Tennyson as a Dramatist [pp. 118-131]

Catholic world / Volume 25, Issue 145

Teiziyson ats a Dramatist. terrible invasion of Harold Hardrada and''ostig, braved his own sovereign, seized on the English throne with a grasp that only death could shake off,and died so gloriously on Hastings-never "played the woman with his eyes and the braggart with his tongue " in this poor fashion. Here again speaks the reader of modern infidel literature in the mouth of the unspeculative soldi.er of the eleventh century: " I cannot help it, but at times They seem to me too narrow, all the faiths Of this grown world of ours, whose baby eye Saw them sufficient." "AVC the faiths!" WAVe wonder hoow ,many " faiths " Harold knew of or contemplated. Indeed, it seems to us that Mr.'Tennyson here speaks for himlself, and in a mannaer that causes some suspicion of his having lost something of his own earlier and more robust belief. Harold continues: "But a little light! And on it falls the shadow of the priest; Heaven yield us more! far better Woden, all Our cancel'd warrior-gods, our grint Wal hallo, .Eternal war, than /that the Saints atfieace; The IIolivst of our Holiest one should be T7'his kVilliam''s fellow-tricksters; better die Than credit this, for death is death, or else Lifts us beyond the lie." 'Which is heathenism and athleism beautifully combined. He goes on, still in his atheistic vein, when ,Edithl bids him listen to the nightingales: " Their anthems of no church, how sweet they are! Nor kingly priest, nor priestly king to cross Their billings ere they nest." And again, when Gurth brings enews of the pope's favoring Williami's cause, Harold laughs and says of it: This was old human laughter in old Rome BJ3efore a Pope was born, when that which reign'd (CaU'd itself God- a kingly rendering Of' Render unto Cwesar.'" . Harold must have lately risen from a perusal of Mr. Gladstone's pamplhlet on Vaticanism when he spoke thus, so we pardon his aberration.'That pamphlet is too strong for weak intellects. "The Lord was God and came as man-the Pope Is man and comes as God," hle continues, still in the Gladstonian vein. He reminds Editl that love "remains beyond all chances and all churches"-a dictutm and doctrine that would be strange even in a Protestant Harold. "I ever hated monks," he says in another place, which may account for his having founded Waltham Abbey. He grows more and more Protestant towards tie end, and the saintly relics over whlichl. he was so terrified at having sworn a false oath he terms the " gilded ark of mummy-saints." And here is his final legacy to England: ".. And this to England, My legacy of war against the Pope From child to child, from Pope to Pope, from age to age, Till the sea wash her level with her shores, Or till the Pope be Christ's." This is Tennyson's legacy, not Harold's. It seems strange that it should have fallen into careless hands; not ours, but those of tihe poet's coreligionists. The fact is that the world is growing wearyv of little anti-papal tooters. Great enemies of the papacy it applauds and tries to excuse; but at the mouthings of the little people it yawns. If T''ennyson has shown anything in this as in his other antiCatholic effusions, it is that when moved by rancor he can descend to all the small bitterness of a common and weak order of mind. We cannot go further into an examination of Harold, and, indeed, the task is not worth while. He has failed in the one character which, 13o

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Tennyson as a Dramatist [pp. 118-131]
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Catholic world / Volume 25, Issue 145

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