| Title |
Author(s) |
Volume/Issue |
Date |
Downloads
|
|
"We Take Care of the Artist": The German Composers' Meeting in Berlin, 1934
|
Garberding, Petra |
vol. III
no. 2 |
Summer 2009 |
|
|
War, Anxiety, and Hope in American Sheet Music, 1914–1917
|
Gier, Christina |
vol. VII
no. 1 |
Winter 2013 |
|
|
Gender, Politics and the Fighting Soldier's Song in America during World War I
|
Gier, Christina |
vol. II
no. 1 |
Winter 2008 |
|
|
An American Soldier’s iPod: Layers of Identity and Situated Listening in Iraq
|
Gilman, Lisa |
vol. IV
no. 2 |
Summer 2010 |
|
|
“I’ve Got a Little List”: Spotifying Mitt Romney and Barack Obama in the 2012 U.S. Presidential Election
|
Gorzelany-Mostak, Dana |
vol. IX
no. 2 |
Summer 2015 |
|
|
On the Campaign Trail(er): Deconstructing the Soundscape of the 2012 U.S. Presidential Election
|
Gorzelany-Mostak, Dana; Deaville, James |
vol. IX
no. 2 |
Summer 2015 |
|
|
A Partisan National Song: The Politics of "Hail Columbia" Reconsidered
|
Gray, Myron |
vol. XI
no. 2 |
Summer 2017 |
|
|
Women Singer-Songwriters as Exemplary Actors: The Music of Rape and Domestic Violence
|
Greene, Kathanne W. |
vol. XI
no. 2 |
Summer 2017 |
|
|
In Truth, the Forest Hears Each Sound: Sounding Nature and Ideology in New York’s Hudson Valley
|
Groffman, Joshua |
vol. 13
no. 2 |
Summer 2019 |
|
|
The Question of Multiculturalism in the Arts in the Postcolonial Nation-State of Trinidad and Tobago
|
Guilbault, Jocelyne |
vol. V
no. 1 |
Winter 2011 |
|
