| Title |
Author(s) |
Volume/Issue |
Date |
Downloads
|
|
“Basta ya!”: Aesthetic Calibanism and Cold War-Era Context in the Protest Songs of Atahualpa Yupanqui
|
Carlson, Julius Reder |
vol. 13
no. 2 |
Summer 2019 |
|
|
Duke Ellington, Billy Strayhorn and the Adventures of Peer Gynt in America
|
Celenza, Anna |
vol. V
no. 2 |
Summer 2011 |
|
|
Exilic Suffering: Music, Nation, and Protestantism in Cold War South Korea
|
Chang, Hyun Kyong Hannah |
vol. VIII
no. 1 |
Winter 2014 |
|
|
Lincoln, Persichetti and the 2nd Inauguration of Richard Nixon: a Study in Artistic Vision Versus Political Expediency
|
Chikinda, Michael |
vol. XII
no. 1 |
Winter 2018 |
|
|
“It’s Morning Again in America”: How the Tuesday Team Revolutionized the Use of Music in Political Ads
|
Christiansen, Paul |
vol. X
no. 1 |
Winter 2016 |
|
|
The Singer as Individual: Pop Singers, Music and Political Propaganda in Contemporary Maltese Electoral Campaigns
|
Ciantar, Philip |
vol. X
no. 1 |
Winter 2016 |
|
|
“Which Side Are You On?” Folk Tune Quotation and Protest in Western Art Music
|
Cornett, Vanessa |
vol. 15
no. 1 |
Winter 2021 |
|
|
Five to One: Rethinking the Doors and the Sixties Counterculture
|
Crenshaw, Christopher |
vol. VIII
no. 1 |
Winter 2014 |
|
|
"There is No Authority but Yourself": The Individual and the Collective in British Anarcho-Punk
|
Cross, Rich |
vol. IV
no. 2 |
Summer 2010 |
|
|
Promoting Romanian Music Abroad: The Rumanian Review (1946-1956)
|
Crotty, Joel |
vol. III
no. 2 |
Summer 2009 |
|
|
Selective Tradition and Structure of Feeling in the 2008 Presidential Election: A Genealogy of “Yes We Can Can”
|
Curtis, Bruce |
vol. 14
no. 1 |
Winter 2020 |
|
