Search Results

Title

One of a pair of six-fold screens

Artist

Attributed Kanô Tan'yû

Physical Description

This six-fold screen, a half of a pair, is meant to represent six of the twelve months of the year, with keen attention paid to the birds and flowers associated with each. Although this screen bears Kano Tan’yu’s signature, it was probably created by his studio or by followers working in this famous artist’s style.

Artist Life Dates

(Kyoto, 1604 - 1674, Edo)

Century

19th century

Object Creation Date

19th century

Accession Number

1965/1.178

Medium and Support

one of a pair of 6-fold screens, ink and light color on paper

relevance

rank 3.00411

Secondary Keywords

transfer method

upward

animals and creatures

asia (continent)

associated concepts

bodies of water

bodies of water and components of bodies of water

bodies of water by size

buildings and the land

descriptors

earth sciences concepts

geographic and political locations

herbaceous plants

landforms

landforms and landform components

landforms by shape or position

materials

materials by origin

natural landscapes

objects we use

people and culture

physical sciences concepts

plant material

plants

precipitation

prints

prints by process

prints by process or technique

riverine bodies

scientific concepts

settlements and landscapes

vegetation and vegetation components

vegetation components

visual works

visual works by medium or technique

weather and related phenomena

weather-related phenomena

woody plants

Title

The Terrace, Luxembourg

Artist

James McNeill Whistler

Physical Description

Six figures, women and girls, sit or stand in front of a balustrade. On the left side is an urn holding a plant; the upper portion of a young tree projects above the balustrade at center; in the distance on the right appears the upper portion of a building with a mansard roof

Artist Life Dates

1834-1903

Century

19th century

Object Creation Date

1894

Accession Number

1954/1.448

Medium and Support

transfer lithograph with stumping on laid paper

relevance

rank 3.00158

Secondary Keywords

animals

animals and creatures

architecture

buildings and the land

containers

containers by form

europe

europe (continent)

figures

france

france (nation)

furnishings

furnishings by form or function

furniture

furniture by form or function

geographic and political locations

landscapes (environments)

locality

natural landscapes

objects

objects we use

open spaces

open spaces and site elements

open spaces by form

people and culture

people and occupations

physical activities

physical activities by general context

seating furniture

settlements and landscapes

single seating furniture

the natural world

vegetation and vegetation components

vegetation components

ville de paris, dèpartement de (department)

œle-de-france (region)

Title

FACSIMILE REPRODUCTION: Tôto Meisho Series: White Rain on Nihon Bridge (Nihonbashi no shirazame)

Artist

Andô Hiroshige

Physical Description

Vertical lines stream downward across the print indicate torrents of rain. Several travelers with umbrallas and straw hats are walking across the bridge over the river. A village alongside the river and mountains are shown in the background.

Artist Life Dates

1797-1858

Century

20th century?

Object Creation Date

circa 1920 - circa 1940

Accession Number

1948/1.140

Medium and Support

color woodblock print on paper

relevance

rank 2.99537

Secondary Keywords

scale

transfer method

associated concepts

buildings and the land

costume

costume accessories

costume accessories carried

dwellings

earth sciences concepts

objects we use

people

people (agents)

people and culture

people by activity

physical sciences concepts

precipitation

prints

prints by process

prints by process or technique

relief prints

residential structures

scientific concepts

settlements

settlements and landscapes

settlements by form

single built works

single built works by function

single built works by specific type

transportation structures

transportation structures by form

visual works

visual works by medium or technique

weather and related phenomena

weather-related phenomena

Title

One Hundred Famous Views of Edo: #107 Fukagawa, Susaki and the Jumantsubo Plain

Artist

Andô Hiroshige

Physical Description

This vertical print frames a view of a landscape with an up close view of a bird in the upper right corner that takes up about thirty percent of the image.

The viewer is positioned alongside the bird, circling the sky above the twin peaks of a mountain. A crate floats in the water below while smaller birds flocking around it. Snow covers the ground.

The signature and title markings are in the upper right corner, and in the middle along the left side above the landscape.

Artist Life Dates

1797-1858

Century

19th century

Object Creation Date

circa 1856-1857

Accession Number

1960/2.143

Medium and Support

color woodblock print on paper

relevance

rank 2.99115

Secondary Keywords

image form

level

upward

animals and creatures

asian

associated concepts

buildings and the land

containers

containers by form

descriptors

earth sciences concepts

east asian

inorganic material

japanese

japanese printmaking styles

japanese styles

landforms

landforms and landform components

landforms by shape or position

landscapes (environments)

materials

materials by composition

natural landscapes

noncompetitive play equipment

objects we use

people and culture

physical sciences concepts

precipitation

recreational artifacts

recreational artifacts for noncompetitive activities

scientific concepts

settlements and landscapes

styles and periods

styles and periods by region

views

views by vantage point or orientation

visual works

visual works by form

weather and related phenomena

weather-related phenomena

Title

Cactus

Artist

Graham Sutherland

Physical Description

Three forms that are simulatenously organic and sculptural stand in a line. At their base they appear sculptural or vessel-like, but further up they become more organic and cactus-like in their form. The table and background are yellow. The forms are executed mostly with white, off-white, and gray.

Artist Life Dates

1903 - 1980

Century

20th century

Object Creation Date

1950

Accession Number

1954/2.39

Medium and Support

oil on canvas

relevance

rank 2.98945

Secondary Keywords

visual arts

artistic concepts

associated concepts

biological concepts

buildings and the land

concepts in the arts

descriptors

european

european styles and periods

forms of expression

genres

image-making processes and techniques

landscapes (environments)

life

modern and contemporary art

modern european fine arts styles and movements

modern european styles and movements

movement

natural landscapes

objects we use

painting and painting techniques

painting techniques

painting techniques by medium

people and culture

plants

processes and techniques

processes and techniques by specific type

scientific concepts

settlements and landscapes

styles and periods

styles and periods by region

vegetation and vegetation components

vegetation components

visual works

visual works by subject type

Title

Gazing at Snow on Matsuchi Hill (center sheet from triptych, Fûryû Genji Awase)

Artist

Andô Hiroshige

Physical Description

The snow scene of a village under the mountain. The house roofs, the bridge over the river, the mountain and trees are all covered by the snow. Three birds fly above the riverbank, lingering around the snow-covered pine branches.

Artist Life Dates

1797-1858

Century

19th century

Object Creation Date

1853

Accession Number

1948/1.145

Medium and Support

color woodblock print on paper

relevance

rank 2.98940

Secondary Keywords

scale

transfer method

animals and creatures

associated concepts

buildings and the land

dwellings

earth sciences concepts

natural landscapes

objects we use

people and culture

physical sciences concepts

plants

precipitation

prints

prints by process

prints by process or technique

relief prints

residential structures

scientific concepts

settlements

settlements and landscapes

settlements by form

single built works

single built works by function

single built works by specific type

transportation structures

transportation structures by form

vegetation and vegetation components

vegetation components

visual works

visual works by medium or technique

weather and related phenomena

weather-related phenomena

woodcuts

woody plants

Title

Night Rain on the Xiao and Xiang Rivers

Artist

Chang Ku-nien

Physical Description

In this landscape a misty, meandering river is depicted with two boathouses along its banks. Reeds and other foliage grow lush along the banks, partially obscuring the boathouse in the foreground. Accompanying text is in the upper register.

Artist Life Dates

(Shanghai, China, 1906 - 1987, Flint, Michigan)

Century

20th century

Object Creation Date

last quarter of 20th century

Accession Number

2006/1.127

Medium and Support

hanging scroll, ink on paper

relevance

rank 2.98641

Secondary Keywords

associated concepts

bodies of water

bodies of water and components of bodies of water

bodies of water by size

buildings and the land

coating (material)

coating by form

descriptors

earth sciences concepts

garden structures

landscapes (environments)

materials

materials by function

natural landscapes

objects we use

paintings

paintings by form

people and culture

physical sciences concepts

precipitation

riverine bodies

scientific concepts

scroll paintings

settlements and landscapes

single built works

single built works by location or context

single built works by specific type

transportation vehicles

vehicles

visual works

visual works by medium or technique

watercraft

watercraft by general type

weather and related phenomena

weather-related phenomena

Title

Sous la Teete, Sur la Plage

Artist

Jacques Villon

Physical Description

Colors: pink, orange, blue, red, green, yellow. Small tear at plate line on upper left. Upper right corner previously folded under. Rip on upper right edge of paper, with corresponding tear on left edge. Paper size: lh 55 2/5cm & rh 55 3/5cm x w 75 4/5cm. Plate size: lh 46 1/2cm & rh 46 3/5cm x tw 57 4/5cm & bw 58cm. Image size: lh 44 1/5cm & rh 45 4/5cm x tw 57cm & bw 56 4/5cm.

Artist Life Dates

1875-1963

Accession Number

2008/2.397

Medium and Support

color aquatint on heavy beige wove paper

relevance

rank 2.98205

Secondary Keywords

relation to water

transfer method

aquatint

beachwear

buildings and the land

costume

costume by function

descriptors

europe (continent)

france (nation)

geographic and political locations

image-making processes and techniques

intaglio printing processes

intaglio prints

landforms

landforms and landform components

landforms by position

landforms by shape or position

landscapes (environments)

natural landscapes

objects we use

people

people (agents)

people and culture

people by gender

printing and printing processes and techniques

printing processes

prints

prints by process

prints by process or technique

processes and techniques

processes and techniques by specific type

settlements and landscapes

shores (landforms)

sports clothing

ville de paris, dèpartement de (department)

visual works

visual works by medium or technique

œle-de-france (region)

Title

A Han Dynasty Envoy Navigating on a Tree-Raft

Artist

Yu Zhiding (Yü Chih-ting)

Physical Description

This is a dense but muted landscape painting. The lines are very well defined. The colors consit of muted greens and browns, with a bid of red in some places. There is a river flowing through the center of the painting, running down the landscape and toward the viewer. There is a figure sitting on a gnarled tree-raft towards the bottom left of the painting, with another figure looking upon the scene from the opposite bank of the river. There are ornate buildings present toward the top of the panting. The viewer can see a lone figure in an interior covered by stylized clouds.

Artist Life Dates

1647 - circa 1705

Century

17th century

Object Creation Date

1696

Accession Number

1985/2.30

Medium and Support

hanging scroll, ink and light color on silk

relevance

rank 2.97989

Secondary Keywords

upward

animals and creatures

bodies of water and components of bodies of water

buildings and the land

components of bodies of water

displacement vessels

dwellings

landforms

landforms and landform components

landforms by shape or position

landscapes (environments)

mammals

natural landscapes

objects we use

people

people (agents)

people and culture

people by state or condition

plants

residential structures

settlements and landscapes

single built works

single built works by function

single built works by specific type

surface craft

transportation vehicles

vegetation and vegetation components

vegetation components

vehicles

visual works

visual works by subject type

watercraft

watercraft by displacement

watercraft by operating environment

watercraft by specific type

woody plants

Title

Landscape in Ni Tsan Style

Artist

Hine Taizan

Physical Description

A lone pavilion sits among trees in the foreground. Birds flock nearby, and in the background are more trees and rocky formations. Calligraphic texts in in the upper right corner.

Artist Life Dates

1813-1869

Century

19th century

Object Creation Date

1867

Accession Number

1983/2.247

Medium and Support

hanging scroll, ink on silk

relevance

rank 2.97895

Secondary Keywords

upward

animals

animals and creatures

architecture

asia

asian

buildings and the land

descriptors

forms

garden structures

geography

image-making processes and techniques

inorganic material

landforms

landforms and landform components

landforms by shape or position

landscapes (environments)

locality

making art

materials

materials by composition

natural landscapes

objects we use

plants

processes and techniques

processes and techniques by specific type

settlements and landscapes

single built works

single built works by location or context

single built works by specific type

text-based art

the natural world

transportation vehicles

vegetation and vegetation components

vegetation components

vehicles

watercraft

watercraft by general type

waterscapes

woody plants

writing (processes)

Title

Landscape with Washerwoman

Artist

Alessandro Magnasco

Physical Description

This landscape scene has an expansive blue sky in the upper half of the composition contrasted with the dark countryside, painted in hues of dark green and brown, in the lower portion. On the horizon, in between these two areas, is a mountain range with sharp pointed peaks. The forms of the bright white clouds mimick the foliage of the trees.

There are figures in the foreground area, although the rugged countryside shows no sign of habitation. On the right, two women are shown bending over, washing clothes in a small stream. There is a man sitting next to a laundry basket in the far left corner. A fourth figure, seen from the back only, is placed in the center area of the foreground.

Artist Life Dates

1667 - 1749

Century

18th century

Object Creation Date

circa 1711-1720

Accession Number

1960/2.127

Medium and Support

oil on canvas

relevance

rank 2.97800

Secondary Keywords

upward

associated concepts

atmospheric effects

buildings and the land

containers

containers by function or context

descriptors

earth sciences concepts

geography

housekeeping containers

image-making processes and techniques

landforms

landforms and landform components

landforms by shape or position

landscapes (environments)

natural landscapes

objects

objects we use

painting and painting techniques

painting techniques

painting techniques by application method

people

people (agents)

people and culture

people and occupations

people by gender

people by occupation

people in service occupations

physical sciences concepts

plants

processes and techniques

processes and techniques by specific type

scientific concepts

settlements and landscapes

the natural world

visual works

visual works by subject type

weather and related phenomena

weather-related phenomena

Title

twilight

Artist

Dwight William Tryon

Physical Description

Landscape painting featuring a row of trees in the middle distance, separating a glowing sky above and a meadow in the foreground.

Artist Life Dates

1849 - 1925

Century

20th century

Object Creation Date

1905

Accession Number

1955/1.87

Medium and Support

oil on panel

relevance

rank 2.97738

Secondary Keywords

associated concepts

branches

buildings and the land

earth sciences concepts

european

european styles and periods

evening

modern american styles and periods

modern and contemporary art

modern european fine arts styles and movements

modern european styles and movements

modern north american fine arts styles and movements

modern north american styles and movements

movement

natural landscapes

objects we use

people and culture

physical sciences concepts

plants

scientific concepts

settlements and landscapes

styles and periods

styles and periods by region

the americas

the natural world

time

vegetation and vegetation components

vegetation components

visual works

visual works by medium or technique

woody plants

Title

Crucifixion

Artist

Bartolommeo da Brescia

Physical Description

From the height of a cross, a crucified man, wearing a crown of thorns and a loincloth, looms over a dramatic landscape. Three heads with wings appear near the top of the cross, and a skull and crossed bones lay at its base. A vast prospect of distant mountains and a bustling port unfolds through the background.

Artist Life Dates

1506 - 1576 or 1578

Century

16th century

Object Creation Date

1565-1576

Accession Number

1970/1.177

Medium and Support

etching on paper

relevance

rank 2.96994

Secondary Keywords

animal material

animal material by form or function

associated concepts

bodies of water

bodies of water and components of bodies of water

bodies of water by location

buildings and the land

coastline bodies of water

descriptors

design elements

europe (continent)

events

executions

figure- and animal-derived motifs

geographic and political locations

image-making processes and techniques

intaglio printing processes

italy (nation)

landscapes (environments)

lombardy (region)

materials

materials by origin

motifs

natural landscapes

objects we use

people and culture

printing and printing processes and techniques

printing processes

processes and techniques

processes and techniques by specific type

religions

religions and religious concepts

settlements and landscapes

skeleton and skeleton components

skeleton components

visual works

visual works by subject type

Title

Sunset

Artist

George Inness

Physical Description

Landscape scene depicting trees silhouetted against a reddening sky with a dead fallen tree trunk lying diagonally across the foreground.

Artist Life Dates

1825-1894

Century

19th century

Object Creation Date

1886

Accession Number

1954/1.170

Medium and Support

oil on canvas, laid down on panel

relevance

rank 2.96804

Secondary Keywords

associated concepts

atmospheric effects

buildings and the land

cultural landscapes

cultural landscapes by location or context

earth sciences concepts

european

european styles and periods

landscapes (environments)

modern american styles and periods

modern european fine arts styles and movements

modern european styles and movements

modern north american fine arts styles and movements

modern north american styles and movements

natural landscapes

people and culture

physical sciences concepts

plants

scientific concepts

settlements and landscapes

styles and periods

styles and periods by region

the americas

the natural world

vegetation and vegetation components

vegetation components

wilderness

woods

woody plants

Title

Christ and the Woman of Samaria Among Ruins

Artist

Rembrandt van Rijn

Physical Description

Trimmed to frame. Paper size: h 10 7/10cm x tw 9 3/5cm & bw 9 2/5cm.

Artist Life Dates

1606-1669

Object Creation Date

1634

Accession Number

2008/2.408

Medium and Support

etching on beige laid paper

relevance

rank 2.96588

Secondary Keywords

transfer method

art genres

artistic concepts

associated concepts

buildings and the land

concepts in the arts

descriptors

image-making processes and techniques

intaglio printing processes

intaglio prints

objects we use

people

people (agents)

people and culture

people by gender

people by occupation

people in religion

people in religion and related occupations

people in the humanities

printing and printing processes and techniques

printing processes

prints

prints by process

prints by process or technique

processes and techniques

processes and techniques by specific type

religions

religions and religious concepts

single built works

single built works by condition

single built works by specific type

visual works

visual works by medium or technique

Title

Architectural Cadences

Artist

Charles Sheeler

Physical Description

Multiple color screenprint of an abstracted industrial landscape. In the foreground is a small strip of land, and in the middle ground are buildings of various geometric shapes and sizes. In the background, the rooflines of the buildings start to blend in and emerge from the cloudy sky.

Artist Life Dates

1883-1965

Century

20th century

Object Creation Date

1954

Accession Number

1983/1.216

Medium and Support

six-color screenprint on paper

relevance

rank 2.96423

Secondary Keywords

transfer method

american regions

architectural elements

associated concepts

buildings and the land

components

components and systems

components by specific context

descriptors

earth sciences concepts

industrial structures

modern and contemporary art

north american

object genres

objects we use

openings (architectural elements)

openings and opening components

openings by form

people and culture

physical sciences concepts

prints

prints by process

prints by process or technique

scientific concepts

single built works

single built works by function

single built works by specific type

styles and periods

styles and periods by region

the americas

visual works

visual works by medium or technique

weather and related phenomena

weather-related phenomena

windows and window components

Title

Edo Meisho: Ochanomizu

Artist

Andô Hiroshige

Physical Description

A snow scene of the canal. Snow covers the house roofs, the boat shelters, and the trees. Three travelers in blue robes are walking in the snow, two of them are carrying umbrellas.

Artist Life Dates

1797-1858

Century

19th century

Object Creation Date

circa 1853

Accession Number

1948/1.142

Medium and Support

color woodblock print on paper

relevance

rank 2.96141

Secondary Keywords

transfer method

associated concepts

buildings and the land

costume

costume accessories

costume accessories carried

dwellings

earth sciences concepts

events

hydraulic structures

hydraulic structures by form

natural events

objects we use

people and culture

physical sciences concepts

precipitation

prints

prints by process

prints by process or technique

relief prints

residential structures

scientific concepts

seasons

single built works

single built works by function

single built works by specific type

transportation vehicles

vehicles

visual works

visual works by medium or technique

visual works by subject type

watercraft

watercraft by general type

weather and related phenomena

weather-related phenomena

Title

Storm Clouds, Cape Cod (Strumwolken uber Cape Cod)

Artist

George Grosz

Physical Description

In the top left corner a house lies on top of a hill of sand dunes covered with grasses, with the ocean to the right and storm clouds swirling overhead

Artist Life Dates

1893-1959

Century

20th century

Object Creation Date

1949

Accession Number

1954/1.112

Medium and Support

lithograph on paper

relevance

rank 2.95574

Secondary Keywords

relation to water

associated concepts

buildings and the land

descriptors

dwellings

earth sciences concepts

eolian landforms

european

european styles and periods

events

geography

landforms

landforms and landform components

landforms by formation process

landforms by position

landforms by shape or position

materials

materials by origin

modern european fine arts styles and movements

modern european styles and movements

natural events

natural landscapes

people and culture

physical sciences concepts

plant material

residential structures

scientific concepts

settlements and landscapes

shores (landforms)

single built works

single built works by function

single built works by specific type

styles and periods

styles and periods by region

weather and related phenomena

weather-related phenomena

Title

The Resurrection

Artist

Marten van Heemskerck

Physical Description

A muscular figure surrounded by an aureole of light steps down from a plain rectangular tomb. Six soldiers, depicted in a variety of complex postures, recoil from the figure in shock.

Artist Life Dates

1498-1574

Century

16th century

Object Creation Date

1548-1574

Accession Number

1983/2.249

Medium and Support

etching on laid paper

relevance

rank 2.95332

Secondary Keywords

buildings and the land

costume

costume by function

descriptors

european

european styles and periods

figures (representations)

funerary structures

image-making processes and techniques

intaglio printing processes

objects we use

people

people (agents)

people and culture

people by occupation

people in military occupations

printing and printing processes and techniques

printing processes

processes and techniques

processes and techniques by specific type

protective wear

renaissance-baroque styles

renaissance-baroque styles and periods

single built works

single built works by function

single built works by specific type

styles and periods

styles and periods by region

visual works

visual works by subject type

Title

Tao Yüan-ming

Artist

Nakabayashi Chikkei

Physical Description

In the lower third of the hanging scroll are three figures. Tao Yuanming is the larger figure on the right with his two attendants on the left. They are divided by a table. In the background is a screen which separates the figures from the landscape.

Artist Life Dates

1816-1867

Century

19th century

Object Creation Date

circa 1840 - 1867

Accession Number

1982/1.197

Medium and Support

ink and color on silk

relevance

rank 2.94944

Secondary Keywords

layout features

asia (continent)

buildings and the land

components

components and systems

components by specific context

descriptors

furnishings

furnishings by form or function

furniture

furniture by form or function

geographic and political locations

grass (plant material)

illustrations

illustrations by form

images and ornament

information form components

inorganic material

layout features

materials

materials by composition

materials by origin

objects we use

open spaces

open spaces and site elements

open spaces by form

paintings

paintings by form

people

people (agents)

people and culture

people by age group

plant material

scroll paintings

seating furniture

single seating furniture

visual works

visual works by medium or technique

visual works by subject type

youth

Title

One of Four Panels of Textile Fragments: Obi Brocades

Artist

Artist Unknown, Japan

Physical Description

The colorful strips of brocade at the top and bottom of this panel feature a woven design of ivy and peonies entwined around cartwheels, bamboo, and stylized diamonds. A wide rectangular fragment of an obi (sash for kimono) lie at the center of the textile. It is an almost abstract design of boats tossed in a frothy sea. The warm, muted tones of the gold are matched in color selections of mauve, and muted purple, blue, and green threads.

Century

17th to 19th centuries

Object Creation Date

17th century - 18th century

Accession Number

1972/2.44.2

Medium and Support

brocade with gilt paper (kinran nishiki) & float stitch embroidery (watashi nui)

relevance

rank 2.94681

Secondary Keywords

patterning

buildings and the land

components

components and systems

components by specific context

costume components

descriptors

design elements

gold and gold alloy

herbaceous plants

inorganic material

landscapes (environments)

materials

materials by composition

metal

metal and metal products

metal by composition or origin

metalwork

motifs

natural landscapes

nonferrous metal

object genres

object genres by material

plant-derived motifs

plants

processes and techniques

processes and techniques by material

processes and techniques by specific type

settlements and landscapes

textile construction processes and techniques

textile processes and techniques

textile weaving processes and techniques

textile weaving techniques

vegetation and vegetation components

vegetation components

weft patterning

woody plants

Title

Descent of the River Ganges

Artist

Artist Unknown, India, Central India, Bundelkhand

Physical Description

In this intensely lyrical painting from Bundelkhand in Central India, the great river is shown tumbling from the night sky. Ascetics sit cross-legged on the mountainside, offering their austerities to Shiva, while women come to venerate Ganga. The river teems with life—crocodiles, turtles, fish, and birds—while lions, leopards, jackals, monkeys, and rabbits cavort on its banks.

Century

18th century

Object Creation Date

circa 1775

Accession Number

1979/1.148

Medium and Support

ink, opaque watercolor, and gold on paper

relevance

rank 2.94432

Secondary Keywords

animals and creatures

asian

associated concepts

bodies of water

bodies of water and components of bodies of water

bodies of water by size

buildings and the land

components of bodies of water

descriptors

earth sciences concepts

forms

geography

image-making processes and techniques

landscapes (environments)

making art

mammals

natural landscapes

painting and painting techniques

painting techniques

painting techniques by medium

people

people (agents)

people and culture

people and occupations

people by gender

people by occupation

people by state or condition

people in religion

people in religion and related occupations

people in the humanities

physical sciences concepts

processes and techniques

processes and techniques by specific type

religions and religious concepts

religious (people)

religious concepts

religious figures

religious ideologies

riverine bodies

scientific concepts

settlements and landscapes

the natural world

time

Title

The Fifty-Three Stations of the Tokaido (Kichizo Edition): #3 Kawasaki

Artist

Andô Hiroshige

Physical Description

A group of figures with parasols and hats wait on shore for two approaching boats filled with passengers. Trees and a village are seen on the opposite shore. Writing in the upper left corner. Title in red box in upper right corner.

Artist Life Dates

1797-1858

Object Creation Date

circa 1850

Accession Number

2008/2.314

Medium and Support

woodblock print on paper

relevance

rank 2.93995

Secondary Keywords

layout features

scale

accessories worn on the head

buildings and the land

components

components and systems

components by specific context

costume

costume accessories

costume accessories carried

costume accessories worn

descriptors

dwellings

headgear

illustrations

illustrations by form

images and ornament

information form components

inorganic material

landscapes (environments)

layout features

materials

materials by composition

natural landscapes

objects we use

plants

residential structures

settlements

settlements and landscapes

settlements by form

single built works

single built works by function

single built works by specific type

transportation vehicles

vegetation and vegetation components

vegetation components

vehicles

watercraft

watercraft by general type

woody plants

Title

The Pierrot

Artist

James McNeill Whistler

Physical Description

A man stands in an apron and rolled sleeves in the water door of a building along a canal. Another figure is seen kneeling and reaching down to the water at the left edge of the water door. The building and its reflection fills the frame; the emphasis is on the figures in the darkened opening, along with their reflections, while the upper story of the building is only summarily indicated.

Artist Life Dates

1834-1903

Century

19th century

Object Creation Date

1889

Accession Number

1954/1.406

Medium and Support

etching and drypoint, printed in dark brown ink on wove paper

relevance

rank 2.93515

Secondary Keywords

architectural elements

associated concepts

bodies of water and components of bodies of water

buildings and the land

components

components and systems

components by specific context

energy and related concepts

energy-related concepts

europe (continent)

geographic and political locations

hydraulic structures

hydraulic structures by form

landscapes (environments)

light-related concepts

natural landscapes

netherlands (nation)

north holland (province)

openings (architectural elements)

openings and opening components

openings by form

people and culture

physical activities

physical activities by general context

physical sciences concepts

physics concepts

scientific concepts

settlements and landscapes

single built works

single built works by function

single built works by specific type

windows and window components

Title

Plum Blossoms, after Jin Nong

Artist

Li Jishou (Li Chi-shou)

Physical Description

The branches of a plum tree stretch skyward, skillfully utilizing the vertical space of this hanging scroll. Black dots are used as accents along the branches, making them look knotted and full of texture. These heavy features are offset by the delicate depiction of plum blossoms. Calligraphic text is in the upper right corner, with two seals.

Artist Life Dates

active 19th century

Century

19th century

Object Creation Date

19th century

Accession Number

1985/2.28

Medium and Support

hanging scroll, ink on paper

relevance

rank 2.93336

Secondary Keywords

artists

buildings and the land

coating (material)

coating by form

deciduous trees

descriptors

herbaceous plants

image-making processes and techniques

landscapes (environments)

materials

materials by function

natural landscapes

objects we use

painters (artists)

painters by subject of work

paintings

paintings by form

people

people (agents)

people and culture

people by occupation

people in the arts

people in the arts and related occupations

people in the humanities

people in the visual arts

people in the visual arts and related occupations

plants

processes and techniques

processes and techniques by specific type

scroll paintings

settlements and landscapes

trees

trees by leaf life

vegetation and vegetation components

vegetation components

visual works

visual works by medium or technique

woody plants

writing (processes)

Title

The Square House, Amsterdam

Artist

James McNeill Whistler

Physical Description

A street facing onto a canal is seen at a very slight angle. The three buildings each have balconies (some enclosed), banks of windows, and doors at the water's edge. A dense network of hatching lines describe the brick facades, balconies and windows, and reflecions.

Artist Life Dates

1834-1903

Century

19th century

Object Creation Date

1889

Accession Number

1954/1.404

Medium and Support

etching and drypoint, printed in brown ink on laid paper

relevance

rank 2.92607

Secondary Keywords

height

architectural elements

associated concepts

building divisions

buildings and the land

components

components and systems

components by specific context

dwellings

energy and related concepts

energy-related concepts

europe (continent)

geographic and political locations

hydraulic structures

hydraulic structures by form

light-related concepts

netherlands (nation)

north holland (province)

objects we use

openings (architectural elements)

openings and opening components

openings by form

people and culture

physical sciences concepts

physics concepts

residential structures

rooms and spaces

rooms and spaces by form

scientific concepts

single built works

single built works by form

single built works by function

single built works by specific type

visual works

visual works by subject type

windows and window components

Title

Untitled [Child with straw leggings]

Artist

Saitô Kiyoshi

Physical Description

A child ventures out into the deep snow, holding up his broad leggings which are insulated with straw. Behind him, the house wall is plastered with two messages: "Careful with fire!" and "Felecitations for the Spring Equinox".

Artist Life Dates

(active 1907 - 1997)

Century

20th century

Object Creation Date

mid 20th century

Accession Number

1998/2.31

Medium and Support

color woodblock print on paper

relevance

rank 2.92439

Secondary Keywords

associated concepts

buildings and the land

costume

costume by form

declaratory and advertising artifacts

descriptors

earth sciences concepts

image-making processes and techniques

information artifacts

information artifacts by function

information forms

main garments

main garments for the lower body

object genres

object genres by material

objects we use

open spaces and site elements

people

people (agents)

people and culture

people by age group

physical activities

physical activities by general context

physical sciences concepts

precipitation

processes and techniques

processes and techniques by specific type

scientific concepts

site elements

visual works

visual works by subject type

weather and related phenomena

weather-related phenomena

writing (processes)

youth

Title

Pope Sixtus IV (obverse), and the Ponte Sisto (reverse)

Artist

Lysippus

Physical Description

The front (obverse) of this medal depicts the profile portrait of a man with a tonsure, wearing a cope adorned with acorns and oak leaves and a large clasp. An inscription runs around the border. The reverse represents a bridge spanning a river enclosed within a border of oak leaves. An inscription appears above the balustrade of the bridge.

Artist Life Dates

active 1471-1484

Century

15th century

Object Creation Date

1473

Accession Number

1984/1.285

Medium and Support

cast bronze

relevance

rank 2.92277

Secondary Keywords

image form

buildings and the land

christian clergy

clergy

copper alloy

copper and copper alloy

descriptors

forming

inorganic material

materials

materials by composition

medals

metal

metal and metal products

metal by composition or origin

nonferrous metal

objects we use

people

people (agents)

people and culture

people by occupation

people in religion

people in religion and related occupations

people in the humanities

prelates

processes and techniques

processes and techniques by specific type

single built works

single built works by function

single built works by specific type

transportation structures

transportation structures by form

views

views by vantage point or orientation

visual works

visual works by form

visual works by subject type

Title

Ocean Park No. 52

Artist

Richard Diebenkorn

Physical Description

A canvas saturated in layered shades of muted browns, oranges, ochres, and yellows is crossed by lines, some dark some light, some on the surface, some buried beneath the surface color. A bold horizontal line cuts across about a quarter of the way from the bottom. On the right are several faint verticals. At the top two horizontal lines underlap and overlap with two diagonals.

Artist Life Dates

1922 - 1993

Century

20th century

Object Creation Date

1972

Accession Number

1974/2.22

Medium and Support

oil on canvas

relevance

rank 2.91902

Secondary Keywords

associated concepts

buildings and the land

california (state)

daylight

descriptors

electromagnetic radiation

energy

energy and related concepts

european

european styles and periods

genres

geographic and political locations

image-making processes and techniques

international post-1945 styles and movements

landscapes (environments)

light (energy)

los angeles (county)

modern and contemporary art

modern european fine arts styles and movements

modern european styles and movements

non-representational art

north and central america (continent)

painting and painting techniques

painting techniques

painting techniques by medium

people and culture

physical sciences concepts

physics concepts

post-1945 fine arts styles and movements

processes and techniques

processes and techniques by specific type

scientific concepts

settlements and landscapes

styles and periods

styles and periods by region

united states (nation)

Title

Untitled (Head)

Artist

Michael Lucero

Physical Description

White earthenware “sleeping” head lying on its right cheek (right ear omitted to lay flat) with a geometric section of crown removed. The cut at the head is painted terra cotta, the cut at the neck painted with a landscape of a tree at the edge of a cliff. A forest scene set against pink mountains covers the face, and desert rock formations in silhouette cover the back of the head.

Artist Life Dates

(1953 - )

Century

20th century

Object Creation Date

circa 1985

Accession Number

2008/2.245

Medium and Support

glazes on white earthenware

relevance

rank 2.91138

Secondary Keywords

upward

biological components

buildings and the land

components

components and systems

components by specific context

cultural landscapes

cultural landscapes by location or context

descriptors

european

european styles and periods

events

heads

landforms

landforms and landform components

landforms by shape or position

landscapes (environments)

modern european fine arts styles and movements

modern european styles and movements

natural landscapes

object genres

object genres by material

objects we use

people and culture

personal life events

physical activities

physical activities by general context

plants

settlements and landscapes

styles and periods

styles and periods by region

the human body

upper body

vegetation and vegetation components

vegetation components

visual works

visual works by subject type

wilderness

woody plants

Title

Manet's Olympia

Artist

Mel Ramos

Physical Description

A female nude reclining on a bed wearing one yellow slipper on her left foot, a gold bracelet on her right arm and a black ribbon tied in a bow around her neck. An African American woman in a blue dress stands behind her holding a bouquet of yellow and white flowers. A small monkey sits at the foot of the bed. All subjects look directly at the viewer.

Artist Life Dates

born 1935

Century

20th century

Object Creation Date

1974

Accession Number

1991/2.102.1

Medium and Support

collotype on wove paper

relevance

rank 2.90989

Secondary Keywords

aesthetic concepts

animals and creatures

artistic concepts

associated concepts

buildings and the land

child

concepts in the arts

family

forms of expression

herbaceous plants

historical, theoretical and critical concepts

how we live

international post-1945 styles and movements

landscapes (environments)

mammals

modern american styles and periods

modern and contemporary art

modern north american styles and movements

natural landscapes

objects we use

people

people (agents)

people and culture

people and occupations

people by activity

people by gender

people by occupation

people in service occupations

philosophical concepts

plants

post-1945 fine arts styles and movements

psychological concepts

relationships

settlements and landscapes

social science concepts

styles and periods

styles and periods by region

the americas

vegetation and vegetation components

vegetation components

visual works

visual works by subject type

woody plants

Title

Mist Clearing Over a Mountain Village, formerly attributed to Hasegawa Nobuharu (Shinshun; later, Tôhaku)

Artist

Artist Unknown, Japan

Physical Description

This is a vertical format painting surrounded by green and gold fabric. It is painted in tones of black with some areas of pink and blue color. It depicts a landscape scene with a cluster of small houses nestled in a craggy mountainous area. There is a river that runs through the landscape with two figures crossing a small footbridge. Other figures are shown in the open area of the village. The trees and vegetation are painted with short abbreviated brushstriokes.

Century

17th century

Object Creation Date

late 16th century - early 17th century

Accession Number

1967/2.5

Medium and Support

hanging scroll, ink and light color on paper

relevance

rank 2.90891

Secondary Keywords

scale

upward

architecture

asia

asia (continent)

asian

bodies of water

bodies of water and components of bodies of water

bodies of water by size

buildings and the land

components of bodies of water

dwellings

figures

forms

geographic and political locations

geography

landforms

landforms and landform components

landforms by shape or position

landscapes (environments)

locality

making art

objects we use

paintings

paintings by form

people and occupations

plants

residential structures

riverine bodies

scroll paintings

settlements

settlements and landscapes

settlements by form

single built works

single built works by function

single built works by specific type

the natural world

transportation structures

transportation structures by form

vegetation and vegetation components

vegetation components

visual works

visual works by medium or technique

waterscapes

woody plants

Title

Under the Bridges on the Schuylkill

Artist

Joseph Pennell

Physical Description

The print displays a scene from a perspective on the water, underneath the bridges. Three bridges can be seen. The first bridge is closer to the viewer, with a pier in the center left of the scene, and the truss barely visible, cutting through the top of the image at an angle. Behind the first bridge, more of the second bridge can be seen, with two piers and an arched truss. The thrid bridge is in the background, right-hand section of the scene. The bridge piers cast six shadows into the rippling water.

Artist Life Dates

1857-1926

Century

19th century

Object Creation Date

1884

Accession Number

1954/1.306

Medium and Support

etching and drypoint on paper

relevance

rank 2.89100

Secondary Keywords

associated concepts

bodies of water and components of bodies of water

bodies of water by size

bridges by form

buildings and the land

energy and related concepts

energy-related concepts

european

european styles and periods

landscapes (environments)

light-related concepts

modern british styles and movements

modern british styles by reign

modern european regional styles and movements

modern european styles and movements

natural landscapes

people and culture

physical sciences concepts

physics concepts

riverine bodies

scientific concepts

settlements and landscapes

single built works

single built works by function

single built works by specific type

styles and periods

styles and periods by region

transportation structures

transportation structures by form

Title

Le Banc de Pierre au Jardin

Artist

Jacques Villon

Physical Description

First impression of first state. Paper size: h 71 1/2cm x w 55 2/5cm. Plate size: lh 53 2/5cm & rh 53 3/5cm x w 41 2/5cm. Image size: h 52 7/10cm x tw 40 3/5cm & bw 40 4/5cm.

Artist Life Dates

1875-1963

Accession Number

2008/2.419

Medium and Support

drypoint on Arches cream laid paper

relevance

rank 2.88298

Secondary Keywords

transfer method

accessories worn on the head

bodies of water and components of bodies of water

buildings and the land

components of bodies of water

costume

costume accessories

costume accessories worn

descriptors

engraving (printing process)

engravings

headgear

image-making processes and techniques

intaglio printing processes

intaglio prints

landscapes (environments)

natural landscapes

objects we use

open spaces

open spaces and site elements

open spaces by form

people

people (agents)

people and culture

people by gender

printing and printing processes and techniques

printing processes

prints

prints by process

prints by process or technique

processes and techniques

processes and techniques by specific type

settlements and landscapes

visual works

visual works by medium or technique

Title

Oiso Station, tora-ga-ame (Tora's Rain), Plate 9 from Tokaido Gojusan-tsugi (Fifty-three Stations of the Eastern Road)

Artist

Andô Hiroshige

Physical Description

A landscape of the bank by the river with mountains in the distance. There are trees, huts, and several tombstones in the foreground. Two figures are walking toward a hut.

Artist Life Dates

1797-1858

Century

19th century

Object Creation Date

1855

Accession Number

1974/1.102

Medium and Support

color woodblock print on paper, ôban yoko-e size

relevance

rank 2.86999

Secondary Keywords

layout features

upward

buildings and the land

components

components and systems

components by specific context

descriptors

dwellings

funerary structures

houses

houses by form

illustrations

illustrations by form

images and ornament

information form components

inorganic material

landforms

landforms and landform components

landforms by shape or position

landscapes (environments)

layout features

materials

materials by composition

natural landscapes

objects we use

plants

residential structures

sailing vessels

sailing vessels by size

sepulchral monuments

settlements and landscapes

single built works

single built works by function

single built works by specific type

transportation vehicles

vegetation and vegetation components

vegetation components

vehicles

watercraft

watercraft by general type

watercraft by method of propulsion

watercraft by specific type

woody plants

Title

The Happy Life of Fishermen

Artist

Qian Gong (Ch'ien Kung)

Physical Description

A group of fishermen and families sit in reeds, resting, playing, drinking, eating, and chatting. Birds fly in the backgrounf, and the reeds bend under the wind. At top center is calligraphic text.

Artist Life Dates

(active Suzhou, ca. 1573 - ca. 1620)

Century

17th century

Object Creation Date

1610

Accession Number

1985/2.29

Medium and Support

fan mounted as an album leaf, ink and color on gold paper

relevance

rank 2.86366

Secondary Keywords

books

books by internal form

buildings and the land

coating (material)

coating by form

costume

costume accessories

costume accessories carried

descriptors

information artifacts

information artifacts by physical form

information forms

inorganic material

landscapes (environments)

materials

materials by composition

materials by function

natural landscapes

objects we use

people

people (agents)

people and culture

people by occupation

people in agriculture or natural resource occupations

people in science-related occupations

physical activities

physical activities by location

physical activities by specific context

plants

scientists and people in science-related occupations

settlements and landscapes

transportation vehicles

vegetation and vegetation components

vegetation components

vehicles

water activities

watercraft

watercraft by general type

woody plants

Title

Hammock Reader

Artist

Milton Avery

Physical Description

Painting depicting a featureless female figure, in tones of aqua and light blue extending across the center of the canvas in a light gray hammock. There is a bright white shape, perhaps a book, in the middle of the figure. Behind the figure, the rest of the composition is organized in horizontal sections. At top, a yellow sky; below that are two gently-curved mountains in dark brown, followed by two horizontal planes of color in tan and light brown.

Artist Life Dates

1885 - 1965

Century

20th century

Object Creation Date

1951

Accession Number

1974/2.37

Medium and Support

oil on canvas

relevance

rank 2.86079

Secondary Keywords

upward

attributes and properties

attributes and properties by specific type

buildings and the land

descriptors

european

european styles and periods

figures

form attributes

furnishings

furnishings by form or function

furniture

furniture by form or function

information artifacts

information artifacts by physical form

information forms

landforms

landforms and landform components

landforms by shape or position

landscapes (environments)

modern and contemporary art

modern european fine arts styles and movements

modern european styles and movements

natural landscapes

objects

objects we use

people and culture

people and occupations

physical activities

physical activities by general context

settlements and landscapes

sleeping and reclining furniture

styles and periods

styles and periods by region

visual works

visual works by subject type

Title

The Doorway, from the "Twelve Etchings", or the "First Venice Set"

Artist

James McNeill Whistler

Physical Description

A large ornate waterdoor faces onto a canal. On the threshold near the water, a woman bends down towards the surface of the canal. Behind the doorway stands another figure in the shadows and beyond is another opening to a small square or open-air workspace. The Doorway consists of a large lunette shaped transom light over the door and the portal is flanked on either side by large arched windows. The glazing is all fitted into a fine network of mullions in either square on diamond patterns. The door and windows are each framed by carved pilasters and engaged corinthian capitals. Below the windows are bands of rosettes and other carved ornaments that extends to the water level.

Artist Life Dates

1834-1903

Century

19th century

Object Creation Date

1879-1880

Accession Number

1954/1.375

Medium and Support

etching, drypoint, and roulette on laid paper on laid paper

relevance

rank 2.85478

Secondary Keywords

arches and arch components

architectural elements

associated concepts

buildings and the land

circulation elements

components

components and systems

components by specific context

energy and related concepts

energy-related concepts

europe (continent)

geographic and political locations

hydraulic structures

hydraulic structures by form

italy (nation)

light-related concepts

openings (architectural elements)

openings and opening components

openings by form

people and culture

physical activities

physical activities by general context

physical sciences concepts

physics concepts

scientific concepts

single built works

single built works by function

single built works by specific type

spanning and projecting structural elements

stair components

stairs and stair components

steps and step components

structural elements

structural elements and structural element components

veneto (region)

venezia (province)

windows and window components

Title

Snow Scene in Ueno Park

Artist

Takahashi Hiroaki

Physical Description

Snow falls during a night scene in Ueno Park, located in the Tokyo area. Weary, snow-heavy travelers trek through the scene. One may be heading into a shop to have something warm to eat, while the other heads towards a small bridge and a red torii gate topped with snow. A pine tree arches in from the left corner and arches over the scene, framing the park against the gray, snow-dotted sky.

Artist Life Dates

1871-1944

Century

20th century

Object Creation Date

1920s

Accession Number

1982/2.23

Medium and Support

color woodblock print on paper

relevance

rank 2.85190

Secondary Keywords

transfer method

architectural elements

asian

associated concepts

atmospheric effects

buildings and the land

components

components and systems

components by specific context

earth sciences concepts

east asian

gates and gate components

gateway components

gateways and gateway components

grounds

japanese

japanese printmaking styles

japanese styles

objects we use

open spaces

open spaces and site elements

open spaces by location or context

openings (architectural elements)

openings and opening components

openings by form

people and culture

physical sciences concepts

precipitation

prints

prints by process

prints by process or technique

relief prints

scientific concepts

styles and periods

styles and periods by region

the natural world

visual works

visual works by medium or technique

weather and related phenomena

weather-related phenomena

Title

Digambara Jain manuscript page: Jina and devotees

Artist

Artist Unknown, India, Sirohi School

Physical Description

Multi-colored ink on paper. Reds and golds make up the primary focus colors and are accented by dark blues. Features five figures, two larger figures on the top half of the page and three smaller figures on the bottom. Scene of worship.

Century

18th century

Object Creation Date

circa 18th century

Accession Number

1975/2.177

Medium and Support

ink, opaque watercolor, and gold on paper

relevance

rank 2.83689

Secondary Keywords

layout features

asian

bowl-shaped drums

buildings and the land

components

components and systems

components by specific context

containers

containers by form

drums (membranophones)

figures (representations)

forms

herbaceous plants

illustrations

illustrations by form

images and ornament

information form components

landscapes (environments)

layout features

making art

membranophones

natural landscapes

objects we use

people

people (agents)

people and culture

people by state or condition

physical activities

physical activities by general context

plants

religious visual works

settlements and landscapes

sound devices

sound devices by acoustical characteristics

sound devices by function

struck drums

text-based art

vegetation and vegetation components

vegetation components

vessels

visual works

visual works by function

visual works by subject type

woody plants

Title

Spring Landscape

Artist

Arthur Wesley Dow

Physical Description

Landscape painting depicting a dirt pathway with steps and a wooden railing cutting through the center of the composition leading to a house on a hill in the distance. On either side of the path are blooming trees bearing pink and white blossoms in a green meadow.

Artist Life Dates

1857 - 1922

Century

19th century

Object Creation Date

1892

Accession Number

1954/1.168

Medium and Support

oil on canvas

relevance

rank 2.83470

Secondary Keywords

associated concepts

atmospheric effects

buildings and the land

descriptors

dwellings

earth sciences concepts

image-making processes and techniques

materials

materials by origin

natural landscapes

open spaces

open spaces and site elements

open spaces by function

painting and painting techniques

painting techniques

painting techniques by medium

people and culture

physical sciences concepts

plant communities

plant material

plants

processes and techniques

processes and techniques by specific type

residential structures

roads

scientific concepts

seasons

settlements and landscapes

single built works

single built works by function

single built works by specific type

the natural world

vegetation and vegetation components

vegetation components

walkways

weather and related phenomena

weather-related phenomena

woody plants

Title

Bounded on the West by the Land Under Water

Artist

Kay Sage

Physical Description

Four spare industrial structures rise at different angles into an empty landscape. On the viewer's right, a scaffolding rises from the lower corner and angles to the left. On the left, another scaffold structure runs from the bottom corner along the left edge. In the middle, a building-like structure rises from the bottom of the composition and leans into the visual space, resting on a long rectangular solid that is draped with a cloth.

Artist Life Dates

1898 - 1963

Century

20th century

Object Creation Date

1946

Accession Number

1963/2.1

Medium and Support

oil on canvas

relevance

rank 2.83373

Secondary Keywords

massing or shape

architecture

buildings and the land

built complexes and districts

complexes

complexes by function

cultural landscapes

cultural landscapes by location or context

descriptors

equipment

equipment by process

european

european styles and periods

genres

image-making processes and techniques

industrial structures

landscapes (environments)

modern and contemporary art

modern european fine arts styles and movements

modern european styles and movements

movement

objects we use

painting and painting techniques

painting techniques

painting techniques by medium

people and culture

processes and techniques

processes and techniques by specific type

settlements and landscapes

single built works

single built works by form

single built works by function

single built works by specific type

styles and periods

styles and periods by region

supporting equipment

the natural world

tools and equipment

waterscapes

Title

Battle of the Genji and Heike Forces

Artist

Artist Unknown, Japan

Physical Description

This 6-fold screen is a depiction of the Battle of Genji and Heike. In samurai armor, the Heike forces approach by ship from the left, while Genji forces rush to the shore on horseback and on foot—drawing the viewer’s attention to the center of the screens, where their confrontation will finally take place. The Heike forces can be identified by the red banners on their ships, while the Genji clan carries white banners.

Century

16th century

Object Creation Date

1573-1650

Accession Number

1964/2.64

Medium and Support

6-fold screen, ink and color on paper

relevance

rank 2.82382

Secondary Keywords

animals and creatures

armed conflicts

associated concepts

bodies of water

bodies of water and components of bodies of water

bodies of water by size

buildings and the land

earth sciences concepts

events

evergreens

furnishings

furnishings by form or function

furniture

furniture by form or function

landscapes (environments)

mammals

marine bodies

natural landscapes

objects we use

people

people (agents)

people and culture

people by occupation

people in military occupations

physical sciences concepts

plants

projectile weapons

projectile weapons with nonexplosive propellant

projectiles with nonexplosive propellant

scientific concepts

settlements and landscapes

transportation vehicles

trees

trees by leaf life

vegetation and vegetation components

vegetation components

vehicles

watercraft

watercraft by general type

weapons

weapons and ammunition

weather and related phenomena

weather-related phenomena

woody plants

Title

Orchids and Red Rock

Artist

Chang Ku-nien, Liu Yantao, Gao Yihong

Physical Description

A rough, red rock seems to grow out of the hillside, almost as organically as the orchids growing next to it. Calligraphic text is in the upper left corner.

Century

20th century

Object Creation Date

1980

Accession Number

2006/1.132

Medium and Support

hanging scroll, ink and light color on paper

relevance

rank 2.81778

Secondary Keywords

artists

asian

buildings and the land

chinese

chinese painting styles

chinese styles

chinese styles and periods

coating (material)

coating by form

descriptors

east asian

flowers (plants)

forms

herbaceous plants

inorganic material

landscapes (environments)

making art

materials

materials by composition

materials by function

natural landscapes

objects we use

painters (artists)

painters by subject of work

paintings

paintings by form

people

people (agents)

people and culture

people by occupation

people in the arts

people in the arts and related occupations

people in the humanities

people in the visual arts

people in the visual arts and related occupations

plants

scroll paintings

settlements and landscapes

styles and periods

styles and periods by region

vegetation and vegetation components

vegetation components

visual works

visual works by medium or technique

woody plants

Title

Portrait of Princess Amelia, part of a series of portraits of King George III's Family

Artist

Anonymous

Physical Description

The Princess is seated at a desk covered with books. Her hands are resting on her knee and her foot rests on an ottoman. To the left behind her there are drapes and Windsor Castle can be seen through the window.

Century

19th century

Object Creation Date

circa 1810

Accession Number

2013/2.564.1

Medium and Support

pencil and wash on wove paper

relevance

rank 2.80177

Secondary Keywords

layout features

aristocracy

buildings and the land

case furniture

components

components and systems

components by specific context

fortifications

furnishings

furnishings by form or function

furniture

furniture by form or function

groups of people

illustrations

illustrations by subject type

images and ornament

information artifacts

information artifacts by physical form

information form components

information forms

layout features

nobility

objects we use

people

people (agents)

people and culture

people by gender

people by occupation

people in government and administration

rulers (people)

single built works

single built works by function

single built works by specific type

social classes

social classes by specific type

social groups

storage and display furniture

upper class

visual works

visual works by subject type

Title

Pope Clement IX (obverse), and the Ponte Sant' Angelo (reverse)

Artist

Nicolas-François Chéron

Physical Description

The front (obverse) of the medal presents a profile portrait of a bearded man wearing a cassock, cap, and stole. The reverse depicts a bridge spanning a river. A winged figure flies above the bridge blowing a trumpet, while a nude male figure reclines below the bridge in the foreground and a wolf nurses at his feet. Inscriptions run around both the border edge of both sides of the medal.

Artist Life Dates

died 1746

Century

17th-18th century

Object Creation Date

1669

Accession Number

1984/1.284

Medium and Support

cast bronze

relevance

rank 2.79646

Secondary Keywords

image form

biological components

buildings and the land

christian clergy

clergy

components

components and systems

components by specific context

copper alloy

copper and copper alloy

descriptors

forming

inorganic material

materials

materials by composition

medals

metal

metal and metal products

metal by composition or origin

nonferrous metal

objects we use

people

people (agents)

people and culture

people by occupation

people in religion

people in religion and related occupations

people in the humanities

prelates

processes and techniques

processes and techniques by specific type

single built works

single built works by function

single built works by specific type

the human body

transportation structures

transportation structures by form

upper body

views

views by vantage point or orientation

visual works

visual works by form

visual works by subject type

Title

Northern Summer Window

Artist

Marsden Hartley

Physical Description

A vase with flowers sits before a window, between two books that lie on a table, and framed by open red curtains. The landscape outside the window shows a blue cloud sky above a body of water.

Artist Life Dates

1877 - 1943

Century

20th century

Object Creation Date

1936

Accession Number

1949/2.89

Medium and Support

oil on canvas

relevance

rank 2.79549

Secondary Keywords

animals

architecture

atmospheric effects

bodies of water

bodies of water and components of bodies of water

bodies of water by size

buildings and the land

containers

containers by form

descriptors

genres

geographic and political locations

herbaceous plants

image-making processes and techniques

information artifacts

information artifacts by physical form

information forms

landscapes (environments)

marine bodies

modern and contemporary art

natural landscapes

north and central america (continent)

objects

objects we use

painting and painting techniques

painting techniques

painting techniques by medium

paintings

paintings by material or technique

plants

processes and techniques

processes and techniques by specific type

seasons

settlements and landscapes

the natural world

united states (nation)

vegetation and vegetation components

vegetation components

vessels

visual works

visual works by medium or technique

visual works by subject type

woody plants

Title

As Long as I Don't Have to Get Up Before 11:00

Artist

Mark Kostabi

Physical Description

Ink drawing on paper. Black wash ground, with two figures drawn in opaque black ink. A comic figure who is shirtless and in boxers, with his beer belly hanging out, and whose pointy rimmed hat is reminiscent of the scarecrow in the Wizard of Oz, dances at the center of an ominous scene. His right leg has been kicked through a television set that he holds with his right hand. Scissors fall from his left hand towards what looks like a two-slot toaster. A black, horned beast lurks in the background, holding a phone overhead that has two earpieces, but no cradle. The scene is possibly set in a graveyard; the edifice silhouetting behind the scarecrow figure is shaped like a headstone.

Artist Life Dates

born 1960

Century

20th century

Object Creation Date

1988

Accession Number

2008/2.240

Medium and Support

ink on paper

relevance

rank 2.79505

Secondary Keywords

layout features

animals and creatures

architectural elements

architectural elements by building type

buildings and the land

built complexes and districts

business and related functions

complexes

complexes by function

components

components and systems

components by specific context

drawings

drawings by technique

functions

functions (activities)

functions by specific context

funerary structures

images and ornament

information form components

layout features

legendary creatures

objects we use

people

people (agents)

people and culture

people by occupation

people in the arts

people in the arts and related occupations

people in the humanities

people in the performing arts

performing artists

sepulchral monuments

single built works

single built works by function

single built works by specific type

system components

telecommunication systems components

visual works

visual works by medium or technique

Title

Sunrise at Susaki Point (New Year's Print)

Artist

Katsushika Hokusai

Physical Description

A geisha is shown strolling in the countryside, with her right hand over her forehead--as if looking into the distance--and a basket in her left hand. The backdrop is the rising sun-the give-away that this is a New Year’s print—seen over distant mountains. A poem lies on the left-hand side of the print.

Artist Life Dates

1760 - 1849

Century

19th century

Object Creation Date

circa 1800-1820

Accession Number

1954/1.472

Medium and Support

color woodblock print on paper

relevance

rank 2.78741

Secondary Keywords

animal material

animal material by form or function

associated concepts

buildings and the land

containers

containers by form

costume

costume by form

descriptors

earth sciences concepts

egg and egg components

image-making processes and techniques

landscapes (environments)

main garments

materials

materials by origin

natural landscapes

objects we use

people

people (agents)

people and culture

people by gender

people by occupation

people in service occupations

physical sciences concepts

plants

processes and techniques

processes and techniques by specific type

scientific concepts

settlements and landscapes

single built works

single built works by function

single built works by specific type

transportation structures

transportation structures by form

vegetation and vegetation components

vegetation components

woody plants

writing (processes)

Title

Landscape

Artist

Adolph Gottlieb

Physical Description

A landscape reduced to minimal abstract elements. The lower half of the painting is black. The upper half, various shades of white and blue. Two black squares are suspended in the white above the black. A small pale blue circle is between the squares.

Artist Life Dates

1903 - 1974)

Century

20th century

Object Creation Date

1952

Accession Number

1968/1.81

Medium and Support

oil on board

relevance

rank 2.78241

Secondary Keywords

associated concepts

buildings and the land

descriptors

earth sciences concepts

european

european styles and periods

genres

image-making processes and techniques

international post-1945 styles and movements

landscapes (environments)

modern and contemporary art

modern european fine arts styles and movements

modern european styles and movements

objects we use

painting and painting techniques

painting techniques

painting techniques by medium

paintings

paintings by material or technique

people and culture

physical sciences concepts

post-1945 fine arts styles and movements

processes and techniques

processes and techniques by specific type

religions and religious concepts

religious concepts

scientific concepts

settlements and landscapes

styles and periods

styles and periods by region

the natural world

visual works

visual works by medium or technique

visual works by subject type