Title |
Author(s) |
Volume/Issue |
Date |
Downloads
|
Polyphony and Racial Identity: Schoenberg, Heinrich Berl, and Richard Eichenauer
|
Painter, Karen |
vol. V
no. 2 |
Summer 2011 |
|
"Our Silence Buys the Battles": The Role of Protest Music in the U.S.-Central American Peace and Solidarity Movement
|
Palmer, Cara E. |
vol. XI
no. 2 |
Summer 2017 |
|
Gabino Palomares: A History of Canto Nuevo in Mexico
|
Palomares-Salas, Claudio |
vol. XII
no. 1 |
Winter 2018 |
|
“Music is an A-Political Subject”: North American Musicologists in the Soviet Union, 1960s-1970s
|
Panteleeva, Olga |
vol. 14
no. 2 |
Summer 2020 |
|
Introduction to Special Issue: The Politics of Musical Knowledge in the Soviet Union and Beyond (1930s−1980s)
|
Panteleeva, Olga; Zavlunov, Daniil |
vol. 14
no. 2 |
Summer 2020 |
|
Bearing Witness in Manoli...!: A Political Opera of Postwar Cyprus
|
Papaeti, Anna |
vol. VI
no. 1 |
Winter 2012 |
|
The Black Muse: Polish Hip-Hop as the Voice of "New Others" in the Post-Socialist Transition
|
Pasternak-Mazur, Renata |
vol. III
no. 1 |
Winter 2009 |
|
Political Pop, Political Fans? A Content Analysis of Music Fan Blogs
|
Pedelty, Mark; Keefe, Linda |
vol. IV
no. 1 |
Winter 2010 |
|
Music and Protest in the African American Literature Course
|
Pettit, Rhonda |
vol. IV
no. 2 |
Summer 2010 |
|