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Browse by Issue > Volume 13 > Issue 1 (Winter 2019)
Title Author(s) Downloads
This Is What Democracy Sounds Like: Sound, Music, and Performance at the Women’s March and Beyond —
Women’s March Colloquy - Introduction: At Risk of Repetition Tausig, Benjamin PDF (137kb)
Women’s March Colloquy - Listening for Dissensus Sonevytsky, Maria PDF (124kb)
Women’s March Colloquy - On Sirens and Lamp Posts: Sound, Space, and Affective Politics Silverstein, Shayna PDF (182kb)
Women’s March Colloquy - The Long Weekend: Exclusion, Intrusion, Trolls, and Punks Harbert, Benjamin PDF (185kb)
Women’s March Colloquy - Chants of the Resistance: Flow, Memory, and Inclusivity Manabe, Noriko PDF (1.6mb)
Representing a Christian Nation: Sacred and Providential Discourses in Opera in the United States, 1911-1917 Ziegel, Aaron PDF (3.5mb)
Discrepant Kisses: The Reception and Remediation of North Korean Children’s Performances Circulated on Social Media Kwon, Donna Lee PDF (1.3mb)
Musical Expertise and the “Ordinary” Listener in Federal Copyright Law Leo, Katherine M. PDF (290kb)
About the Authors — PDF (62kb)
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Online ISSN: 1938-7687