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Showing results for "creatures" in Secondary Keywords.
- Title
- Monkey in a persimmon tree
- Artist
- Ohara Shôson (Koson)
- Physical Description
- Boldly colored monkey in a persimmon tree. A wasp hovers near its nest hanging from a branch.
- Artist Life Dates
- 1877-1945
- Century
- 20th century
- Object Creation Date
- 1935
- Accession Number
- 1982/1.204
- Medium and Support
- Color woodblock print on paper
- relevance
- rank 2.21437
- Secondary Keywords
- agricultural structures
- animal housing
- animals and creatures
- apiaries
- asian
- buildings and the land
- descriptors
- east asian
- food
- gold and gold alloy
- inorganic material
- japanese
- japanese printmaking styles
- japanese styles
- landscapes (environments)
- mammals
- materials
- materials by composition
- materials by function
- metal
- metal and metal products
- metal by composition or origin
- natural landscapes
- nonferrous metal
- people and culture
- plants
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Mountain village among pines and white clouds
- Artist
- Artist Unknown, China
- Physical Description
- This fan painting shows a mountain village teeming with activity. The peaceful scene provides a glimpse at daily life, depicting villagers pushing carts of goods and traveling into and out of town, sometimes on horseback. The eye follows this lively village of white buildings and tan roofs as it weaves its way up the mountain slope to what appears to be a royal dwelling or city center capped with emerald green rooftops and enveloped by rolling white clouds.
- Object Creation Date
- 1368-1644
- Accession Number
- 1965/2.59
- Medium and Support
- fan mounted as hanging scroll, ink and color on silk
- relevance
- rank 2.20565
- Secondary Keywords
- scale
- upward
- animals and creatures
- attributes and properties
- attributes and properties by specific type
- buildings and the land
- descriptors
- form attributes
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- mammals
- natural landscapes
- plants
- settlements
- settlements and landscapes
- settlements by form
- shape
- single built works
- single built works by function
- single built works by specific type
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- 5:29 Bay Shore
- Artist
- Robert Rauschenberg
- Physical Description
- A collage of about nine photographs. Includes some of ducks, a train, and windows.
- Artist Life Dates
- 1925 - 2008
- Object Creation Date
- 1981
- Accession Number
- 2011/1.69
- Medium and Support
- lithograph, collage on paper
- relevance
- rank 2.20003
- Secondary Keywords
- animals and creatures
- architectural elements
- birds
- components
- components and systems
- components by specific context
- descriptors
- european
- european styles and periods
- guideway vehicles
- image-making processes and techniques
- land vehicles
- land vehicles by form
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- openings (architectural elements)
- openings and opening components
- openings by form
- people and culture
- processes and techniques
- processes and techniques by specific type
- rail guideway vehicles
- railroad cars
- styles and periods
- styles and periods by region
- transportation vehicles
- vehicles
- windows and window components
- Title
- The Detraction of Good Things [Detractio Bonorum] from Sebastian Brant's "Stultifera navis [The Ship of Fools]" published by Johann Bergmann
- Artist
- Anonymous
- Physical Description
- Text on both sides. One side has the image of a man with dogs at his feet. There is also a jester at his feet, kneeling down.
- Century
- 15th century
- Accession Number
- 2013/2.550.1-2
- Medium and Support
- woodcut on paper
- relevance
- rank 2.19353
- Secondary Keywords
- animals and creatures
- artistic concepts
- artistic devices
- associated concepts
- biological components
- buildings and the land
- components
- components and systems
- components by specific context
- concepts in the arts
- descriptors
- equipment
- equipment by context
- equipment for personal use
- heads
- hydraulic structures
- hydraulic structures by function
- information artifacts
- information artifacts by physical form
- information forms
- mammals
- object genres
- object genres by form
- objects we use
- people and culture
- single built works
- single built works by function
- single built works by specific type
- the human body
- tools and equipment
- upper body
- walking sticks
- water distribution structures
- Title
- Scholar's Winter Retreat
- Artist
- Gai Qi (Kai Ch'i)
- Physical Description
- A scholar sits in a relaxed posture at his desk looking at cut plum blossoms in a white vase; before him is an empty sheet of paper and ink stone, and by his side an attendant is boiling water for tea. A crane tucks her head and leg to keep herself warm in the cold winter air. The scholar seems to be contemplating a subject to be drawn or written, perhaps related to the flowers.
- Artist Life Dates
- (1774 - 1829)
- Century
- 19th century
- Object Creation Date
- circa 1820
- Accession Number
- 1981/2.133
- Medium and Support
- fan mounted as an album leaf, ink and color on paper
- relevance
- rank 2.19281
- Secondary Keywords
- animals and creatures
- attributes and properties
- attributes and properties by specific type
- birds
- buildings and the land
- coating (material)
- coating by form
- containers
- containers by form
- costume
- costume accessories
- costume accessories carried
- crane (bird)
- deciduous trees
- descriptors
- form attributes
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- landscapes (environments)
- materials
- materials by function
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by degree of qualification
- plants
- settlements and landscapes
- shape
- support furniture
- trees
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- vessels
- woody plants
- Title
- Red brocade fukuro obi with woven pattern of colorful medallions against a field of wavy gold stripes (tatewaku)
- Artist
- Artist Unknown, Japan
- Physical Description
- This is made of a thick brocade of red, gold and silver. Medallion patterns and wavy stripes are woven through the entirety of the fabric, rather than halfway, as is common in less intricate obi. Medallion motifs of tortoise shells, flowers, and bamboo leaves are spaced among the golden waves across the fabric.
- Century
- mid-20th century
- Object Creation Date
- 1950s-1960s
- Accession Number
- 2005/1.344
- Medium and Support
- red silk with woven and embroidered design and gold wrapped thread
- relevance
- rank 2.17948
- Secondary Keywords
- accessories worn at the waist or below
- animal material
- animals and creatures
- buildings and the land
- costume
- costume accessories
- costume accessories worn
- costume by form
- descriptors
- design elements
- fibroinous material
- flowers (plants)
- grass (plant material)
- herbaceous plants
- landscapes (environments)
- main garments
- materials
- materials by origin
- motifs
- natural landscapes
- needleworking
- needleworking and needleworking techniques
- objects we use
- plant material
- plant-derived motifs
- plants
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- reptiles
- settlements and landscapes
- textile processes and techniques
- textile working processes and techniques
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Night Scene from Nicolas Boileau-Despréaux's "The Lectern" [Le Lutrin], Illustration for the 3rd Canto
- Artist
- Bernard Picart
- Physical Description
- Three men standing in a surprised movement with an owl coming out of an overturned lectern. There is decorated border around the drawing.
- Artist Life Dates
- 1673-1733
- Century
- 18th century
- Accession Number
- 2013/2.566
- Medium and Support
- etching and engraving on laid paper
- relevance
- rank 2.15363
- Secondary Keywords
- accessories worn on the head
- animals and creatures
- architectural elements
- architectural elements by building type
- associated concepts
- birds
- candles and candleholders
- christian religious building fixtures
- clergy
- components
- components and systems
- components by specific context
- costume
- costume accessories
- costume accessories worn
- furnishings
- furnishings by form or function
- headgear
- information artifacts
- information artifacts by physical form
- information forms
- lighting devices
- lighting devices by form
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- people by occupation
- people in religion
- people in religion and related occupations
- people in the humanities
- religions
- religions and religious concepts
- religious building fixtures
- Title
- One of a pair of six-fold screens
- Artist
- Attributed Kanô Tan'yû
- Physical Description
- This six-fold screen, a half of a pair, is meant to represent six of the twelve months of the year, with keen attention paid to the birds and flowers associated with each. Although this screen bears Kano Tan’yu’s signature, it was probably created by his studio or by followers working in this famous artist’s style.
- Artist Life Dates
- (Kyoto, 1604 - 1674, Edo)
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 1965/1.178
- Medium and Support
- one of a pair of 6-fold screens, ink and light color on paper
- relevance
- rank 2.13409
- Secondary Keywords
- transfer method
- upward
- animals and creatures
- asia (continent)
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- descriptors
- earth sciences concepts
- geographic and political locations
- herbaceous plants
- landforms
- landforms and landform components
- landforms by shape or position
- materials
- materials by origin
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- plant material
- plants
- precipitation
- prints
- prints by process
- prints by process or technique
- riverine bodies
- scientific concepts
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- woody plants
- Title
- The Terrace, Luxembourg
- Artist
- James McNeill Whistler
- Physical Description
- Six figures, women and girls, sit or stand in front of a balustrade. On the left side is an urn holding a plant; the upper portion of a young tree projects above the balustrade at center; in the distance on the right appears the upper portion of a building with a mansard roof
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1894
- Accession Number
- 1954/1.448
- Medium and Support
- transfer lithograph with stumping on laid paper
- relevance
- rank 2.13229
- Secondary Keywords
- animals
- animals and creatures
- architecture
- buildings and the land
- containers
- containers by form
- europe
- europe (continent)
- figures
- france
- france (nation)
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- geographic and political locations
- landscapes (environments)
- locality
- natural landscapes
- objects
- objects we use
- open spaces
- open spaces and site elements
- open spaces by form
- people and culture
- people and occupations
- physical activities
- physical activities by general context
- seating furniture
- settlements and landscapes
- single seating furniture
- the natural world
- vegetation and vegetation components
- vegetation components
- ville de paris, dèpartement de (department)
- œle-de-france (region)
- Title
- One Hundred Famous Views of Edo: #107 Fukagawa, Susaki and the Jumantsubo Plain
- Artist
- Andô Hiroshige
- Physical Description
- This vertical print frames a view of a landscape with an up close view of a bird in the upper right corner that takes up about thirty percent of the image.
- The viewer is positioned alongside the bird, circling the sky above the twin peaks of a mountain. A crate floats in the water below while smaller birds flocking around it. Snow covers the ground.
- The signature and title markings are in the upper right corner, and in the middle along the left side above the landscape.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- circa 1856-1857
- Accession Number
- 1960/2.143
- Medium and Support
- color woodblock print on paper
- relevance
- rank 2.12489
- Secondary Keywords
- image form
- level
- upward
- animals and creatures
- asian
- associated concepts
- buildings and the land
- containers
- containers by form
- descriptors
- earth sciences concepts
- east asian
- inorganic material
- japanese
- japanese printmaking styles
- japanese styles
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by composition
- natural landscapes
- noncompetitive play equipment
- objects we use
- people and culture
- physical sciences concepts
- precipitation
- recreational artifacts
- recreational artifacts for noncompetitive activities
- scientific concepts
- settlements and landscapes
- styles and periods
- styles and periods by region
- views
- views by vantage point or orientation
- visual works
- visual works by form
- weather and related phenomena
- weather-related phenomena
- Title
- Gazing at Snow on Matsuchi Hill (center sheet from triptych, Fûryû Genji Awase)
- Artist
- Andô Hiroshige
- Physical Description
- The snow scene of a village under the mountain. The house roofs, the bridge over the river, the mountain and trees are all covered by the snow. Three birds fly above the riverbank, lingering around the snow-covered pine branches.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- 1853
- Accession Number
- 1948/1.145
- Medium and Support
- color woodblock print on paper
- relevance
- rank 2.12364
- Secondary Keywords
- scale
- transfer method
- animals and creatures
- associated concepts
- buildings and the land
- dwellings
- earth sciences concepts
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- plants
- precipitation
- prints
- prints by process
- prints by process or technique
- relief prints
- residential structures
- scientific concepts
- settlements
- settlements and landscapes
- settlements by form
- single built works
- single built works by function
- single built works by specific type
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- woodcuts
- woody plants
- Title
- A Han Dynasty Envoy Navigating on a Tree-Raft
- Artist
- Yu Zhiding (Yü Chih-ting)
- Physical Description
- This is a dense but muted landscape painting. The lines are very well defined. The colors consit of muted greens and browns, with a bid of red in some places. There is a river flowing through the center of the painting, running down the landscape and toward the viewer. There is a figure sitting on a gnarled tree-raft towards the bottom left of the painting, with another figure looking upon the scene from the opposite bank of the river. There are ornate buildings present toward the top of the panting. The viewer can see a lone figure in an interior covered by stylized clouds.
- Artist Life Dates
- 1647 - circa 1705
- Century
- 17th century
- Object Creation Date
- 1696
- Accession Number
- 1985/2.30
- Medium and Support
- hanging scroll, ink and light color on silk
- relevance
- rank 2.11689
- Secondary Keywords
- upward
- animals and creatures
- bodies of water and components of bodies of water
- buildings and the land
- components of bodies of water
- displacement vessels
- dwellings
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- mammals
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- plants
- residential structures
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- surface craft
- transportation vehicles
- vegetation and vegetation components
- vegetation components
- vehicles
- visual works
- visual works by subject type
- watercraft
- watercraft by displacement
- watercraft by operating environment
- watercraft by specific type
- woody plants
- Title
- Landscape in Ni Tsan Style
- Artist
- Hine Taizan
- Physical Description
- A lone pavilion sits among trees in the foreground. Birds flock nearby, and in the background are more trees and rocky formations. Calligraphic texts in in the upper right corner.
- Artist Life Dates
- 1813-1869
- Century
- 19th century
- Object Creation Date
- 1867
- Accession Number
- 1983/2.247
- Medium and Support
- hanging scroll, ink on silk
- relevance
- rank 2.11622
- Secondary Keywords
- upward
- animals
- animals and creatures
- architecture
- asia
- asian
- buildings and the land
- descriptors
- forms
- garden structures
- geography
- image-making processes and techniques
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- locality
- making art
- materials
- materials by composition
- natural landscapes
- objects we use
- plants
- processes and techniques
- processes and techniques by specific type
- settlements and landscapes
- single built works
- single built works by location or context
- single built works by specific type
- text-based art
- the natural world
- transportation vehicles
- vegetation and vegetation components
- vegetation components
- vehicles
- watercraft
- watercraft by general type
- waterscapes
- woody plants
- writing (processes)
- Title
- Descent of the River Ganges
- Artist
- Artist Unknown, India, Central India, Bundelkhand
- Physical Description
- In this intensely lyrical painting from Bundelkhand in Central India, the great river is shown tumbling from the night sky. Ascetics sit cross-legged on the mountainside, offering their austerities to Shiva, while women come to venerate Ganga. The river teems with life—crocodiles, turtles, fish, and birds—while lions, leopards, jackals, monkeys, and rabbits cavort on its banks.
- Century
- 18th century
- Object Creation Date
- circa 1775
- Accession Number
- 1979/1.148
- Medium and Support
- ink, opaque watercolor, and gold on paper
- relevance
- rank 2.09162
- Secondary Keywords
- animals and creatures
- asian
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- components of bodies of water
- descriptors
- earth sciences concepts
- forms
- geography
- image-making processes and techniques
- landscapes (environments)
- making art
- mammals
- natural landscapes
- painting and painting techniques
- painting techniques
- painting techniques by medium
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- people by occupation
- people by state or condition
- people in religion
- people in religion and related occupations
- people in the humanities
- physical sciences concepts
- processes and techniques
- processes and techniques by specific type
- religions and religious concepts
- religious (people)
- religious concepts
- religious figures
- religious ideologies
- riverine bodies
- scientific concepts
- settlements and landscapes
- the natural world
- time
- Title
- Janus Bird (Oiseau Janus)
- Artist
- Max Ernst
- Physical Description
- Standing bronze figure with recto/verso. The silhouette of the body is rectangular in shape. The heads on both side are simply rendered with rounded eyes and a pursed -lip mouth on one, a button nose on the other; bodies are supported by short legs; sides loosely suggest representations of male and female anatomy with side-by-side scallop shells suggesting a breasted chest on one side, an upward facing frog/toad in the phallus area on the reverse side.
- Artist Life Dates
- 1891-1976
- Century
- 20th century
- Object Creation Date
- 1973
- Accession Number
- 1987/1.160
- Medium and Support
- bronze
- relevance
- rank 2.08141
- Secondary Keywords
- amphibians
- animals
- animals and creatures
- combination inorganic/organic animal material
- combination inorganic/organic material
- copper alloy
- copper and copper alloy
- descriptors
- european
- european styles and periods
- inorganic material
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- nonferrous metal
- objects we use
- people and culture
- reptiles
- reptiles and amphibians
- shell and shell material
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- The Seven Sages Passing Through a Gate
- Artist
- Sheng Maojun (Sheng Mao-chün)
- Physical Description
- A temple lies in the not-so-distant background of tree and mountains. Travellors weave their way along the path, some on horseback. They have their heads covered--some with cloth and some with hats.
- Artist Life Dates
- act. 1600-1645
- Century
- 17th century
- Object Creation Date
- early 17th century
- Accession Number
- 1990/2.1
- Medium and Support
- fan mounted as an album leaf, ink and light color on paper
- relevance
- rank 2.07876
- Secondary Keywords
- upward
- animals and creatures
- attributes and properties
- attributes and properties by specific type
- buildings and the land
- coating (material)
- coating by form
- costume
- costume accessories
- costume accessories carried
- descriptors
- form attributes
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- mammals
- materials
- materials by function
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by activity
- plants
- religious buildings
- religious structures
- settlements and landscapes
- shape
- single built works
- single built works by function
- single built works by specific type
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- La Villa Madama
- Artist
- Jean-François Janinet
- Physical Description
- This etching, in a pale blue, brown and gray color scheme, depicts an outdoor scene with a large Roman style building and several human figures in the foreground. One giant wall, with two large arches, with semi-circular apses behind, crosses the middle section of the composition from left to right. It intersects a massive building that has a series of vaulted chambers. Both structures have crumbling stonework and overgrown vegetation. There are several groups of women in the foreground on both sides of a river. Some are in the water washing laundry and some are standing with wash hanging on lines. There is a small dog on the shore.
- Artist Life Dates
- (active 1752 - 1814, )
- Century
- 18th century
- Object Creation Date
- 1778
- Accession Number
- 1973/1.737
- Medium and Support
- etching and lavis-manner engraving printed in color on paper
- relevance
- rank 2.07570
- Secondary Keywords
- animals
- animals and creatures
- arches and arch components
- architectural elements
- architecture
- bridges by form
- buildings and the land
- commercial buildings
- components
- components and systems
- components by specific context
- landscapes (environments)
- laundry
- mammals
- natural landscapes
- objects
- objects we use
- people and occupations
- plants
- sculpture
- sculpture by subject type
- service industry buildings
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- spanning and projecting structural elements
- structural elements
- structural elements and structural element components
- the natural world
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- Title
- Begin the Beguine
- Artist
- Max Beckmann
- Physical Description
- Interior composition with male and female dancers positioned at center with seated female at lower left, standing male on crutches at right and a group of birds in the leftmost background.
- Artist Life Dates
- 1884-1950
- Century
- 20th century
- Object Creation Date
- 1946
- Accession Number
- 1948/1.103
- Medium and Support
- oil on canvas
- relevance
- rank 2.06756
- Secondary Keywords
- amputation
- animals
- animals and creatures
- arts
- arts and related disciplines
- buildings and the land
- disciplines
- equipment
- equipment by context
- equipment for personal use
- european
- european styles and periods
- genres
- humanities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the performing arts
- performing artists
- performing arts
- performing arts buildings
- performing arts structures
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- the natural world
- tools and equipment
- Title
- Manet's Olympia
- Artist
- Mel Ramos
- Physical Description
- A female nude reclining on a bed wearing one yellow slipper on her left foot, a gold bracelet on her right arm and a black ribbon tied in a bow around her neck. An African American woman in a blue dress stands behind her holding a bouquet of yellow and white flowers. A small monkey sits at the foot of the bed. All subjects look directly at the viewer.
- Artist Life Dates
- born 1935
- Century
- 20th century
- Object Creation Date
- 1974
- Accession Number
- 1991/2.102.1
- Medium and Support
- collotype on wove paper
- relevance
- rank 2.06715
- Secondary Keywords
- aesthetic concepts
- animals and creatures
- artistic concepts
- associated concepts
- buildings and the land
- child
- concepts in the arts
- family
- forms of expression
- herbaceous plants
- historical, theoretical and critical concepts
- how we live
- international post-1945 styles and movements
- landscapes (environments)
- mammals
- modern american styles and periods
- modern and contemporary art
- modern north american styles and movements
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by activity
- people by gender
- people by occupation
- people in service occupations
- philosophical concepts
- plants
- post-1945 fine arts styles and movements
- psychological concepts
- relationships
- settlements and landscapes
- social science concepts
- styles and periods
- styles and periods by region
- the americas
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by subject type
- woody plants
- Title
- Battle of the Genji and Heike Forces
- Artist
- Artist Unknown, Japan
- Physical Description
- This 6-fold screen is a depiction of the Battle of Genji and Heike. In samurai armor, the Heike forces approach by ship from the left, while Genji forces rush to the shore on horseback and on foot—drawing the viewer’s attention to the center of the screens, where their confrontation will finally take place. The Heike forces can be identified by the red banners on their ships, while the Genji clan carries white banners.
- Century
- 16th century
- Object Creation Date
- 1573-1650
- Accession Number
- 1964/2.64
- Medium and Support
- 6-fold screen, ink and color on paper
- relevance
- rank 2.00601
- Secondary Keywords
- animals and creatures
- armed conflicts
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- earth sciences concepts
- events
- evergreens
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- landscapes (environments)
- mammals
- marine bodies
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in military occupations
- physical sciences concepts
- plants
- projectile weapons
- projectile weapons with nonexplosive propellant
- projectiles with nonexplosive propellant
- scientific concepts
- settlements and landscapes
- transportation vehicles
- trees
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- vehicles
- watercraft
- watercraft by general type
- weapons
- weapons and ammunition
- weather and related phenomena
- weather-related phenomena
- woody plants
- Title
- scripted
- Artist
- Ann Hamilton
- Physical Description
- A long wooden box divided into two compartments, one small and one large. The small compartment contains an intricately worked gold thimble inscribed with a poem. The long compartment contains a silver thimble in which horse hairs have been threaded. The tuft of horse hair runs the length of the long compartment.
- Artist Life Dates
- born 1956
- Century
- 20th century
- Object Creation Date
- 1997
- Accession Number
- 1999/2.15
- Medium and Support
- gold thimble, silver thimble, horsehair, wood and glass
- relevance
- rank 1.99920
- Secondary Keywords
- animal material
- animals and creatures
- components
- components and systems
- components by specific context
- constructions (sculpture)
- containers
- containers by form
- descriptors
- document genres
- document genres by form
- document genres for literary works
- hair and hair components
- information form components
- information forms
- international post-1945 styles and movements
- keratinous material
- mammals
- materials
- materials by origin
- metalworking and metalworking processes and techniques
- objects we use
- people and culture
- post-1945 fine arts styles and movements
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- script and type forms
- sculpture
- sculpture by technique
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- The Lord's Prayer, sheet 8 - And Lead Us Not into Temptation (Das Vaterunser - Und führe uns nicht in Versuchung)
- Artist
- Max Pechstein
- Physical Description
- A nude man and woman at center struggle with one another; a snake and a seated figure are visible in the background. The two central figures with intertwined limbs suggesting a struggle are positioned above a sharp-toothed mammal resembling a fox.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.430
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 1.99732
- Secondary Keywords
- transfer method
- animals and creatures
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by general context
- object groupings by specific context
- objects we use
- people and culture
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- reptiles
- sets (groups)
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Bullfight (Courses de taureaux)
- Artist
- Pablo Picasso
- Physical Description
- A bull in the center charges to the left toward a horse rearing up with a bullfighter on its back. The bullfighter leans forward to plunge a spear into the bull's shoulder area. Flags and spectator stands lie in the background.
- Artist Life Dates
- 1881 - 1973
- Century
- 20th century
- Object Creation Date
- 1934
- Accession Number
- 1994/1.70
- Medium and Support
- oil on canvas
- relevance
- rank 1.96866
- Secondary Keywords
- animals and creatures
- buildings and the land
- descriptors
- european
- european styles and periods
- genres
- image-making processes and techniques
- mammals
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by medium
- paintings
- paintings by material or technique
- people
- people (agents)
- people and culture
- people by activity
- processes and techniques
- processes and techniques by specific type
- recreation buildings
- recreation structures
- single built works
- single built works by function
- single built works by specific type
- sports buildings
- sports buildings by function
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- The Lord's Prayer, sheet 10 - For Thine Is the Kingdom (Das Vaterunser - Denn Dein ist das Reich)
- Artist
- Max Pechstein
- Physical Description
- A man, a woman, and a child facing the viewer with their hands folded in prayer. The man and woman sit on a mattress and look to heaven. The child stands in front of them with his head bowed. Next to the child is a diminutive cow. In the background behind the family are images of fish and birds.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.432
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 1.95789
- Secondary Keywords
- transfer method
- animals
- animals and creatures
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- figures
- groups of people
- information forms
- kinship groups
- mammals
- mental activities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- social groups
- social science concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Steps, Luxembourg Gardens
- Artist
- James McNeill Whistler
- Physical Description
- A broad set of steps leading up to a tree-lined terrace are the main features of this work. Figures on the terrace and a sculpture of putti supporting an urn or pot are visible at the top of the stairs; in the left foreground, a woman and little girl are climbing the stairs.
- Artist Life Dates
- 1834-1903
- Century
- 19th century
- Object Creation Date
- 1893
- Accession Number
- 1954/1.437
- Medium and Support
- transfer lithograph with stumping on wove paper
- relevance
- rank 1.95074
- Secondary Keywords
- agricultural complexes
- animals
- animals and creatures
- architectural elements
- buildings and the land
- built complexes and districts
- circulation elements
- complexes
- complexes by function
- components
- components and systems
- components by specific context
- europe
- europe (continent)
- figures
- france
- france (nation)
- gardens by form
- geographic and political locations
- locality
- objects
- objects we use
- open spaces
- open spaces and site elements
- open spaces by form
- people
- people (agents)
- people and culture
- people and occupations
- people by occupation
- people in agriculture or natural resource occupations
- people in science-related occupations
- physical activities
- physical activities by general context
- scientists and people in science-related occupations
- sculpture
- sculpture by subject type
- stair components
- stairs and stair components
- terraces
- the natural world
- ville de paris, dèpartement de (department)
- visual works
- visual works by medium or technique
- œle-de-france (region)
- Title
- The Edwards Family on a Terrace
- Artist
- Charles Philips
- Physical Description
- Six figures appear in a formal garden landscape. On the right a pair of men in powdered wigs stand behind two women, one seated in a wheelchair, before an elaborate portico. A pair of boys, also sporting wigs, stand on the left, partly screened by a fountain. One of the boys holds a shell and the other carries a parrot. A small pool extends through the middle ground behind the figures and draws attention to the setting and the distant obelisk visible above the trees.
- Artist Life Dates
- 1708 - 1747
- Century
- 18th century
- Object Creation Date
- 1732
- Accession Number
- 2000/2.3
- Medium and Support
- oil on canvas
- relevance
- rank 1.94947
- Secondary Keywords
- animals and creatures
- birds
- buildings and the land
- combination inorganic/organic animal material
- combination inorganic/organic material
- descriptors
- england (country)
- europe (continent)
- geographic and political locations
- greater london (metropolitan area)
- group portraits
- groups of people
- hydraulic structures
- hydraulic structures by function
- kinship groups
- materials
- materials by composition
- monumental pillars
- monuments
- monuments by form
- objects we use
- offspring
- open spaces
- open spaces and site elements
- open spaces by form
- paintings
- paintings by material or technique
- parents
- people
- people (agents)
- people and culture
- people by family relationship
- portraits
- shell and shell material
- single built works
- single built works by function
- single built works by specific type
- social groups
- united kingdom (nation)
- visual works
- visual works by medium or technique
- visual works by subject type
- water distribution structures
- Title
- White Mountains in September, North Conway, New Hampshire
- Artist
- Sylvester Phelps Hodgdon
- Physical Description
- Landscape with trees in foreground, valley in middle ground dotted with minute figures of sheep and a farmer with a team of oxen pulling well-filled haywain. Mountains in distance with a snow-capped mountain in center background.
- Artist Life Dates
- 1830 - 1906
- Century
- 19th century
- Object Creation Date
- 1853
- Accession Number
- 1895.57
- Medium and Support
- oil on canvas
- relevance
- rank 1.92224
- Secondary Keywords
- downward
- upward
- americas
- animals and creatures
- associated concepts
- buildings and the land
- descriptors
- design elements
- earth sciences concepts
- freewheeled vehicles
- freewheeled vehicles by form or function
- geographic and political locations
- grass (plant material)
- land vehicles
- land vehicles by form
- landforms
- landforms and landform components
- landforms by shape or position
- locality
- mammals
- materials
- materials by origin
- natural landscapes
- north & central america
- north and central america (continent)
- objects we use
- ornament areas
- people
- people (agents)
- people and culture
- people and occupations
- people by occupation
- people in agriculture
- people in agriculture or natural resource occupations
- people in science-related occupations
- physical sciences concepts
- plant material
- plants
- scientific concepts
- scientists and people in science-related occupations
- service and utility vehicles
- settlements and landscapes
- the natural world
- transportation vehicles
- united states
- united states (nation)
- vehicles
- visual works
- visual works by subject type
- Title
- One of a pair of six-fold screens
- Artist
- Attributed Kanô Tan'yû
- Physical Description
- These panels represent six of the twelve months. The panels each have calligraphy and a red seal in one corner. In each panel there is a bird and a type of plant, which are suggestive of particular months. On the top left panel there is bamboo, the bow of the boat with a small lamp attached to it, and a type of water fowl. In the bottom middle panel is a blooming sakura tree and a pheasant. In the bottom left panel is blue and white wisteria ans small sparrows. In the bottom right panel there is a willow slowly coming back to life after winter over a thatched building.
- Artist Life Dates
- (Kyoto, 1604 - 1674, Edo)
- Century
- 19th century?
- Object Creation Date
- 19th century
- Accession Number
- 1965/1.179
- Medium and Support
- ink and light color on paper, one of pair of Six fold screens
- relevance
- rank 1.86086
- Secondary Keywords
- upward
- animals and creatures
- asian
- associated concepts
- birds
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- deciduous trees
- descriptors
- dwellings
- earth sciences concepts
- east asian
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- grass (plant material)
- herbaceous plants
- japanese
- japanese styles
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by origin
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- plant material
- plants
- residential structures
- riverine bodies
- scientific concepts
- seasons
- settlements and landscapes
- shrubs
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- transportation vehicles
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- vehicles
- watercraft
- watercraft by general type
- woody plants
- Title
- Mantel clock with a priestess and Cupid offering a sacriffice to Venus
- Artist
- Joseph Buzot
- Physical Description
- The dial of this elaborately decorated clock stands upon a two-tiered base. The lower tier consists of a hollow base made of ebony and adorned with a frieze of gilded bronze scrollwork and palmette motifs. The upper tier, made entirely of gilded bronze, features six fluted pilasters with a decorative panel centered on the front below the dial. This panel is composed of a pair of doves touching beaks before a crossed quiver of arrows and a flaming torch framed by leaves. A woman in long flowing robes stands to the right of the dial and empties a small cup onto a dove held by a winged putto who lies on a rocky projection. Behind the dove burns a fire on a small altar inscribed "Altar of Venus" [Autel à Venus].
- Century
- 18th century
- Object Creation Date
- circa 1780
- Accession Number
- 2001/2.82
- Medium and Support
- gilded bronze, ebony, porcelain, and glass
- relevance
- rank 1.85975
- Secondary Keywords
- additive and joining processes and techniques
- altars and altar components
- animals and creatures
- architectural elements
- architectural elements by building type
- birds
- ceremonies
- components
- components and systems
- components by specific context
- descriptors
- design elements
- enclosing structural elements
- european
- european styles and periods
- events
- figure- and animal-derived motifs
- measuring devices
- measuring devices for extent
- metallizing
- modern european regional styles and movements
- modern european styles and movements
- modern french styles and movements
- modern french styles by reign
- motifs
- objects we use
- people and culture
- processes and techniques
- processes and techniques by specific type
- religious building fixtures
- religious ceremonies
- sculpture
- sculpture by material
- structural elements
- structural elements and structural element components
- styles and periods
- styles and periods by region
- surface covering processes and techniques
- timepieces
- timepieces by form
- visual works
- visual works by medium or technique
- wall components
- wall components by form or function
- walls and wall components
- Title
- Farm Landscape
- Artist
- Jacques Callot
- Physical Description
- Some mold damage. Paper size: lh 20 7/10cm & rh 20 9/10cm x w 32 3/5cm. Image size: h 8 1/2cm x w 21 3/5cm.
- Accession Number
- 2008/2.381
- Medium and Support
- etching on beige laid paper
- relevance
- rank 1.84587
- Secondary Keywords
- transfer method
- agricultural complexes
- agricultural functions
- animals and creatures
- buildings and the land
- built complexes and districts
- complexes
- complexes by function
- descriptors
- functions
- functions (activities)
- functions by specific context
- image-making processes and techniques
- intaglio printing processes
- intaglio prints
- mammals
- objects we use
- open spaces
- open spaces and site elements
- open spaces by form
- people
- people (agents)
- people and culture
- people by gender
- people by occupation
- people in agriculture
- people in agriculture or natural resource occupations
- people in science-related occupations
- printing and printing processes and techniques
- printing processes
- prints
- prints by process
- prints by process or technique
- processes and techniques
- processes and techniques by specific type
- religious buildings
- religious structures
- scientists and people in science-related occupations
- single built works
- single built works by function
- single built works by specific type
- visual works
- visual works by medium or technique
- Title
- The Attack on an Emigrant Train
- Artist
- Charles Ferdinand Wimar
- Physical Description
- The painting depicts a group of American settlers attempting to defend themselves against attack by a band of Native Americans. A covered wagon pulled by two horses is at the center of the composition; at left, two Native Americans attack the wagon with war clubs and tomahawks; a figure on the lead horse points a pistol directly at the head of one of his attackers, while a figure at the rear of the wagon shoots another attacker. At right other warriors on horseback ride past the train shooting arrows and wielding tomahawks.
- Artist Life Dates
- 1828-1862
- Century
- 19th century
- Object Creation Date
- 1856
- Accession Number
- 1895.80
- Medium and Support
- oil on canvas
- relevance
- rank 1.77276
- Secondary Keywords
- american regions
- americas
- animals
- animals and creatures
- armed conflicts
- associated concepts
- atmospheric effects
- buildings and the land
- cargo vehicles
- cargo vehicles by form
- cutting equipment
- cutting tools
- earth sciences concepts
- edged weapons
- equipment
- equipment by process
- events
- fights
- firearms
- freewheeled vehicles
- freewheeled vehicles by form or function
- grassland
- how we live
- land vehicles
- land vehicles by form
- landscapes (environments)
- locality
- long guns
- mammals
- natural landscapes
- north & central america
- north american
- objects
- objects we use
- passenger vehicles
- people
- people (agents)
- people and culture
- people by activity
- physical activities
- physical activities by general context
- physical sciences concepts
- plant communities
- projectile launchers with nonexplosive propellant
- projectile weapons
- projectile weapons with explosive propellant
- projectile weapons with nonexplosive propellant
- projectiles with nonexplosive propellant
- scientific concepts
- settlements and landscapes
- small arms by form
- styles and periods
- styles and periods by region
- the americas
- the natural world
- tools and equipment
- transportation vehicles
- vegetation and vegetation components
- vegetation components
- vehicles
- war
- weaponry
- weapons
- weapons and ammunition
- Title
- Do yu Get it
- Artist
- Martin Johnson
- Physical Description
- 7-sided frame made of reclaimed wood moulding and slats nailed together and backed with strips of green felt, possibly from a pool table. Gold wire traces the wood frame, and is accented with a fuzz ball or googly eye at each corner. A toy car is placed on the gold wire “track” at bottom center; car racing flag stickers attached to the frame in a couple places. Three pieces of thread are strung horizontally across the frame, a “spider web” attached to top two lines with puffy paint. A wood (?) cutout of a smiling joker mouth hung from web by wire.
- Artist Life Dates
- (1951 - )
- Century
- 20th century
- Object Creation Date
- 1996
- Accession Number
- 2008/2.235
- Medium and Support
- mixed media consruction, paint, wood, wire, toy car
- relevance
- rank 1.71403
- Secondary Keywords
- abstract expressionist
- animals and creatures
- applied decoration
- arthropods
- associated concepts
- biological components
- biological concepts
- buildings and the land
- built complexes and districts
- complexes
- complexes by function
- components
- components and systems
- components by specific context
- descriptors
- design elements
- faces
- found object sculpture
- freewheeled vehicles
- freewheeled vehicles by form or function
- heads
- image-making processes and techniques
- international post-1945 styles and movements
- land vehicles
- land vehicles by form
- leisure and competition vehicles
- life
- life stages
- metalwork
- object genres
- object genres by material
- object-making processes and techniques
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the performing arts
- performing artists
- post-1945 fine arts styles and movements
- processes and techniques
- processes and techniques by specific type
- recreation areas
- recreational artifacts
- recreational artifacts for noncompetitive activities
- scientific concepts
- sculpture
- sculpture by material
- sculpture techniques
- sports complexes
- styles and periods
- styles and periods by region
- the human body
- transportation vehicles
- upper body
- vehicles
- visual works
- visual works by medium or technique