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Untitled [cement factory]; China Through the Camera's Eye: A Portfolio

Citation: Liang Weiping, 2006
Filename: 08221_01
Page Number: 263
Number: 2
Issue Title: China
Caption: Untitled [cement factory]
ID: 08221_01
Volume: 47
Date: Spring2008
Article Title: China Through the Camera's Eye: A Portfolio
Author: Philip Beidler

Untitled; China Through the Camera's Eye: A Portfolio

ID: 08221_02
Author: Philip Beidler
Date: Spring2008
Article Title: China Through the Camera's Eye: A Portfolio
Volume: 47
Citation: Liang Weiping, 2006
Caption: Untitled
Page Number: 264
Filename: 08221_02
Issue Title: China
Number: 2

Besiege the City by the Country (series). Guangdong; China Through the Camera's Eye: A Portfolio

Citation: Zhou Ming, 1997
Caption: Besiege the City by the Country (series). Guangdong
Number: 2
Issue Title: China
Filename: 08221_03
Page Number: 265
ID: 08221_03
Article Title: China Through the Camera's Eye: A Portfolio
Date: Spring2008
Author: Philip Beidler
Volume: 47

Shanghai Sketch (series). Untitled #2; China Through the Camera's Eye: A Portfolio

Author: Philip Beidler
Article Title: China Through the Camera's Eye: A Portfolio
Date: Spring2008
Volume: 47
ID: 08221_04
Caption: Shanghai Sketch (series). Untitled #2
Number: 2
Issue Title: China
Page Number: 266
Filename: 08221_04
Citation: Zhang Xinmin, 2002

Shanghailanders (series). Untitled #2; China Through the Camera's Eye: A Portfolio

ID: 08221_05
Volume: 47
Article Title: China Through the Camera's Eye: A Portfolio
Date: Spring2008
Author: Philip Beidler
Citation: Lu Yuanmin, 1992-1995
Issue Title: China
Number: 2
Filename: 08221_05
Page Number: 267
Caption: Shanghailanders (series). Untitled #2

Shanghailanders (series). Untitled #2; China Through the Camera's Eye: A Portfolio

Caption: Shanghailanders (series). Untitled #2
Issue Title: China
Number: 2
Filename: 08221_06
Page Number: 268
Citation: Lu Yuanmin, 1992-1995
Article Title: China Through the Camera's Eye: A Portfolio
Date: Spring2008
Author: Philip Beidler
Volume: 47
ID: 08221_06

Shanghai (series).; China Through the Camera's Eye: A Portfolio

Citation: Gu Zheng
Caption: Shanghai (series).
Filename: 08221_07
Page Number: 269
Issue Title: China
Number: 2
ID: 08221_07
Author: Philip Beidler
Date: Spring2008
Article Title: China Through the Camera's Eye: A Portfolio
Volume: 47

Shanghai (series).; China Through the Camera's Eye: A Portfolio

Citation: Gu Zheng
Filename: 08221_08
Page Number: 270
Issue Title: China
Number: 2
Caption: Shanghai (series).
ID: 08221_08
Volume: 47
Date: Spring2008
Article Title: China Through the Camera's Eye: A Portfolio
Author: Philip Beidler

Figure 1; Modern Girl, Modern Men, And the Politics of Androgyny in Modern China

ID: 08223_01
Volume: 47
Article Title: Modern Girl, Modern Men, And the Politics of Androgyny in Modern China
Date: Spring2008
Author: Liang Luo
Issue Title: China
Number: 2
Filename: 08223_01
Page Number: 283
Caption: Figure 1

Figure 2; Modern Girl, Modern Men, And the Politics of Androgyny in Modern China

ID: 08223_02
Author: Liang Luo
Article Title: Modern Girl, Modern Men, And the Politics of Androgyny in Modern China
Date: Spring2008
Volume: 47
Caption: Figure 2
Issue Title: China
Number: 2
Page Number: 289
Filename: 08223_02

Figure 3; Modern Girl, Modern Men, And the Politics of Androgyny in Modern China

Author: Liang Luo
Article Title: Modern Girl, Modern Men, And the Politics of Androgyny in Modern China
Date: Spring2008
Volume: 47
ID: 08223_03
Caption: Figure 3
Issue Title: China
Number: 2
Page Number: 293
Filename: 08223_03

Figure 4; Modern Girl, Modern Men, And the Politics of Androgyny in Modern China

Number: 2
Issue Title: China
Filename: 08223_04
Page Number: 302
Caption: Figure 4
ID: 08223_04
Volume: 47
Author: Liang Luo
Article Title: Modern Girl, Modern Men, And the Politics of Androgyny in Modern China
Date: Spring2008

Yiyun Li; I Still Have So Many Chinese Stories to Tell: An Interview with Yiyun Li

Volume: 47
Article Title: I Still Have So Many Chinese Stories to Tell: An Interview with Yiyun Li
Date: Spring2008
Author: Vivian Chin
ID: 08228_01
Issue Title: China
Number: 2
Filename: 08228_01
Page Number: 316
Caption: Yiyun Li

On Literary Culture and Civilization: Autopsy for a Creative Writing Workshop

Author: Charles Johnson
Article Title: On Literary Culture and Civilization: Autopsy for a Creative Writing Workshop
Date: Summer2008
Volume: 47
ID: 08301_01
Number: 3
Filename: 08301_01
Page Number: 396

Ruth Behar (left) and Sandra Cisneros (right) at the pajama party, University of Michigan, September 28, 2006.; Talking in Our Pajamas: A Conversation with Sandra Cisneros on Finding Your Voice, Fear of Highways, Tacos, Travel, and the Need for Peace in the World

Number: 3
Filename: 08302_01
Page Number: 410
Caption: Ruth Behar (left) and Sandra Cisneros (right) at the pajama party, University of Michigan, September 28, 2006.
Citation: Photo by Lara Stein Pardo
Volume: 47
Author: Ruth Behar
Article Title: Talking in Our Pajamas: A Conversation with Sandra Cisneros on Finding Your Voice, Fear of Highways, Tacos, Travel, and the Need for Peace in the World
Date: Summer2008
ID: 08302_01

In this scene from the 1949 production of Death of a Salesman, Thomas Chalmers plays Ben and Lee J. Cobb is Willy.; The Lost Father in Death of a Salesman

Citation: Courtesy of the Fred Fehl Photo Collection, Theatre Arts Collection, Harry Ransom Research Center, The University of Texas
Filename: 08312_01
Page Number: 468
Number: 3
Caption: In this scene from the 1949 production of Death of a Salesman, Thomas Chalmers plays Ben and Lee J. Cobb is Willy.
ID: 08312_01
Volume: 47
Author: Charlene Fix
Date: Summer2008
Article Title: The Lost Father in Death of a Salesman

Richard Ford; The Measure and Style of Acceptance: A Conversation with Richard Ford

Page Number: 544
Filename: 09401_01
Number: 4
Caption: Richard Ford
Citation: Photo: Jeanne Halpern, 2007 &#169 Star Black
Volume: 48
Date: Fall2009
Article Title: The Measure and Style of Acceptance: A Conversation with Richard Ford
Author: Harold K. Bush, Jr. and Fred Arroyo
ID: 09401_01

Jocelyn W. Knowles circa 1940; My Interview with W.H. Auden

Caption: Jocelyn W. Knowles circa 1940
Filename: 09420_01
Page Number: 668
Number: 4
ID: 09420_01
Date: Fall2009
Article Title: My Interview with W.H. Auden
Author: Jocelyn W. Knowles
Volume: 48

Theodore Roethke, 1962; Dance of the Senses: Natural Vision and Psychotic Mysticism in Theodore Roethke's Poetry

ID: 09101_01
Article Title: Dance of the Senses: Natural Vision and Psychotic Mysticism in Theodore Roethke's Poetry
Date: Winter2009
Author: Camille Paglia
Volume: 48
Citation: Photo by James O. Sneddon, University of Washington University of Michigan Alummni Association, Box #145, ROE Bentley Historical Library, University of Michigan
Caption: Theodore Roethke, 1962
Number: 1
Filename: 09101_01

Richard Wilson (left) and Orson Welles in the Mercury Production Office; "Everybody's Orson Welles": Treasures from the Special Collections Library at the University of Michigan

Citation: From the Richard Wilson-Orson Welles Papers, Special Collections Library, University of Michigan
Page Number: 186
Filename: 0920501
Number: 2
Caption: Richard Wilson (left) and Orson Welles in the Mercury Production Office
ID: 0920501
Volume: 48
Author: Catherine L. Benamou
Date: Spring2009
Article Title: "Everybody's Orson Welles": Treasures from the Special Collections Library at the University of Michigan

Figure 1: The Magnificent Ambersons workprint: A smoking gun [Internal RKO Memorandum]; A Portfolio of Graphics

Citation: Richard Wilson-Orson Welles Papers, Special Collections Library, University of Michigan
Caption: Figure 1: The Magnificent Ambersons workprint: A smoking gun [Internal RKO Memorandum]
Page Number: 235
Filename: 0921401
Number: 2
ID: 0921401
Author: Catherine L. Benamou
Date: Spring2009
Article Title: A Portfolio of Graphics
Volume: 48

Figure 2: "Voodoo" Macbeth script fragment; A Portfolio of Graphics

ID: 0921402
Author: Catherine L. Benamou
Article Title: A Portfolio of Graphics
Date: Spring2009
Volume: 48
Citation: Orson Welles-Oja Kodar Papers, Special Collections Library, University of Michigan
Caption: Figure 2: "Voodoo" Macbeth script fragment
Number: 2
Filename: 0921402
Page Number: 236

Figure 3: Lady Macbeth, sleepwalking in Utah.; A Portfolio of Graphics

ID: 0921403
Date: Spring2009
Article Title: A Portfolio of Graphics
Author: Catherine L. Benamou
Volume: 48
Citation: Photo by Marvin Boyer. Orson Welles-Oja Kodar Papers, Special Collections Library, University of Michigan
Caption: Figure 3: Lady Macbeth, sleepwalking in Utah.
Page Number: 237
Filename: 0921403
Number: 2

Figure 4: Macduff and Malcolm prepare defense on stairs; A Portfolio of Graphics

Caption: Figure 4: Macduff and Malcolm prepare defense on stairs
Page Number: 238
Filename: 0921404
Number: 2
Citation: Photo by Marvin Boyer. Orson Welles-Oja Kodar Papers, Special Collections Library, University of Michigan
Date: Spring2009
Article Title: A Portfolio of Graphics
Author: Catherine L. Benamou
Volume: 48
ID: 0921404

Figure 5: Sketch of film set for Republic Macbeth.; A Portfolio of Graphics

Number: 2
Filename: 0921405
Page Number: 239
Caption: Figure 5: Sketch of film set for Republic Macbeth.
Citation: Richard Wilson-Orson Welles Papers, Special Collections Library, University of Michigan
Volume: 48
Author: Catherine L. Benamou
Article Title: A Portfolio of Graphics
Date: Spring2009
ID: 0921405

Figure 6: Lady MacBeth in distress; A Portfolio of Graphics

Citation: Orson Welles-Oja Kodar Papers, Special Collections Library, University of Michigan. By permission of Paramount Pictures, Inc.
Caption: Figure 6: Lady MacBeth in distress
Number: 2
Page Number: 240
Filename: 0921406
ID: 0921406
Article Title: A Portfolio of Graphics
Date: Spring2009
Author: Catherine L. Benamou
Volume: 48

Figure 7: Macbeth and clansmen, Republic Macbeth; A Portfolio of Graphics

Page Number: 241
Filename: 0921407
Number: 2
Caption: Figure 7: Macbeth and clansmen, Republic Macbeth
Citation: Orson Welles-Oja Kodar Papers, Special Collections Library, University of Michigan. By permission of Paramount Pictures, Inc.
Volume: 48
Date: Spring2009
Article Title: A Portfolio of Graphics
Author: Catherine L. Benamou
ID: 0921407

Figure 8: One-Sheet from British release of Macbeth.; A Portfolio of Graphics

Caption: Figure 8: One-Sheet from British release of Macbeth.
Filename: 0921408
Page Number: 242
Number: 2
Citation: Richard Wilson-Orson Welles Papers, Special Collections Library, University of Michigan. By permission of Paramount Pictures, Inc.
Author: Catherine L. Benamou
Date: Spring2009
Article Title: A Portfolio of Graphics
Volume: 48
ID: 0921408

Obama and the Challenge of the Real

Filename: 09301_01
Page Number: 310
Number: 3
ID: 09301_01
Volume: 48
Author: Jonathan Freedman
Date: Summer2009
Article Title: Obama and the Challenge of the Real

Figure 1. Collex (search view); The End of the End of the Book: Dead Books, Lively Margins, and Social Computing

Caption: Figure 1. Collex (search view)
Filename: 09404_01
Page Number: 500
Number: 4
ID: 09404_01
Author: Alan Liu
Date: Fall2009
Article Title: The End of the End of the Book: Dead Books, Lively Margins, and Social Computing
Volume: 48

Figure 2. Collex (collection view); The End of the End of the Book: Dead Books, Lively Margins, and Social Computing

ID: 09404_02
Volume: 48
Article Title: The End of the End of the Book: Dead Books, Lively Margins, and Social Computing
Date: Fall2009
Author: Alan Liu
Number: 4
Page Number: 501
Filename: 09404_02
Caption: Figure 2. Collex (collection view)

Figure 3. Example of journal published through the Open Journal Systems. Reading tools in the sidebar (shown in expanded view to the right) include links to automatically harvested related studies, reviews, social science data, databases, online forums, government policy, media reports, et cetera.; The End of the End of the Book: Dead Books, Lively Margins, and Social Computing

Caption: Figure 3. Example of journal published through the Open Journal Systems. Reading tools in the sidebar (shown in expanded view to the right) include links to automatically harvested related studies, reviews, social science data, databases, online forums, government policy, media reports, et cetera.
Page Number: 502
Filename: 09404_03
Number: 4
Date: Fall2009
Article Title: The End of the End of the Book: Dead Books, Lively Margins, and Social Computing
Author: Alan Liu
Volume: 48
ID: 09404_03

Figure 4. PreE (Professional Reading Environment). Screenshot from a proof-of-concept prototype showing a search result being dragged into "My Library" in the sidebar. (Image courtesy of the Electronic Textual Cultures Lab, University of Victoria.); The End of the End of the Book: Dead Books, Lively Margins, and Social Computing

Volume: 48
Author: Alan Liu
Article Title: The End of the End of the Book: Dead Books, Lively Margins, and Social Computing
Date: Fall2009
ID: 09404_04
Number: 4
Filename: 09404_04
Page Number: 504
Caption: Figure 4. PreE (Professional Reading Environment). Screenshot from a proof-of-concept prototype showing a search result being dragged into "My Library" in the sidebar. (Image courtesy of the Electronic Textual Cultures Lab, University of Victoria.)

Figure 5. Data structure hierarchy (conjectural); The End of the End of the Book: Dead Books, Lively Margins, and Social Computing

Page Number: 506
Filename: 09404_05
Number: 4
Caption: Figure 5. Data structure hierarchy (conjectural)
Volume: 48
Date: Fall2009
Article Title: The End of the End of the Book: Dead Books, Lively Margins, and Social Computing
Author: Alan Liu
ID: 09404_05

Figure 6. Hypothetical comparison of mainstream and research online environments; The End of the End of the Book: Dead Books, Lively Margins, and Social Computing

Volume: 48
Author: Alan Liu
Date: Fall2009
Article Title: The End of the End of the Book: Dead Books, Lively Margins, and Social Computing
ID: 09404_06
Page Number: 507
Filename: 09404_06
Number: 4
Caption: Figure 6. Hypothetical comparison of mainstream and research online environments

Figure 7. "Bookshelf" page on early website of the US Santa Barbara Transcriptions Project(Literature and the Culture of Information); The End of the End of the Book: Dead Books, Lively Margins, and Social Computing

Author: Alan Liu
Article Title: The End of the End of the Book: Dead Books, Lively Margins, and Social Computing
Date: Fall2009
Volume: 48
ID: 09404_07
Caption: Figure 7. "Bookshelf" page on early website of the US Santa Barbara Transcriptions Project(Literature and the Culture of Information)
Number: 4
Filename: 09404_07
Page Number: 512

Figure 8. Post of 4 September 2007 from Robin Hunicke’s blog, gewgaw. The full, scrollable length of this post, including the whole sidebar, is here split in two for static display. (Reproduced with permission of Robin Hunicke.); The End of the End of the Book: Dead Books, Lively Margins, and Social Computing

Caption: Figure 8. Post of 4 September 2007 from Robin Hunicke’s blog, gewgaw. The full, scrollable length of this post, including the whole sidebar, is here split in two for static display. (Reproduced with permission of Robin Hunicke.)
Number: 4
Filename: 09404_08
Page Number: 515
Article Title: The End of the End of the Book: Dead Books, Lively Margins, and Social Computing
Date: Fall2009
Author: Alan Liu
Volume: 48
ID: 09404_08

The Aesthetic of Bookishness in Twenty-First-Century Literature

Article Title: The Aesthetic of Bookishness in Twenty-First-Century Literature
Date: Fall2009
Author: Jessica Pressman
Volume: 48
ID: 09402_01
Number: 4
Page Number: 470
Filename: 09402_01

The Aesthetic of Bookishness in Twenty-First-Century Literature

Number: 4
Filename: 09402_02
Page Number: 473
ID: 09402_02
Volume: 48
Author: Jessica Pressman
Article Title: The Aesthetic of Bookishness in Twenty-First-Century Literature
Date: Fall2009

The Aesthetic of Bookishness in Twenty-First-Century Literature

ID: 09402_03
Volume: 48
Author: Jessica Pressman
Article Title: The Aesthetic of Bookishness in Twenty-First-Century Literature
Date: Fall2009
Number: 4
Filename: 09402_03
Page Number: 474

Figure 1. The Mori Museum; The Erotic Grotesque Nonsense of Superflat: 'Happiness' as Pathology in Japan Today

Filename: 10101_01
Page Number: 2
Number: 1
Caption: Figure 1. The Mori Museum
ID: 10101_01
Volume: 49
Author: Jennifer Robertson
Date: Winter2010
Article Title: The Erotic Grotesque Nonsense of Superflat: 'Happiness' as Pathology in Japan Today

Figure 2. Takarazuka otokoyaku and musumeyaku on the cover of Robertson 2001 (1998); The Erotic Grotesque Nonsense of Superflat: 'Happiness' as Pathology in Japan Today

ID: 10101_02
Volume: 49
Author: Jennifer Robertson
Article Title: The Erotic Grotesque Nonsense of Superflat: 'Happiness' as Pathology in Japan Today
Date: Winter2010
Number: 1
Page Number: 10
Filename: 10101_02
Caption: Figure 2. Takarazuka otokoyaku and musumeyaku on the cover of Robertson 2001 (1998)

Figure 3. Tamasaburo Bando, kabuki onnagata (http://www.clas.ufl.edu/users/jshoaf/Jdolls/lionladyt.jpg); The Erotic Grotesque Nonsense of Superflat: 'Happiness' as Pathology in Japan Today

Caption: Figure 3. Tamasaburo Bando, kabuki onnagata (http://www.clas.ufl.edu/users/jshoaf/Jdolls/lionladyt.jpg)
Page Number: 11
Filename: 10101_03
Number: 1
ID: 10101_03
Author: Jennifer Robertson
Date: Winter2010
Article Title: The Erotic Grotesque Nonsense of Superflat: 'Happiness' as Pathology in Japan Today
Volume: 49

Figure 4: Morimura as Marilyn Monroe; The Erotic Grotesque Nonsense of Superflat: 'Happiness' as Pathology in Japan Today

ID: 10101_04
Author: Jennifer Robertson
Date: Winter2010
Article Title: The Erotic Grotesque Nonsense of Superflat: 'Happiness' as Pathology in Japan Today
Volume: 49
Caption: Figure 4: Morimura as Marilyn Monroe
Page Number: 12
Filename: 10101_04
Number: 1

Figure 5: Morimura (as Oscar) in Delacroix's Liberty to the Barricades; The Erotic Grotesque Nonsense of Superflat: 'Happiness' as Pathology in Japan Today

Author: Jennifer Robertson
Article Title: The Erotic Grotesque Nonsense of Superflat: 'Happiness' as Pathology in Japan Today
Date: Winter2010
Volume: 49
ID: 10101_05
Caption: Figure 5: Morimura (as Oscar) in Delacroix's Liberty to the Barricades
Number: 1
Page Number: 13
Filename: 10101_05
Citation: Takarazuka: The Land of Dreams

Figure 6: Morimura's Olympia/Futago; The Erotic Grotesque Nonsense of Superflat: 'Happiness' as Pathology in Japan Today

Caption: Figure 6: Morimura's Olympia/Futago
Number: 1
Page Number: 15
Filename: 10101_06
Author: Jennifer Robertson
Article Title: The Erotic Grotesque Nonsense of Superflat: 'Happiness' as Pathology in Japan Today
Date: Winter2010
Volume: 49
ID: 10101_06

Figure 7: Murakami's DOB; The Erotic Grotesque Nonsense of Superflat: 'Happiness' as Pathology in Japan Today

Number: 1
Page Number: 18
Filename: 10101_07
Caption: Figure 7: Murakami's DOB
ID: 10101_07
Volume: 49
Article Title: The Erotic Grotesque Nonsense of Superflat: 'Happiness' as Pathology in Japan Today
Date: Winter2010
Author: Jennifer Robertson

Figure 8: Murakami's Ms. Ko2; The Erotic Grotesque Nonsense of Superflat: 'Happiness' as Pathology in Japan Today

Citation: Hiropon
Caption: Figure 8: Murakami's Ms. Ko2
Number: 1
Filename: 10101_08
Page Number: 19
ID: 10101_08
Article Title: The Erotic Grotesque Nonsense of Superflat: 'Happiness' as Pathology in Japan Today
Date: Winter2010
Author: Jennifer Robertson
Volume: 49

Figure 9: Murakami's My Lonesome Cowboy; The Erotic Grotesque Nonsense of Superflat: 'Happiness' as Pathology in Japan Today

Volume: 49
Article Title: The Erotic Grotesque Nonsense of Superflat: 'Happiness' as Pathology in Japan Today
Date: Winter2010
Author: Jennifer Robertson
ID: 10101_09
Number: 1
Filename: 10101_09
Page Number: 20
Caption: Figure 9: Murakami's My Lonesome Cowboy

Figure 1. Beside the courtyard of the Grand Mosque in Hamedan; Iran Today

Number: 1
Filename: 10105_01
Page Number: 41
Caption: Figure 1. Beside the courtyard of the Grand Mosque in Hamedan
Citation: photo by Christopher Thornton
Volume: 49
Article Title: Iran Today
Date: Winter2010
Author: Christopher Thornton
ID: 10105_01

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