Search Results

Title

La Justice Protégé les Arts

Artist

Gilles Demarteau

Physical Description

This crayon-manner engraving printed in sanguine depicts a grouping of figures arranged in a celestial space and positioned against clouds. A large female figure draped in cloth dominates the upper portion of the composition. She holds a set of scales in her left hand. Two female figures, one clothed, one nude, gather below at this figure’s sandaled feet in the center left of the composition. The clothed figure holds a palette and paintbrushes while the nude figure holds a mallet and a sculpted portrait of a man’s face. At the bottom right three male figures, one of whom wrestles a snake, appear to be attacking the female figure holding the palette. A clothed figure donning a helmet protects the figure holding the scales in the upper right.

Artist Life Dates

1729-1776

Object Creation Date

circa 1763-1767

Accession Number

2012/2.182

Medium and Support

crayon-manner engraving, printed in sanguine on heavy laid paper

relevance

rank 13.65030

Secondary Keywords

artistic concepts

artistic devices

associated concepts

concepts in the arts

descriptors

image-making processes and techniques

judges

measuring devices

measuring devices for forces

objects we use

painting and painting techniques

painting techniques

painting techniques by medium

people

people (agents)

people and culture

people by occupation

people in law

people in social science-related occupations

people in the social sciences and related occupations

processes and techniques

processes and techniques by specific type

symbolism

visual works

visual works by medium or technique

weighing devices

weighing devices by form

Title

L'Alliance de la Poésie et de la Musique (The Alliance of Poetry and Music)

Artist

Charles Joseph Natoire

Physical Description

Two women clad in flowing robes sit beneath a curved colonnade at the center of this delicately painted scene. The woman on the left, wearing a blue mantle, holds a lyre in her right hand and leans toward her companion, who holds open a musical score on her lap to which she points with her right hand. Books are piled on the steps next to the woman on the left and a putto sits next to her with a scroll unrolled across his lap. A second putto stands next to the other seated woman and plays a viol. A winged putto hovers over the heads of the two women, holding a small trumpet in his left hand and a laurel crown in his right, which he is about to place on the head of the woman with the lyre. Two bust-length portraits of men in oval frames wreathed with laurel hang from the columns in the background.

Artist Life Dates

1700-1777

Century

18th century

Object Creation Date

circa 1746

Accession Number

1994/1.81

Medium and Support

oil on panel

relevance

rank 12.78429

Secondary Keywords

bowed

artistic concepts

artistic devices

arts

arts and related disciplines

associated concepts

chordophones

concepts in the arts

descriptors

design elements

disciplines

fiddles

figure- and animal-derived motifs

genres in the arts

humanities

literary, oral and motion picture genres

lutelike chordophones

motifs

objects we use

paintings

paintings by material or technique

people and culture

performing arts

sound devices

sound devices by acoustical characteristics

symbolism

violin family instruments

visual works

visual works by medium or technique

visual works by subject type

Title

Fame and Erato, Muse of Love Poetry

Artist

Sebastiano Conca

Physical Description

Two women accompanied by a pair of putti appear seated in the foreground of this painting. On the left sits a winged woman crowned with a laurel wreath and wearing a long white robe and a vivid ocher-colored mantle. She leans on a globe while cradling a large book in her right arm to which she points with her left hand. In her right hand she holds a compass. A putto peeks from beneath her mantle, and a viol is visible beneath the globe. The other woman sits on a cloud. She wears a golden crown and a richly colored blue mantle. She grasps a lyre with her left hand and leans toward the woman seated next to her, gesturing in the direction of the book with her right hand. A second putto stands near her left shoulder holding a gold circlet in his left hand. The background is filled with glimpses of neoclassical architecture, including fluted columns and a facade with a row of Ionic columns supporting an entablature.

Artist Life Dates

1680 - 1764

Century

18th century

Object Creation Date

circa 1725

Accession Number

1987/1.159

Medium and Support

oil on canvas

relevance

rank 12.56366

Secondary Keywords

artistic concepts

artistic devices

associated concepts

chordophones

concepts in the arts

descriptors

design elements

drafting, drawing and writing equipment

drafting, drawing and writing equipment by specific type

equipment

equipment by process

figure- and animal-derived motifs

image-making equipment

information artifacts

information artifacts by physical form

information forms

motifs

objects we use

paintings

paintings by material or technique

people and culture

sound devices

sound devices by acoustical characteristics

symbolism

tools and equipment

visual works

visual works by medium or technique

Title

UtopianCannibal.org

Artist

Enrique Chagoya

Physical Description

Codex book connected by a series of eight accordian folds composed of lithographs, woodcuts, chine collé, and collage. The work reads right to left with the rightmost page titled "UtopianCannibal.org" and the leftmost page with the single word "Fin" (translates to "end").

Artist Life Dates

born 1953

Century

20th century

Object Creation Date

2000

Accession Number

2001/2.81

Medium and Support

color lithograph, woodcut, chine collé, and collage

relevance

rank 10.70915

Secondary Keywords

allegory and literature

american regions

art genres

artistic concepts

artistic devices

associated concepts

concepts in the arts

how we live

north american

objects we use

people and culture

people and occupations

styles and periods

styles and periods by region

the americas

visual works

visual works by function

Title

Study for an Overdoor Decoration in the Sala Regia of the Vatican

Artist

Taddeo Zuccaro

Physical Description

This drawing depicts two addorsed female figures reclining on a triangular slope. The women are partly clothed, and the one on the left wears an elephant-shaped headpiece. Between their shoulders appears a blank escutcheon held by two putti. Nude men in the background strain to hold back piles of objects that include shields and spears.

Artist Life Dates

(1529 - 1566)

Century

16th century

Object Creation Date

1564

Accession Number

1966/1.93

Medium and Support

pen and brown ink with brown wash on buff paper

relevance

rank 9.79319

Secondary Keywords

artistic concepts

artistic devices

associated concepts

concepts in the arts

descriptors

drawing and drawing techniques

drawings

drawings by function

europe (continent)

geographic and political locations

image-making processes and techniques

italy (nation)

lazio (region)

objects we use

people

people (agents)

people and culture

people by gender

processes and techniques

processes and techniques by specific type

roma (province)

symbolism

visual works

visual works by medium or technique

Title

Esther before Ahasuerus

Artist

Guercino (Giovanni Francesco Barbieri)

Physical Description

A seated king, at the left, holds the hand of a swooning woman who is supported by another woman. The supporting woman looks back at the king.

Artist Life Dates

1591-1666

Century

17th century

Object Creation Date

circa 1639

Accession Number

1978/2.41

Medium and Support

pen, brown ink and brown wash on cream colored laid paper

relevance

rank 9.61623

Secondary Keywords

allegory and literature

aristocracy

artistic concepts

artistic devices

associated concepts

concepts in the arts

document genres

document genres by function

figures

groups of people

information forms

monarchs

nobility

objects

objects we use

old testament

people

people (agents)

people and culture

people and occupations

people by occupation

people in government and administration

political figures

religious texts

rulers (people)

social classes

social classes by specific type

social groups

symbolism

upper class

Title

The Village Voice

Artist

Conrad Atkinson

Physical Description

The cover format of the New York weekly newspaper The Village Voice is appropriated, with satirical headlines related to topical current events.

Artist Life Dates

born 1940

Century

20th century

Object Creation Date

1988

Accession Number

2004/2.36

Medium and Support

acrylic on canvas

relevance

rank 9.56436

Secondary Keywords

armed conflicts

art genres

artistic concepts

artistic devices

associated concepts

concepts in the arts

document genres

document genres by conditions of production

events

historical, theoretical and critical concepts

information forms

objects we use

people

people (agents)

people and culture

people by occupation

people in the arts

people in the arts and related occupations

people in the humanities

people in the visual arts

people in the visual arts and related occupations

publications

serials

wars

Title

Dancers [Five Couples (recto); Three Couples (verso)]

Artist

Isaac Cruikshank

Artist Life Dates

1756 - 1810

Century

18th-19th century

Object Creation Date

1756-1810

Accession Number

1969/2.97

Medium and Support

graphite and watercolor on white paper

relevance

rank 9.53522

Secondary Keywords

allegory and literature

artistic concepts

artistic devices

associated concepts

concepts in the arts

culture and related concepts

culture-related concepts

dances

how we live

leisure

people

people (agents)

people and culture

people by occupation

people in the arts

people in the arts and related occupations

people in the humanities

people in the performing arts

performing artists

Title

Human Puppet Head

Artist

Artist Unknown, African, Bamana Peoples, Mali

Physical Description

A stylized rendering of a human face with long narrow nose, round eyes set close to bridge of nose, and open, ellipitical mouth. The head is carved in shape of a coiffure that resembles a helmet which extends down the sides of the head. The head is topped with a high arched sagital crest. Patina is dark brown in color with traces of red and blue pigment. Sheet metal cut in circles and long strips embellish the top of the head.

Century

20th century

Object Creation Date

1900-1970

Accession Number

1971/2.21

Medium and Support

wood, sheet metal, cloth and pigment

relevance

rank 9.51957

Secondary Keywords

artistic concepts

artistic devices

associated concepts

biological components

buildings and the land

components

components and systems

components by specific context

concepts in the arts

events

objects we use

people and culture

performing arts structures

recreational artifacts

recreational artifacts for noncompetitive activities

single built works

single built works by function

single built works by specific type

the human body

upper body

Title

The Alliance of Peace and Abundance

Artist

Bartolomeo Coriolano

Physical Description

Two women in long robes stand arm in arm in a landscape. One figure holds an olive branch in her right hand, and her companion cradles a cornucopia against her hip.

Artist Life Dates

(ca. 1599 - ca. 1676)

Century

17th century

Object Creation Date

1642

Accession Number

1970/1.178

Medium and Support

chiaroscuro woodcut on laid paper

relevance

rank 8.68051

Secondary Keywords

transfer method

artistic concepts

artistic devices

associated concepts

concepts in the arts

culture and related concepts

culture-related concepts

descriptors

hardwood

materials

materials by origin

objects we use

people

people (agents)

people and culture

people by gender

plant material

prints

prints by process

prints by process or technique

relief prints

symbolism

visual works

visual works by medium or technique

wood (plant material)

wood and wood products

wood by composition or origin

woodcuts

Title

The Detraction of Good Things [Detractio Bonorum] from Sebastian Brant's "Stultifera navis [The Ship of Fools]" published by Johann Bergmann

Artist

Anonymous

Physical Description

Text on both sides. One side has the image of a man with dogs at his feet. There is also a jester at his feet, kneeling down.

Century

15th century

Accession Number

2013/2.550.1-2

Medium and Support

woodcut on paper

relevance

rank 8.27091

Secondary Keywords

animals and creatures

artistic concepts

artistic devices

associated concepts

biological components

buildings and the land

components

components and systems

components by specific context

concepts in the arts

descriptors

equipment

equipment by context

equipment for personal use

heads

hydraulic structures

hydraulic structures by function

information artifacts

information artifacts by physical form

information forms

mammals

object genres

object genres by form

objects we use

people and culture

single built works

single built works by function

single built works by specific type

the human body

tools and equipment

upper body

walking sticks

water distribution structures

Title

Genji espies Murasaki for the first time, from the Wakamurasaki chapter of The Tale of Genji

Artist

Kanô Tsunenobu

Physical Description

Among a gold and bright mineral pigmented landscape, Genji stands below a cherry tree in full bloom and watches Murasaki, who stands in an architectural structure. A distant stream and hilltops indicate the isolated setting.

Artist Life Dates

active 1636-1713

Century

17th century

Object Creation Date

circa 1670-1680

Accession Number

2002/1.168

Medium and Support

ink, color, and gold pigment and foil on paper

relevance

rank 8.09612

Secondary Keywords

upward

allegory and literature

architecture

artistic concepts

artistic devices

associated concepts

bodies of water

bodies of water and components of bodies of water

bodies of water by size

buildings and the land

business and industry

concepts in the arts

deciduous trees

descriptors

document genres

gold and gold alloy

houses

information forms

inorganic material

landforms

landforms and landform components

landforms by shape or position

landscapes (environments)

materials

materials by composition

metal

metal and metal products

metal by composition or origin

mine

natural landscapes

nonferrous metal

objects we use

people and culture

people and occupations

plants

riverine bodies

settlements and landscapes

symbolism

the natural world

trees by leaf life

vegetation and vegetation components

vegetation components

woody plants

Title

Flora

Artist

Richard James Wyatt

Physical Description

White marble sculpture of female figure, partially nude with a cloth draped loosely around her waist and over her left forearm. She holds a cluster of flowers in her left hand, and a single bloom in her right; a basket of flowers located on base to left and slightly behind figure.

Artist Life Dates

1795 - 1850

Century

19th century

Object Creation Date

1850

Accession Number

1931.17

Medium and Support

marble

relevance

rank 8.07488

Secondary Keywords

artistic concepts

artistic devices

associated concepts

buildings and the land

concepts in the arts

european

european styles and periods

figures

figures (representations)

genres

genres in the arts

herbaceous plants

landscapes (environments)

literary, oral and motion picture genres

modern european styles and movements

natural landscapes

objects we use

people

people (agents)

people and culture

people and occupations

people by gender

plants

sculpture by subject type

settlements and landscapes

styles and periods

styles and periods by region

symbolism

the natural world

vegetation and vegetation components

vegetation components

visual works

visual works by medium or technique

visual works by subject type

woody plants

Title

Nydia, the Blind Flower Girl of Pompeii

Artist

Randolph Rogers

Physical Description

A white marble statue of a young female figure, leaning forward holding a staff with eyes closed, her left hand held up to her right ear. A flowing, wind-swept garment drapes the figure. On the base to the left of the figure is a broken capital of a Corinthian column lying on its side.

Artist Life Dates

1825-1892

Century

19th century

Object Creation Date

1861

Accession Number

1862.1

Medium and Support

Carrara marble

relevance

rank 6.36105

Secondary Keywords

aegean

aegean architecture styles

aegean styles

allegory and literature

architectural elements

artistic concepts

artistic devices

associated concepts

campania (region)

capitals and capital components

card, table and board game elements

child

column components

columns and column components

components

components and systems

components by specific context

concepts in the arts

descriptors

early western world

equipment

equipment by context

equipment for personal use

europe

europe (continent)

european

european styles and periods

exceptional people

figures

game pieces

genres in the arts

geographic and political locations

handicapped

iconography

inorganic material

italy

italy (nation)

literary, oral and motion picture genres

locality

materials

materials by composition

mediterranean

modern european styles and movements

napoli (province)

objects

objects we use

people

people (agents)

people and culture

people and occupations

people by gender

people by state or condition

physically handicapped

recreational artifacts

recreational artifacts for competitive activities

rock

rock by form

sculpture by subject type

structural elements

structural elements and structural element components

styles and periods

styles and periods by region

supporting and resisting elements

symbolism

tools and equipment

visual works

visual works by medium or technique

visual works by subject type

walking sticks