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Showing results for "materials by origin" in Secondary Keywords.
- Title
- Untitled, Still Life
- Artist
- Ralph Gibson
- Physical Description
- A black and white photograph of sea shells and a feather on a wooden table.
- Artist Life Dates
- b. 1939
- Century
- 20th century
- Object Creation Date
- 2010
- Accession Number
- 2011/2.143
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 5.61678
- Secondary Keywords
- animal material
- british renaissance-baroque architecture styles
- british renaissance-baroque styles
- combination inorganic/organic animal material
- combination inorganic/organic material
- descriptors
- european
- european styles and periods
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- keratinous material
- materials
- materials by composition
- materials by origin
- objects we use
- people and culture
- renaissance-baroque regional styles
- renaissance-baroque styles
- renaissance-baroque styles and periods
- shell and shell material
- styles and periods
- styles and periods by region
- support furniture
- Title
- Haystacks
- Artist
- Roy Lichtenstein
- Physical Description
- Brightly colored lithograph using Ben Day dots in red-orange and navy blue depicting a field, with high horizon line, two haystacks, trees, shrubs and mountains in the background, and two strips of clouds in the sky.
- Artist Life Dates
- 10/28/1923 - 9/29/1997
- Century
- 20th century
- Object Creation Date
- 1969
- Accession Number
- 2005/2.25
- Medium and Support
- lithograph on paper
- relevance
- rank 5.60519
- Secondary Keywords
- transfer method
- associated concepts
- buildings and the land
- concepts in the arts
- descriptors
- design elements
- grass (plant material)
- historical, theoretical and critical concepts
- international post-1945 styles and movements
- lithographs
- materials
- materials by origin
- objects we use
- ornament areas
- people and culture
- planographic prints
- plant material
- post-1945 fine arts styles and movements
- prints
- prints by process
- prints by process or technique
- settlements and landscapes
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Democritus in Meditation
- Artist
- Salvator Rosa
- Physical Description
- A bearded man sits in a cemetery upon a stone block and leans on a sarcophagus with his head in his hand. A book sits in his lap. Sarcophagi, obelisks, and funerary urns surround him. The bones and body parts of humans and animals along with a discarded helmet and books are strewn across the foreground.
- Artist Life Dates
- 1615-1673
- Century
- 17th century
- Object Creation Date
- 1615-1673
- Accession Number
- 1959/1.126
- Medium and Support
- etching with drypoint on laid paper
- relevance
- rank 5.59972
- Secondary Keywords
- animal material
- animal material by form or function
- buildings and the land
- built complexes and districts
- complexes
- complexes by function
- descriptors
- events
- image-making processes and techniques
- intaglio printing processes
- materials
- materials by origin
- people
- people (agents)
- people and culture
- people by occupation
- people in the humanities
- personal life events
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- skeleton and skeleton components
- skeleton components
- Title
- Tao Yüan-ming
- Artist
- Nakabayashi Chikkei
- Physical Description
- In the lower third of the hanging scroll are three figures. Tao Yuanming is the larger figure on the right with his two attendants on the left. They are divided by a table. In the background is a screen which separates the figures from the landscape.
- Artist Life Dates
- 1816-1867
- Century
- 19th century
- Object Creation Date
- circa 1840 - 1867
- Accession Number
- 1982/1.197
- Medium and Support
- ink and color on silk
- relevance
- rank 5.58313
- Secondary Keywords
- layout features
- asia (continent)
- buildings and the land
- components
- components and systems
- components by specific context
- descriptors
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- geographic and political locations
- grass (plant material)
- illustrations
- illustrations by form
- images and ornament
- information form components
- inorganic material
- layout features
- materials
- materials by composition
- materials by origin
- objects we use
- open spaces
- open spaces and site elements
- open spaces by form
- paintings
- paintings by form
- people
- people (agents)
- people and culture
- people by age group
- plant material
- scroll paintings
- seating furniture
- single seating furniture
- visual works
- visual works by medium or technique
- visual works by subject type
- youth
- Title
- Censer with Maltese crosses, birds, and columns
- Artist
- Artist Unknown, Coptic, Egypt
- Physical Description
- The body of this cylindrical censer is decorated with eight columns spaced at regular intervals. The lid of the censer consists of an openwork dome divided into sections by eight vertical ribs that converge at its apex. An arched horizontal band intersects the midpoint of the ribs, and these eight junctures are marked with a projecting bird that holds a small bronze ball dangling from its beak. Two segments of the dome are decorated with Maltese crosses while another two feature curved plant forms. The apex is surmounted by a finial comprised of a globe topped by a Maltese cross on which a bird holding a piece of fruit perches.
- Century
- 6th-7th century
- Object Creation Date
- 500-699
- Accession Number
- 1960/2.4
- Medium and Support
- bronze
- relevance
- rank 5.53887
- Secondary Keywords
- animals and creatures
- architectural elements
- associated concepts
- ceremonial containers
- christianity
- columns and column components
- components
- components and systems
- components by specific context
- containers
- containers by function or context
- copper alloy
- copper and copper alloy
- crosses (motifs)
- descriptors
- design elements
- inorganic material
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- motifs
- nonferrous metal
- objects we use
- people and culture
- religions
- religions and religious concepts
- structural elements
- structural elements and structural element components
- supporting and resisting elements
- Title
- Figure
- Artist
- Henry Moore
- Physical Description
- A small carved wood sculpture depicting a seated figure with legs crossed.
- Artist Life Dates
- (Castleford, England, 7/30/1898 - 8/31/1986, Hertforshire, England)
- Century
- 20th century
- Object Creation Date
- 1932
- Accession Number
- 1953/1.27
- Medium and Support
- lignum vitae with wood base
- relevance
- rank 5.51766
- Secondary Keywords
- descriptors
- european
- european styles and periods
- genres
- materials
- materials by origin
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- people and culture
- people and occupations
- physical activities
- physical activities by general context
- plant material
- sculpture
- sculpture by material
- sculpture by technique
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- wood and wood products
- Title
- St. Jerome in His Study
- Artist
- Albrecht Dürer
- Physical Description
- This engraving depicts a comfortable domestic interior. An old bearded man sits poring over a book at table in the back of the room. A lion and dog rest on the floor in the foreground. Various other objects appear around the room, including a skull, books, slippers, a crucifix, and a pair of scissors.
- Artist Life Dates
- Nüremberg, 1471-1528
- Century
- 16th century
- Object Creation Date
- 1514
- Accession Number
- 1993/2.1
- Medium and Support
- engraving on laid paper
- relevance
- rank 5.51421
- Secondary Keywords
- image form
- transfer method
- animal material
- animal material by form or function
- animals and creatures
- bavaria (state)
- descriptors
- europe (continent)
- geographic and political locations
- germany (nation)
- information artifacts
- information artifacts by physical form
- information forms
- intaglio prints
- mammals
- materials
- materials by origin
- mittelfranken (national district)
- objects we use
- prints
- prints by process
- prints by process or technique
- skeleton and skeleton components
- skeleton components
- views
- views by vantage point or orientation
- visual works
- visual works by form
- visual works by medium or technique
- Title
- Jain Tirthankara and a monk with animal forest scene, no. 12 from a Digambara series
- Artist
- Artist Unknown, India, Sirohi School
- Physical Description
- Two distinct registers divide a page in half. At the top, a yellow-orange colored nude jina sits in lotus position upon a three tiered throne [a patterned blue level at the bottom on feet, with an orange section with gold and red decoration and a green level at the top with gold vertical stripes]. He sits against a red background adorned with a pattern of three white dots. The background takes the shape of an elegant cusped arch with a green and white pattern along its outside with a gold pattern at its sides. To the right of the seated figure a nude Digambara monk sits with his legs folded and one knee up on a less elaborate throne with a lota or pot at the corner and a crossed bookstand to the side holding a book with some devanagari writing on it. He raises his right arm and holds his left to his ear.
- Placed under a band of curving yellow stripes, the bottom register represents animals in a landscape. At the bottom are clumps of grass with four stylized mountain forms in blue at the right. Above the mountains stands a tiger facing a family of antelope striding towards him. The family consists of the blue male with his long spiraling horns and a yellow doe below him with a flesh-colored in front of her. Another small yellow fawn takes up the rear. Clumps of light blue and green grasses fill in the background.
- Century
- 18th century
- Object Creation Date
- 18th century
- Accession Number
- 1975/2.178
- Medium and Support
- ink, opaque watercolor, and gold on paper
- relevance
- rank 5.50974
- Secondary Keywords
- upward
- animals and creatures
- associated concepts
- buildings and the land
- containers
- containers by form
- descriptors
- figures (representations)
- information artifacts
- information artifacts by physical form
- information forms
- landforms
- landforms and landform components
- landforms by shape or position
- mammals
- materials
- materials by origin
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- people by occupation
- people by state or condition
- people in religion
- people in religion and related occupations
- people in the humanities
- plant material
- religions
- religions and religious concepts
- religious (people)
- settlements and landscapes
- vessels
- visual works
- visual works by subject type
- Title
- Standing Figure
- Artist
- Alberto Giacometti
- Physical Description
- An elongated figure with minimal features stands on a small rectangular base with left foot slightly forward. The metal has a texture resembling molten wax.
- Artist Life Dates
- 1901 - 1966
- Century
- 20th century
- Object Creation Date
- 1957
- Accession Number
- 1958/1.137
- Medium and Support
- bronze
- relevance
- rank 5.50485
- Secondary Keywords
- visual arts
- artistic concepts
- associated concepts
- concepts in the arts
- copper alloy
- copper and copper alloy
- descriptors
- figures
- forming
- forms of expression
- genres
- inorganic material
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- modern and contemporary art
- nonferrous metal
- objects we use
- people and culture
- people and occupations
- physical activities
- physical activities by general context
- processes and techniques
- processes and techniques by specific type
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Requiem
- Artist
- Erwin Binder
- Physical Description
- bronze abstract sculpture
- Artist Life Dates
- 1934-1993
- Century
- 20th century
- Object Creation Date
- 1988
- Accession Number
- 2004/2.107
- Medium and Support
- bronze on concrete
- relevance
- rank 5.50062
- Secondary Keywords
- architecture
- copper alloy
- copper and copper alloy
- descriptors
- european
- european styles and periods
- figures
- inorganic material
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- nonferrous metal
- objects we use
- people and culture
- people and occupations
- sculpture
- sculpture by location or context
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- Title
- Temple bell
- Artist
- Artist Unknown
- Physical Description
- Wood base for a temple bell.
- Century
- 20th century
- Object Creation Date
- 20th century
- Accession Number
- 2002/2.237D
- Medium and Support
- wood
- relevance
- rank 5.49133
- Secondary Keywords
- hollow-bodied
- bells and sets of bells
- buildings and the land
- chordophones
- descriptors
- directly struck idiophones
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- materials
- materials by origin
- objects we use
- percussion idiophones
- plant material
- religious buildings
- religious structures
- single built works
- single built works by function
- single built works by specific type
- sound devices
- sound devices by acoustical characteristics
- struck idiophones
- support furniture
- wood and wood products
- Title
- Brown and White Porcelain Inkwell, Nippon inkwell stand, hand painted gold, art nouveau
- Artist
- Artist Unknown
- Physical Description
- A porcelain inkwell with a rectangular body and a penstand on the one side; and it is decorated with drawings and patterns of brown leaves. There is no lid cover for the inkwell.
- Object Creation Date
- 1875-1975
- Accession Number
- 2010/1.304
- Medium and Support
- porcelain, gold
- relevance
- rank 5.48162
- Secondary Keywords
- containers
- containers by function or context
- containers for writing equipment
- descriptors
- european
- european styles and periods
- gold and gold alloy
- inorganic material
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- modern british ceramics styles
- modern british decorative arts styles and movements
- modern british styles and movements
- modern european regional styles and movements
- modern european styles and movements
- nonferrous metal
- objects we use
- people and culture
- styles and periods
- styles and periods by region
- Title
- Credenza
- Artist
- Artist Unknown, Italy
- Physical Description
- The front of this handsome oak credenza, or sideboard, is divided into halves by three pilasters. Each half is outfitted with a drawer and a door below. The decorative and functional components are artfully arranged across the front of the piece to form a balanced composition of repeated geometric shapes and harmonious proportions.
- Century
- Early 16th century
- Object Creation Date
- 1500-1530
- Accession Number
- 1955/1.228
- Medium and Support
- oak wood
- relevance
- rank 5.47599
- Secondary Keywords
- architectural elements
- case furniture
- components
- components and systems
- components by specific context
- descriptors
- enclosing structural elements
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- materials
- materials by origin
- objects we use
- people and culture
- physical activities
- physical activities by general context
- plant material
- storage and display furniture
- structural elements
- structural elements and structural element components
- wall components
- wall components by form or function
- walls and wall components
- wood and wood products
- Title
- Hemlock Canyons
- Artist
- Mike Irolla
- Physical Description
- Large, turned wood vessel. Fire has been used to color and texture the surface. Bark has been left on to provide texture. The mouth of the vessel is jagged.
- large burnt wood vessel with bark marking the top irregular edge
- Artist Life Dates
- born 1974
- Century
- late 20th century
- Object Creation Date
- 2001
- Accession Number
- 2002/2.147
- Medium and Support
- hemlock
- relevance
- rank 5.45452
- Secondary Keywords
- attributes and properties
- attributes and properties by specific type
- biological components
- buildings and the land
- components
- components and systems
- components by specific context
- containers
- containers by form
- descriptors
- fluvial landforms
- landforms
- landforms and landform components
- landforms by formation process
- landscapes (environments)
- materials
- materials by origin
- natural landscapes
- objects we use
- plant components
- plant material
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- settlements and landscapes
- surface marking processes and techniques
- trees (components)
- wood and wood products
- Title
- Joanna, Age 15
- Artist
- Rita Bernstein
- Physical Description
- A girl with arms raised above her head in front of a white curtained window.
- Artist Life Dates
- b. 1950
- Object Creation Date
- 2003
- Accession Number
- 2013/2.90
- Medium and Support
- toned gelatin silver print on paper
- relevance
- rank 5.45393
- Secondary Keywords
- animal material
- architectural elements
- components
- components and systems
- components by specific context
- coverings and hangings
- coverings and hangings by location or context
- coverings and hangings by specific type
- coverings and hangings for openings
- descriptors
- furnishings
- furnishings by form or function
- hair and hair components
- keratinous material
- materials
- materials by origin
- objects we use
- openings (architectural elements)
- openings and opening components
- openings by form
- people
- people (agents)
- people and culture
- people by gender
- windows and window components
- Title
- Adze
- Artist
- Artist Unknown, African, Burkina Faso, Mossi
- Century
- 20th century
- Object Creation Date
- 20th century
- Accession Number
- 1998/1.97
- Medium and Support
- iron blade and handle with copper and brass decoration
- relevance
- rank 5.43888
- Secondary Keywords
- african
- african styles by region
- cutting equipment
- cutting tools
- descriptors
- equipment
- equipment by process
- gur-speaking peoples styles
- inorganic material
- iron and iron alloy
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- object genres
- object genres by material
- objects
- objects we use
- people and culture
- styles and periods
- styles and periods by region
- tools
- tools and equipment
- west african styles
- western sudanese styles
- Title
- Adze
- Artist
- Artist Unknown, African, Burkina Faso, Mossi
- Century
- 20th century
- Object Creation Date
- 20th century
- Accession Number
- 1998/1.96
- Medium and Support
- iron blade with wood handle
- relevance
- rank 5.43888
- Secondary Keywords
- african
- african styles by region
- cutting equipment
- cutting tools
- descriptors
- equipment
- equipment by process
- gur-speaking peoples styles
- inorganic material
- iron and iron alloy
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- object genres
- object genres by material
- objects
- objects we use
- people and culture
- styles and periods
- styles and periods by region
- tools
- tools and equipment
- west african styles
- western sudanese styles
- Title
- A Cottage
- Artist
- Joseph Mallord William Turner
- Physical Description
- A two-story cottage with two chimneys is in the middle of the page. The view of it is obstructed by the large mound that takes up the right half of the image. There is a green tree on the left side of the cottage.
- Artist Life Dates
- 1775-1851
- Century
- 18th-19th century
- Object Creation Date
- 1775-1851
- Accession Number
- 1985/1.100
- Medium and Support
- watercolor and graphite on off-white laid paper
- relevance
- rank 5.43312
- Secondary Keywords
- buildings and the land
- descriptors
- dwellings
- grass (plant material)
- houses
- houses by form
- landscapes (environments)
- materials
- materials by origin
- natural landscapes
- objects we use
- open spaces and site elements
- paintings
- paintings by material or technique
- plant material
- plants
- residential structures
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- site elements
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- woody plants
- Title
- Temple bell with handle of a pair of addorsed lions and a dragon
- Artist
- Artist Unknown, Burma
- Physical Description
- Bronze temple bell with traces of polychrome, text, and lowermost handle in shape of a pair of addorsed lions. A decorated post threads through the space created by the back-to-back lions, on which an additional handle decorated with addorsed dragons is thread. The open space created between the dragons' connecting tails is where part of a frame would pass through, suspending the bell above the ground. This type of bell does not have a metal clapper, and is rung by striking with a wooden stick.
- Century
- Early 20th century
- Object Creation Date
- 1907
- Accession Number
- 2002/2.237A-C
- Medium and Support
- bronze with traces of polychrome
- relevance
- rank 5.42068
- Secondary Keywords
- hollow-bodied
- animals and creatures
- bells and sets of bells
- buildings and the land
- chordophones
- copper alloy
- copper and copper alloy
- descriptors
- directly struck idiophones
- inorganic material
- legendary creatures
- mammals
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- nonferrous metal
- objects we use
- percussion idiophones
- religious buildings
- religious structures
- single built works
- single built works by function
- single built works by specific type
- sound devices
- sound devices by acoustical characteristics
- struck idiophones
- Title
- Woman with Hat and Flowered Pin Inkwell, French porcelain
- Artist
- Artist Unknown
- Physical Description
- An inkwell made with porcelain has a trianglar shape body and hat-shape lid on top, there is a feather sticking on the hat-shape lid.
- Object Creation Date
- 1875-1975
- Accession Number
- 2010/1.285
- Medium and Support
- porcelain, feathers
- relevance
- rank 5.40845
- Secondary Keywords
- accessories worn on the head
- animal material
- containers
- containers by function or context
- containers for writing equipment
- costume
- costume accessories
- costume accessories worn
- descriptors
- european
- european styles and periods
- headgear
- keratinous material
- materials
- materials by origin
- modern british ceramics styles
- modern british decorative arts styles and movements
- modern british styles and movements
- modern european regional styles and movements
- modern european styles and movements
- objects we use
- people and culture
- styles and periods
- styles and periods by region
- Title
- Upright Ornament with Bull and Satyrs
- Artist
- Agostino Musi
- Physical Description
- This decorative image is organized along a vertical axis wtih fanciful creatures, grotesque heads, depictions of carved gems and harpies.
- Artist Life Dates
- Active 1514-1536
- Century
- 16th century
- Object Creation Date
- circa 1520
- Accession Number
- 1960/2.133
- Medium and Support
- engraving on paper
- relevance
- rank 5.39041
- Secondary Keywords
- transfer method
- animal material
- animals and creatures
- associated concepts
- concepts in the arts
- descriptors
- genres in the arts
- image-making processes and techniques
- intaglio prints
- keratinous material
- literary, oral and motion picture genres
- mammals
- materials
- materials by origin
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- printing
- printing and printing processes and techniques
- prints
- prints by process
- prints by process or technique
- processes and techniques
- processes and techniques by specific type
- religions and religious concepts
- religious concepts
- visual works
- visual works by medium or technique
- Title
- Twisted metal bracelet with chameleon
- Artist
- Artist Unknown, African, Burkina Faso, Lobi
- Century
- 20th century
- Object Creation Date
- circa 1950
- Accession Number
- 1985/2.54
- Medium and Support
- cast bronze (cire perdue)
- relevance
- rank 5.35494
- Secondary Keywords
- african
- african styles by region
- animals
- animals and creatures
- copper alloy
- copper and copper alloy
- costume
- costume accessories
- costume accessories worn
- descriptors
- gur-speaking peoples styles
- inorganic material
- jewelry
- jewelry by location
- jewelry worn on arms and hands
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- nonferrous metal
- object genres
- object genres by technique
- objects we use
- people and culture
- styles and periods
- styles and periods by region
- the natural world
- west african styles
- western sudanese styles
- Title
- Display figure
- Artist
- Artist Unknown, African, Osei Bonsu, Asante (Akan) Peoples, Ghana
- Physical Description
- A poised, naturalistic male figure sits on a stool, holding an egg in his right hand, his left hand resting on his left knee. The head is round, almost egg-shaped, with a high, sloping forehead rising from pronounced eyebrows. The eyes are almond-shped, the nost long and slender, the mouth a small straight line. The neck is long and ringed. Its surface is smooth, and carefully finished, golden brown in color, though worn or mottled in places.
- Artist Life Dates
- 1900-1977
- Object Creation Date
- circa 1950
- Accession Number
- 2001/2.33
- Medium and Support
- wood
- relevance
- rank 5.33869
- Secondary Keywords
- african
- african styles by region
- animal material
- animal material by form or function
- descriptors
- egg and egg components
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- materials
- materials by origin
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- seating furniture
- single seating furniture
- styles and periods
- styles and periods by region
- visual works
- visual works by subject type
- west african styles
- western guinea coast styles
- Title
- Vajra bell (Lontjeng) (one of a pair)
- Artist
- Artist Unknown, Indonesia, Java
- Physical Description
- This is one of a pair of Javanese bells. A talon-like vajra sits atop the bronze handle. Lotus petals decorate the base, and the faces encircling the the bell above them depict Prajnaparamita, the bodhisattva aspect of “Perfection of Wisdom.”
- Century
- 16th -17th century
- Object Creation Date
- 16th century - 17th century
- Accession Number
- 1957/2.54
- Medium and Support
- bronze
- relevance
- rank 5.29396
- Secondary Keywords
- hollow-bodied
- associated concepts
- bells and sets of bells
- biological components
- buddhism
- buddhist doctrinal concepts
- chordophones
- components
- components and systems
- components by specific context
- copper alloy
- copper and copper alloy
- descriptors
- directly struck idiophones
- doctrinal concepts
- heads
- inorganic material
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- nonferrous metal
- objects
- objects we use
- people and culture
- percussion idiophones
- religions
- religions and religious concepts
- religious concepts
- sound devices
- sound devices by acoustical characteristics
- struck idiophones
- the human body
- upper body
- Title
- One of Four Panels of Textile Fragments: Brocades in Various Traditional Pattern
- Artist
- Artist Unknown, Japan
- Physical Description
- A checkered gold brocade foregrounds five fragments of textile: a square in the middle surrounded by four cornerpieces. Each textile has a different design, some with butterflies, birds, and other floral motifs.
- Century
- 19th to 20th centuries
- Object Creation Date
- 1860-1926
- Accession Number
- 1972/2.44.9
- Medium and Support
- silk brocade (nishiki) and silk brocade with gilt paper (kinran)
- relevance
- rank 5.28291
- Secondary Keywords
- patterning
- animals and creatures
- arthropods
- components
- components and systems
- components by specific context
- costume components
- descriptors
- design elements
- gold and gold alloy
- inorganic material
- insects
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- metalwork
- motifs
- nonferrous metal
- object genres
- object genres by material
- plant-derived motifs
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- textile construction processes and techniques
- textile processes and techniques
- textile weaving processes and techniques
- textile weaving techniques
- weft patterning
- Title
- One of Four Panels of Textile Fragments: Indigo Brocades
- Artist
- Artist Unknown, Japan
- Physical Description
- Fragments of brocade textiles are stitched symmetrically into gold fabric. Gold, blue, and brownish/copper hues create the patterns on the textile fragments.
- Century
- 20th century
- Object Creation Date
- 1900-1926
- Accession Number
- 1972/2.44.3
- Medium and Support
- silk brocade (nishiki)
- relevance
- rank 5.26734
- Secondary Keywords
- patterning
- components
- components and systems
- components by specific context
- costume components
- descriptors
- gold and gold alloy
- inorganic material
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- metalwork
- nonferrous metal
- object genres
- object genres by material
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- textile construction processes and techniques
- textile processes and techniques
- textile weaving processes and techniques
- textile weaving techniques
- weft patterning
- Title
- Dakini
- Artist
- Artist Unknown, Tibet or Nepal
- Physical Description
- A bronze image of a dancing figure, cast in the cire perdue (lost wax) technique in one piece with its lotus-petal base.
- Century
- 15th century
- Object Creation Date
- 15th century
- Accession Number
- 2000/2.157
- Medium and Support
- bronze
- relevance
- rank 5.25083
- Secondary Keywords
- animal material
- animal material by form or function
- arts
- arts and related disciplines
- asian
- associated concepts
- attributes and properties
- attributes and properties by specific type
- descriptors
- design elements
- disciplines
- form attributes
- humanities
- materials
- materials by origin
- motifs
- people
- people (agents)
- people and culture
- people by state or condition
- performing arts
- plant-derived motifs
- religions
- religions and religious concepts
- size (extent)
- size by specific type
- skeleton and skeleton components
- skeleton components
- south asian
- styles and periods
- styles and periods by region
- Title
- Bamboo in snow
- Artist
- Zhu Sheng (Chu Sheng)
- Physical Description
- In this image of bamboo bent under heavy snow the leaves are depicted with vigorous yet controlled strokes of the brush, while the snow is indicated by surrounding areas of blank paper with dark ink, a traditional technique in monochrome ink painting.
- Artist Life Dates
- 1618 - circa 1690
- Century
- 17th century
- Object Creation Date
- 1690
- Accession Number
- 2002/2.351
- Medium and Support
- hanging scroll, ink on satin
- relevance
- rank 5.24805
- Secondary Keywords
- artists
- associated concepts
- descriptors
- earth sciences concepts
- grass (plant material)
- materials
- materials by origin
- objects we use
- painters (artists)
- painters by subject of work
- paintings
- paintings by form
- people
- people (agents)
- people and culture
- people by occupation
- people in the arts
- people in the arts and related occupations
- people in the humanities
- people in the visual arts
- people in the visual arts and related occupations
- physical sciences concepts
- plant material
- precipitation
- scientific concepts
- scroll paintings
- seasons
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- Title
- Black Excursion No. 13
- Artist
- Louise Nevelson
- Physical Description
- Square, rectangular, and circular pieces of wood and formica are assembled in rectilinear, cabinet-like compartments. The entire object is painted black.
- Artist Life Dates
- 1899 - 1988
- Century
- 20th century
- Object Creation Date
- 1964
- Accession Number
- 1997/1.131
- Medium and Support
- painted wood and black formica
- relevance
- rank 5.22269
- Secondary Keywords
- visual arts
- artistic concepts
- associated concepts
- concepts in the arts
- descriptors
- european
- european styles and periods
- forms of expression
- genres
- geometric shapes
- international post-1945 styles and movements
- materials
- materials by origin
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- object-making processes and techniques
- people and culture
- plant material
- post-1945 fine arts styles and movements
- processes and techniques
- processes and techniques by specific type
- rectangles
- sculpture techniques
- styles and periods
- styles and periods by region
- visual and tactile
- wood and wood products
- Title
- Hairpin
- Artist
- Artist Unknown, African, Congo (Zaire), Mangbetu
- Century
- 20th century
- Object Creation Date
- 1900-1985
- Accession Number
- 1985/2.40
- Medium and Support
- bronze
- relevance
- rank 5.20227
- Secondary Keywords
- accessories worn on the head
- african
- african styles by region
- central and equatorial african styles
- copper alloy
- copper and copper alloy
- costume
- costume accessories
- costume accessories worn
- descriptors
- hair accessories
- inorganic material
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- nonferrous metal
- northeast democratic republic of congo styles
- northern democratic republic of congo styles
- objects we use
- people and culture
- styles and periods
- styles and periods by region
- western democratic republic of congo styles
- zande-mangbetu region
- Title
- Standing Buddha in Abhaya-vara mudra
- Artist
- Artist Unknown, Korea
- Physical Description
- Gilt bronze standing Buddha on lotus pedestal. He is clothed in monastic robes with cascading U-shaped folds, similar to the gentle folds of his neck. His hands ake the form of two mudras: the abhaya (“have no fear”) mudra with the right hand, and varada (“wishes are granted”) mudra with the left.
- It is well proportioned overall and represent Buddha in a standing position; a position quite popular in Unified Shilla Buddhist sculpture. The Ushinisha on the top of Buddha's head is tall, voluminous and black. The face is plump and facial features, including the eyes, nose and the mouth, are all rather small. The earlobes hang are hanging and the three curved lines on the neck are highly distinct.
- Century
- ca. 8th century
- Object Creation Date
- late 7th century - early 8th century
- Accession Number
- 1961/2.80
- Medium and Support
- gilt bronze
- relevance
- rank 5.16226
- Secondary Keywords
- additive and joining processes and techniques
- associated concepts
- attributes and properties
- attributes and properties by specific type
- copper alloy
- copper and copper alloy
- descriptors
- figures (representations)
- form attributes
- inorganic material
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- metallizing
- nonferrous metal
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- processes and techniques
- processes and techniques by specific type
- religions
- religions and religious concepts
- size (extent)
- size by specific type
- surface covering processes and techniques
- visual works
- visual works by subject type
- Title
- Akbar's Bounty
- Artist
- Michael Mode
- Physical Description
- A wide-mouthed bowl narrows steeply to a small base. A brown and white checker board pattern covers the interior and exterior and scales down as the diameter decreases toward the bottom.
- wood bowl with geometric patterning in concentric rings, decreasing in size top to bottom
- Artist Life Dates
- born 1946
- Century
- late 20th century
- Object Creation Date
- 2000
- Accession Number
- 2002/2.166
- Medium and Support
- holly and morado
- relevance
- rank 5.15439
- Secondary Keywords
- visual arts
- abstraction
- artistic concepts
- asian
- associated concepts
- concepts in the arts
- containers
- containers by form
- descriptors
- design elements
- forms of expression
- geometric patterns
- historical, theoretical and critical concepts
- indian
- indian styles and periods
- islamic indian styles and periods
- materials
- materials by origin
- mughal
- objects we use
- patterns (design elements)
- patterns by specific type
- people and culture
- plant material
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- south asian
- styles and periods
- styles and periods by region
- vessels
- wood and wood products
- woodworking and woodworking processes and techniques
- Title
- Anklet with figures on opposing ends
- Artist
- Artist Unknown, African, Burkina Faso, Lobi
- Century
- 20th century
- Object Creation Date
- circa 1950
- Accession Number
- 1985/2.53
- Medium and Support
- cast bronze, lost wax method
- relevance
- rank 5.15137
- Secondary Keywords
- african
- african styles by region
- copper alloy
- copper and copper alloy
- costume
- costume accessories
- costume accessories worn
- descriptors
- gur-speaking peoples styles
- inorganic material
- jewelry
- jewelry by location
- jewelry worn on legs and feet
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- nonferrous metal
- object genres
- object genres by technique
- objects
- objects we use
- people and culture
- people and occupations
- styles and periods
- styles and periods by region
- visual works
- visual works by subject type
- west african styles
- western sudanese styles
- Title
- Untitled, from Suspended Sphere Series
- Artist
- Todd Hoyer
- Physical Description
- A sphere, wrapped in rusted wire, is sandwiched between two hefty, rough hewn, chunks of wood.
- freestanding multimedia wood sculpture, with rectangular wood base and top sandwiching a small wire-covered sphere at center
- Artist Life Dates
- b. 1952
- Century
- 20th century
- Object Creation Date
- 2000
- Accession Number
- 2002/2.146
- Medium and Support
- eucalyptus, wire
- relevance
- rank 5.14875
- Secondary Keywords
- associated concepts
- descriptors
- european
- european styles and periods
- geometric concepts
- geometric figures
- materials
- materials by origin
- mathematical concepts
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- people and culture
- plant material
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- scientific concepts
- sculpture by material
- sculpture by technique
- solids (geometric)
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- wood and wood products
- woodworking and woodworking processes and techniques
- Title
- Red brocade fukuro obi with woven pattern of colorful medallions against a field of wavy gold stripes (tatewaku)
- Artist
- Artist Unknown, Japan
- Physical Description
- This is made of a thick brocade of red, gold and silver. Medallion patterns and wavy stripes are woven through the entirety of the fabric, rather than halfway, as is common in less intricate obi. Medallion motifs of tortoise shells, flowers, and bamboo leaves are spaced among the golden waves across the fabric.
- Century
- mid-20th century
- Object Creation Date
- 1950s-1960s
- Accession Number
- 2005/1.344
- Medium and Support
- red silk with woven and embroidered design and gold wrapped thread
- relevance
- rank 5.14779
- Secondary Keywords
- accessories worn at the waist or below
- animal material
- animals and creatures
- buildings and the land
- costume
- costume accessories
- costume accessories worn
- costume by form
- descriptors
- design elements
- fibroinous material
- flowers (plants)
- grass (plant material)
- herbaceous plants
- landscapes (environments)
- main garments
- materials
- materials by origin
- motifs
- natural landscapes
- needleworking
- needleworking and needleworking techniques
- objects we use
- plant material
- plant-derived motifs
- plants
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- reptiles
- settlements and landscapes
- textile processes and techniques
- textile working processes and techniques
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Haystack #1, from "Haystack Series R L 69-231"
- Artist
- Roy Lichtenstein
- Physical Description
- This print has a white background with a pattern of bright yellow dots covering its surface. Yellow lines and shapes are formed in areas where the dots overlap or merge.
- Artist Life Dates
- 10/28/1923 - 9/29/1997
- Century
- 20th century
- Object Creation Date
- 1969
- Accession Number
- 2010/2.38
- Medium and Support
- lithograph on Rives BFK
- relevance
- rank 5.14753
- Secondary Keywords
- descriptors
- design elements
- european
- european styles and periods
- geometric motifs
- grass (plant material)
- image-making processes and techniques
- international post-1945 styles and movements
- materials
- materials by origin
- modern european fine arts styles and movements
- modern european styles and movements
- motifs
- ornament areas
- people and culture
- planographic printing processes
- plant material
- post-1945 fine arts styles and movements
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- styles and periods
- styles and periods by region
- Title
- D&H Rogue
- Artist
- Richard Francisco
- Physical Description
- Ombre orange and black abstract forms painted on paper cut out and attached to wood, laid on top of another larger cutout of pink abstract form with “shadows” from the cutout above it painted in red; the paper collage is centered on a large sheet of white paper. Signed “D[orothy] & H[erb] Rogue” in bottom left corner, “R. J. Francisco ‘82” in bottom right corner.
- Artist Life Dates
- (1942 - )
- Century
- 20th century
- Object Creation Date
- 1982
- Accession Number
- 2008/2.229
- Medium and Support
- watercolor and ink wash on paper and painted wood
- relevance
- rank 5.14334
- Secondary Keywords
- visual arts
- artistic concepts
- associated concepts
- concepts in the arts
- descriptors
- european
- european styles and periods
- forms of expression
- image-making processes and techniques
- materials
- materials by origin
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- painting and painting techniques
- painting techniques
- paintings
- paintings by material or technique
- people and culture
- plant material
- processes and techniques
- processes and techniques by specific type
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- wood and wood products
- Title
- Paysanne a la Fourche
- Artist
- Camille Pissarro
- Physical Description
- Paper size: h 23 7/10cm x tw 15 2/5cm & bw 15cm. Plate size: h 11 9/10cm x tw 7 1/2cm & bw 7 2/5cm.
- Artist Life Dates
- 1830-1903
- Accession Number
- 2008/2.386
- Medium and Support
- etching and aquatint on beige laid paper
- relevance
- rank 5.14158
- Secondary Keywords
- transfer method
- descriptors
- farmers
- grass (plant material)
- image-making processes and techniques
- intaglio printing processes
- intaglio prints
- materials
- materials by origin
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- people by occupation
- people in agriculture
- people in agriculture or natural resource occupations
- people in science-related occupations
- plant material
- printing and printing processes and techniques
- printing processes
- prints
- prints by process
- prints by process or technique
- processes and techniques
- processes and techniques by specific type
- scientists and people in science-related occupations
- visual works
- visual works by medium or technique
- Title
- Genji espies Murasaki for the first time, from the Wakamurasaki chapter of The Tale of Genji
- Artist
- Kanô Tsunenobu
- Physical Description
- Among a gold and bright mineral pigmented landscape, Genji stands below a cherry tree in full bloom and watches Murasaki, who stands in an architectural structure. A distant stream and hilltops indicate the isolated setting.
- Artist Life Dates
- active 1636-1713
- Century
- 17th century
- Object Creation Date
- circa 1670-1680
- Accession Number
- 2002/1.168
- Medium and Support
- ink, color, and gold pigment and foil on paper
- relevance
- rank 5.07148
- Secondary Keywords
- upward
- allegory and literature
- architecture
- artistic concepts
- artistic devices
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- business and industry
- concepts in the arts
- deciduous trees
- descriptors
- document genres
- gold and gold alloy
- houses
- information forms
- inorganic material
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- mine
- natural landscapes
- nonferrous metal
- objects we use
- people and culture
- people and occupations
- plants
- riverine bodies
- settlements and landscapes
- symbolism
- the natural world
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- One of a pair of six-fold screens
- Artist
- Attributed Kanô Tan'yû
- Physical Description
- This six-fold screen, a half of a pair, is meant to represent six of the twelve months of the year, with keen attention paid to the birds and flowers associated with each. Although this screen bears Kano Tan’yu’s signature, it was probably created by his studio or by followers working in this famous artist’s style.
- Artist Life Dates
- (Kyoto, 1604 - 1674, Edo)
- Century
- 19th century
- Object Creation Date
- 19th century
- Accession Number
- 1965/1.178
- Medium and Support
- one of a pair of 6-fold screens, ink and light color on paper
- relevance
- rank 5.04059
- Secondary Keywords
- transfer method
- upward
- animals and creatures
- asia (continent)
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- descriptors
- earth sciences concepts
- geographic and political locations
- herbaceous plants
- landforms
- landforms and landform components
- landforms by shape or position
- materials
- materials by origin
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- plant material
- plants
- precipitation
- prints
- prints by process
- prints by process or technique
- riverine bodies
- scientific concepts
- settlements and landscapes
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by medium or technique
- weather and related phenomena
- weather-related phenomena
- woody plants
- Title
- Man in Motion (Uomo in movimento)
- Artist
- Mino Rosso
- Physical Description
- A bronze sculpture of an abstracted male figure in motion. His knees are bent as he leans into his movement. His arms are tucked along his torso, and he appears to be propelling his movement with great force. The surface is a bright bronze color but with some patina.
- Artist Life Dates
- 1904 - 1963
- Century
- 20th century
- Object Creation Date
- 1934
- Accession Number
- 1959/2.100
- Medium and Support
- bronze with wood base
- relevance
- rank 5.02669
- Secondary Keywords
- visual arts
- artistic concepts
- associated concepts
- concepts in the arts
- copper alloy
- copper and copper alloy
- descriptors
- dynamics
- european
- european styles and periods
- forms of expression
- genres
- inorganic material
- materials
- materials by composition
- mechanics concepts
- metal
- metal and metal products
- metal by composition or origin
- modern and contemporary art
- modern european regional styles and movements
- modern european styles and movements
- modern italian styles and movements
- nonferrous metal
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- physical sciences concepts
- physics concepts
- scientific concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Crucifixion
- Artist
- Bartolommeo da Brescia
- Physical Description
- From the height of a cross, a crucified man, wearing a crown of thorns and a loincloth, looms over a dramatic landscape. Three heads with wings appear near the top of the cross, and a skull and crossed bones lay at its base. A vast prospect of distant mountains and a bustling port unfolds through the background.
- Artist Life Dates
- 1506 - 1576 or 1578
- Century
- 16th century
- Object Creation Date
- 1565-1576
- Accession Number
- 1970/1.177
- Medium and Support
- etching on paper
- relevance
- rank 4.98325
- Secondary Keywords
- animal material
- animal material by form or function
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by location
- buildings and the land
- coastline bodies of water
- descriptors
- design elements
- europe (continent)
- events
- executions
- figure- and animal-derived motifs
- geographic and political locations
- image-making processes and techniques
- intaglio printing processes
- italy (nation)
- landscapes (environments)
- lombardy (region)
- materials
- materials by origin
- motifs
- natural landscapes
- objects we use
- people and culture
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- religions
- religions and religious concepts
- settlements and landscapes
- skeleton and skeleton components
- skeleton components
- visual works
- visual works by subject type
- Title
- Crossbow fibula with vegetal ornament on the catchplate
- Artist
- Anonymous Gallo-Roman
- Physical Description
- This fibula, a type of brooch used to pin outer garments, features a crossbar that ends in three onion-shaped terminals, which give the fibula a shape reminiscent of a crossbow. An arched bow connects the crossbar to the longer catchplate, which is ornamented with vegetal motifs.
- Century
- 5th century
- Object Creation Date
- 450-500
- Accession Number
- 1966/2.17
- Medium and Support
- gilt bronze
- relevance
- rank 4.97754
- Secondary Keywords
- additive and joining processes and techniques
- associated concepts
- copper alloy
- copper and copper alloy
- costume
- costume accessories
- costume accessories worn
- culture and related concepts
- culture-related concepts
- descriptors
- europe (continent)
- european
- european styles and periods
- geographic and political locations
- inorganic material
- jewelry
- jewelry by location
- jewelry worn on costume
- materials
- materials by composition
- medieval
- medieval styles and periods
- metal
- metal and metal products
- metal by composition or origin
- metallizing
- nonferrous metal
- objects we use
- people and culture
- pins (jewelry)
- processes and techniques
- processes and techniques by specific type
- styles and periods
- styles and periods by region
- surface covering processes and techniques
- Title
- Storm Clouds, Cape Cod (Strumwolken uber Cape Cod)
- Artist
- George Grosz
- Physical Description
- In the top left corner a house lies on top of a hill of sand dunes covered with grasses, with the ocean to the right and storm clouds swirling overhead
- Artist Life Dates
- 1893-1959
- Century
- 20th century
- Object Creation Date
- 1949
- Accession Number
- 1954/1.112
- Medium and Support
- lithograph on paper
- relevance
- rank 4.95943
- Secondary Keywords
- relation to water
- associated concepts
- buildings and the land
- descriptors
- dwellings
- earth sciences concepts
- eolian landforms
- european
- european styles and periods
- events
- geography
- landforms
- landforms and landform components
- landforms by formation process
- landforms by position
- landforms by shape or position
- materials
- materials by origin
- modern european fine arts styles and movements
- modern european styles and movements
- natural events
- natural landscapes
- people and culture
- physical sciences concepts
- plant material
- residential structures
- scientific concepts
- settlements and landscapes
- shores (landforms)
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- weather and related phenomena
- weather-related phenomena
- Title
- One of Four Panels of Textile Fragments: Obi Brocades
- Artist
- Artist Unknown, Japan
- Physical Description
- The colorful strips of brocade at the top and bottom of this panel feature a woven design of ivy and peonies entwined around cartwheels, bamboo, and stylized diamonds. A wide rectangular fragment of an obi (sash for kimono) lie at the center of the textile. It is an almost abstract design of boats tossed in a frothy sea. The warm, muted tones of the gold are matched in color selections of mauve, and muted purple, blue, and green threads.
- Century
- 17th to 19th centuries
- Object Creation Date
- 17th century - 18th century
- Accession Number
- 1972/2.44.2
- Medium and Support
- brocade with gilt paper (kinran nishiki) & float stitch embroidery (watashi nui)
- relevance
- rank 4.94444
- Secondary Keywords
- patterning
- buildings and the land
- components
- components and systems
- components by specific context
- costume components
- descriptors
- design elements
- gold and gold alloy
- herbaceous plants
- inorganic material
- landscapes (environments)
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- metalwork
- motifs
- natural landscapes
- nonferrous metal
- object genres
- object genres by material
- plant-derived motifs
- plants
- processes and techniques
- processes and techniques by material
- processes and techniques by specific type
- settlements and landscapes
- textile construction processes and techniques
- textile processes and techniques
- textile weaving processes and techniques
- textile weaving techniques
- vegetation and vegetation components
- vegetation components
- weft patterning
- woody plants
- Title
- Commemorative Head of an Oba of the Benin kingdom
- Artist
- Artist Unknown, African, Nigeria, Benin
- Physical Description
- Cast brass head of a human. An opening at the top would have supported a carved elephant tusk. The heads wears elaborate "winged" headgear.
- Accession Number
- 2005/1.260
- Medium and Support
- bronze
- relevance
- rank 4.91651
- Secondary Keywords
- aristocracy
- biological components
- buildings and the land
- components
- components and systems
- components by specific context
- copper alloy
- copper and copper alloy
- descriptors
- figures
- figures (representations)
- groups of people
- inorganic material
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- nobility
- nonferrous metal
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- political figures
- religious structures
- single built works
- single built works by function
- single built works by specific type
- social classes
- social classes by specific type
- social groups
- the human body
- upper body
- upper class
- visual works
- visual works by subject type
- Title
- Janus Bird (Oiseau Janus)
- Artist
- Max Ernst
- Physical Description
- Standing bronze figure with recto/verso. The silhouette of the body is rectangular in shape. The heads on both side are simply rendered with rounded eyes and a pursed -lip mouth on one, a button nose on the other; bodies are supported by short legs; sides loosely suggest representations of male and female anatomy with side-by-side scallop shells suggesting a breasted chest on one side, an upward facing frog/toad in the phallus area on the reverse side.
- Artist Life Dates
- 1891-1976
- Century
- 20th century
- Object Creation Date
- 1973
- Accession Number
- 1987/1.160
- Medium and Support
- bronze
- relevance
- rank 4.91615
- Secondary Keywords
- amphibians
- animals
- animals and creatures
- combination inorganic/organic animal material
- combination inorganic/organic material
- copper alloy
- copper and copper alloy
- descriptors
- european
- european styles and periods
- inorganic material
- materials
- materials by composition
- metal
- metal and metal products
- metal by composition or origin
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- nonferrous metal
- objects we use
- people and culture
- reptiles
- reptiles and amphibians
- shell and shell material
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works by subject type
- Title
- Pope Sixtus IV (obverse), and the Ponte Sisto (reverse)
- Artist
- Lysippus
- Physical Description
- The front (obverse) of this medal depicts the profile portrait of a man with a tonsure, wearing a cope adorned with acorns and oak leaves and a large clasp. An inscription runs around the border. The reverse represents a bridge spanning a river enclosed within a border of oak leaves. An inscription appears above the balustrade of the bridge.
- Artist Life Dates
- active 1471-1484
- Century
- 15th century
- Object Creation Date
- 1473
- Accession Number
- 1984/1.285
- Medium and Support
- cast bronze
- relevance
- rank 4.90410
- Secondary Keywords
- image form
- buildings and the land
- christian clergy
- clergy
- copper alloy
- copper and copper alloy
- descriptors
- forming
- inorganic material
- materials
- materials by composition
- medals
- metal
- metal and metal products
- metal by composition or origin
- nonferrous metal
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in religion
- people in religion and related occupations
- people in the humanities
- prelates
- processes and techniques
- processes and techniques by specific type
- single built works
- single built works by function
- single built works by specific type
- transportation structures
- transportation structures by form
- views
- views by vantage point or orientation
- visual works
- visual works by form
- visual works by subject type
- Title
- Vanitas (Still Life), with globe, skull, candle, tazza, and covered cup
- Artist
- Willem Claesz Heda
- Physical Description
- This remarkable still life depicts a table crowded with, among other things, a gilded covered goblet, a wide saucer-shaped silver tazza, a celestial globe painted with images of the constellations, a skull wearing a laurel wreath, and an extinguished candle, all rendered in exquisite detail with careful attention paid to the effects of light and texture. While the arrangement of objects may appear casual, the composition is artfully balanced along two diagonal axes centered on the two cups that lie crossed on the table. The repetition of ovoid shapes throughout the painting and the monochrome tonality with its restricted range of hues and values, a hallmark of Heda's style, assures the seamless integration of the sundry objects into a unified whole.
- Artist Life Dates
- 1594-1680
- Century
- 17th century
- Object Creation Date
- 1633-1635
- Accession Number
- 1965/2.55
- Medium and Support
- oil on panel
- relevance
- rank 4.88106
- Secondary Keywords
- animal material
- animal material by form or function
- candleholders
- candles and candleholders
- containers
- containers by function or context
- containers for serving and consuming food
- culinary containers
- descriptors
- drinking vessels
- european
- european styles and periods
- furnishings
- furnishings by form or function
- information artifacts
- information artifacts by physical form
- information forms
- lighting devices
- lighting devices by form
- materials
- materials by origin
- objects we use
- people and culture
- renaissance-baroque styles and periods
- skeleton and skeleton components
- skeleton components
- still lifes
- styles and periods
- styles and periods by region
- vessels for serving and consuming food
- visual works
- visual works by subject type
- Title
- Sandcastle
- Artist
- Anne Truitt
- Physical Description
- A long, low rectangular with a painted band of green extends around the rectangle at floor level. The upper half is painted off-white. About three fourths of the length is uniform. The other quarter, at the viewer's right, has several features: two depressed areas, and two raised areas, which are painted in a brighter white.
- Artist Life Dates
- 1921-2004
- Century
- 20th century
- Object Creation Date
- 1963
- Accession Number
- 1984/2.57
- Medium and Support
- acrylic on wood
- relevance
- rank 4.83758
- Secondary Keywords
- associated concepts
- biological concepts
- combination inorganic/organic material
- culture and related concepts
- culture-related concepts
- descriptors
- european
- european styles and periods
- genres
- international post-1945 styles and movements
- life
- life stages
- materials
- materials by composition
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- objects we use
- paintings
- paintings by material or technique
- people and culture
- post-1945 fine arts styles and movements
- recreation
- scientific concepts
- sculpture
- sculpture by material
- soil
- soil by composition or origin
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique