ink on paper
- relevance
- rank 19.41732
- Secondary Keywords
- associated concepts
- buildings and the land
- energy and related concepts
- energy-related concepts
- light-related concepts
- objects we use
- open spaces
- open spaces and site elements
- open spaces by function
- people
- people (agents)
- people and culture
- people by activity
- people by gender
- physical activities
- physical activities by general context
- physical sciences concepts
- physics concepts
- roads
- roads by form
- scientific concepts
- transportation spaces
- visual works
- visual works by medium or technique
- Title
- The Way to Deadman's Cove
- Artist
- Warren Lombard
- Physical Description
- This forest scene has three trees in the middle of the composition; a straight narrow tree lies in the middle, with a tree next to it leaning diagonally to the right, and a smaller tree in the background to the left. On either side of the composition are more trees. Behind the middle trees we can see the forest open up with a lighter space. The bottom third of the composition shows the forest floor, a faint path, and shadows cast by the trees.
- Artist Life Dates
- 1855-1939
- Century
- 20th century
- Object Creation Date
- 1926
- Accession Number
- 1940.36
- Medium and Support
- etching on paper
- relevance
- rank 19.41652
- Secondary Keywords
- associated concepts
- buildings and the land
- cultural landscapes
- cultural landscapes by location or context
- descriptors
- energy and related concepts
- energy-related concepts
- landscapes (environments)
- light-related concepts
- materials
- materials by origin
- modern and contemporary art
- natural landscapes
- open spaces
- open spaces and site elements
- open spaces by function
- people and culture
- physical sciences concepts
- physics concepts
- plant material
- plants
- scientific concepts
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- walkways
- wilderness
- woody plants
- Title
- A Sunset in Ireland
- Artist
- Sir Francis Seymour Haden
- Physical Description
- A river starts at the bottom of the composition, taking up the foreground, and then winds back into the middle of the composition. A tree on the left bank of the river hangs down over the edge, its leaves almost touching the water. Reflections of the trees and banks can be seen along the edges of the river. In the background is a more heavily wooded area, and some birds can be seen in the sky. One bird is located in the middle of the sky, while a cluster of faintly depicted birds can be seen on the right. The edges of the composition mostly fade into simple hatching and line work, especially along the banks of the river in the bottom corners of the page, and where the trees meet the edges of the page on the left and right.
- Artist Life Dates
- 1818-1910
- Century
- 19th century
- Object Creation Date
- 1863
- Accession Number
- 1955/1.114
- Medium and Support
- drypoint on paper
- relevance
- rank 19.32767
- Secondary Keywords
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- earth sciences concepts
- energy and related concepts
- energy-related concepts
- europe (continent)
- geographic and political locations
- landscapes (environments)
- light-related concepts
- open spaces and site elements
- people and culture
- physical sciences concepts
- physics concepts
- plants
- riverine bodies
- scientific concepts
- settlements and landscapes
- site elements
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Dancer #36, Los Angeles, 1979
- Artist
- Lynn Davis
- Physical Description
- A nude in a dance pose. The female dancer is posed with an arched back and her arms extended, one knee is brought up as if in an exaggerated step motion. Her head is tilted back with her face covered and hair hanging down. A light source to her right casts a shadow of her body onto a white background.
- Artist Life Dates
- American, born 1944
- Object Creation Date
- 1997
- Accession Number
- 2012/2.100
- Medium and Support
- selenium-toned gelatin silver print on paper
- relevance
- rank 19.31211
- Secondary Keywords
- associated concepts
- descriptors
- energy and related concepts
- energy-related concepts
- figures (representations)
- image-making processes and techniques
- light-related concepts
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- people by occupation
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the performing arts
- performing artists
- photographic processes
- photography and photographic processes and techniques
- physical sciences concepts
- physics concepts
- processes and techniques
- processes and techniques by specific type
- scientific concepts
- visual works
- visual works by subject type
- Title
- Casitas al Sol
- Artist
- Emilio Sanchez
- Physical Description
- A high-angled view of a house with two women sitting on its stoop. In the frame the house has an inverted corner, putting the women in the shadows of the larger portion of the home.
- Artist Life Dates
- b. 1921
- Object Creation Date
- 1968
- Accession Number
- 2011/2.99
- Medium and Support
- black and white lithograph on paper
- relevance
- rank 19.28796
- Secondary Keywords
- associated concepts
- building divisions
- buildings and the land
- components
- components and systems
- components by specific context
- dwellings
- energy and related concepts
- energy-related concepts
- light-related concepts
- people
- people (agents)
- people and culture
- people by gender
- physical sciences concepts
- physics concepts
- residential structures
- rooms and spaces
- rooms and spaces by form
- scientific concepts
- single built works
- single built works by function
- single built works by specific type
- uncovered spaces
- Title
- From "Souvenirs of Travels," third series
- Artist
- Kawase Hasui
- Physical Description
- A man stewards a narrow boat carrying a passenger along a river. The houses and walls alongside reflect on the river's surface. The sky is nearly covered by gray clouds, but small patches of blue sky shine through.
- Artist Life Dates
- 1883-1957
- Century
- 20th century
- Object Creation Date
- 1924
- Accession Number
- 1987/1.267
- Medium and Support
- color woodblock print on paper
- relevance
- rank 19.02342
- Secondary Keywords
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- descriptors
- dwellings
- earth sciences concepts
- energy and related concepts
- energy-related concepts
- inorganic material
- landscapes (environments)
- light-related concepts
- materials
- materials by composition
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- physics concepts
- residential structures
- riverine bodies
- scientific concepts
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- transportation vehicles
- vehicles
- watercraft
- watercraft by general type
- weather and related phenomena
- weather-related phenomena
- Title
- The Shadow of the Brooklyn Bridge
- Artist
- Emilio Sanchez
- Physical Description
- A street view in New York City with buildings on the side walk and shadow of the Brooklyn Bridge.
- Artist Life Dates
- b. 1921
- Object Creation Date
- 1987
- Accession Number
- 2011/2.70
- Medium and Support
- color lithograph on paper
- relevance
- rank 18.97204
- Secondary Keywords
- transfer method
- americas
- associated concepts
- buildings and the land
- energy and related concepts
- energy-related concepts
- light-related concepts
- lithographs
- locality
- new york
- north & central america
- objects we use
- people and culture
- physical sciences concepts
- physics concepts
- planographic prints
- prints
- prints by process
- prints by process or technique
- scientific concepts
- single built works
- single built works by function
- single built works by specific type
- transportation structures
- transportation structures by form
- united states
- visual works
- visual works by medium or technique
- Title
- Casita de Campo
- Artist
- Emilio Sanchez
- Physical Description
- A black and white lithograph print of a house angled to the right. The right side has windows with open shutters that cast shadows. The face of the house is slightly shaded by a small porch, and two shuttered doors are open.
- Artist Life Dates
- b. 1921
- Object Creation Date
- 1968
- Accession Number
- 2011/2.98
- Medium and Support
- black and white lithograph on paper
- relevance
- rank 18.87015
- Secondary Keywords
- architectural elements
- associated concepts
- buildings and the land
- components
- components and systems
- components by specific context
- doors and door components
- doorway components
- doorways and doorway components
- dwellings
- energy and related concepts
- energy-related concepts
- light-related concepts
- openings (architectural elements)
- openings and opening components
- openings by form
- people and culture
- physical sciences concepts
- physics concepts
- residential structures
- scientific concepts
- single built works
- single built works by function
- single built works by specific type
- windows and window components
- Title
- Calle del Sol
- Artist
- Emilio Sanchez
- Physical Description
- A black and white lithograph depicts three door entrances from the inside of the building, and the shadow of the door frame is seen on the ground.
- Artist Life Dates
- b. 1921
- Object Creation Date
- 1968
- Accession Number
- 2011/2.90
- Medium and Support
- black and white lithograph on paper
- relevance
- rank 18.86030
- Secondary Keywords
- transfer method
- architectural elements
- associated concepts
- components
- components and systems
- components by specific context
- doors and door components
- doorway components
- doorways and doorway components
- energy and related concepts
- energy-related concepts
- light-related concepts
- objects we use
- openings (architectural elements)
- openings and opening components
- openings by form
- people and culture
- physical sciences concepts
- physics concepts
- planographic prints
- prints
- prints by process
- prints by process or technique
- scientific concepts
- visual works
- visual works by medium or technique
- Title
- An Evening in a Hot Spring
- Artist
- Yoshida Hiroshi
- Physical Description
- This work depicts an evening scene in a hot spring.
- Artist Life Dates
- 1876 - 1950
- Century
- 20th century
- Object Creation Date
- circa 1930-1950
- Accession Number
- 1939.3
- Medium and Support
- color woodblock print on paper
- relevance
- rank 18.79879
- Secondary Keywords
- asian
- associated concepts
- buildings and the land
- chinese
- chinese dynastic styles and periods
- chinese styles and periods
- descriptors
- earth sciences concepts
- east asian
- eastern zhou
- energy and related concepts
- energy-related concepts
- inorganic material
- light-related concepts
- materials
- materials by composition
- people and culture
- physical sciences concepts
- physics concepts
- scientific concepts
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- zhou
- Title
- Untitled [Manassas #25]
- Artist
- Sally Mann
- Physical Description
- Antique- and aged-looking photograph of a dreamy, perhaps nocturnal landscape. In the foreground a massive tree rises up into the hazy night, and trees recede into the distance. White pock marks give the whole scene, sky and land, an ethereal starry look.
- Artist Life Dates
- Born 1951
- Century
- 20th century
- Object Creation Date
- 2000
- Accession Number
- 2004/2.129
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 18.67822
- Secondary Keywords
- associated concepts
- buildings and the land
- built complexes and districts
- complexes
- complexes by function
- disciplines
- electromagnetic radiation
- energy
- energy and related concepts
- geographic and political locations
- history and related disciplines
- landscapes (environments)
- light (energy)
- north and central america (continent)
- objects we use
- people and culture
- photographic prints
- photographic prints by process
- photographs
- photographs by form
- physical sciences concepts
- physics concepts
- plants
- positives
- psychological concepts
- scientific concepts
- settlements and landscapes
- sites
- social science concepts
- social sciences
- united states (nation)
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- Title
- Sunset Corner
- Artist
- Helen Frankenthaler
- Physical Description
- A vast surface of orange yields in the very bottom of the painting to a swath of yellow, under which there is a line of white and green, and under that a thin black line.
- Artist Life Dates
- 1928-2011
- Century
- 20th century
- Object Creation Date
- 1969
- Accession Number
- 1973/1.813
- Medium and Support
- acrylic on canvas
- relevance
- rank 17.47741
- Secondary Keywords
- associated concepts
- daylight
- descriptors
- earth sciences concepts
- electromagnetic radiation
- energy
- energy and related concepts
- genres
- image-making processes and techniques
- international post-1945 styles and movements
- light (energy)
- modern and contemporary art
- non-representational art
- painting and painting techniques
- painting techniques
- painting techniques by medium
- people and culture
- physical sciences concepts
- physics concepts
- post-1945 fine arts styles and movements
- processes and techniques
- processes and techniques by specific type
- scientific concepts
- styles and periods
- styles and periods by region
- Title
- Handstand
- Artist
- Erich Heckel
- Physical Description
- Print featuring a stage with a figure of a man with his feet touching his head while doing a handstand on a small table flanked by two chairs. His large shadow is cast on the wall behind him. The head and hands of a conductor are visible in the lower right.
- Artist Life Dates
- 1883-1970
- Century
- 20th century
- Object Creation Date
- 1916
- Accession Number
- 1956/1.20
- Medium and Support
- lithograph on paper
- relevance
- rank 17.47042
- Secondary Keywords
- associated concepts
- atmospheric effects
- building divisions
- components
- components and systems
- components by specific context
- energy and related concepts
- energy-related concepts
- european
- european styles and periods
- faces
- figures
- genres
- groups
- hands
- human body
- light-related concepts
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- objects
- people
- people (agents)
- people and culture
- people and occupations
- people by occupation
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the performing arts
- performance and backstage spaces
- physical sciences concepts
- physics concepts
- rooms and spaces
- rooms and spaces by building type
- scientific concepts
- stages and stage components
- styles and periods
- styles and periods by region
- the natural world
- theater spaces
- Title
- The Lord's Prayer, sheet 4 - Thy Kingdom Come, Thy Will Be Done on Earth, as It Is in Heaven (Das Vaterunser - Dein Reich komme, Dein Wille geschehe, Wie im Himmel, also auch auf Erden)
- Artist
- Max Pechstein
- Physical Description
- Three male figures dressed in dark clothing, with their backs to the viewer, stand on a shore facing the water as shafts of light break through dark clouds overhead. The figure at the viewer's left raises his hands in exultation. The man in the center stands with head tilted back; the figure at the viewer's righ looks down, as if at his hands. The words of the Lord's Prayer are presented in three lines of text, at the top, middle, and bottom of the composition.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.426
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 17.11174
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- daylight
- doctrinal concepts
- document genres
- document genres by form
- document genres for literary works
- earth sciences concepts
- electromagnetic radiation
- energy
- energy and related concepts
- european
- european styles and periods
- information forms
- light (energy)
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- physical sciences concepts
- physics concepts
- prints
- prints by process
- prints by process or technique
- rays
- relief prints
- religions and religious concepts
- religious concepts
- scientific concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- weather and related phenomena
- weather-related phenomena
- Title
- At the Crossroads (En Rade)
- Artist
- Max Ernst
- Physical Description
- Three birds, executed with spare line and simple form, are set within an abstracted landscape of bright yellows and oranges.
- Artist Life Dates
- 1891 - 1976
- Century
- 20th century
- Object Creation Date
- 1955
- Accession Number
- 1983/1.414
- Medium and Support
- oil on canvas
- relevance
- rank 16.86514
- Secondary Keywords
- animals
- animals and creatures
- associated concepts
- daylight
- descriptors
- earth sciences concepts
- electromagnetic radiation
- energy
- energy and related concepts
- european
- european styles and periods
- genres
- image-making processes and techniques
- light (energy)
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- painting and painting techniques
- painting techniques
- painting techniques by medium
- people and culture
- physical sciences concepts
- physics concepts
- processes and techniques
- processes and techniques by specific type
- scientific concepts
- styles and periods
- styles and periods by region
- the natural world
- Title
- The Pierrot
- Artist
- James McNeill Whistler
- Physical Description
- A man stands in an apron and rolled sleeves in the water door of a building along a canal. Another figure is seen kneeling and reaching down to the water at the left edge of the water door. The building and its reflection fills the frame; the emphasis is on the figures in the darkened opening, along with their reflections, while the upper story of the building is only summarily indicated.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1889
- Accession Number
- 1954/1.406
- Medium and Support
- etching and drypoint, printed in dark brown ink on wove paper
- relevance
- rank 16.73563
- Secondary Keywords
- architectural elements
- associated concepts
- bodies of water and components of bodies of water
- buildings and the land
- components
- components and systems
- components by specific context
- energy and related concepts
- energy-related concepts
- europe (continent)
- geographic and political locations
- hydraulic structures
- hydraulic structures by form
- landscapes (environments)
- light-related concepts
- natural landscapes
- netherlands (nation)
- north holland (province)
- openings (architectural elements)
- openings and opening components
- openings by form
- people and culture
- physical activities
- physical activities by general context
- physical sciences concepts
- physics concepts
- scientific concepts
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- windows and window components
- Title
- The Square House, Amsterdam
- Artist
- James McNeill Whistler
- Physical Description
- A street facing onto a canal is seen at a very slight angle. The three buildings each have balconies (some enclosed), banks of windows, and doors at the water's edge. A dense network of hatching lines describe the brick facades, balconies and windows, and reflecions.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1889
- Accession Number
- 1954/1.404
- Medium and Support
- etching and drypoint, printed in brown ink on laid paper
- relevance
- rank 16.68383
- Secondary Keywords
- height
- architectural elements
- associated concepts
- building divisions
- buildings and the land
- components
- components and systems
- components by specific context
- dwellings
- energy and related concepts
- energy-related concepts
- europe (continent)
- geographic and political locations
- hydraulic structures
- hydraulic structures by form
- light-related concepts
- netherlands (nation)
- north holland (province)
- objects we use
- openings (architectural elements)
- openings and opening components
- openings by form
- people and culture
- physical sciences concepts
- physics concepts
- residential structures
- rooms and spaces
- rooms and spaces by form
- scientific concepts
- single built works
- single built works by form
- single built works by function
- single built works by specific type
- visual works
- visual works by subject type
- windows and window components
- Title
- Crosstown Traffic
- Artist
- Emilio Sanchez
- Physical Description
- A night city traffic view with cars headingn to the same direction, having all the car headlights on.
- Artist Life Dates
- b. 1921
- Object Creation Date
- 1987
- Accession Number
- 2011/2.78
- Medium and Support
- color lithograph on paper
- relevance
- rank 16.52302
- Secondary Keywords
- scale
- associated concepts
- buildings and the land
- earth sciences concepts
- electromagnetic radiation
- energy
- energy and related concepts
- freewheeled vehicles
- freewheeled vehicles by form or function
- land vehicles
- land vehicles by form
- objects we use
- passenger vehicles
- people and culture
- physical sciences concepts
- physics concepts
- scientific concepts
- settlements
- settlements and landscapes
- settlements by form
- transportation vehicles
- vehicles
- visual works
- visual works by subject type
- Title
- Under the Bridges on the Schuylkill
- Artist
- Joseph Pennell
- Physical Description
- The print displays a scene from a perspective on the water, underneath the bridges. Three bridges can be seen. The first bridge is closer to the viewer, with a pier in the center left of the scene, and the truss barely visible, cutting through the top of the image at an angle. Behind the first bridge, more of the second bridge can be seen, with two piers and an arched truss. The thrid bridge is in the background, right-hand section of the scene. The bridge piers cast six shadows into the rippling water.
- Artist Life Dates
- 1857-1926
- Century
- 19th century
- Object Creation Date
- 1884
- Accession Number
- 1954/1.306
- Medium and Support
- etching and drypoint on paper
- relevance
- rank 16.48388
- Secondary Keywords
- associated concepts
- bodies of water and components of bodies of water
- bodies of water by size
- bridges by form
- buildings and the land
- energy and related concepts
- energy-related concepts
- european
- european styles and periods
- landscapes (environments)
- light-related concepts
- modern british styles and movements
- modern british styles by reign
- modern european regional styles and movements
- modern european styles and movements
- natural landscapes
- people and culture
- physical sciences concepts
- physics concepts
- riverine bodies
- scientific concepts
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- transportation structures
- transportation structures by form
- Title
- The Doorway, from the "Twelve Etchings", or the "First Venice Set"
- Artist
- James McNeill Whistler
- Physical Description
- A large ornate waterdoor faces onto a canal. On the threshold near the water, a woman bends down towards the surface of the canal. Behind the doorway stands another figure in the shadows and beyond is another opening to a small square or open-air workspace. The Doorway consists of a large lunette shaped transom light over the door and the portal is flanked on either side by large arched windows. The glazing is all fitted into a fine network of mullions in either square on diamond patterns. The door and windows are each framed by carved pilasters and engaged corinthian capitals. Below the windows are bands of rosettes and other carved ornaments that extends to the water level.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1879-1880
- Accession Number
- 1954/1.375
- Medium and Support
- etching, drypoint, and roulette on laid paper on laid paper
- relevance
- rank 16.27736
- Secondary Keywords
- arches and arch components
- architectural elements
- associated concepts
- buildings and the land
- circulation elements
- components
- components and systems
- components by specific context
- energy and related concepts
- energy-related concepts
- europe (continent)
- geographic and political locations
- hydraulic structures
- hydraulic structures by form
- italy (nation)
- light-related concepts
- openings (architectural elements)
- openings and opening components
- openings by form
- people and culture
- physical activities
- physical activities by general context
- physical sciences concepts
- physics concepts
- scientific concepts
- single built works
- single built works by function
- single built works by specific type
- spanning and projecting structural elements
- stair components
- stairs and stair components
- steps and step components
- structural elements
- structural elements and structural element components
- veneto (region)
- venezia (province)
- windows and window components
- Title
- Bethlehem, CT
- Artist
- David Vestal
- Artist Life Dates
- b. 1924
- Object Creation Date
- June 2003
- Accession Number
- 2014/2.176
- Medium and Support
- black and white photograph on paper
- relevance
- rank 15.06021
- Secondary Keywords
- architectural elements
- associated concepts
- components
- components and systems
- components by specific context
- coverings and hangings
- coverings and hangings by location or context
- coverings and hangings by specific type
- coverings and hangings for openings
- electromagnetic radiation
- energy
- energy and related concepts
- furnishings
- furnishings by form or function
- objects we use
- openings (architectural elements)
- openings and opening components
- openings by form
- people and culture
- physical sciences concepts
- physics concepts
- scientific concepts
- visual works
- visual works by medium or technique
- windows and window components
- Title
- Ocean Park No. 52
- Artist
- Richard Diebenkorn
- Physical Description
- A canvas saturated in layered shades of muted browns, oranges, ochres, and yellows is crossed by lines, some dark some light, some on the surface, some buried beneath the surface color. A bold horizontal line cuts across about a quarter of the way from the bottom. On the right are several faint verticals. At the top two horizontal lines underlap and overlap with two diagonals.
- Artist Life Dates
- 1922 - 1993
- Century
- 20th century
- Object Creation Date
- 1972
- Accession Number
- 1974/2.22
- Medium and Support
- oil on canvas
- relevance
- rank 15.04003
- Secondary Keywords
- associated concepts
- buildings and the land
- california (state)
- daylight
- descriptors
- electromagnetic radiation
- energy
- energy and related concepts
- european
- european styles and periods
- genres
- geographic and political locations
- image-making processes and techniques
- international post-1945 styles and movements
- landscapes (environments)
- light (energy)
- los angeles (county)
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- non-representational art
- north and central america (continent)
- painting and painting techniques
- painting techniques
- painting techniques by medium
- people and culture
- physical sciences concepts
- physics concepts
- post-1945 fine arts styles and movements
- processes and techniques
- processes and techniques by specific type
- scientific concepts
- settlements and landscapes
- styles and periods
- styles and periods by region
- united states (nation)
- Title
- The Lord's Prayer, sheet 11 - The Power and the Glory (Das Vaterunser - Und die Kraft und die Herrlichkeit)
- Artist
- Max Pechstein
- Physical Description
- Positioned in the upper center, a large eye sits inside a black triangle from which five arms and hands radiate. Behind the triangle and extending to the viewer's right edge is a rainbow. Below the triangle is a stylized, mask-like face that radiates beams of light rom its eyes. On each side of this large face is a man's face in profile. In the far background, there are mountains and clouds.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.433
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 14.90940
- Secondary Keywords
- transfer method
- architecture
- arms
- associated concepts
- biological components
- components
- components and systems
- components by specific context
- document genres
- document genres by form
- document genres for literary works
- earth sciences concepts
- electromagnetic radiation
- energy
- energy and related concepts
- european
- european styles and periods
- heads
- human body
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- monuments
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people and culture
- physical sciences concepts
- physics concepts
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- scientific concepts
- styles and periods
- styles and periods by region
- the human body
- the natural world
- upper body
- visual works
- visual works by medium or technique
- visual works groupings
- weather and related phenomena
- weather-related phenomena