Search Results

Title

Famous Views of the 60-odd Provinces: #9 The Tennô Festival at Tsushima in Owari Province

Artist

Andô Hiroshige

Physical Description

This piece depicts boats decorated with lanterns, the evening sky and festivities. The shore is lined with teahouses set up for the event. The title for the print is located in the upper right corner in a red box.

Artist Life Dates

1797-1858

Century

19th century

Object Creation Date

1853-1856

Accession Number

1960/2.144

Medium and Support

color woodblock print on paper

relevance

rank 0.20866

Secondary Keywords

scale

transfer method

asian

bodies of water

bodies of water and components of bodies of water

bodies of water by size

buildings and the land

east asian

garden structures

how we live

japanese

japanese printmaking styles

japanese styles

landscapes (environments)

natural landscapes

objects we use

people and culture

plants

prints

prints by process

prints by process or technique

relief prints

religious buildings

religious structures

riverine bodies

settlements

settlements and landscapes

settlements by form

single built works

single built works by function

single built works by location or context

single built works by specific type

styles and periods

styles and periods by region

the natural world

transportation vehicles

vehicles

visual works

visual works by medium or technique

watercraft

watercraft by general type

waterscapes

Title

Portrait of Princess Amelia, part of a series of portraits of King George III's Family

Artist

Anonymous

Physical Description

The Princess is seated at a desk covered with books. Her hands are resting on her knee and her foot rests on an ottoman. To the left behind her there are drapes and Windsor Castle can be seen through the window.

Century

19th century

Object Creation Date

circa 1810

Accession Number

2013/2.564.1

Medium and Support

pencil and wash on wove paper

relevance

rank 0.20820

Secondary Keywords

layout features

aristocracy

buildings and the land

case furniture

components

components and systems

components by specific context

fortifications

furnishings

furnishings by form or function

furniture

furniture by form or function

groups of people

illustrations

illustrations by subject type

images and ornament

information artifacts

information artifacts by physical form

information form components

information forms

layout features

nobility

objects we use

people

people (agents)

people and culture

people by gender

people by occupation

people in government and administration

rulers (people)

single built works

single built works by function

single built works by specific type

social classes

social classes by specific type

social groups

storage and display furniture

upper class

visual works

visual works by subject type

Title

Rectangular Bronze Form No. 2

Artist

Robert Adams

Physical Description

Thin, double-side, H-shaped bronze sculpture. Each side is made up of a collection of rough rectangle shapes overlapping and butting up against one another. Two rectangle-shaped openings penetrate the piece.

Artist Life Dates

1917-1984

Century

20th century

Object Creation Date

circa 1953

Accession Number

1954/2.40

Medium and Support

bronze with wood base

relevance

rank 0.20808

Secondary Keywords

visual arts

artistic concepts

associated concepts

concepts in the arts

copper alloy

copper and copper alloy

descriptors

european

european styles and periods

forms of expression

genres

geometric concepts

geometric figures

geometric shapes

inorganic material

materials

materials by composition

mathematical concepts

metal

metal and metal products

metal by composition or origin

metalworking and metalworking processes and techniques

modern and contemporary art

modern european fine arts styles and movements

modern european styles and movements

non-representational art

nonferrous metal

objects we use

people and culture

plane figures

polygons

processes and techniques

processes and techniques by material

processes and techniques by specific type

quadrilaterals

scientific concepts

styles and periods

styles and periods by region

visual and tactile

visual works

visual works by medium or technique

Title

Pope Clement IX (obverse), and the Ponte Sant' Angelo (reverse)

Artist

Nicolas-François Chéron

Physical Description

The front (obverse) of the medal presents a profile portrait of a bearded man wearing a cassock, cap, and stole. The reverse depicts a bridge spanning a river. A winged figure flies above the bridge blowing a trumpet, while a nude male figure reclines below the bridge in the foreground and a wolf nurses at his feet. Inscriptions run around both the border edge of both sides of the medal.

Artist Life Dates

died 1746

Century

17th-18th century

Object Creation Date

1669

Accession Number

1984/1.284

Medium and Support

cast bronze

relevance

rank 0.20781

Secondary Keywords

image form

biological components

buildings and the land

christian clergy

clergy

components

components and systems

components by specific context

copper alloy

copper and copper alloy

descriptors

forming

inorganic material

materials

materials by composition

medals

metal

metal and metal products

metal by composition or origin

nonferrous metal

objects we use

people

people (agents)

people and culture

people by occupation

people in religion

people in religion and related occupations

people in the humanities

prelates

processes and techniques

processes and techniques by specific type

single built works

single built works by function

single built works by specific type

the human body

transportation structures

transportation structures by form

upper body

views

views by vantage point or orientation

visual works

visual works by form

visual works by subject type

Title

As Long as I Don't Have to Get Up Before 11:00

Artist

Mark Kostabi

Physical Description

Ink drawing on paper. Black wash ground, with two figures drawn in opaque black ink. A comic figure who is shirtless and in boxers, with his beer belly hanging out, and whose pointy rimmed hat is reminiscent of the scarecrow in the Wizard of Oz, dances at the center of an ominous scene. His right leg has been kicked through a television set that he holds with his right hand. Scissors fall from his left hand towards what looks like a two-slot toaster. A black, horned beast lurks in the background, holding a phone overhead that has two earpieces, but no cradle. The scene is possibly set in a graveyard; the edifice silhouetting behind the scarecrow figure is shaped like a headstone.

Artist Life Dates

born 1960

Century

20th century

Object Creation Date

1988

Accession Number

2008/2.240

Medium and Support

ink on paper

relevance

rank 0.20771

Secondary Keywords

layout features

animals and creatures

architectural elements

architectural elements by building type

buildings and the land

built complexes and districts

business and related functions

complexes

complexes by function

components

components and systems

components by specific context

drawings

drawings by technique

functions

functions (activities)

functions by specific context

funerary structures

images and ornament

information form components

layout features

legendary creatures

objects we use

people

people (agents)

people and culture

people by occupation

people in the arts

people in the arts and related occupations

people in the humanities

people in the performing arts

performing artists

sepulchral monuments

single built works

single built works by function

single built works by specific type

system components

telecommunication systems components

visual works

visual works by medium or technique

Title

The Lord's Prayer, sheet 7 - As We Forgive Them that Sin Against Us (Das Vaterunser - Wie wir vergeben unsern Schuldigern)

Artist

Max Pechstein

Physical Description

A male figure in profile seen at viewer's right rests his head on the shoulder of a woman. The figures grasp hands in the center of the composition; the female figure's proper left hand rests upon the neck of the male figure; both figures are dressed in dark clothes and illuiminated from behind by a bright white light; text runs along the uppermost edge of the composition, at the viewer's right mid-center, and along the bottom proper.

Artist Life Dates

1881 - 1955

Century

20th century

Object Creation Date

1921

Accession Number

1948/1.429

Medium and Support

woodcut with hand-coloring on paper

relevance

rank 0.20756

Secondary Keywords

transfer method

associated concepts

components and systems

document genres

document genres by form

document genres for literary works

emotion

european

european styles and periods

information forms

modern and contemporary art

modern european fine arts styles and movements

modern european styles and movements

movement

object groupings

object groupings and systems

object groupings by general context

object groupings by specific context

objects we use

people and culture

physical activities

physical activities by general context

prints

prints by process

prints by process or technique

psychological concepts

relief prints

religions and religious concepts

religious concepts

sets (groups)

social science concepts

styles and periods

styles and periods by region

visual works

visual works by medium or technique

visual works groupings

Title

Sunrise at Susaki Point (New Year's Print)

Artist

Katsushika Hokusai

Physical Description

A geisha is shown strolling in the countryside, with her right hand over her forehead--as if looking into the distance--and a basket in her left hand. The backdrop is the rising sun-the give-away that this is a New Year’s print—seen over distant mountains. A poem lies on the left-hand side of the print.

Artist Life Dates

1760 - 1849

Century

19th century

Object Creation Date

circa 1800-1820

Accession Number

1954/1.472

Medium and Support

color woodblock print on paper

relevance

rank 0.20714

Secondary Keywords

animal material

animal material by form or function

associated concepts

buildings and the land

containers

containers by form

costume

costume by form

descriptors

earth sciences concepts

egg and egg components

image-making processes and techniques

landscapes (environments)

main garments

materials

materials by origin

natural landscapes

objects we use

people

people (agents)

people and culture

people by gender

people by occupation

people in service occupations

physical sciences concepts

plants

processes and techniques

processes and techniques by specific type

scientific concepts

settlements and landscapes

single built works

single built works by function

single built works by specific type

transportation structures

transportation structures by form

vegetation and vegetation components

vegetation components

woody plants

writing (processes)

Title

Continuous

Artist

Edda Renouf

Physical Description

Several thin coats of blue-gray acrylic paint have been applied to primed linen canvas whose weave was altered by removing threads at more or less regular intervals. She then carefully sanded down the paint to highlight the new texture and make “visible the life within the linen material.” (artist’s statement (2009), http://www.eddarenouf.com/Statement.html)

Artist Life Dates

born 1943

Century

20th century

Object Creation Date

1976

Accession Number

2008/2.255

Medium and Support

acrylic on canvas

relevance

rank 0.20701

Secondary Keywords

arts

arts and related disciplines

attributes and properties

attributes and properties by specific type

descriptors

disciplines

document genres

document genres by form

european

european styles and periods

humanities

information forms

international post-1945 styles and movements

modern european fine arts styles and movements

modern european styles and movements

objects we use

paintings

paintings by form

people and culture

performing arts

post-1945 fine arts styles and movements

processes and techniques

processes and techniques by material

processes and techniques by specific type

styles and periods

styles and periods by region

textile construction processes and techniques

textile processes and techniques

textile weaving processes and techniques

visual works

visual works by medium or technique

Title

Landscape

Artist

Adolph Gottlieb

Physical Description

A landscape reduced to minimal abstract elements. The lower half of the painting is black. The upper half, various shades of white and blue. Two black squares are suspended in the white above the black. A small pale blue circle is between the squares.

Artist Life Dates

1903 - 1974)

Century

20th century

Object Creation Date

1952

Accession Number

1968/1.81

Medium and Support

oil on board

relevance

rank 0.20677

Secondary Keywords

associated concepts

buildings and the land

descriptors

earth sciences concepts

european

european styles and periods

genres

image-making processes and techniques

international post-1945 styles and movements

landscapes (environments)

modern and contemporary art

modern european fine arts styles and movements

modern european styles and movements

objects we use

painting and painting techniques

painting techniques

painting techniques by medium

paintings

paintings by material or technique

people and culture

physical sciences concepts

post-1945 fine arts styles and movements

processes and techniques

processes and techniques by specific type

religions and religious concepts

religious concepts

scientific concepts

settlements and landscapes

styles and periods

styles and periods by region

the natural world

visual works

visual works by medium or technique

visual works by subject type

Title

The Lord's Prayer, sheet 12 - For Ever and Ever. Amen! (Das Vaterunser - von Ewigkeit zu Ewigkeit. Amen!)

Artist

Max Pechstein

Physical Description

One forearm extends from the upper left side and ends to the right of center in a hand with palm down. Another arm extends from the lower right and ends in the lower left in a hand with palm up. Between the hands is the word "Amen!" in large letters.

Artist Life Dates

1881 - 1955

Century

20th century

Object Creation Date

1921

Accession Number

1948/1.434

Medium and Support

woodcut with hand-coloring on paper

relevance

rank 0.20660

Secondary Keywords

transfer method

arms

associated concepts

biological components

components

components and systems

components by specific context

document genres

document genres by form

document genres for literary works

european

european styles and periods

human body

information forms

modern and contemporary art

modern european fine arts styles and movements

modern european styles and movements

movement

object groupings

object groupings and systems

object groupings by specific context

objects we use

people and culture

prints

prints by process

prints by process or technique

relief prints

religions and religious concepts

religious concepts

styles and periods

styles and periods by region

the human body

the natural world

upper body

visual works

visual works by medium or technique

visual works groupings

Title

The Fifty-Three Stations of the Tôkaidô (Kichizo Edition): #54 Otsu

Artist

Andô Hiroshige

Physical Description

A view of bearers and attendants and four sailboats moored at a stone pier. A small lighthouse is located near the pier, and in the distance is a mountain range. The sky is tinged red, and writing is located in the upper right corner and lower left side. Title in red box in upper right corner.

Artist Life Dates

1797-1858

Century

19th century

Object Creation Date

circa 1850

Accession Number

2008/2.326

Medium and Support

color woodblock print on paper

relevance

rank 0.20610

Secondary Keywords

transfer method

upward

asian

buildings and the land

descriptors

east asian

inorganic material

japanese

japanese printmaking styles

japanese styles

landforms

landforms and landform components

landforms by shape or position

landings (marine structures)

landscapes (environments)

materials

materials by composition

natural landscapes

objects we use

people

people (agents)

people and culture

people by occupation

prints

prints by process

prints by process or technique

relief prints

settlements and landscapes

single built works

single built works by function

single built works by specific type

styles and periods

styles and periods by region

transportation structures

transportation structures by function

transportation vehicles

vehicles

visual works

visual works by medium or technique

water transportation structures

watercraft

watercraft by method of propulsion

watercraft by specific type

Title

The Bullfight (Courses de taureaux)

Artist

Pablo Picasso

Physical Description

A bull in the center charges to the left toward a horse rearing up with a bullfighter on its back. The bullfighter leans forward to plunge a spear into the bull's shoulder area. Flags and spectator stands lie in the background.

Artist Life Dates

1881 - 1973

Century

20th century

Object Creation Date

1934

Accession Number

1994/1.70

Medium and Support

oil on canvas

relevance

rank 0.20594

Secondary Keywords

animals and creatures

buildings and the land

descriptors

european

european styles and periods

genres

image-making processes and techniques

mammals

modern and contemporary art

modern european fine arts styles and movements

modern european styles and movements

objects we use

painting and painting techniques

painting techniques

painting techniques by medium

paintings

paintings by material or technique

people

people (agents)

people and culture

people by activity

processes and techniques

processes and techniques by specific type

recreation buildings

recreation structures

single built works

single built works by function

single built works by specific type

sports buildings

sports buildings by function

styles and periods

styles and periods by region

visual works

visual works by medium or technique

Title

A celebration of the rains

Artist

Artist Unknown, India, Rajasthan, Kotah School

Physical Description

Fresh greens for the foliage and dark blue clouds sprinkled with lightning set the rain celebration scene. Court ladies have gathered on the lawn, and some swing under a blossoming tree, while the raja and a woman watch the exciement below from a balcony of his white palace.

Century

19th century

Object Creation Date

early 19th century

Accession Number

1964/2.114

Medium and Support

Ink, opaque watercolor, silver, and gold on paper

relevance

rank 0.20572

Secondary Keywords

associated concepts

building divisions

buildings and the land

card, table and board game elements

components

components and systems

components by specific context

culture and related concepts

culture-related concepts

descriptors

dwellings

events

game pieces

houses

houses by occupants

image-making processes and techniques

landscapes (environments)

natural landscapes

objects we use

official residences

painting and painting techniques

painting techniques

painting techniques by medium

people

people (agents)

people and culture

people by gender

plants

processes and techniques

processes and techniques by specific type

recreation

recreational artifacts

recreational artifacts for competitive activities

residential structures

rooms and spaces

rooms and spaces by form

settlements and landscapes

single built works

single built works by function

single built works by specific type

vegetation and vegetation components

vegetation components

woody plants

Title

Eight Views of Edo Suburbs: Fishing Boats Returning to Gyôtoku

Artist

Andô Hiroshige

Physical Description

The pyramid shaped hills in the background of this print are those of the boiling houses and salt piles of Gyôtoku’s salt industry. A ferry boat, or watashi-bune, carries passengers in the foreground of this picture. In this print a shipman steers using the large rudder located in the back of the boat.

Artist Life Dates

1797-1858

Century

19th century

Object Creation Date

circa 1835-1842

Accession Number

1948/1.138

Medium and Support

color woodblock print on paper

relevance

rank 0.20555

Secondary Keywords

relation to water

transfer method

asian

bodies of water

bodies of water and components of bodies of water

bodies of water by size

buildings and the land

early modern japanese periods

east asian

edo (japanese period)

hunting and commercial fishing vessels

japanese

japanese periods

japanese printmaking styles

japanese styles

landforms

landforms and landform components

landforms by position

landforms by shape or position

landscapes (environments)

natural landscapes

objects we use

people and culture

physical activities

physical activities by location

physical activities by specific context

prints

prints by process

prints by process or technique

relief prints

riverine bodies

settlements and landscapes

styles and periods

styles and periods by region

transportation vehicles

vehicles

visual works

visual works by medium or technique

water activities

watercraft

watercraft by function

watercraft by method of propulsion

watercraft by specific type

Title

The Fifty-Three Stations of the Tokaido (Hoeido Edition): #48 Seki

Artist

Andô Hiroshige

Physical Description

A woodblock print depicting a post town in the Edo period of Japan. There is a wooden structure to the left. It looks like a store, with a list of products hanging on the frame of the door. White flags with a blue circular design hang from the roof to the left and to right near a grouping of trees. Two groups of five men are in front of the structure, five to the left, five towards the center of the image. A thin vertical stick structure is right of center in the foreground.

Artist Life Dates

1797-1858

Object Creation Date

1831-1834

Accession Number

2011/2.197

Medium and Support

woodblock print on paper

relevance

rank 0.20532

Secondary Keywords

transfer method

accessories worn on the head

asian

buildings and the land

built complexes and districts

commercial buildings

commercial complexes

complexes

complexes by function

costume

costume accessories

costume accessories worn

coverings and hangings

coverings and hangings by location or context

coverings and hangings by specific type

coverings and hangings for openings

east asian

furnishings

furnishings by form or function

headgear

mercantile buildings

objects we use

people

people (agents)

people and culture

people by activity

people by gender

prints

prints by process

prints by process or technique

relief prints

single built works

single built works by function

single built works by specific type

styles and periods

styles and periods by region

visual works

visual works by medium or technique

Title

The Lord's Prayer, sheet 10 - For Thine Is the Kingdom (Das Vaterunser - Denn Dein ist das Reich)

Artist

Max Pechstein

Physical Description

A man, a woman, and a child facing the viewer with their hands folded in prayer. The man and woman sit on a mattress and look to heaven. The child stands in front of them with his head bowed. Next to the child is a diminutive cow. In the background behind the family are images of fish and birds.

Artist Life Dates

1881 - 1955

Century

20th century

Object Creation Date

1921

Accession Number

1948/1.432

Medium and Support

woodcut with hand-coloring on paper

relevance

rank 0.20481

Secondary Keywords

transfer method

animals

animals and creatures

associated concepts

components and systems

document genres

document genres by form

document genres for literary works

emotion

european

european styles and periods

figures

groups of people

information forms

kinship groups

mammals

mental activities

modern and contemporary art

modern european fine arts styles and movements

modern european styles and movements

movement

object groupings

object groupings and systems

object groupings by specific context

objects we use

people

people (agents)

people and culture

people and occupations

prints

prints by process

prints by process or technique

psychological concepts

relief prints

religions and religious concepts

religious concepts

social groups

social science concepts

styles and periods

styles and periods by region

the natural world

visual works

visual works by medium or technique

visual works groupings

Title

Pope Alexander VII (obverse), and the Piazzo del Popolo (reverse)

Artist

Gioacchino Travani

Physical Description

The front (obverse) of this medal represents a portrait of a man in profile wearing a papal tiara and a cope. The reverse depicts a city square dominated by an obelisk with a pair of identical domed churches in the background. Inscriptions run around the edge of the medal on both sides.

Artist Life Dates

Active 1634-1674

Century

17th-18th century

Object Creation Date

1662

Accession Number

1984/1.282

Medium and Support

bronze

relevance

rank 0.20429

Secondary Keywords

image form

biological components

buildings and the land

christian clergy

clergy

components

components and systems

components by specific context

copper alloy

copper and copper alloy

descriptors

forming

inorganic material

materials

materials by composition

medals

metal

metal and metal products

metal by composition or origin

monumental pillars

monuments

monuments by form

nonferrous metal

objects we use

open spaces

open spaces and site elements

open spaces by form

people

people (agents)

people and culture

people by occupation

people in religion

people in religion and related occupations

people in the humanities

prelates

processes and techniques

processes and techniques by specific type

single built works

single built works by function

single built works by specific type

the human body

upper body

views

views by vantage point or orientation

visual works

visual works by form

Title

The Edwards Family on a Terrace

Artist

Charles Philips

Physical Description

Six figures appear in a formal garden landscape. On the right a pair of men in powdered wigs stand behind two women, one seated in a wheelchair, before an elaborate portico. A pair of boys, also sporting wigs, stand on the left, partly screened by a fountain. One of the boys holds a shell and the other carries a parrot. A small pool extends through the middle ground behind the figures and draws attention to the setting and the distant obelisk visible above the trees.

Artist Life Dates

1708 - 1747

Century

18th century

Object Creation Date

1732

Accession Number

2000/2.3

Medium and Support

oil on canvas

relevance

rank 0.20393

Secondary Keywords

animals and creatures

birds

buildings and the land

combination inorganic/organic animal material

combination inorganic/organic material

descriptors

england (country)

europe (continent)

geographic and political locations

greater london (metropolitan area)

group portraits

groups of people

hydraulic structures

hydraulic structures by function

kinship groups

materials

materials by composition

monumental pillars

monuments

monuments by form

objects we use

offspring

open spaces

open spaces and site elements

open spaces by form

paintings

paintings by material or technique

parents

people

people (agents)

people and culture

people by family relationship

portraits

shell and shell material

single built works

single built works by function

single built works by specific type

social groups

united kingdom (nation)

visual works

visual works by medium or technique

visual works by subject type

water distribution structures

Title

The Sea Monster

Artist

Albrecht Dürer

Physical Description

Two figures are seen riding through the water in the foreground; the woman is nude save for an elaborate headdress, the man holds a tortoise shell as a shield and has an antler-like object on his head and has a serpent-like body which supports the woman. Behind is a minutely described landsape with walled town, castle, and along the opposite bank o the water, nude females swimming and a man running in alarm to the water's edge.

Artist Life Dates

1471-1528

Century

Late 15th century

Object Creation Date

circa 1498

Accession Number

1956/1.74

Medium and Support

engraving on paper

relevance

rank 0.20306

Secondary Keywords

transfer method

animals and creatures

buildings and the land

combination inorganic/organic animal material

combination inorganic/organic material

descriptors

fortifications

image-making processes and techniques

inorganic material

intaglio prints

legendary creatures

materials

materials by composition

objects we use

printing

printing and printing processes and techniques

prints

prints by process

prints by process or technique

processes and techniques

processes and techniques by specific type

reptiles

sailing vessels

sailing vessels by size

shell and shell material

single built works

single built works by function

single built works by specific type

transportation vehicles

vehicles

visual works

visual works by medium or technique

visual works by subject type

watercraft

watercraft by method of propulsion

watercraft by specific type

Title

The Lord's Prayer, sheet 6 - And Forgive Us Our Sins (Das Vaterunser - Und vergieb uns unsre Schuld)

Artist

Max Pechstein

Physical Description

A group of seven men kneel and pray around a radiant figure representing God. God is in the viewer's upper left, and the supplicants are arranged around him. Hands project into the scene from behind God, suggesting additional figures kneeling in prayer behind.

Artist Life Dates

1881 - 1955

Century

20th century

Object Creation Date

1921

Accession Number

1948/1.428

Medium and Support

woodcut with hand-coloring on paper

relevance

rank 0.20229

Secondary Keywords

transfer method

arms

associated concepts

biological components

components

components and systems

components by specific context

document genres

document genres by form

document genres for literary works

european

european styles and periods

human body

information forms

mental activities

modern and contemporary art

modern european fine arts styles and movements

modern european styles and movements

movement

object groupings

object groupings and systems

object groupings by specific context

objects we use

people

people (agents)

people and culture

people by gender

prints

prints by process

prints by process or technique

relief prints

religions and religious concepts

religious concepts

styles and periods

styles and periods by region

the human body

the natural world

upper body

visual works

visual works by medium or technique

visual works groupings

Title

Pop Dots

Artist

Barbara Levine

Physical Description

Abstract shape rendered in Styrofoam that has been covered with modeling compound. Base with four columns, three of which have “pop dots” attached to them. Partially painted a bright minty green, which gets darker in the “back” of the sculpture (the side that doesn’t have dots).

Artist Life Dates

(1953 - )

Object Creation Date

1988

Accession Number

2008/2.243

Medium and Support

oil on modeling compound-covered Styrofoam

relevance

rank 0.20134

Secondary Keywords

relation to water

visual arts

abstraction

artistic concepts

associated concepts

buildings and the land

components

components and systems

components by specific context

concepts in the arts

constructions (sculpture)

descriptors

design elements

forms of expression

geometric motifs

gothic scripts

image-making processes and techniques

information form components

international post-1945 styles and movements

islands

landforms

landforms and landform components

landforms by position

landforms by shape or position

landscapes (environments)

latin and greek alphabet scripts

motifs

natural landscapes

objects we use

painting and painting techniques

painting techniques

people and culture

post-1945 fine arts styles and movements

processes and techniques

processes and techniques by specific type

script and type forms

scripts (writing)

scripts by form

sculpture

sculpture by technique

settlements and landscapes

styles and periods

styles and periods by region

visual works

visual works by medium or technique

Title

White Mountains in September, North Conway, New Hampshire

Artist

Sylvester Phelps Hodgdon

Physical Description

Landscape with trees in foreground, valley in middle ground dotted with minute figures of sheep and a farmer with a team of oxen pulling well-filled haywain. Mountains in distance with a snow-capped mountain in center background.

Artist Life Dates

1830 - 1906

Century

19th century

Object Creation Date

1853

Accession Number

1895.57

Medium and Support

oil on canvas

relevance

rank 0.20108

Secondary Keywords

downward

upward

americas

animals and creatures

associated concepts

buildings and the land

descriptors

design elements

earth sciences concepts

freewheeled vehicles

freewheeled vehicles by form or function

geographic and political locations

grass (plant material)

land vehicles

land vehicles by form

landforms

landforms and landform components

landforms by shape or position

locality

mammals

materials

materials by origin

natural landscapes

north & central america

north and central america (continent)

objects we use

ornament areas

people

people (agents)

people and culture

people and occupations

people by occupation

people in agriculture

people in agriculture or natural resource occupations

people in science-related occupations

physical sciences concepts

plant material

plants

scientific concepts

scientists and people in science-related occupations

service and utility vehicles

settlements and landscapes

the natural world

transportation vehicles

united states

united states (nation)

vehicles

visual works

visual works by subject type

Title

The Thirty-Six Views of the Eastern Capital: Imado Bridge and Matsuchi Hill

Artist

Andô Hiroshige

Physical Description

A snow scene of a village with falling snowflakes in the sky. The roofs of houses, the trees, the bridge, the boat decks, and the island in the center of the lake are all covered by snow.

Trimmed just outside print frame. Colors: black, blue, green, red, pink-orange. Paper size: lh 34 3/5cm & rh 34 1/2cm x tw 23 9/10cm & bw 24 1/5cm. Image size: lh 33 9/10cm & rh 34cm x tw 22 4/5cm & bw 22 3/5cm.

Artist Life Dates

1797-1858

Object Creation Date

1862

Accession Number

2008/2.394

Medium and Support

color woodcut on beige laid paper

relevance

rank 0.20100

Secondary Keywords

transfer method

asian

associated concepts

buildings and the land

descriptors

dwellings

early modern japanese periods

earth sciences concepts

east asian

inorganic material

japanese

japanese periods

landscapes (environments)

materials

materials by composition

natural landscapes

objects we use

people and culture

physical sciences concepts

plants

precipitation

prints

prints by process

prints by process or technique

relief prints

residential structures

scientific concepts

settlements and landscapes

single built works

single built works by function

single built works by specific type

styles and periods

styles and periods by region

transportation structures

transportation structures by form

transportation vehicles

vegetation and vegetation components

vegetation components

vehicles

visual works

visual works by medium or technique

watercraft

watercraft by general type

weather and related phenomena

weather-related phenomena

woodcuts

woody plants

Title

Smile For Your Lover Comes (Stone Ridge, New York)

Artist

John Dugdale

Physical Description

Photograph with deep blue tint of a nude man, with his back to viewer, sitting on a porch railing, looking out into into the night. On the viewer's right, along the front of the porch, there is abundant vegetation.

Artist Life Dates

born 1960

Century

20th century

Object Creation Date

2000

Accession Number

2003/1.379

Medium and Support

hand-coated cyanotype on paper

relevance

rank 0.19917

Secondary Keywords

americas

architectural elements

architecture

balustrades, railings and their components

barrier elements

barriers and barrier elements

building divisions

buildings and the land

components

components and systems

components by specific context

emotion

exterior covered spaces

figures

figures (representations)

geographic and political locations

herbaceous plants

landscapes (environments)

locality

natural landscapes

new york (state)

north & central america

north and central america (continent)

objects we use

people

people (agents)

people and culture

people and occupations

people by activity

people by gender

photographic prints

photographic prints by process

photographs

photographs by form

physical activities

physical activities by general context

plants

positives

rooms and spaces

rooms and spaces by location or context

settlements and landscapes

the natural world

united states

united states (nation)

vegetation and vegetation components

vegetation components

vines

visual works

visual works by medium or technique

visual works by subject type

woody plants

Title

Monstrosities of 1825-26

Artist

George Cruikshank

Physical Description

Fashionable figures promenading on a windy day are arrayed in a shallow, congested space across the image field. The blustery wind accents the wind-whipped broad straw hats, ribbons, and skirts of the women, rendering some of them faceless. Three children at the lower left appear as mushrooms while the woman in white behind them has an improbably pinched waistline.

Artist Life Dates

1782-1878

Century

19th century

Object Creation Date

1825

Accession Number

1989/1.71

Medium and Support

etching with hand-coloring on paper

relevance

rank 0.19902

Secondary Keywords

image form

transfer method

accessories worn on arms or hands

associated concepts

costume

costume accessories

costume accessories carried

costume accessories worn

descriptors

earth sciences concepts

european

european styles and periods

handwear

image-making processes and techniques

intaglio prints

modern british styles and movements

modern british styles by reign

modern european regional styles and movements

modern european styles and movements

objects we use

people and culture

physical sciences concepts

printing

printing and printing processes and techniques

prints

prints by process

prints by process or technique

processes and techniques

processes and techniques by specific type

scientific concepts

styles and periods

styles and periods by region

visual works

visual works by form

visual works by medium or technique

weather and related phenomena

weather-related phenomena

Title

The Lord's Prayer, sheet 4 - Thy Kingdom Come, Thy Will Be Done on Earth, as It Is in Heaven (Das Vaterunser - Dein Reich komme, Dein Wille geschehe, Wie im Himmel, also auch auf Erden)

Artist

Max Pechstein

Physical Description

Three male figures dressed in dark clothing, with their backs to the viewer, stand on a shore facing the water as shafts of light break through dark clouds overhead. The figure at the viewer's left raises his hands in exultation. The man in the center stands with head tilted back; the figure at the viewer's righ looks down, as if at his hands. The words of the Lord's Prayer are presented in three lines of text, at the top, middle, and bottom of the composition.

Artist Life Dates

1881 - 1955

Century

20th century

Object Creation Date

1921

Accession Number

1948/1.426

Medium and Support

woodcut with hand-coloring on paper

relevance

rank 0.19897

Secondary Keywords

transfer method

associated concepts

components and systems

daylight

doctrinal concepts

document genres

document genres by form

document genres for literary works

earth sciences concepts

electromagnetic radiation

energy

energy and related concepts

european

european styles and periods

information forms

light (energy)

modern and contemporary art

modern european fine arts styles and movements

modern european styles and movements

movement

object groupings

object groupings and systems

object groupings by specific context

objects we use

people

people (agents)

people and culture

people by gender

physical sciences concepts

physics concepts

prints

prints by process

prints by process or technique

rays

relief prints

religions and religious concepts

religious concepts

scientific concepts

styles and periods

styles and periods by region

visual works

visual works by medium or technique

visual works groupings

weather and related phenomena

weather-related phenomena

Title

Quilt with Central Diamond Pattern

Artist

Anonymous Amish, Lancaster County, Pennsylvania

Physical Description

A black diamond in the center is positioned within a lavender square surrounded by a pink frame. The entire is surrounded by thick frame of black.

Century

early 20th century

Object Creation Date

circa 1920

Accession Number

2000/2.321

Medium and Support

cotton and wool

relevance

rank 0.19796

Secondary Keywords

visual arts

abstraction

animal material

artistic concepts

associated concepts

bed coverings

bedcovers

christianity

components

components and systems

components by specific context

concepts in the arts

coverings and hangings

coverings and hangings by location or context

coverings and hangings by specific type

coverings and hangings components

coverings and hangings for furniture

coverings and hangings for sleeping and reclining furnitur

descriptors

design elements

fiber and fiber products

fiber products

forms of expression

furnishings

furnishings by form or function

furnishings components

geometric motifs

hair

hair and hair components

hair by form

keratinous material

materials

materials by form

materials by origin

materials by physical form

motifs

object genres

object genres by material

objects we use

patterns (design elements)

patterns by specific type

people and culture

protestantism

quilt components

religions

religions and religious concepts

textile materials

textile materials by composition or origin

visual and tactile

Title

Fishermen Returning in the Evening Snow

Artist

Jiang Song (Chiang Sung)

Physical Description

Swift, spontaneous brushwork is used to capture a winter landscape. Two fishermen, wearing wide-brimmed straw hats and thatched grass rain capes, work their way through the heavy snow as they cross a bridge, carrying nets on their shoulders.

Artist Life Dates

(1478 - after 1567)

Century

16th century

Object Creation Date

early 16th century

Accession Number

1976/2.139

Medium and Support

hanging scroll, ink on silk

relevance

rank 0.19743

Secondary Keywords

accessories worn on the head

associated concepts

buildings and the land

coating (material)

coating by form

costume

costume accessories

costume accessories worn

descriptors

earth sciences concepts

fishing vessels

fishing vessels by function

hats

headgear

hunting and commercial fishing vessels

image-making processes and techniques

inorganic material

materials

materials by composition

materials by function

object genres

object genres by form

objects we use

painting and painting techniques

people

people (agents)

people and culture

people by occupation

people in agriculture or natural resource occupations

people in science-related occupations

physical sciences concepts

precipitation

processes and techniques

processes and techniques by specific type

scientific concepts

scientists and people in science-related occupations

seasons

settlements and landscapes

transportation vehicles

vehicles

watercraft

watercraft by function

watercraft by specific type

weather and related phenomena

weather-related phenomena

Title

View of the Brooklyn Navy Yard

Artist

William Merritt Chase

Physical Description

Horizontal view of harbor scene with water, dock, and boats. Small figures and trees on pier in middle ground. WMC painted in green in lower right corner.

Artist Life Dates

1849 - 1916

Century

19th century

Object Creation Date

1886-1890

Accession Number

1961/1.170

Medium and Support

oil on panel

relevance

rank 0.19675

Secondary Keywords

architecture

bodies of water

bodies of water and components of bodies of water

bodies of water by location

buildings and the land

built complexes and districts

coastline bodies of water

complexes

complexes by function

descriptors

european

european styles and periods

geography

inorganic material

landscapes (environments)

materials

materials by composition

military bases

military installations

modern and contemporary art

modern european fine arts styles and movements

modern european styles and movements

natural landscapes

objects we use

open spaces

open spaces and site elements

open spaces by location or context

people and culture

plants

settlements and landscapes

styles and periods

styles and periods by region

the natural world

transportation complexes

transportation vehicles

vegetation and vegetation components

vegetation components

vehicles

visual works

visual works by subject type

water transportation complexes

watercraft

watercraft by general type

waterfront spaces

waterfronts and waterfront spaces

waterscapes

woody plants

Title

Hercules

Artist

Albrecht Dürer

Physical Description

A nude man seen from behind raises a staff to ward off the blow of a standing female figure, also with a staff. The woman's swing is directed to two seated figures at the lower left: a nude woman and a satyr. In the distance is an elaborate gated city and landscape.

Artist Life Dates

(Nüremberg, 1471 - 1528)

Century

Late 15th century

Object Creation Date

circa 1498

Accession Number

1956/1.78

Medium and Support

engraving on paper

relevance

rank 0.19523

Secondary Keywords

settlement area

transfer method

buildings and the land

country houses

cultural landscapes

cultural landscapes by location or context

descriptors

document genres

document genres by form

document genres for literary works

dwellings

houses

houses by location

houses by location or context

image-making processes and techniques

information forms

intaglio prints

landscapes (environments)

natural landscapes

objects we use

people

people (agents)

people and culture

people by age group

physical activities

physical activities by general context

plants

printing

printing and printing processes and techniques

prints

prints by process

prints by process or technique

processes and techniques

processes and techniques by specific type

residential structures

rural houses

settlements and landscapes

single built works

single built works by function

single built works by specific type

vegetation and vegetation components

vegetation components

visual works

visual works by medium or technique

wilderness

woody plants

youth

Title

Tôto Meisho Series: White Rain on Nihon Bridge (Nihonbashi no shirazame)

Artist

Andô Hiroshige

Physical Description

Rainy scene in a village. There is a bridge in the foreground, with several figures walking across with umbrellas. Houses and mountains appear in the distance.

Artist Life Dates

1797-1858

Century

19th century

Object Creation Date

circa 1840-1841

Accession Number

1948/1.139

Medium and Support

color woodblock print on paper

relevance

rank 0.19478

Secondary Keywords

layout features

transfer method

upward

associated concepts

buildings and the land

components

components and systems

components by specific context

costume

costume accessories

costume accessories carried

descriptors

dwellings

earth sciences concepts

illustrations

illustrations by form

images and ornament

information form components

inorganic material

landforms

landforms and landform components

landforms by shape or position

landscapes (environments)

layout features

materials

materials by composition

natural landscapes

objects we use

people and culture

physical sciences concepts

precipitation

prints

prints by process

prints by process or technique

relief prints

residential structures

scientific concepts

settlements and landscapes

single built works

single built works by function

single built works by specific type

transportation structures

transportation structures by form

transportation vehicles

vehicles

visual works

visual works by medium or technique

watercraft

watercraft by general type

weather and related phenomena

weather-related phenomena

Title

One of a pair of six-fold screens

Artist

Attributed Kanô Tan'yû

Physical Description

These panels represent six of the twelve months. The panels each have calligraphy and a red seal in one corner. In each panel there is a bird and a type of plant, which are suggestive of particular months. On the top left panel there is bamboo, the bow of the boat with a small lamp attached to it, and a type of water fowl. In the bottom middle panel is a blooming sakura tree and a pheasant. In the bottom left panel is blue and white wisteria ans small sparrows. In the bottom right panel there is a willow slowly coming back to life after winter over a thatched building.

Artist Life Dates

(Kyoto, 1604 - 1674, Edo)

Century

19th century?

Object Creation Date

19th century

Accession Number

1965/1.179

Medium and Support

ink and light color on paper, one of pair of Six fold screens

relevance

rank 0.19466

Secondary Keywords

upward

animals and creatures

asian

associated concepts

birds

bodies of water

bodies of water and components of bodies of water

bodies of water by size

buildings and the land

deciduous trees

descriptors

dwellings

earth sciences concepts

east asian

furnishings

furnishings by form or function

furniture

furniture by form or function

grass (plant material)

herbaceous plants

japanese

japanese styles

landforms

landforms and landform components

landforms by shape or position

landscapes (environments)

materials

materials by origin

natural landscapes

objects we use

people and culture

physical sciences concepts

plant material

plants

residential structures

riverine bodies

scientific concepts

seasons

settlements and landscapes

shrubs

single built works

single built works by function

single built works by specific type

styles and periods

styles and periods by region

transportation vehicles

trees by leaf life

vegetation and vegetation components

vegetation components

vehicles

watercraft

watercraft by general type

woody plants

Title

Mantel clock with a priestess and Cupid offering a sacriffice to Venus

Artist

Joseph Buzot

Physical Description

The dial of this elaborately decorated clock stands upon a two-tiered base. The lower tier consists of a hollow base made of ebony and adorned with a frieze of gilded bronze scrollwork and palmette motifs. The upper tier, made entirely of gilded bronze, features six fluted pilasters with a decorative panel centered on the front below the dial. This panel is composed of a pair of doves touching beaks before a crossed quiver of arrows and a flaming torch framed by leaves. A woman in long flowing robes stands to the right of the dial and empties a small cup onto a dove held by a winged putto who lies on a rocky projection. Behind the dove burns a fire on a small altar inscribed "Altar of Venus" [Autel à Venus].

Century

18th century

Object Creation Date

circa 1780

Accession Number

2001/2.82

Medium and Support

gilded bronze, ebony, porcelain, and glass

relevance

rank 0.19454

Secondary Keywords

additive and joining processes and techniques

altars and altar components

animals and creatures

architectural elements

architectural elements by building type

birds

ceremonies

components

components and systems

components by specific context

descriptors

design elements

enclosing structural elements

european

european styles and periods

events

figure- and animal-derived motifs

measuring devices

measuring devices for extent

metallizing

modern european regional styles and movements

modern european styles and movements

modern french styles and movements

modern french styles by reign

motifs

objects we use

people and culture

processes and techniques

processes and techniques by specific type

religious building fixtures

religious ceremonies

sculpture

sculpture by material

structural elements

structural elements and structural element components

styles and periods

styles and periods by region

surface covering processes and techniques

timepieces

timepieces by form

visual works

visual works by medium or technique

wall components

wall components by form or function

walls and wall components

Title

Farm Landscape

Artist

Jacques Callot

Physical Description

Some mold damage. Paper size: lh 20 7/10cm & rh 20 9/10cm x w 32 3/5cm. Image size: h 8 1/2cm x w 21 3/5cm.

Accession Number

2008/2.381

Medium and Support

etching on beige laid paper

relevance

rank 0.19309

Secondary Keywords

transfer method

agricultural complexes

agricultural functions

animals and creatures

buildings and the land

built complexes and districts

complexes

complexes by function

descriptors

functions

functions (activities)

functions by specific context

image-making processes and techniques

intaglio printing processes

intaglio prints

mammals

objects we use

open spaces

open spaces and site elements

open spaces by form

people

people (agents)

people and culture

people by gender

people by occupation

people in agriculture

people in agriculture or natural resource occupations

people in science-related occupations

printing and printing processes and techniques

printing processes

prints

prints by process

prints by process or technique

processes and techniques

processes and techniques by specific type

religious buildings

religious structures

scientists and people in science-related occupations

single built works

single built works by function

single built works by specific type

visual works

visual works by medium or technique

Title

The Famous Picnic at Val Kill

Artist

Ann Murfee Allen

Physical Description

Primitive painting depicting three sailboats in the foreground, and figures sitting around tables and standing on a lawn in the middle ground, with two houses in the background.

Artist Life Dates

1923 - 1995

Century

late 20th century

Object Creation Date

1975

Accession Number

2002/1.178

Medium and Support

oil on canvas

relevance

rank 0.19272

Secondary Keywords

american regions

art genres

artistic concepts

associated concepts

buildings and the land

concepts in the arts

descriptors

dwellings

furnishings

furnishings by form or function

furniture

furniture by form or function

how we live

identifying artifacts

information artifacts

information artifacts by function

information forms

landscapes (environments)

materials

materials by function

natural landscapes

north american

objects we use

people and culture

people and occupations

plants

political and social issues

residential structures

sailing vessels by size

seating furniture

settlements and landscapes

single built works

single built works by function

single built works by specific type

single seating furniture

standing

styles and periods

styles and periods by region

support furniture

tables (support furniture)

tables by function

the americas

the natural world

transportation vehicles

vegetation and vegetation components

vegetation components

vehicles

visual works

visual works by subject type

watercraft

watercraft by method of propulsion

watercraft by specific type

waterscapes

woody plants

Title

The Lord's Prayer, sheet 11 - The Power and the Glory (Das Vaterunser - Und die Kraft und die Herrlichkeit)

Artist

Max Pechstein

Physical Description

Positioned in the upper center, a large eye sits inside a black triangle from which five arms and hands radiate. Behind the triangle and extending to the viewer's right edge is a rainbow. Below the triangle is a stylized, mask-like face that radiates beams of light rom its eyes. On each side of this large face is a man's face in profile. In the far background, there are mountains and clouds.

Artist Life Dates

1881 - 1955

Century

20th century

Object Creation Date

1921

Accession Number

1948/1.433

Medium and Support

woodcut with hand-coloring on paper

relevance

rank 0.19166

Secondary Keywords

transfer method

architecture

arms

associated concepts

biological components

components

components and systems

components by specific context

document genres

document genres by form

document genres for literary works

earth sciences concepts

electromagnetic radiation

energy

energy and related concepts

european

european styles and periods

heads

human body

information forms

modern and contemporary art

modern european fine arts styles and movements

modern european styles and movements

monuments

movement

object groupings

object groupings and systems

object groupings by specific context

objects we use

people and culture

physical sciences concepts

physics concepts

prints

prints by process

prints by process or technique

relief prints

religions and religious concepts

religious concepts

scientific concepts

styles and periods

styles and periods by region

the human body

the natural world

upper body

visual works

visual works by medium or technique

visual works groupings

weather and related phenomena

weather-related phenomena

Title

Durga, seated, with sixteen arms

Artist

Artist Unknown, India, South India

Physical Description

Durga sits with her legs in a half lotus position, crossed in front of her, but not interlaced. She has a narrow waist and rounded pointy breasts with broad shoulders. Her front two hands hold a rosary (also in a reassuring gesture) and a pot. Her other hands fan out around her. Reading clockwise, she carries a wide assortment of weapons, an arrow, sword, feather, club, discus, trident and [?] on her right and conch, bell, noose, trident, club?, shield, bow and a kapala (skull cup). She has large open eyes and a full mouth and nose. She wears jewelry including necklaces and shoulder loops, armlets, bracelets and large floral earrings. Her crown rest atop her head, but there are wing-like elements that fan out behind her ears. She sits on a squared base with stylized lotus petals over simpler moldings.

Century

18th century

Object Creation Date

18th century

Accession Number

1981/2.59

Medium and Support

copper

relevance

rank 0.17958

Secondary Keywords

hollow-bodied

animal material

associated concepts

beads and sets of beads

bells and sets of bells

buildings and the land

chordophones

combination inorganic/organic animal material

combination inorganic/organic material

costume

costume accessories

costume accessories worn

descriptors

directly struck idiophones

edged weapons

figures

herbaceous plants

keratinous material

landscapes (environments)

materials

materials by composition

materials by origin

natural landscapes

object genres

object genres by form

objects we use

people

people (agents)

people and culture

people and occupations

people by state or condition

percussion idiophones

percussive weapons

plants

projectile weapons

projectile weapons with nonexplosive propellant

projectiles with nonexplosive propellant

recreational artifacts

recreational artifacts for competitive activities

religions

religions and religious concepts

sets of beads

settlements and landscapes

shell (animal material)

shell and shell material

sound devices

sound devices by acoustical characteristics

spears (weapons)

spears by form

sports and athletic equipment

staff weapons

struck idiophones

track and field sports equipment

vegetation and vegetation components

vegetation components

weapons

weapons and ammunition

woody plants

Title

Do yu Get it

Artist

Martin Johnson

Physical Description

7-sided frame made of reclaimed wood moulding and slats nailed together and backed with strips of green felt, possibly from a pool table. Gold wire traces the wood frame, and is accented with a fuzz ball or googly eye at each corner. A toy car is placed on the gold wire “track” at bottom center; car racing flag stickers attached to the frame in a couple places. Three pieces of thread are strung horizontally across the frame, a “spider web” attached to top two lines with puffy paint. A wood (?) cutout of a smiling joker mouth hung from web by wire.

Artist Life Dates

(1951 - )

Century

20th century

Object Creation Date

1996

Accession Number

2008/2.235

Medium and Support

mixed media consruction, paint, wood, wire, toy car

relevance

rank 0.17930

Secondary Keywords

abstract expressionist

animals and creatures

applied decoration

arthropods

associated concepts

biological components

biological concepts

buildings and the land

built complexes and districts

complexes

complexes by function

components

components and systems

components by specific context

descriptors

design elements

faces

found object sculpture

freewheeled vehicles

freewheeled vehicles by form or function

heads

image-making processes and techniques

international post-1945 styles and movements

land vehicles

land vehicles by form

leisure and competition vehicles

life

life stages

metalwork

object genres

object genres by material

object-making processes and techniques

objects we use

people

people (agents)

people and culture

people by occupation

people in the arts

people in the arts and related occupations

people in the humanities

people in the performing arts

performing artists

post-1945 fine arts styles and movements

processes and techniques

processes and techniques by specific type

recreation areas

recreational artifacts

recreational artifacts for noncompetitive activities

scientific concepts

sculpture

sculpture by material

sculpture techniques

sports complexes

styles and periods

styles and periods by region

the human body

transportation vehicles

upper body

vehicles

visual works

visual works by medium or technique

Title

The Orchid Pavilion Gathering

Artist

Sheng Maoye (Sheng Mao-yeh)

Physical Description

Handscroll depicting figures (42 men and 6 boys) in a landscape, most of whom are sitting along the banks of a stream as cups on lotus leaves float by. A small cluster of figures sits in a shelter over the water examining a handscroll. The painting includes an inscription, six artist’s seals and one collector’s seal.

Artist Life Dates

active 1594-164

Century

17th century

Object Creation Date

1621

Accession Number

1974/1.244

Medium and Support

handscroll, ink and color on silk

relevance

rank 0.17841

Secondary Keywords

architecture

asian

bodies of water

bodies of water and components of bodies of water

bodies of water by size

bridges (built works)

bridges by function

buildings and the land

chinese

chinese painting styles

chinese styles

chinese styles and periods

containers

containers by function or context

containers for serving and consuming food

culinary containers

descriptors

drinking vessels

east asian

figures

flowers

geography

grass (plant material)

history

how we live

inorganic material

landscapes (environments)

materials

materials by composition

materials by origin

natural landscapes

objects we use

paintings

paintings by form

people

people (agents)

people and culture

people and occupations

people by gender

physical activities

physical activities by general context

plant material

plants

riverine bodies

scroll paintings

settlements and landscapes

single built works

single built works by function

single built works by specific type

styles and periods

styles and periods by region

the natural world

transportation structures

transportation structures by form

vegetation and vegetation components

vegetation components

vessels for serving and consuming food

visual works

visual works by medium or technique

woody plants

Title

California Orange Grove

Artist

David Courlander

Physical Description

Painting of landscape scene with blue sky and green field. Mountains and three houses in background in the upper-left quadrant. Grove with orange trees in center. Two men fishing along the banks of a stream in the lower right foreground.

Artist Life Dates

1866-1961

Century

20th century

Object Creation Date

circa 1950

Accession Number

1985/2.89

Medium and Support

oil on canvas board

relevance

rank 0.16840

Secondary Keywords

settlement area

upward

americas

art genres

artistic concepts

associated concepts

atmospheric effects

bodies of water

bodies of water and components of bodies of water

bodies of water by size

buildings and the land

concepts in the arts

deciduous trees

descriptors

dwellings

earth sciences concepts

equipment

equipment by context

fishing and trapping tools and equipment

food

fruit

geographic and political locations

geography

houses by location

houses by location or context

inorganic material

landforms

landforms and landform components

landforms by shape or position

locality

materials

materials by composition

materials by function

modern and contemporary art

natural landscapes

north & central america

north and central america (continent)

objects we use

people and culture

people and occupations

physical activities

physical activities by location

physical activities by specific context

physical sciences concepts

plant communities

plants

residential structures

riverine bodies

scientific concepts

settlements and landscapes

single built works

single built works by function

single built works by specific type

the natural world

tools and equipment

trees

trees by leaf life

united states

united states (nation)

vegetation and vegetation components

vegetation components

visual works

visual works by subject type

water activities

weather and related phenomena

weather-related phenomena

woods

woody plants