| Title |
Author(s) |
Downloads
|
|
This Is What Democracy Sounds Like: Sound, Music, and Performance at the Women’s March and Beyond
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— |
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Women’s March Colloquy - Introduction: At Risk of Repetition
|
Tausig, Benjamin |
PDF
(137kb)
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Women’s March Colloquy - Listening for Dissensus
|
Sonevytsky, Maria |
PDF
(124kb)
|
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Women’s March Colloquy - On Sirens and Lamp Posts: Sound, Space, and Affective Politics
|
Silverstein, Shayna |
PDF
(182kb)
|
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Women’s March Colloquy - The Long Weekend: Exclusion, Intrusion, Trolls, and Punks
|
Harbert, Benjamin |
PDF
(185kb)
|
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Women’s March Colloquy - Chants of the Resistance: Flow, Memory, and Inclusivity
|
Manabe, Noriko |
PDF
(1.6mb)
|
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Representing a Christian Nation: Sacred and Providential Discourses in Opera in the United States, 1911-1917
|
Ziegel, Aaron |
PDF
(3.5mb)
|
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Discrepant Kisses: The Reception and Remediation of North Korean Children’s Performances Circulated on Social Media
|
Kwon, Donna Lee |
PDF
(1.3mb)
|
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Musical Expertise and the “Ordinary” Listener in Federal Copyright Law
|
Leo, Katherine M. |
PDF
(290kb)
|
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About the Authors
|
— |
PDF
(62kb)
|
