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Showing results for "components by specific context" in Secondary Keywords.
- Title
- Fragment of a gaming piece with male slaying beast, possibly Hercules and the Erymanthian boar, zigzag pattern with incised circles in border
- Artist
- Samson Carver, Pricked-Ivories Workshop, Cologne, Germany
- Physical Description
- Fragment of circular gaming piece carved in elephant ivory in high relief. Standing male figure wearing knee-length robe holds sword in right hand and stabs inverted beast in the chest. Forelegs of beast end in hooves; head of beast characterized by large eye and pronounced nostril. Left arm of figure and rear half of the beast missing. Border contains zigzag pattern with bead motif.
- Century
- 12th century
- Object Creation Date
- circa 1150
- Accession Number
- 1987/1.262
- Medium and Support
- elephant ivory
- relevance
- rank 5.39913
- Secondary Keywords
- animals and creatures
- bone
- bone by form
- card, table and board game elements
- combination inorganic/organic animal material
- combination inorganic/organic material
- dentin
- descriptors
- edged weapons
- mammals
- materials
- materials by composition
- object-making processes and techniques
- objects we use
- people and culture
- physical activities
- physical activities by general context
- processes and techniques
- processes and techniques by specific type
- recreational artifacts
- recreational artifacts for competitive activities
- relief
- sculpture techniques
- tooth and tooth components
- tooth components
- weapons
- weapons and ammunition
- Title
- Celebratory couple, fragment of railing from a Buddhist Stupa
- Artist
- India, Madhya Pradesh, Mathura
- Century
- 2nd-3rd century
- Object Creation Date
- 2nd century - 3rd century
- Accession Number
- 1996/2.33
- Medium and Support
- mottled red sandstone
- relevance
- rank 5.37583
- Secondary Keywords
- associated concepts
- buildings and the land
- components and systems
- object groupings
- object groupings and systems
- object groupings by general context
- open spaces and site elements
- people and culture
- physical activities
- physical activities by general context
- religions
- religions and religious concepts
- religious structures
- sets (groups)
- single built works
- single built works by function
- single built works by specific type
- site elements
- Title
- Eight Views of Edo Suburbs: Fishing Boats Returning to Gyôtoku
- Artist
- Andô Hiroshige
- Physical Description
- The pyramid shaped hills in the background of this print are those of the boiling houses and salt piles of Gyôtoku’s salt industry. A ferry boat, or watashi-bune, carries passengers in the foreground of this picture. In this print a shipman steers using the large rudder located in the back of the boat.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- circa 1835-1842
- Accession Number
- 1948/1.138
- Medium and Support
- color woodblock print on paper
- relevance
- rank 5.27683
- Secondary Keywords
- relation to water
- transfer method
- asian
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- early modern japanese periods
- east asian
- edo (japanese period)
- hunting and commercial fishing vessels
- japanese
- japanese periods
- japanese printmaking styles
- japanese styles
- landforms
- landforms and landform components
- landforms by position
- landforms by shape or position
- landscapes (environments)
- natural landscapes
- objects we use
- people and culture
- physical activities
- physical activities by location
- physical activities by specific context
- prints
- prints by process
- prints by process or technique
- relief prints
- riverine bodies
- settlements and landscapes
- styles and periods
- styles and periods by region
- transportation vehicles
- vehicles
- visual works
- visual works by medium or technique
- water activities
- watercraft
- watercraft by function
- watercraft by method of propulsion
- watercraft by specific type
- Title
- Transport Braila, Rumania, from "Hungarian Memories"
- Artist
- André Kertész
- Physical Description
- A man sits in the street with legs crossed and hands clasp, leaning against his wagon. The wagon is filled to the brim with various wooden objects. The man's gaze is transfixed on two dogs sitting beside wooden crates.
- Artist Life Dates
- 1894-1985
- Century
- 20th century
- Object Creation Date
- October 19, 1918; printed 1981
- Accession Number
- 1985/1.125.8
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 5.26249
- Secondary Keywords
- animals and creatures
- associated concepts
- cargo vehicles
- cargo vehicles by form
- components and systems
- containers
- containers by form
- environments (object groupings)
- freewheeled vehicles
- freewheeled vehicles by form or function
- land vehicles
- land vehicles by form
- mammals
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people and culture
- physical activities
- physical activities by general context
- religions
- religions and religious concepts
- transportation vehicles
- vehicles
- Title
- Gasshôzukuri Farmhouses in Snow
- Artist
- Saitô Kiyoshi
- Physical Description
- A native of Sakamoto in Fukushima Prefecture, the artist here depicts his far northern hometown with the snow-covered imagery to present a view of traditional Japan in a innovative and modern way.
- Artist Life Dates
- (active 1907 - 1997)
- Century
- 20th century
- Object Creation Date
- circa 1958
- Accession Number
- 1994/2.4
- Medium and Support
- color woodblock print on paper
- relevance
- rank 5.22700
- Secondary Keywords
- settlement area
- associated concepts
- buildings and the land
- dwellings
- earth sciences concepts
- houses by location
- houses by location or context
- landscapes (environments)
- natural landscapes
- objects we use
- people and culture
- physical sciences concepts
- plants
- precipitation
- residential structures
- rural houses
- scientific concepts
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- vegetation and vegetation components
- vegetation components
- visual works
- visual works by subject type
- weather and related phenomena
- weather-related phenomena
- woody plants
- Title
- Serpent Mound, Ohio
- Artist
- Marilyn Bridges
- Physical Description
- A black and white aerial landscape photograph of a long and winding mound land formation in the shape of a large snake. The serpent-like mound is surrounded by trees.
- Artist Life Dates
- American, born 1957
- Object Creation Date
- 1982
- Accession Number
- 2012/2.12
- Medium and Support
- gelatin silver print, AP on paper
- relevance
- rank 5.19063
- Secondary Keywords
- buildings and the land
- descriptors
- image-making processes and techniques
- landforms and landform components
- natural landscapes
- photographic techniques
- photography and photographic processes and techniques
- picture-taking techniques
- picture-taking techniques by location or context
- processes and techniques
- processes and techniques by specific type
- settlements and landscapes
- Title
- Floral Still Life
- Artist
- Hans Zatzka
- Physical Description
- A wide gladd vase rests upon a table partly covered by a cloth in a blue pattern. The vase contains a tall floral arrangement. Some flowed include pink, white, red and yellow roses, hydrageas, and lillies, among other flowers and greens. Floating around the flowers are three blue and white butterflies. The background behind the flower arrangement transitions from an almost black background from the left to a distant landscape scene, either through a window view or a painting.
- Artist Life Dates
- 1859-1945
- Object Creation Date
- 1877-1977
- Accession Number
- 2009/2.92
- Medium and Support
- oil on canvas
- relevance
- rank 5.17567
- Secondary Keywords
- buildings and the land
- containers
- containers by form
- coverings and hangings
- coverings and hangings by location or context
- coverings and hangings by specific type
- coverings and hangings for furniture
- coverings and hangings for storage and support furniture
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- herbaceous plants
- landscapes (environments)
- natural landscapes
- objects we use
- plants
- settlements and landscapes
- support furniture
- table coverings
- vegetation and vegetation components
- vegetation components
- vessels
- visual works
- visual works by subject type
- woody plants
- Title
- The Orchid Pavilion Gathering
- Artist
- Sheng Maoye (Sheng Mao-yeh)
- Physical Description
- Handscroll depicting figures (42 men and 6 boys) in a landscape, most of whom are sitting along the banks of a stream as cups on lotus leaves float by. A small cluster of figures sits in a shelter over the water examining a handscroll. The painting includes an inscription, six artist’s seals and one collector’s seal.
- Artist Life Dates
- active 1594-164
- Century
- 17th century
- Object Creation Date
- 1621
- Accession Number
- 1974/1.244
- Medium and Support
- handscroll, ink and color on silk
- relevance
- rank 5.13449
- Secondary Keywords
- architecture
- asian
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- bridges (built works)
- bridges by function
- buildings and the land
- chinese
- chinese painting styles
- chinese styles
- chinese styles and periods
- containers
- containers by function or context
- containers for serving and consuming food
- culinary containers
- descriptors
- drinking vessels
- east asian
- figures
- flowers
- geography
- grass (plant material)
- history
- how we live
- inorganic material
- landscapes (environments)
- materials
- materials by composition
- materials by origin
- natural landscapes
- objects we use
- paintings
- paintings by form
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- physical activities
- physical activities by general context
- plant material
- plants
- riverine bodies
- scroll paintings
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- styles and periods
- styles and periods by region
- the natural world
- transportation structures
- transportation structures by form
- vegetation and vegetation components
- vegetation components
- vessels for serving and consuming food
- visual works
- visual works by medium or technique
- woody plants
- Title
- The Pandawas being banished after losing the dice game to Kauravas (The last scene of Sabha Parwa, Mahabharata) 'Wayang Ider Ider'
- Artist
- Indonesia, Bali
- Century
- 20th century
- Object Creation Date
- circa 1930
- Accession Number
- 1976/2.19
- Medium and Support
- ink and opaque watercolor on hand-woven cotton
- relevance
- rank 5.12053
- Secondary Keywords
- associated concepts
- components and systems
- object groupings
- object groupings and systems
- object groupings by specific context
- people
- people (agents)
- people and culture
- people by state or condition
- religions
- religions and religious concepts
- visual works groupings
- Title
- Hanging a Poem on a Cherry Tree
- Artist
- Ishikawa Toyonobu
- Physical Description
- A color woodblock print of a young woman hanging a paper with poem on a cherry tree. The woman is in a kimono with intricate design of cherry blossom, hemp leaves, birds and swirls, pine trees and diamond patterns. She also wears broad obi (sash) in checkerboard patterns, which is bow- tied on her back. There is also a white sash underneath the obi, which supports her long kimono. Her hair is tied on the back and adorn with tortoise-shell comb and pin. The cherry tree is in full bloom; there is a curtain with a family crest behind the woman and the tree; a certain kind of platform with swirling vine pattern is peaking below the curtain. The overall color scheme is in yellow, orange, black and white (the color of the paper). There are artist’s signature and two seals on the right bottom corner, and smaller seal on the left bottom corner.
- Artist Life Dates
- 1711-1785
- Century
- 18th century
- Object Creation Date
- circa 1746-1749
- Accession Number
- 1955/1.130
- Medium and Support
- Urushi-e (color woodblock print) on paper
- relevance
- rank 5.09785
- Secondary Keywords
- accessories worn at the waist or below
- buildings and the land
- costume
- costume accessories
- costume accessories worn
- costume by form
- coverings and hangings
- coverings and hangings by location or context
- coverings and hangings by specific type
- coverings and hangings for openings
- deciduous trees
- document genres
- document genres by form
- document genres for literary works
- furnishings
- furnishings by form or function
- information forms
- landscapes (environments)
- main garments
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- plants
- settlements and landscapes
- trees
- trees by leaf life
- vegetation and vegetation components
- vegetation components
- woody plants
- Title
- Blue-and-white plate with landscape design
- Artist
- Artist Unknown, Hizen ware, Japan
- Physical Description
- A medium size plate has blue-and-white underglaze painting of landscape. There are two groups of mountains; one of the left has two large rocks flanked by two smaller mountains with a few trees on the tops. Three smaller rocks peek from the water. On the right side, a range of gently sloped mountains and a rock are drawn. There are two fishing boats with masts can be seen in front of the mountain range. The crescent moon, shadowed by one side, is in the sky. The drawing is executed in thick underglaze and painted in lighter glaze. There are brown speckles on the surface; reddish color stains on the top of the rim. Some chips on the rim and on the back. The foot is unglazed; eye is glazed. There is a single band around the rim.
- Century
- 17th century
- Object Creation Date
- 1615-1643
- Accession Number
- 1963/2.62
- Medium and Support
- porcelain, blue underglaze painting
- relevance
- rank 5.09346
- Secondary Keywords
- upward
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- containers
- containers by function or context
- containers for serving and consuming food
- culinary containers
- descriptors
- design elements
- dishes
- hunting and commercial fishing vessels
- lacustrine bodies
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- motifs
- natural element motifs
- natural landscapes
- objects we use
- settlements and landscapes
- transportation vehicles
- vehicles
- vessels for serving and consuming food
- visual works
- visual works by subject type
- watercraft
- watercraft by function
- watercraft by specific type
- Title
- The Lord's Prayer, sheet 8 - And Lead Us Not into Temptation (Das Vaterunser - Und führe uns nicht in Versuchung)
- Artist
- Max Pechstein
- Physical Description
- A nude man and woman at center struggle with one another; a snake and a seated figure are visible in the background. The two central figures with intertwined limbs suggesting a struggle are positioned above a sharp-toothed mammal resembling a fox.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.430
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 5.03549
- Secondary Keywords
- transfer method
- animals and creatures
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by general context
- object groupings by specific context
- objects we use
- people and culture
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- reptiles
- sets (groups)
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Becky and Craig, Chicago
- Artist
- David Rosen
- Physical Description
- A woman sitting on top of a man's lap. She is looking at the camera, he is resting his head on her shoulder with his eyes closed.
- Artist Life Dates
- 1958-2013
- Object Creation Date
- 1995
- Accession Number
- 2013/2.207
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 5.03464
- Secondary Keywords
- components and systems
- descriptors
- image-making processes and techniques
- object groupings
- object groupings and systems
- object groupings by general context
- people
- people (agents)
- people and culture
- people by age group
- photography and photographic processes and techniques
- processes and techniques
- processes and techniques by specific type
- sets (groups)
- youth
- Title
- The Lord's Prayer, sheet 7 - As We Forgive Them that Sin Against Us (Das Vaterunser - Wie wir vergeben unsern Schuldigern)
- Artist
- Max Pechstein
- Physical Description
- A male figure in profile seen at viewer's right rests his head on the shoulder of a woman. The figures grasp hands in the center of the composition; the female figure's proper left hand rests upon the neck of the male figure; both figures are dressed in dark clothes and illuiminated from behind by a bright white light; text runs along the uppermost edge of the composition, at the viewer's right mid-center, and along the bottom proper.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.429
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 5.00235
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by general context
- object groupings by specific context
- objects we use
- people and culture
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- sets (groups)
- social science concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Royal couple standing under a tree
- Artist
- India, Madhya Pradesh, Mathura
- Century
- 3rd-4th century
- Object Creation Date
- 3rd century - 4th century
- Accession Number
- 1980/2.292
- Medium and Support
- mottled pink sandstone
- relevance
- rank 4.93769
- Secondary Keywords
- aristocracy
- components and systems
- groups of people
- nobility
- object groupings
- object groupings and systems
- object groupings by general context
- people
- people (agents)
- people and culture
- people by gender
- sets (groups)
- social classes
- social classes by specific type
- social groups
- upper class
- Title
- The Fifty-Three Stations of the Tokaido (Hoeido Edition) #16 Kambara, Night Snow
- Artist
- Andô Hiroshige
- Artist Life Dates
- 1797-1858
- Object Creation Date
- 1831-1834
- Accession Number
- 2008/2.194
- Medium and Support
- woodblock print on paper
- relevance
- rank 4.92443
- Secondary Keywords
- associated concepts
- components and systems
- earth sciences concepts
- object groupings
- object groupings and systems
- object groupings by specific context
- people and culture
- physical sciences concepts
- precipitation
- scientific concepts
- visual works groupings
- weather and related phenomena
- weather-related phenomena
- Title
- The Flagellation (Large Passion Series)
- Artist
- Albrecht Dürer
- Physical Description
- At the center of this densely detailed print stands a male figure, nude except for a loincloth, with his hands tied behind him to a column. He is encircled by a crowd of figures, including three men who beat him with whips, switches, and fists. A fourth figure leers at him grotesquely, while another sits on the ground with his feet against the column and pulls the ropes holding their victim. Another figure, wearing elaborate armor, kneels in the foreground as he prepares his switches. Onlookers, some wearing elaborate turbans and robes inspired by Turkish clothing, stand behind the torturers. A crown of thorns sits in the lower right corner and a small dog appears in the center foreground next to the artist's initials.
- Artist Life Dates
- (Nüremberg, 1471 - 1528)
- Century
- Late 15th century
- Object Creation Date
- 1497
- Accession Number
- 1960/2.35
- Medium and Support
- woodcut on paper
- relevance
- rank 4.91484
- Secondary Keywords
- transfer method
- accessories worn on the head
- animal equipment
- associated concepts
- bavaria (state)
- components and systems
- costume
- costume accessories
- costume accessories worn
- equipment
- equipment by context
- europe (continent)
- geographic and political locations
- germany (nation)
- groups of people
- groups of people by activity
- headgear
- mittelfranken (national district)
- narrative cycles
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- prints
- prints by process
- prints by process or technique
- relief prints
- religions
- religions and religious concepts
- tools and equipment
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Soldier and Woman Seated on Table, Striped Background
- Artist
- Mike Disfarmer
- Physical Description
- A man in uniform, with his left arm around a woman's shoulders. Both are sitting together on a table in front of a striped wall.
- Artist Life Dates
- American, 1884 - 1959
- Object Creation Date
- circa 1940
- Accession Number
- 2012/2.15
- Medium and Support
- vintage gelatin silver contact print on paper
- relevance
- rank 4.85071
- Secondary Keywords
- components and systems
- descriptors
- image-making processes and techniques
- object groupings
- object groupings and systems
- object groupings by general context
- people
- people (agents)
- people and culture
- people by occupation
- people in military occupations
- photographic processes
- photography and photographic processes and techniques
- processes and techniques
- processes and techniques by specific type
- sets (groups)
- Title
- Dancing Couple (Dodo and Partner)
- Artist
- Ernst Kirchner
- Physical Description
- A man and woman embrace in center; the man appears in a dress coat, the woman in a very large hat. She looks out at the viewer, while the man's head is turned to the left. Near the woman's left elbow is the outline of a suggested figure; another embracing couple is outlined to the right. The smaller figures suggest a perspective and size to the space, only suggested through brief lines and indistinct objects on the left. Artist's sketch from life; Kirchner developed a rapid, stroke-oriented (as opposed to detail-oriented) sketch style when out in the world.
- Artist Life Dates
- 1880-1938
- Century
- 20th century
- Object Creation Date
- 1910
- Accession Number
- 2007/2.82
- Medium and Support
- graphite on coated wove paper
- relevance
- rank 4.80742
- Secondary Keywords
- buildings and the land
- components and systems
- entertainment buildings
- object groupings
- object groupings and systems
- object groupings by general context
- recreation buildings
- recreation structures
- sets (groups)
- single built works
- single built works by function
- single built works by specific type
- Title
- Happy Couple
- Artist
- Mike Disfarmer
- Physical Description
- A seated couple seen from the waist up. He wears a short sleeve collared shirt and leans to his left, towards the woman. His left arm is around her back. She is to the viewer's right and wears a short sleeve button up shirt. Her arms are bent at the elbows and held in front of her.
- Artist Life Dates
- American, 1884 - 1959
- Object Creation Date
- circa 1940
- Accession Number
- 2012/2.26
- Medium and Support
- vintage gelatin silver contact print on paper
- relevance
- rank 4.70918
- Secondary Keywords
- components and systems
- descriptors
- image-making processes and techniques
- object groupings
- object groupings and systems
- object groupings by general context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- photographic processes
- photography and photographic processes and techniques
- processes and techniques
- processes and techniques by specific type
- sets (groups)
- visual works
- visual works by medium or technique
- Title
- The Happy Life of Fishermen
- Artist
- Qian Gong (Ch'ien Kung)
- Physical Description
- A group of fishermen and families sit in reeds, resting, playing, drinking, eating, and chatting. Birds fly in the backgrounf, and the reeds bend under the wind. At top center is calligraphic text.
- Artist Life Dates
- (active Suzhou, ca. 1573 - ca. 1620)
- Century
- 17th century
- Object Creation Date
- 1610
- Accession Number
- 1985/2.29
- Medium and Support
- fan mounted as an album leaf, ink and color on gold paper
- relevance
- rank 4.69380
- Secondary Keywords
- books
- books by internal form
- buildings and the land
- coating (material)
- coating by form
- costume
- costume accessories
- costume accessories carried
- descriptors
- information artifacts
- information artifacts by physical form
- information forms
- inorganic material
- landscapes (environments)
- materials
- materials by composition
- materials by function
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in agriculture or natural resource occupations
- people in science-related occupations
- physical activities
- physical activities by location
- physical activities by specific context
- plants
- scientists and people in science-related occupations
- settlements and landscapes
- transportation vehicles
- vegetation and vegetation components
- vegetation components
- vehicles
- water activities
- watercraft
- watercraft by general type
- woody plants
- Title
- The Fiddler and the Hurdy-Gurdy Boy
- Artist
- Adriaen Jansz van Ostade
- Physical Description
- Paper size: h 16cm x w 13 2/5cm. Plate size: lh 15 1/2cm & rh 15 3/5cm x tw 13cm & bw 13 1/10cm. Image size: lh 14 9/10cm & rh 14 4/5cm x w 12 3/5cm.
- Artist Life Dates
- 1610-1685
- Object Creation Date
- circa 1653-1660
- Accession Number
- 2008/2.412
- Medium and Support
- etching on beige laid paper
- relevance
- rank 4.66205
- Secondary Keywords
- bowed
- chordophones
- components and systems
- descriptors
- engraving (printing process)
- image-making processes and techniques
- intaglio printing processes
- lutelike chordophones
- object groupings
- object groupings and systems
- object groupings by general context
- objects we use
- printing and printing processes and techniques
- printing processes
- processes and techniques
- processes and techniques by specific type
- sets (groups)
- sound devices
- sound devices by acoustical characteristics
- Title
- Pond at Magnolia Plantation
- Artist
- Norm Walker
- Physical Description
- View of pond and surrounding scenery. The pond creates a mirrored image of the sky above.
- Accession Number
- 2013/1.266
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 4.65720
- Secondary Keywords
- settlement area
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- dwellings
- geographic and political locations
- houses
- houses by location
- houses by location or context
- lacustrine bodies
- landscapes (environments)
- natural landscapes
- north and central america (continent)
- residential structures
- rural houses
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- united states (nation)
- Title
- The Lord's Prayer, sheet 5 - Give Us this Day Our Daily Bread (Das Vaterunser - Unser täglich Brot gieb uns heute)
- Artist
- Max Pechstein
- Physical Description
- Four men in plain, dark clothing sit, with hands folded in prayer, around a rectangular table, in the center of which is a fish on an oval platter. The man at the far end has his eyes closed. The other three raise their faces to heaven.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.427
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 4.57636
- Secondary Keywords
- transfer method
- animals
- associated concepts
- components and systems
- descriptors
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- events
- information forms
- materials
- materials by function
- mental activities
- modern and contemporary art
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- physical activities
- physical activities by general context
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Zapruder
- Artist
- John Waters
- Physical Description
- Twenty-four color photographs mounted in two-part artist's frame with a ninety-degree bend.
- Artist Life Dates
- born 1946
- Century
- 20th century
- Object Creation Date
- 1995
- Accession Number
- 2008/2.214
- Medium and Support
- chromogenic print on paper
- relevance
- rank 4.49182
- Secondary Keywords
- administrators
- artistic concepts
- associated concepts
- components and systems
- concepts in the arts
- concepts relating to the creative process
- creativity
- deaths
- events
- executives
- imagination
- murders
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by occupation
- people in government and administration
- personal life events
- photographs
- photographs by subject type
- social issues
- social science concepts
- sociological concepts
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Scene from the Ramayana (?)
- Artist
- Indonesia, Bali
- Century
- 20th century
- Object Creation Date
- 1st half of 20th century
- Accession Number
- 1991/2.31
- Medium and Support
- ink and opaque watercolor on hand-woven cotton
- relevance
- rank 4.40272
- Secondary Keywords
- animals and creatures
- associated concepts
- ceremonial chairs
- chairs
- chairs by function
- components and systems
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- mammals
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- people by occupation
- people in government and administration
- religions
- religions and religious concepts
- rulers (people)
- seating furniture
- single seating furniture
- visual works groupings
- Title
- Untitled (Reflective Water)
- Artist
- Henry Gilpin
- Physical Description
- An aerial view of a pond that creates a reflective pool and a silver ring around it. The surrounding area is an intense black.
- Artist Life Dates
- 1922-2011
- Accession Number
- 2012/1.242
- Medium and Support
- gelatin silver print on paper
- relevance
- rank 4.32631
- Secondary Keywords
- image form
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- descriptors
- image-making processes and techniques
- lacustrine bodies
- landscapes (environments)
- natural landscapes
- objects we use
- photographic techniques
- photography and photographic processes and techniques
- picture-taking techniques
- picture-taking techniques by location or context
- processes and techniques
- processes and techniques by specific type
- settlements and landscapes
- views
- views by vantage point or orientation
- visual works
- visual works by form
- Title
- Marché aux Légumes, Amiens (The Vegetable Market)
- Artist
- Auguste Louis Lepère
- Physical Description
- Three gondolas in the foreground are in a river, steering toward a bridge on the right side of the scene. Two figures are steering in the foremost, center gondola, of which only a section can be seen. In the middle ground is a group of buildings, with a cluster of trees on the left. In the background, a cathedral rises up in the center left. The cathedral is created with much lighter lines, and blends in to the background.
- Artist Life Dates
- 1849-1918
- Century
- 20th century
- Object Creation Date
- 1907
- Accession Number
- 1967/2.44
- Medium and Support
- etching on paper
- relevance
- rank 4.26138
- Secondary Keywords
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- churches
- churches by location or context
- europe (continent)
- france (nation)
- geographic and political locations
- landscapes (environments)
- modern and contemporary art
- natural landscapes
- objects we use
- picardy (region)
- religious buildings
- religious structures
- riverine bodies
- settlements and landscapes
- single built works
- single built works by function
- single built works by specific type
- somme (department)
- transportation vehicles
- vehicles
- visual works
- visual works by subject type
- watercraft
- watercraft by general type
- Title
- Ecce Homo (Large Passion Series)
- Artist
- Albrecht Dürer
- Physical Description
- A crowd of men, rendered as a dense mass of bodies and faces that bristles with pikes and spears, gather before a porch attached to an ornately decorated stone building. A bearded man, wearing rich dress and a turban leans over the balustrade of the porch toward the crowd with his arms outstretched and his hands open as he turns his head to look at the man standing beside him. This sorrowful figure wears only a crown of thorns and a long robe that is partly opened by the man standing behind him to reveal his lean body flecked with drops of sweat or blood.
- Artist Life Dates
- (Nüremberg, 1471 - 1528)
- Century
- Late 15th-Early 16th century
- Object Creation Date
- 1498-1500
- Accession Number
- 1953/1.48
- Medium and Support
- woodcut on paper
- relevance
- rank 4.14559
- Secondary Keywords
- transfer method
- accessories worn on the head
- associated concepts
- bavaria (state)
- components and systems
- costume
- costume accessories
- costume accessories worn
- europe (continent)
- geographic and political locations
- germany (nation)
- groups of people
- groups of people by activity
- headgear
- mittelfranken (national district)
- narrative cycles
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- prints
- prints by process
- prints by process or technique
- relief prints
- religions
- religions and religious concepts
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Oceanus (from a Series of 6 Mythological Figures)
- Artist
- Hendrick Goltzius
- Physical Description
- A powerfully muscled nude man sits astride a fearsome sea creature. He grasps an oar in his left hand and the beast's reins in his right, while a cloth billows out behind him. A variety of humanoid creatures frolic in the seascape in the background.
- Artist Life Dates
- 1558 - 1617
- Century
- 16th century
- Object Creation Date
- circa 1589-1590
- Accession Number
- 1960/2.36
- Medium and Support
- chiaroscuro woodcut on laid paper
- relevance
- rank 4.06903
- Secondary Keywords
- transfer method
- animals and creatures
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- descriptors
- equipment
- equipment by context
- image-making processes and techniques
- landscapes (environments)
- legendary creatures
- marine bodies
- natural landscapes
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- printing
- printing and printing processes and techniques
- prints
- prints by process
- prints by process or technique
- processes and techniques
- processes and techniques by specific type
- relief prints
- settlements and landscapes
- tools and equipment
- vehicle equipment
- visual works
- visual works by medium or technique
- watercraft equipment
- woodcuts
- Title
- Night Rain on the Xiao and Xiang Rivers
- Artist
- Chang Ku-nien
- Physical Description
- In this landscape a misty, meandering river is depicted with two boathouses along its banks. Reeds and other foliage grow lush along the banks, partially obscuring the boathouse in the foreground. Accompanying text is in the upper register.
- Artist Life Dates
- (Shanghai, China, 1906 - 1987, Flint, Michigan)
- Century
- 20th century
- Object Creation Date
- last quarter of 20th century
- Accession Number
- 2006/1.127
- Medium and Support
- hanging scroll, ink on paper
- relevance
- rank 3.90343
- Secondary Keywords
- associated concepts
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- coating (material)
- coating by form
- descriptors
- earth sciences concepts
- garden structures
- landscapes (environments)
- materials
- materials by function
- natural landscapes
- objects we use
- paintings
- paintings by form
- people and culture
- physical sciences concepts
- precipitation
- riverine bodies
- scientific concepts
- scroll paintings
- settlements and landscapes
- single built works
- single built works by location or context
- single built works by specific type
- transportation vehicles
- vehicles
- visual works
- visual works by medium or technique
- watercraft
- watercraft by general type
- weather and related phenomena
- weather-related phenomena
- Title
- Landscape with Washerwoman
- Artist
- Alessandro Magnasco
- Physical Description
- This landscape scene has an expansive blue sky in the upper half of the composition contrasted with the dark countryside, painted in hues of dark green and brown, in the lower portion. On the horizon, in between these two areas, is a mountain range with sharp pointed peaks. The forms of the bright white clouds mimick the foliage of the trees.
- There are figures in the foreground area, although the rugged countryside shows no sign of habitation. On the right, two women are shown bending over, washing clothes in a small stream. There is a man sitting next to a laundry basket in the far left corner. A fourth figure, seen from the back only, is placed in the center area of the foreground.
- Artist Life Dates
- 1667 - 1749
- Century
- 18th century
- Object Creation Date
- circa 1711-1720
- Accession Number
- 1960/2.127
- Medium and Support
- oil on canvas
- relevance
- rank 3.89244
- Secondary Keywords
- upward
- associated concepts
- atmospheric effects
- buildings and the land
- containers
- containers by function or context
- descriptors
- earth sciences concepts
- geography
- housekeeping containers
- image-making processes and techniques
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- natural landscapes
- objects
- objects we use
- painting and painting techniques
- painting techniques
- painting techniques by application method
- people
- people (agents)
- people and culture
- people and occupations
- people by gender
- people by occupation
- people in service occupations
- physical sciences concepts
- plants
- processes and techniques
- processes and techniques by specific type
- scientific concepts
- settlements and landscapes
- the natural world
- visual works
- visual works by subject type
- weather and related phenomena
- weather-related phenomena
- Title
- The Lord's Prayer, sheet 1 (Das Vaterunser)
- Artist
- Max Pechstein
- Physical Description
- This title sheet from Pechstein's "The Lord's Prayer" portfolio has the title of the series in large letters and an attribution to Pechstein at the bottom. Beneath the word "Vater," a man leans over a table, his hands folded in prayer. Two other praying men in profile bracket the word "Unser" near the bottom. All three wear plain, long-sleeved blue shirts.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.423
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 3.81723
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- prints
- prints by process
- prints by process or technique
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- , sheet 3 - Hallowed Be Thy Name (Das Vaterunser - Geheiligt werde Dein Name)
- Artist
- Max Pechstein
- Physical Description
- Three dark female figures are suspended in purgatory, with clasped hands in front of a triangular shaft of light that projects down from the top.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.425
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 3.81698
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- information forms
- mental activities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- prints
- prints by process
- prints by process or technique
- rays
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 2 - Our Father Who Art in Heaven (Das Vaterunser - Vater Unser Der Du bist im Himmel)
- Artist
- Max Pechstein
- Physical Description
- A large central figure represents God towers seen in the radiating rays of light and clouds that surround him.. On the forehead of his blocky, totemic head is a third eye. His left arm crosses over his middle and holds fire. His right hand extends down to the lower right corner as reaching down. The words "Vater Unser" are at the very top; "Der Du Bist" across God's waistline; "im Himmel" along the bottom.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.424
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 3.80889
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- european
- european styles and periods
- human body
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by state or condition
- prints
- prints by process
- prints by process or technique
- rays
- relief prints
- religions and religious concepts
- religious concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Hammock Reader
- Artist
- Milton Avery
- Physical Description
- Painting depicting a featureless female figure, in tones of aqua and light blue extending across the center of the canvas in a light gray hammock. There is a bright white shape, perhaps a book, in the middle of the figure. Behind the figure, the rest of the composition is organized in horizontal sections. At top, a yellow sky; below that are two gently-curved mountains in dark brown, followed by two horizontal planes of color in tan and light brown.
- Artist Life Dates
- 1885 - 1965
- Century
- 20th century
- Object Creation Date
- 1951
- Accession Number
- 1974/2.37
- Medium and Support
- oil on canvas
- relevance
- rank 3.73923
- Secondary Keywords
- upward
- attributes and properties
- attributes and properties by specific type
- buildings and the land
- descriptors
- european
- european styles and periods
- figures
- form attributes
- furnishings
- furnishings by form or function
- furniture
- furniture by form or function
- information artifacts
- information artifacts by physical form
- information forms
- landforms
- landforms and landform components
- landforms by shape or position
- landscapes (environments)
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- natural landscapes
- objects
- objects we use
- people and culture
- people and occupations
- physical activities
- physical activities by general context
- settlements and landscapes
- sleeping and reclining furniture
- styles and periods
- styles and periods by region
- visual works
- visual works by subject type
- Title
- The Lord's Prayer, sheet 9 - But Deliver Us from Evil (Das Vaterunser - Sondern erlöse uns von dem Übel)
- Artist
- Max Pechstein
- Physical Description
- At viewer's left, two reclining figures lie side-by-side in a bed, covered by a sheet up to their chins. At the foot of the bed at the viewer's right, a man sits with his eyes closed and his hands on his head. To the viewer's left, in the foreground , a woman sits, crying, wiping her eyes with the back of her left hand.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.431
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 3.71727
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- events
- information forms
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- people by state or condition
- personal life events
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- social science concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- Famous Views of the 60-odd Provinces: #9 The Tennô Festival at Tsushima in Owari Province
- Artist
- Andô Hiroshige
- Physical Description
- This piece depicts boats decorated with lanterns, the evening sky and festivities. The shore is lined with teahouses set up for the event. The title for the print is located in the upper right corner in a red box.
- Artist Life Dates
- 1797-1858
- Century
- 19th century
- Object Creation Date
- 1853-1856
- Accession Number
- 1960/2.144
- Medium and Support
- color woodblock print on paper
- relevance
- rank 3.67007
- Secondary Keywords
- scale
- transfer method
- asian
- bodies of water
- bodies of water and components of bodies of water
- bodies of water by size
- buildings and the land
- east asian
- garden structures
- how we live
- japanese
- japanese printmaking styles
- japanese styles
- landscapes (environments)
- natural landscapes
- objects we use
- people and culture
- plants
- prints
- prints by process
- prints by process or technique
- relief prints
- religious buildings
- religious structures
- riverine bodies
- settlements
- settlements and landscapes
- settlements by form
- single built works
- single built works by function
- single built works by location or context
- single built works by specific type
- styles and periods
- styles and periods by region
- the natural world
- transportation vehicles
- vehicles
- visual works
- visual works by medium or technique
- watercraft
- watercraft by general type
- waterscapes
- Title
- The Lord's Prayer, sheet 10 - For Thine Is the Kingdom (Das Vaterunser - Denn Dein ist das Reich)
- Artist
- Max Pechstein
- Physical Description
- A man, a woman, and a child facing the viewer with their hands folded in prayer. The man and woman sit on a mattress and look to heaven. The child stands in front of them with his head bowed. Next to the child is a diminutive cow. In the background behind the family are images of fish and birds.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.432
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 3.60237
- Secondary Keywords
- transfer method
- animals
- animals and creatures
- associated concepts
- components and systems
- document genres
- document genres by form
- document genres for literary works
- emotion
- european
- european styles and periods
- figures
- groups of people
- information forms
- kinship groups
- mammals
- mental activities
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people and occupations
- prints
- prints by process
- prints by process or technique
- psychological concepts
- relief prints
- religions and religious concepts
- religious concepts
- social groups
- social science concepts
- styles and periods
- styles and periods by region
- the natural world
- visual works
- visual works by medium or technique
- visual works groupings
- Title
- The Lord's Prayer, sheet 4 - Thy Kingdom Come, Thy Will Be Done on Earth, as It Is in Heaven (Das Vaterunser - Dein Reich komme, Dein Wille geschehe, Wie im Himmel, also auch auf Erden)
- Artist
- Max Pechstein
- Physical Description
- Three male figures dressed in dark clothing, with their backs to the viewer, stand on a shore facing the water as shafts of light break through dark clouds overhead. The figure at the viewer's left raises his hands in exultation. The man in the center stands with head tilted back; the figure at the viewer's righ looks down, as if at his hands. The words of the Lord's Prayer are presented in three lines of text, at the top, middle, and bottom of the composition.
- Artist Life Dates
- 1881 - 1955
- Century
- 20th century
- Object Creation Date
- 1921
- Accession Number
- 1948/1.426
- Medium and Support
- woodcut with hand-coloring on paper
- relevance
- rank 3.49962
- Secondary Keywords
- transfer method
- associated concepts
- components and systems
- daylight
- doctrinal concepts
- document genres
- document genres by form
- document genres for literary works
- earth sciences concepts
- electromagnetic radiation
- energy
- energy and related concepts
- european
- european styles and periods
- information forms
- light (energy)
- modern and contemporary art
- modern european fine arts styles and movements
- modern european styles and movements
- movement
- object groupings
- object groupings and systems
- object groupings by specific context
- objects we use
- people
- people (agents)
- people and culture
- people by gender
- physical sciences concepts
- physics concepts
- prints
- prints by process
- prints by process or technique
- rays
- relief prints
- religions and religious concepts
- religious concepts
- scientific concepts
- styles and periods
- styles and periods by region
- visual works
- visual works by medium or technique
- visual works groupings
- weather and related phenomena
- weather-related phenomena