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Showing results for "Renaissance" in Style/Group/Movement.
- Title
- Dish
- Artist
- Artist Unknown, Italy
- Physical Description
- This maiolica dish is covered by a radial pattern consisting of abstract leaves and curling tendrils punctuated with flowers all centered around a yellow disk in the center of the well. The harmony of the design stems from radial symmetry of the pattern as well as the restricted palette of blue and a soft brass-yellow.
- Century
- 16th century
- Object Creation Date
- 1500-1525
- Accession Number
- 1969/2.38
- Medium and Support
- tin-glazed earthenware (maiolica) with underglaze painting
- relevance
- rank 7.41597
- Style/Group/Movement
- Renaissance
- Title
- Descent from the Cross
- Artist
- Ugo da Carpi
- Physical Description
- This print depicts the body of a man being lowered from a cross. Two men lean over the top of the cross to remove the nails from the dead man's hands and pass his body down to two other men standing on ladders. Three women and a man lay on the ground in mourning at the foot of the cross.
- Artist Life Dates
- ca. 1440 - after 1525
- Century
- 16th century
- Object Creation Date
- 1440-1535
- Accession Number
- 1960/1.176
- Medium and Support
- chiaroscuro woodcut on laid paper
- relevance
- rank 7.41597
- Style/Group/Movement
- Renaissance
- Title
- Leaf from a Gradual with St. Lawrence
- Artist
- Ludovico de Gaci
- Physical Description
- This leaf from a manuscript contains seven lines of Latin text with musical notation. The initial letter, "C," of the opening word "Confessio" is made from a curved vegetal form. The text is preceded by a painted miniature in a circular frame that is, in turn, enclosed by a golden square. The miniature depicts a man with a tonsure and a golden halo standing in a verdant landscape. He holds a palm leaf in his left hand and rests his right hand on a grill. The left and upper margins of the page are decorated with green and pink leaves and flowers and small gold circles.
- Century
- 15th century
- Object Creation Date
- 1489
- Accession Number
- 1986/2.85
- Medium and Support
- ink, tempera and gold on parchment
- relevance
- rank 7.41597
- Style/Group/Movement
- Renaissance
- Title
- Dish (Tondino) with portrait of a young woman and grotesque decoration
- Artist
- Nicola da Urbino
- Physical Description
- The profile bust of a young woman is depicted in the well of this dish. The rim features a variety of grotesque ornament, including two winged, serpent-like creatures with human heads, whose tails interlace at the top of the plate. Cornucopias full of fruit appear beneath these creatures, followed by weapons and shields, one of which bears the date 1526. At the bottom appears the head of a cherub supporting a vase of fruit.
- Artist Life Dates
- c. 1480-1537/1538
- Century
- 16th century
- Object Creation Date
- 1526
- Accession Number
- 1965/2.79
- Medium and Support
- tin-glazed earthenware (maiolica)
- relevance
- rank 7.41597
- Style/Group/Movement
- Renaissance
- Title
- The Triumph of the Four Elements
- Artist
- Artist Unknown, Germany
- Physical Description
- Two horses pull a wagon carrying four female passengers in this small bronze plaque. The driver, a seated nude male with a cap takes the reins in his left hand and raises a whip in his right. Behind him sit two pairs of taller female figures, each wearing a long flowing mantle.
- Century
- 17th century
- Object Creation Date
- circa 1600
- Accession Number
- 1969/2.37
- Medium and Support
- bronze
- relevance
- rank 7.41597
- Style/Group/Movement
- Renaissance
- Title
- Jason Sowing the Dragon's Teeth
- Artist
- Artist Unknown, Italy or France
- Physical Description
- A group of armed men struggles in a landscape while a helmeted female figure hovers on a cloud above them and points to a distant city that lies across an expanse of water. A man at the left with a green cuirass and cloth knotted about his waist and neck stands apart from the combatants and looks up toward the gesturing woman. Behind him appears a row of sword-wielding men locked in combat, with several casualties lying at their feet. On a hillock in the background a pair of oxen, an orange-gold colored sheep, and a winged dragon may be discerned.
- Century
- 16th century
- Object Creation Date
- 1557-1600
- Accession Number
- 1978/2.38
- Medium and Support
- tin-glazed earthenware (maiolica) with underglaze painting
- relevance
- rank 7.41597
- Style/Group/Movement
- Renaissance
- Title
- Study of a Scene of Martyrdom or Punishment
- Artist
- Polidoro da Caravaggio
- Physical Description
- This drawing represents seven nude men in a landscape with buildings indicated on a hill in the distance. One of the figures, represented full-length and in profile, is bound to a tree or stake on the left. All of the other men appear in half-length in the right part of the drawing. A bearded man sits and gestures in the direction of the bound man. Five other men appear around the seated figure, one of whom carries two long objects over his shoulder toward the man on the left.
- Artist Life Dates
- c. 1495-c.1543
- Century
- 16th century
- Object Creation Date
- 1525-1575
- Accession Number
- 2009/1.494
- Medium and Support
- brown ink on paper
- relevance
- rank 7.41597
- Style/Group/Movement
- Renaissance
- Title
- Credenza
- Artist
- Artist Unknown, Italy
- Physical Description
- The front of this handsome oak credenza, or sideboard, is divided into halves by three pilasters. Each half is outfitted with a drawer and a door below. The decorative and functional components are artfully arranged across the front of the piece to form a balanced composition of repeated geometric shapes and harmonious proportions.
- Century
- Early 16th century
- Object Creation Date
- 1500-1530
- Accession Number
- 1955/1.228
- Medium and Support
- oak wood
- relevance
- rank 7.41597
- Style/Group/Movement
- Renaissance
- Title
- Combat of Romans and Dacians (after a relief on the Arch of Constantine, Rome)
- Artist
- Nicolas Beatrizet
- Physical Description
- This engraving reproduces a relief sculpture from the second century CE of Roman soldiers under Emperor Trajan conquering the Dacians in what is today Romania. The sculpture was later removed from its original monument built to honor Trajan and incorporated into the Arch of Constantine, erected in Rome by the emperor Constantine between 312 and 315.
- The relief depicts mounted Roman soldiers, dressed in their characteristic armor and helmets, surging to the left and right from the center of the scene. A group of soldiers sounding horns stands in their midst. The Romans' vanquished Dacian foes lie trampled beneath the horses' hooves.
- Artist Life Dates
- c.1515 - after 1565
- Century
- 16th century
- Object Creation Date
- 1553
- Accession Number
- 1960/2.41
- Medium and Support
- engraving on laid paper
- relevance
- rank 7.41597
- Style/Group/Movement
- Renaissance
- Title
- Eve Tempted by the Serpent
- Artist
- Defendente Ferrari
- Physical Description
- A nude woman with long hair flowing down her back grasps a tree branch with her right hand and bends it downward in order to more easily pluck the green fruit dangling at its tip with her left hand. Her white body contrasts starkly with the darker tones of the surrounding landscape. The less conspicuous figure of a serpent with the head of a bearded man coils about the trunk of the tree next to the woman and fixes her with his stare.
- Artist Life Dates
- active 1500-1535
- Century
- 16th century
- Object Creation Date
- 1520-1525
- Accession Number
- 1967/1.38
- Medium and Support
- tempera on panel
- relevance
- rank 7.41597
- Style/Group/Movement
- Renaissance
- Title
- Sibyl with a Child Holding a Torch
- Artist
- Ugo da Carpi
- Physical Description
- A woman sits in an interior holding a book in her right arm, which is propped upon a ledge. She reads by the light of a torch held by a child standing next to her. Print trimmed to image frame. Image was previously folded at center (multiple folds). Paper size: lh 27 3/5cm & rh 27 4/5cm x tw 22 3/5cm bw 22 3/10cm.
- Artist Life Dates
- ca. 1440 - after 1525
- Century
- 16th century
- Accession Number
- 2008/2.420
- Medium and Support
- chiaroscuro woodcut on beige laid paper
- relevance
- rank 7.41597
- Style/Group/Movement
- Renaissance
- Title
- Pope Sixtus IV (obverse), and the Ponte Sisto (reverse)
- Artist
- Lysippus
- Physical Description
- The front (obverse) of this medal depicts the profile portrait of a man with a tonsure, wearing a cope adorned with acorns and oak leaves and a large clasp. An inscription runs around the border. The reverse represents a bridge spanning a river enclosed within a border of oak leaves. An inscription appears above the balustrade of the bridge.
- Artist Life Dates
- active 1471-1484
- Century
- 15th century
- Object Creation Date
- 1473
- Accession Number
- 1984/1.285
- Medium and Support
- cast bronze
- relevance
- rank 7.41597
- Style/Group/Movement
- Renaissance
- Title
- The Triumph of Plenty
- Artist
- Artist Unknown, Germany or Belgium
- Physical Description
- This bronze plaque features a pair of oxen pulling a four-wheeled wagon with six passengers. The seated driver holds a rod in his right hand and a two-tined fork in his left. An older figure holding a flaming vessel stands behind him, followed by a seated figure wearing classical drapery and a laurel wreath. The next figure, seated in the middle of the cart, is an older female, nude to the waist, who holds a cornucopia full of fruit and raises her left hand to point skyward. Two smaller standing figures appear next, one holding a bowl of fruit. The final figure is a reclining female nude holding a flower in the crook of her right arm.
- Century
- 17th century
- Object Creation Date
- circa 1600
- Accession Number
- 1960/2.5
- Medium and Support
- bronze
- relevance
- rank 7.41597
- Style/Group/Movement
- Renaissance
- Title
- Battle of the Romans under Scipio against the Carthaginians
- Artist
- Agostino di Musi
- Physical Description
- A group of men wage battle against each other in a rocky landscape. Some of the men wear ancient Roman armor while others are only partially clothed. The combatants wield spears and swords, and some are on horseback. The mounted soldier in the center of the scene holds a large banner. A burning city is visible in the distance.
- Artist Life Dates
- (Venice, 1490 - 1540)
- Century
- 16th century
- Object Creation Date
- after 1531
- Accession Number
- 1976/1.211
- Medium and Support
- engraving on paper
- relevance
- rank 7.41597
- Style/Group/Movement
- Renaissance
- Title
- Crucifixion
- Artist
- Bartolommeo da Brescia
- Physical Description
- From the height of a cross, a crucified man, wearing a crown of thorns and a loincloth, looms over a dramatic landscape. Three heads with wings appear near the top of the cross, and a skull and crossed bones lay at its base. A vast prospect of distant mountains and a bustling port unfolds through the background.
- Artist Life Dates
- 1506 - 1576 or 1578
- Century
- 16th century
- Object Creation Date
- 1565-1576
- Accession Number
- 1970/1.177
- Medium and Support
- etching on paper
- relevance
- rank 7.41597
- Style/Group/Movement
- Renaissance
- Title
- Pope Nicholas V (obverse), Nicholas V in the Ship "Eclesia" (reverse)
- Artist
- Andrea Guacioloti
- Physical Description
- The obverse of this medal depicts a profile portrait of a man with a tonsure. The reverse represents a man holding a cross-staff piloting a boat labeled "Eclesia" along the gunwale. Both sides of the medal have inscriptions around the edge.
- Artist Life Dates
- 1435-1495
- Century
- 15th century
- Object Creation Date
- 1455
- Accession Number
- 1984/1.283
- Medium and Support
- cast bronze
- relevance
- rank 7.41597
- Style/Group/Movement
- Renaissance
- Title
- Self-Portrait with carnations
- Artist
- Bartholomaeus Bruyn the Elder
- Physical Description
- This elegant self-portrait depicts a half-length figure of a man in three-quarters profile with his left arm resting on a stone ledge. The somber colors of his garb, consisting of a white shirt with a dark robe, is offset by luxurious details: the fur collar of his robe, the black ribbon and gold chain around his neck, the embroidered collar and cuffs of his shirt, and the three rings on his right hand. Two pink carnations appear on the ledge before him.
- Artist Life Dates
- 1493-1555
- Century
- 16th century
- Object Creation Date
- circa 1525
- Accession Number
- 1963/2.43
- Medium and Support
- oil on panel
- relevance
- rank 7.33260
- Style/Group/Movement
- Northern Renaissance
- Title
- Head of a Child
- Artist
- Jacopo Bassano
- Physical Description
- This drawing depicts the head of a boy looking slightly downward to his right in three-quarters profile.
- Artist Life Dates
- (c. 1510 - c. 1592)
- Century
- 16th century
- Object Creation Date
- 2nd half of 16th century
- Accession Number
- 2009/1.490
- Medium and Support
- charcoal on paper
- relevance
- rank 7.33260
- Style/Group/Movement
- Late Renaissance
- Title
- St. Jerome in His Study
- Artist
- Albrecht Dürer
- Physical Description
- This engraving depicts a comfortable domestic interior. An old bearded man sits poring over a book at table in the back of the room. A lion and dog rest on the floor in the foreground. Various other objects appear around the room, including a skull, books, slippers, a crucifix, and a pair of scissors.
- Artist Life Dates
- Nüremberg, 1471-1528
- Century
- 16th century
- Object Creation Date
- 1514
- Accession Number
- 1993/2.1
- Medium and Support
- engraving on laid paper
- relevance
- rank 7.33260
- Style/Group/Movement
- Northern Renaissance
- Title
- Busts of Saints Jerome and Gregory
- Artist
- Atelier of Jörg Syrlin the Younger
- Physical Description
- This pair of finely carved bust-length figures depicts two men in ecclesiastical garb. On the right appears an older figure who wears elaborate vestments and a papal tiara with a book in his left hand. His deeply lined and wrinkled face conveys a patient wisdom and authority as he stares directly ahead. His more youthful companion, dressed in a simpler collared robe and brimless cap, glances introspectively aside. He grasps an unfurled scroll in his left hand and a diminutive lion stares out from its perch on his left shoulder.
- Century
- late 15th/early 16th-century
- Object Creation Date
- circa1500
- Accession Number
- 1958/1.59
- Medium and Support
- lindenwood with polychromy
- relevance
- rank 7.33260
- Style/Group/Movement
- Northern Renaissance
- Title
- Three Apostles: St. John the Evangelist, St. Thomas, and St. James the Less with the Apostles' Creed
- Artist
- Jan Joest
- Physical Description
- Three apostles, each holding an identifying attribute, stand in a row as full-length figures on this painted panel. On the left stands the youthful beardless St. John holding a chalice with a snake coiled in the cup. Next to him appears the bald and bearded St. Thomas, holding an architect's square. The bearded figure of St. James the Less appears on the left with an open book in his left hand and a long fuller's club in his right. Scrolls above each apostle's head contain a line from the Apostles' Creed in Latin.
- Artist Life Dates
- 1455-1460 - 1519
- Century
- 16th century
- Object Creation Date
- 1500-1519
- Accession Number
- 1973/2.77
- Medium and Support
- oil on panel, mounted on panel
- relevance
- rank 7.33260
- Style/Group/Movement
- Northern Renaissance
- Title
- Ornament
- Artist
- Hans Sebald Beham
- Physical Description
- This small print depicts an ornamental pattern composed of curled acanthus leaves and spiralling vines terminating in flowers or buds. The plant ornament forms a symmetrical pattern around a central motif inscribed with the initials "HSB," which are conjoined. This motif is framed by two horn-shaped containers that end in monsters' heads.
- Artist Life Dates
- 1500-1550
- Century
- 16th century
- Object Creation Date
- 16th century
- Accession Number
- 1960/2.26
- Medium and Support
- engraving on paper
- relevance
- rank 7.33260
- Style/Group/Movement
- Northern Renaissance
- Title
- St. John the Evangelist on Patmos
- Artist
- Joos van Cleve
- Physical Description
- St. John the Evangelist sits in the foreground with a book open on his knee and quill pen poised over its pages. Two books rest next to him and an eagle has alighted on an adjacent rock. St. John looks up and to his right to see a standing figure of the Virgin Mary holding the infant Christ, who appear in a glowing mandorla hovering in the sky. A vast panoramic view of a bustling harbor and formidable mountains unfolds behind St. John and extends into the distance.
- Artist Life Dates
- active 1511 - 1540/1541
- Century
- 16th century
- Object Creation Date
- circa 1525
- Accession Number
- 1958/2.77
- Medium and Support
- oil on panel, mounted on panel
- relevance
- rank 7.33260
- Style/Group/Movement
- Northern Renaissance
- Title
- Death of the Virgin (reverse copy after Schongauer)
- Artist
- Israhel Meckenem
- Physical Description
- A four-poster bed with curtains drawn back within an interior is angled towards the viewer, showing a woman reclined on the bed and attended by numerous figures. A lighted taper is placed in her hands, with assistance of a young man on the left side of the bed. Others of the figures stand or kneel with figures hands clasped in prayer; at the lower left corner are two men kneeling at the foot of the bead looking at a book of prayers. The overall effect is concern and movement around the still figure of the woman.
- Artist Life Dates
- d. 1503
- Century
- Late 15th century
- Object Creation Date
- circa 1490-1500
- Accession Number
- 1960/2.46
- Medium and Support
- engraving on fine off-white laid paper
- relevance
- rank 7.33260
- Style/Group/Movement
- Northern Renaissance
- Title
- The Farnese Hercules
- Artist
- Jacob Bos
- Physical Description
- This engraving reproduces a colossal marble sculpture of Hercules leaning upon his club, which is draped with a lion skin. Bos carefully records the powerful musculature of the figure and sets the statue within a niche.
- Artist Life Dates
- active c.1520-c.1580
- Century
- 16th century
- Object Creation Date
- 1562
- Accession Number
- 1994/2.17
- Medium and Support
- engraving on laid paper
- relevance
- rank 7.33260
- Style/Group/Movement
- Late Renaissance
- Title
- Study for an Overdoor Decoration in the Sala Regia of the Vatican
- Artist
- Taddeo Zuccaro
- Physical Description
- This drawing depicts two addorsed female figures reclining on a triangular slope. The women are partly clothed, and the one on the left wears an elephant-shaped headpiece. Between their shoulders appears a blank escutcheon held by two putti. Nude men in the background strain to hold back piles of objects that include shields and spears.
- Artist Life Dates
- (1529 - 1566)
- Century
- 16th century
- Object Creation Date
- 1564
- Accession Number
- 1966/1.93
- Medium and Support
- pen and brown ink with brown wash on buff paper
- relevance
- rank 7.33260
- Style/Group/Movement
- Late Renaissance
- Title
- Ecce Homo (Large Passion Series)
- Artist
- Albrecht Dürer
- Physical Description
- A crowd of men, rendered as a dense mass of bodies and faces that bristles with pikes and spears, gather before a porch attached to an ornately decorated stone building. A bearded man, wearing rich dress and a turban leans over the balustrade of the porch toward the crowd with his arms outstretched and his hands open as he turns his head to look at the man standing beside him. This sorrowful figure wears only a crown of thorns and a long robe that is partly opened by the man standing behind him to reveal his lean body flecked with drops of sweat or blood.
- Artist Life Dates
- (Nüremberg, 1471 - 1528)
- Century
- Late 15th-Early 16th century
- Object Creation Date
- 1498-1500
- Accession Number
- 1953/1.48
- Medium and Support
- woodcut on paper
- relevance
- rank 7.33260
- Style/Group/Movement
- Northern Renaissance
- Title
- The Nativity of the Virgin
- Artist
- Sano di Pietro
- Physical Description
- This painted panel depicts an intimate domestic setting consisting of a bedchamber with a fireplace and a smaller vaulted antechamber that opens out on a garden. A haloed woman wearing a white veil rests in bed, having recently given birth. She leans to her right as she reaches toward a basin held by an attendant and looks across the room to the infant who is held on the lap of another servant. A halo also encircles the head of the child and a pair of angels fly above her. Several other attendants and midwives bustle about the room, while another woman, more richly clad than the servants, gazes on the child from her seat at the foot of the bed. In the antechamber sits a haloed man in a long white beard, who leans forward to hear news of the birth from the child standing in front of him. A companion sits behind him and a servant passes through the door into the bedchamber.
- Artist Life Dates
- 1405-1481
- Century
- 15th century
- Object Creation Date
- 1448-1452
- Accession Number
- 1977/2.1
- Medium and Support
- tempera and gold on panel
- relevance
- rank 7.33260
- Style/Group/Movement
- Early Renaissance
- Title
- Solicitudo Rustica (Rustic Cares) from the Large Landscapes after Pieter Bruegel the Elder
- Artist
- Pieter Brueghel
- Physical Description
- This print offers an expansive vista over a river valley bordered by high mountains in the distance. In the foreground a peasant sits on the ground hammering the blade of his scythe as another man leans against a tree and gazes into the valley. Boats, towns, and villages dot the landscape.
- Artist Life Dates
- c. 1525-1569)
- Century
- 16th century
- Object Creation Date
- 1530-1569
- Accession Number
- 1959/2.92
- Medium and Support
- etching with engraving on paper
- relevance
- rank 7.33260
- Style/Group/Movement
- Northern Renaissance
- Title
- The Lamentation
- Artist
- Hans Baldung Grien
- Physical Description
- Three grief-striken figures lament over the body of a dead man lying on the ground before them. One of these figures, a robed woman who clasps her hands in agony, leans forward to peer into the face of the dead man, who is rendered with dramatic foreshortening. To the left of this woman sits a long-haired man wiping his eyes while another woman with wild unkempt hair seated next to him raises her arms in abject sorrow. Three nails and a pair of vessels sit in the immediate foreground next to the artist's initials "HGB."
- Artist Life Dates
- 1484/85-1545
- Century
- 16th century
- Object Creation Date
- 1515-1517
- Accession Number
- 1960/1.168
- Medium and Support
- woodcut on paper
- relevance
- rank 7.33260
- Style/Group/Movement
- Northern Renaissance
- Title
- Madonna by the Wall
- Artist
- Albrecht Dürer
- Physical Description
- A young woman, dressed in long robes with her veil drawn over her head, sits next to a wall holding an infant in her lap. She is turned slightly to her right and gazes sweetly upon the child who twists to face the viewer and holds an apple in his left hand. A stream meanders through the landscape of trees and city walls behind them.
- Artist Life Dates
- Nüremberg, 1471-1528
- Century
- 16th century
- Object Creation Date
- 1514
- Accession Number
- 1958/1.95
- Medium and Support
- engraving on laid paper
- relevance
- rank 7.33260
- Style/Group/Movement
- Northern Renaissance
- Title
- The Good Thief on the Cross
- Artist
- Artist Unknown, School of Kalkar, Germany
- Physical Description
- A bearded man, wearing a loincloth and a long trailing headband, hangs from a cross by his arms, which have split open beneath the ropes that bind them. His left leg hangs downward and passes behind his right foot, which perches precariously on a forked branch. He strains to his left and gazes upward with his mouth open in a tortured movement augmented by the dramatic sweeps of drapery that frame his torso.
- Century
- 16th century
- Object Creation Date
- circa 1520
- Accession Number
- 1976/1.233
- Medium and Support
- walnut with polychrome
- relevance
- rank 7.33260
- Style/Group/Movement
- Northern Renaissance
- Title
- Madonna and Child with St. Thomas Aquinas and a Bishop Saint
- Artist
- Artist Unknown, Umbria, Italy
- Physical Description
- This rectangular panel depicts four sacred figures rendered in dark hues with passages of vibrant red against a gold background. The upper edge of the gilded frame bears the prayer known as the "Hail Mary" ("Ave Maria Gratia Plena Domin[us tecum]").
- Century
- 15th century
- Object Creation Date
- 1440-1480
- Accession Number
- 1992/1.134
- Medium and Support
- tempera and gold on panel
- relevance
- rank 7.33260
- Style/Group/Movement
- Early Renaissance
- Title
- Processional cross with triumphant Christ (Christus triumphans) flanked by busts of the evangelists, Saints Matthew, John, Mark, and Luke (obverse); and suffering Christ (Christus patiens) flanked by busts of the Virgin Mary, God the father, Saint John and unidentified male saint with cross (Saint Philip?) (reverse)
- Artist
- Neri di Bicci
- Physical Description
- The arms of the cross end in quatrefoil-shaped terminals. The front (obverse) is gilded and features a molding along the edges. The back (reverse) has a deep azurite blue ground and a gilded band punched with tiny rosettes that runs along the border.
- Artist Life Dates
- 1418-1492
- Century
- 15th century
- Object Creation Date
- circa 1475
- Accession Number
- 1942.6
- Medium and Support
- tempera and gold on wood
- relevance
- rank 7.33260
- Style/Group/Movement
- Early Renaissance
- Title
- Panel of Ornament with Two Sirens
- Artist
- Lucas Van Leyden
- Physical Description
- This print depicts an ornamental design. The central axis of the design is composed of a fanciful stand with a nude winged boy holding a trident, seen from the back, seated on the top. A pair of sirens holding small banners flank the base, and a pair of hybrid sphinx-like creatures perch near the top. The letter "L" appears in the center of the stand and the date "1528" is inscribed in the base.
- Artist Life Dates
- 1494-1533
- Century
- 16th century
- Object Creation Date
- 1528
- Accession Number
- 1960/2.134
- Medium and Support
- engraving on paper
- relevance
- rank 7.33260
- Style/Group/Movement
- Northern Renaissance
- Title
- Baking Bread, Labor of the Month for December
- Artist
- Jean de Court, called Vigier
- Physical Description
- This enamel roundel depicts three figures in an interior. In the foreground a man with a soft pointed cap maneuvers small round loaves of bread in an oven with a long wooden paddle. Behind him a woman with an elaborate headdress and another figure prepare more loaves for baking. The silvery gray tones of this grisaille enamel impart the scene with a subtle luminosity.
- Artist Life Dates
- active 1541-1564
- Century
- 16th century
- Object Creation Date
- 1540-1560
- Accession Number
- 1977/1.168
- Medium and Support
- enamel
- relevance
- rank 7.33260
- Style/Group/Movement
- Northern Renaissance
- Title
- The Flagellation (Large Passion Series)
- Artist
- Albrecht Dürer
- Physical Description
- At the center of this densely detailed print stands a male figure, nude except for a loincloth, with his hands tied behind him to a column. He is encircled by a crowd of figures, including three men who beat him with whips, switches, and fists. A fourth figure leers at him grotesquely, while another sits on the ground with his feet against the column and pulls the ropes holding their victim. Another figure, wearing elaborate armor, kneels in the foreground as he prepares his switches. Onlookers, some wearing elaborate turbans and robes inspired by Turkish clothing, stand behind the torturers. A crown of thorns sits in the lower right corner and a small dog appears in the center foreground next to the artist's initials.
- Artist Life Dates
- (Nüremberg, 1471 - 1528)
- Century
- Late 15th century
- Object Creation Date
- 1497
- Accession Number
- 1960/2.35
- Medium and Support
- woodcut on paper
- relevance
- rank 7.33260
- Style/Group/Movement
- Northern Renaissance
- Title
- The Virgin and the Cradle
- Artist
- Marcantonio Raimondi
- Physical Description
- This sober, pyramidal composition consists of five figures within an interior. A seated woman and child occupy the center of the composition while flanking her to the left is a kneeling older woman with her left hand on the child her right hand on the cradle. To the right of the seated woman is a putti holding a ewer and standing next to a basin. Standing behind the seated woman is a standing woman with hands raised. All of the women are dressed in generalized classical drapery.
- Artist Life Dates
- ca. 1475-before 1534
- Century
- 16th century
- Object Creation Date
- circa 1520
- Accession Number
- 1995/1.81
- Medium and Support
- engraving on medium-weight, slightly textured, off-white laid paper
- relevance
- rank 7.33260
- Style/Group/Movement
- Italian Renaissance