Tinted Sketches in Madeira. were carried home. A deputy bishop took the place of his superior beneath the canopy, other men relieved the bearers of the banners and images, and other musicians released those whose attendance had commenced with the dawn. All through the day you could trace their course, only occasionally losing sight of them, and all through the night too, by the light of the cedar-wood torches borne by little boys, in snowy tunics, who had joined the procession at the foot of the mount. To understand how beautiful was the effect of this, you must look with me on the unique and picturesque town of Funchal, running round the blue waters of the bay, and rising up into the vineyards and groves and gardens clothing the encircling hills. A golden light slumbers over the whole scene, so pure and luminous that we can trace distinctly every feature in the luxuriant landscape. The white houses of the town crowned with terrinhas, or turrets, and having hanging balconies glowing with flowers of rare beauty; the majestic palms expanding their broad and beautiful heads over high garden walls; the feathery banana waving gracefully on sunny slopes, where clumps of the bright pomegranates display their crimson pomp; the shady plane-trees running in rows along the streets; the snowy quintas or villas on the hills, becoming fewer and more scattered toward the summit; the churches and nunneries on higher elevations; and still further up the white cottages of the peasantry, with their vine-trellised porches and their gardens of pears, peaches, and apricots; while above and around all these, forming a sublime amphitheatre as they tower to nearly six thousand feet above the level of the sea, are the Pico Ruivo ai* Pico Grande. A wreath of purple mist lay that day, as it almost always does, on their topmost peaks, giving now and again glimpses of their picturesque outline, as, like a soft transparent veil, it was folded and un folded by the breeze roaming over the solitudes of scented broom and heather. Through such scenes, in view of all, moved the long, glittering pageant just described. CHAPTER HII. EVERYWHERE the grave declares its victory-in beautiful Madeira as elsewhere. An old servant, whose business it was to cut up fire-wood and carry it into the house, has performed his last earthly duty and finished life's journey. He dwelt with his mother and sister in a cottage at the extremity of the garden; and I was only apprised of the circumstances of his death by hearing loud cries coming up from the shady walks, and the exclamations: "Alas, my son, my son!" and "Oh, my brother!" repeated over and over in accents of uncontrollable grief. It is customary, as soon as a death occurs in the family of one of the peasant class, for all the survivors to rush forth into the open air, and, with cries and lamentations, to call on the dead by every endearing epithet and implore of them to return once more. The neighbors being thus made acquainted with what has occurred, gather round the mourners, and try to steal away the bitterness of their grief by reminding them that all living shall share the same fate, and that one by one each shall delert in his turn to make his bed in the silent chamber of the grave. By such simple consolations-untaught nature's promptings-they induce the bereaved ones to re-enter the house and prepare the body for interment. The heat of the climate renders hasty burial necessary in Madeira, and the authorities are strict in enforcing it. From ten to twelve hours is the longest period allowed by law. between death and the grave, and the very poor seldom permit even so much time to elapse; they merely wait to ascertain to a certainty that the hand of death has released the imprisoned 271
Tinted Sketches in Madeira [pp. 265-278]
Catholic world / Volume 3, Issue 14
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- Problems of the Age, Parts I-II - pp. 145-150
- Glastonbury Abbey - pp. 150-170
- Saints of the Desert - Rev. John Henry Newman - pp. 170
- Christine - George H. Miles - pp. 171-182
- Jenifer's Prayer, Part II - Oliver Crane - pp. 183-197
- A Pretended Dervish in Turkestan, Parts I-III - Émile Jonveaux - pp. 198-215
- Mater Divinæ Gratiæ - Aubrey de Vere - pp. 216
- Pamphlets on the Eirenicon - pp. 217-231
- Curiosities of Animal Life - pp. 232-239
- Poor and Rich - pp. 240
- All-Hallow Eve; or, The Test of Futurity, Chapters XXX-XXXVI - Robert Curtis - pp. 241-263
- Requiem Æternam - Marie - pp. 263-264
- Tinted Sketches in Madeira - pp. 265-278
- The Catholic Publication Society - pp. 278-283
- New Publications - pp. 283-288
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"Tinted Sketches in Madeira [pp. 265-278]." In the digital collection Making of America Journal Articles. https://name.umdl.umich.edu/bac8387.0003.014. University of Michigan Library Digital Collections. Accessed June 24, 2025.